Abel, E. (1989) Virginia Woolf and the fictions of psychoanalysis. London: University of Chicago Press.
Albright, D. (1997) Quantum poetics: Yeats, Pound, Eliot, and the science of modernism. Cambridge: Cambridge University Press.
Allen, G. (2008) Shelley’s Frankenstein. London: Continuum. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=766037.
Amy E. Elkins (2010) ‘Old Pages and New Readings in Virginia Woolf’s “Orlando”’, Tulsa Studies in Women’s Literature, 29(1), pp. 131–136. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41337036.
Andermahr, S. and Phillips, L. (eds) (2014) Angela Carter: new critical readings. London: Bloomsbury Academic.
Bainbridge, S. (2008) Romanticism: a sourcebook. Basingstoke: Palgrave Macmillan.
Barr, M.S. (1992) Feminist fabulation: space/postmodern fiction. Iowa City: University of Iowa Press.
Barrett, E. and Cramer, P. (1997) Virginia Woolf: lesbian readings. New York: New York University Press.
Bazin, N.T. (no date) Virginia Woolf and the androgynous vision. New Brunswick, N.J: Rutgers University Press.
BBC Radio 4 - In Our Time, Samuel Beckett (no date). Available at: https://www.bbc.co.uk/programmes/m00021q7.
Beckett, S. (1959) Krapp’s last tape: and, Embers. London: Faber and Faber.
Beckett, S. et al. (2001) ‘Beckett on film: Krapp’s last tape ; What where ; Footfalls ; Come and go ; Adenda’. [UK]: Blue Angel Films.
Botting, F. (1991) Making monstrous: Frankenstein, criticism, theory. Manchester: Manchester University Press.
Botting, F. (2008) Limits of horror: technology, bodies, Gothic. Manchester: Manchester University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069700.
Bowlby, R. (1988) Virginia Woolf: feminist destinations. Oxford: Basil Blackwell.
Bradbury, M. (1971) The social context of modern English literature. Oxford: Blackwell.
Bradbury, M. (1993) The modern British novel. London: Secker & Warburg.
Briggs, J. (2006) Reading Virginia Woolf. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=267197.
Bristow, J. and Broughton, T.L. (1997) The infernal desires of Angela Carter: fiction, femininity, feminism. London: Longman.
Brooks, P. (1984) Reading for the plot: design and intention in narrative. Oxford: Clarendon.
Burns, C.L. (1994) ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’, Twentieth Century Literature, 40(3), pp. 342–364. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441560.
Călinescu, M. (1987) Five faces of modernity: modernism, avant-garde, decadence, kitsch, postmodernism. Durham: Duke University Press.
Carroll, R. (2010) ‘Imitations of life: cloning, heterosexuality and the human in Kazuo Ishiguro’s’, Journal of Gender Studies, 19(1), pp. 59–71. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=48604660&site=ehost-live.
Carter, A. (1979) The Sadeian woman: an exercise in cultural history. London: Virago.
Carter, A. (1981a) Heroes and villains. London: Penguin.
Carter, A. (1981b) The bloody chamber and other stories. London: Penguin.
Carter, A. (1981c) The magic toyshop. London: Virago.
Carter, A. (1982a) Nothing sacred: selected writings. London: Virago.
Carter, A. (1982b) The passion of new Eve. London: Virago.
Carter, A. (1992) Wise children. London: Vintage.
Carter, A. (1993) Expletives deleted: selected writings. London: Vintage.
Carter, A. (2006) Fireworks. Rev. ed. London: Virago.
Carter, A. and Uglow, J.S. (1997) Shaking a leg: journalism and writings. London: Chatto & Windus.
Carter, A. and Waters, S. (1994) Nights at the circus. London: Vintage.
Caughie, P.L. (2000) Virginia Woolf in the age of mechanical reproduction. New York, N.Y.: Garland.
Caughie, P.L. (2013) ‘The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s Man Into Woman’, MFS Modern Fiction Studies, 59(3), pp. 501–525. Available at: https://muse-jhu-edu.oxfordbrookes.idm.oclc.org/article/522187.
Chatman, S. (1993) ‘Narratological Empowerment’, Narrative, 1(1), pp. 59–65. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20106993?seq=1#page_scan_tab_contents.
Chinitz, D. (ed.) (2014) A Companion to T.S. Eliot. Chichester, West Sussex: Wiley-Blackwell. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444315745&uid=^u.
Clayton, J. et al. (2012) Dickens and modernity. Edited by J. John. Cambridge [England]: D.S. Brewer.
Clements, P. and Grundy, I. (1983) Virginia Woolf: new critical essays. London: Vision.
Cohn, R. (1975) Samuel Beckett: a collection of criticism. New York: McGraw-Hill.
Cooper, J.X. (2006) The Cambridge introduction to T.S. Eliot. Cambridge, UK: Cambridge University Press.
Cronin, A. (1996) Samuel Beckett: the last modernist. London: HarperCollins.
Cuddy-Keane, M. (2003) Virginia Woolf, the intellectual, and the public sphere. Cambridge: Cambridge University Press.
Currie, M. (1995) Metafiction. London: Longman.
Daly, N. (2004) Literature, technology, and modernity, 1860-2000. Cambridge: Cambridge University Press.
Day, A. (1998) Angela Carter: the rational glass. Manchester: Manchester University Press.
De Gay, J. (2007) ‘Virginia Woolf’s Feminist Historiography in Orlando’, Critical Survey, 19(1), pp. 62–72. Available at: https://www-berghahnjournals-com.oxfordbrookes.idm.oclc.org/view/journals/critical-survey/19/1/cs190107.xml.
Dickens, C. (2006) Great expectations. London: Penguin.
Dickens, C. (2015) Great Expectations. Open Road Media. Available at: https://oxfordbrookes.on.worldcat.org/oclc/968003131.
‘Drama on 3: Krapp’s Last Tape, by Samuel Beckett (With Corin Redgrave. Directed by Polly Thomas and Carrie Rooney)’ (no date). BBC Radio 3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/015776B7?bcast=46697386.
Easton, A. (2000) Angela Carter. Basingstoke: Macmillan.
Eatough, M. (2011) ‘The time that remains: organ donation, temporal duration, and Bildung in Kazuo Ishiguro’s Never let me go’, Literature and medicine, 29(1), pp. 132–160. Available at: https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/902909343/F92991978B7B4224PQ/2?accountid=13041.
Eddins, D. (1976) ‘John Fowles: Existence as Authorship’, Contemporary Literature, 17(2), pp. 204–222. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1207665?origin=crossref&seq=1#page_scan_tab_contents.
Eliot, T.S. (1975) Selected prose of T.S. Eliot. Edited by F. Kermode. London: Faber.
Eliot, T.S. (2009) Selected poems. 80th anniversary ed. London: Faber.
Eliot, T.S. and Rainey, L.S. (no date) The annotated Waste Land, with Eliot’s contemporary prose. 2nd ed. New Haven: Yale University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3419857.
Esslin, M. (1965) Samuel Beckett: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall.
Faflak, J. and Chaplin, S. (2011) The romanticism handbook. London: Continuum.
Fletcher, J. (2000) Samuel Beckett: Waiting for Godot, Endgame, Krapp’s last tape. London: Faber.
Ford, B. (1973) The Modern age. 3rd ed. Harmondsworth: Penguin.
Fowles, J. (2004) The French lieutenant’s woman. London: Vintage.
Gamble, S. (1997) Angela Carter: writing from the front line. Edinburgh: Edinburgh University Press.
Gamble, S. (2001) The fiction of Angela Carter. Houndmills: Palgrave Macmillan.
Gamble, S. (2006) Angela Carter: a literary life. Basingstoke: Palgrave Macmillan.
Gates, S. (2009) ‘Intertextual Estella: “Great Expectations,” Gender, and Literary Tradition’, PMLA, 124(2), pp. 390–405. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25614282.
Giddens, A. (1990) The consequences of modernity. Cambridge: Polity Presss in association with Blackwell.
Giddens, A. (1991) Modernity and self-identity: self and society in the late modern age. Cambridge: Polity. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1272676.
Goh, R.B.H. (2010) ‘The postclone-nial in Kazuo Ishiguro’s Never Let Me Go and Amitav Ghosh’s the Calcutta Chromosome: science and the body in the Asian diaspora’, ARIEL: A Review of International English Literature, 41(3–4). Available at: https://journalhosting.ucalgary.ca/index.php/ariel/article/view/35086/28977.
Goldman, J. (1998) The feminist aesthetics of Virginia Woolf: modernism, post-impressionism, and the politics of the visual. Cambridge: Cambridge University Press.
Goldman, J. (2006) The Cambridge introduction to Virginia Woolf. Cambridge: Cambridge University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=275126.
Gontarski, S.E. (1977) ‘Crapp’s First Tapes: Beckett’s Manuscript Revisions of “Krapp’s Last Tape”’, Journal of Modern Literature, 6(1), pp. 61–68. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831019?seq=1#page_scan_tab_contents.
Gontarski, S.E. (2010) A companion to Samuel Beckett. Oxford: Wiley-Blackwell.
Gordon, L. (1990) ‘Krapp’s Last Tape: A New Reading’, Journal of Dramatic Theory and Criticism, 5(1). Available at: https://journals.ku.edu/jdtc/article/view/1778.
Gordon, L. (1996) The world of Samuel Beckett, 1906-1946. New Haven: Yale University Press.
Grass, S. (2012) ‘COMMODITY AND IDENTITY IN “GREAT EXPECTATIONS”’, Victorian Literature and Culture, 40(2), pp. 617–641. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41819960.
Graver, L. and Federman, R. (1979) Samuel Beckett: the critical heritage. London: Routledge.
Green, M., Hoggart, R., and English Association (1987) English and cultural studies: broadening the context. London: John Murray.
Greene, S. (1999) Virginia Woolf: reading the Renaissance. Athens: Ohio University Press.
Griffin, G. (2009) ‘Science and the cultural imaginary: the case of Kazuo Ishiguro’s’, Textual Practice, 23(4), pp. 645–663. Available at: https://doi.org/10.1080/09502360903000570.
Groes, S. and Lewis, B. (2011) Kazuo Ishiguro: new critical visions of the novels. Basingstoke: Palgrave Macmillan.
Grossman, J.H. (2015) ‘Living the Global Transport Network in “Great Expectations”’, Victorian Studies, 57(2). Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/victorianstudies.57.2.225.
Guignon, C.B. (1993) The Cambridge companion to Heidegger. Cambridge: Cambridge University Press.
Hammond, K. (2004) ‘Monsters of modernity: Frankenstein and modern environmentalism.’, Cultural Geographies, 11(2), pp. 181–198. Available at: http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=13029824&site=ehost-live.
Haney, W.S. (2006) Cyberculture, cyborgs and science fiction: consciousness and the posthuman. Amsterdam: Rodopi. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556430.
Harding, J. (2011) T.S. Eliot in context. Cambridge, UK: Cambridge University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=691843.
Haule, J.M. and Stape, J.H. (2002) Editing Virginia Woolf: interpreting the modernist text. Basingstoke: Palgrave.
Heidegger, M. (2014) ‘Chapter 27 The Question Concerning Technology’, in R.C. Scharff and V. Dusek (eds) Philosophy of technology: the technological condition : an anthology. Second edition. Chichester, West Sussex, UK: Wiley Blackwell, pp. 305–317.
Heidegger: The Question Concerning Technology - a useful web guide to the essay (no date). Available at: http://www.english.hawaii.edu/criticalink/heidegger/index.html.
Higdon, D.L. (1984) ‘Endgames in John Fowles’s the French Lieutenant’s woman’, English Studies, 65(4), pp. 350–361.
Higgins, D. (2008) Frankenstein: character studies. London: Continuum.
Hitchcock, S.T. (2007) Frankenstein: a cultural history. 1st ed. New York: W.W. Norton.
Hulle, D. van (ed.) (2015) The new Cambridge companion to Samuel Beckett. New York, NY: Cambridge University Press.
Hustis, H. (2003) ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’, Studies in English Literature, 1500-1900, 43(4), pp. 845–858. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4625101.
Hutcheon, L. (1984) Narcissistic narrative: the metafictional paradox. New York: Methuen. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=685684.
Hutcheon, L. (1989) The politics of postmodernism. London: Routledge.
‘In Our Time: Samuel Beckett’ (no date). BBC Radio 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/129EFDD2?bcast=128307282.
Inwood, M. (2000) Heidegger: a very short introduction. Oxford: Oxford University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=232899.
Ishiguro, K. (1986) An artist of the floating world. London: Faber.
Ishiguro, K. (1993) The remains of the day. London: Faber.
Ishiguro, K. (1995) The unconsoled. London: Faber.
Ishiguro, K. (2000) When we were orphans. London: Faber and Faber.
Ishiguro, K. (2001) An artist of the floating world. London: Faber.
Ishiguro, K. (2006) Never let me go. London: Faber.
Jackson, T.E. (1997) ‘Charles and the Hopeful Monster: Postmodern Evolutionary Theory in The French Lieutenant’s Woman’, Twentieth Century Literature, 43(2), pp. 221–242. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441570?seq=1#page_scan_tab_contents.
James Knowlson, ‘Krapp’s last tape’: the evolution of a play, 1958-75’ (no date). Available at: http://www.english.fsu.edu/jobs/num01/Num1Knowlson2.htm.
Johansen, E. (2016) ‘Bureaucracy and narrative possibilities in Kazuo Ishiguro’s Never Let Me Go’, The Journal of Commonwealth Literature, 51(3). Available at: http://journals.sagepub.com.oxfordbrookes.idm.oclc.org/doi/full/10.1177/0021989415574137.
John, J. (2012) ‘Dickens and the circus of modernity’, in J. John (ed.) Dickens and modernity. Cambridge [England]: D.S. Brewer.
Johnson, H. (1994) ‘Textualizing the double-gendered body: Forms of the grotesque in `The Passion of New Eve’.’, Review of Contemporary Fiction, 14(3), pp. 43–48. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9502070471&site=ehost-live.
Jordan, J.O. (2001) The Cambridge companion to Charles Dickens. Cambridge: Cambridge University Press.
Keller, S. (2010) ‘“Once Wasn’t Enough for You”: Beckett, Technology, and Preservation’, Literature/Film Quarterly, (3), pp. 230–243. Available at: http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/753498868?accountid=13041.
Kelly, A. (2018) ‘Freedom to Struggle: The Ironies of Colson Whitehead’, Open Library of Humanities, 4(2). Available at: https://doi.org/10.16995/olh.332.
Kenner, H. (1962) Samuel Beckett: a critical study. London: John Calder.
Kenner, H. (1973) A reader’s guide to Samuel Beckett. London: Thames and Hudson.
Knellwolf, C. and Goodall, J.R. (2008) Frankenstein’s science: experimentation and discovery in Romantic culture, 1780-1830. Aldershot: Ashgate.
Knopp, S.E. (1988a) ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’, PMLA, 103(1). Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459.
Knopp, S.E. (1988b) ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’, PMLA, 103(1). Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459.
Knowlson, J. (1997) Damned to fame: the life of Samuel Beckett. London: Bloomsbury.
Landrum, D.W. (1996) ‘Rewriting Marx: Emancipation and Restoration in The French Lieutenant’s Woman’, Twentieth Century Literature, 42(1), pp. 103–113. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441678?seq=1#page_scan_tab_contents.
Lee, H. (1977) The novels of Virginia Woolf. London: Methuen.
Levy, T. (2011) ‘Human Rights Storytelling and Trauma Narrative in Kazuo Ishiguro’s Never Let Me Go’, Journal of Human Rights, 10(1), pp. 1–16. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=58619139&site=ehost-live.
Linett, M.T. (2009) Virginia Woolf: an MFS reader. Baltimore, MD: Johns Hopkins University Press.
Lokke, K.E. (1992) ‘Orlando and Incandescence: Virginia Woolf’s Comic Sublime’, MFS Modern Fiction Studies, 38(1), pp. 235–252. Available at: http://muse.jhu.edu.oxfordbrookes.idm.oclc.org/article/243459.
Lyotard, J.-F. (1984) The postmodern condition: a report on knowledge. Manchester: Manchester University Press.
Mahlberg, M. et al. (2016) ‘CLiC Dickens: novel uses of concordances for the integration of corpus stylistics and cognitive poetics’, Corpora, 11(3), pp. 433–463. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=120669502&site=ehost-live.
Mahlberg, M., Conklin, K. and Bisson, M.-J. (2014) ‘Reading Dickens’s characters: Employing psycholinguistic methods to investigate the cognitive reality of patterns in texts’, Language and Literature, 23(4), pp. 369–388. Available at: https://doi.org/10.1177/0963947014543887.
Majumdar, R. and McLaurin, A. (1975) Virginia Woolf, the critical heritage. London (etc.): Routledge and Kegan Paul. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=169640.
Marcus, J. (1981) New feminist essays on Virginia Woolf. London: Macmillan.
Marcus, J. (1987) Virginia Woolf and the languages of patriarchy. Bloomington, Ind: Indiana University Press.
Marcus, L. (2004) Virginia Woolf. 2nd ed. Plymouth: Northcote House. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3383404.
Marsh, N. (1998) Virginia Woolf: the novels. Basingstoke: Macmillan Press.
Marsh, N. (2009) Mary Shelley, Frankenstein. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3306045.
Matthews (2013) T.S. Eliot and early modern literature. Dead voices speak through the living voice. Corby: Oxford University Press.
McBratney, J. (2010) ‘RELUCTANT COSMOPOLITANISM IN DICKENS’S “GREAT EXPECTATIONS”’, Victorian Literature and Culture, 38(2), pp. 529–546. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25733490.
Mcdonald, K. (2007) ‘Days of past futures: Kazuo Ishiguro’s never let me go as “speculative memoir”’, Biography, 30(1), pp. 74–83. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=24112154&site=ehost-live.
McDonald, R. (2006) The Cambridge introduction to Samuel Beckett. Cambridge: Cambridge University Press.
McHale, B. (1989) Postmodernist fiction. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179146.
McIntire, G. (2008) Modernism, memory, and desire: T.S. Eliot and Virginia Woolf. Cambridge: Cambridge University Press.
McIntyre, G. (2008) Modernism, Memory and Desire: T. S. Eliot and Virginia Woolf. Cambridge University Press.
Mellis, J. (2019) ‘Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing’, Religions, 10(7). Available at: https://doi.org/10.3390/rel10070403.
‘Metaleptic machines[1].’ (2004) Semiotica [Preprint]. Available at: http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=ufh&AN=14011057&site=ehost-live.
Miller, J.H. (1958) Charles Dickens: the world of his novels. Cambridge, Mass: Harvard University Press.
Moran, P. (1996) Word of mouth: body language in Katherine Mansfield and Virginia Woolf. Charlottesville: University Press of Virginia.
Moretti, F. (2000) The way of the world: the Bildungsroman in European culture. New ed. London: Verso.
Morton, T. (2002) A Routledge literary sourcebook on Mary Shelley’s Frankenstein. London: Routledge.
North, M. (1991) The political aesthetic of Yeats, Eliot, and Pound. Cambridge: Cambridge University Press.
Olson, R. (1990) Science deified & science defied: the historical significance of science in Western culture, Vol. 2: From the early modern age through the early Romantic era, ca. 1640 to ca. 1820. Berkeley, Calif: University of California Press.
Onega, S. (1996) ‘Self, World, and Art in the Fiction of John Fowles’, Twentieth Century Literature, 42(1), pp. 29–57. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441674?origin=crossref&seq=1#page_scan_tab_contents.
Onega, S. (2014) ‘The Notion of Paradigm Shift and the Roles of Science and Literature in the Interpretation of Reality’, European Review, 22(3), pp. 491–503. Available at: http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/1541350887?accountid=13041.
Parkes, A. (1994) ‘Lesbianism, History, and Censorship: The Well of Loneliness and the Suppressed Randiness of Virginia Woolf’s Orlando’, Twentieth Century Literature, 40(4), pp. 434–460. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441599.
Parsons, D.L. (2000) Streetwalking the metropolis: women, the city, and modernity. Oxford: Oxford University Press.
Pattie, D. (2000) The complete critical guide to Samuel Beckett. London: Routledge.
Peach, L. (2009) Angela Carter. 2nd ed. Basingstoke: Palgrave Macmillan.
Perez-Gil, M.D.M. (2007) ‘The alchemy of the self in Angela Carter’s The Passion of New Eve’, Studies in the Novel, 39(2). Available at: https://studiesinthenovel.org/read/issue-archive/volume-39.html.
Pountney, R. (1988) Theatre of shadows: Samuel Beckett’s drama 1956-76: from All that fall to Footfalls, with commentaries on the latest plays. Gerrards Cross: Smythe.
Punter, D. (2012) A new companion to the gothic. 2nd ed. Oxford: Wiley-Blackwell. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444354928&uid=^u.
Raine, C. (2006) T.S. Eliot. Oxford: Oxford University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=415810.
Rainey, L.S. (1999) Institutions of Modernism. Yale University Press.
Rainey, L.S. (no date) Revisiting The waste land. New Haven, Conn: Yale University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420039.
Rauch, A. (1995) ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’, Studies in Romanticism, 34(2), pp. 227–253. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live.
Rizq, R. (2014) ‘Copying, Cloning and Creativity: Reading Kazuo Ishiguro’s Never Let Me Go’, British Journal of Psychotherapy, 30(4), pp. 517–532. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=99087028&site=ehost-live.
Robbins, B. (2007) ‘Cruelty Is Bad: Banality and Proximity in Never Let Me Go’, Novel: A Forum on Fiction, 40(3), pp. 289–302. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/40267704.
Roe, N. (2005) Romanticism: an Oxford guide. Oxford: Oxford University Press.
Roe, S. and Sellers, S. (2000) The Cambridge companion to Virginia Woolf. Cambridge: Cambridge University Press.
Ruston, S. (2013) Creating romanticism: case studies in the literature, science and medicine of the 1790s. Basingstoke: Palgrave Macmillan.
Ryan, M.-L. (1997) ‘Postmodernism and the Doctrine of Panfictionality’, Narrative, 5(2), pp. 165–187. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20107114?seq=1#page_scan_tab_contents.
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Waugh, P. (1989) Feminine fictions: revisiting the postmodern. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1016101.
Webb, E. (1972) The plays of Samuel Beckett. London: Owen. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4305947.
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Woolf, V. (2005) Street haunting. London: Penguin.
Woolf, V. (2014) Orlando. Richmond: Alma Classics. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1537872&site=ehost-live.
Woolf, V. and Barrett, M. (1979) Women and writing. London: Women’s Press.
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Wynne, D. (2000) ‘‘ We were unhealthy and unsafe’: Great Expectations and All The Year Round’s Anxiety Stories’, Journal of Victorian Culture, 5(1), pp. 45–59. Available at: http://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/abs/10.3366/jvc.2000.5.1.45.
Wynne, D. (2001) The sensation novel and the Victorian family magazine. Basingstoke: Palgrave.