Abel, E. (1989). Virginia Woolf and the fictions of psychoanalysis: Vol. Women in culture and society. University of Chicago Press.
Albright, D. (1997). Quantum poetics: Yeats, Pound, Eliot, and the science of modernism. Cambridge University Press.
Allen, G. (2008). Shelley’s Frankenstein: Vol. Continuum reader’s guides. Continuum. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=766037
Amy E. Elkins. (2010). Old Pages and New Readings in Virginia Woolf’s ‘Orlando’. Tulsa Studies in Women’s Literature, 29(1), 131–136. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41337036
Andermahr, S., & Phillips, L. (Eds.). (2014). Angela Carter: new critical readings. Bloomsbury Academic.
Bainbridge, S. (2008). Romanticism: a sourcebook: Vol. Palgrave sourcebooks. Palgrave Macmillan.
Barr, M. S. (1992). Feminist fabulation: space/postmodern fiction. University of Iowa Press.
Barrett, E., & Cramer, P. (1997). Virginia Woolf: lesbian readings: Vol. Cutting edge. New York University Press.
Bazin, N. T. (n.d.). Virginia Woolf and the androgynous vision. Rutgers University Press.
BBC Radio 4 - In Our Time, Samuel Beckett. (n.d.). https://www.bbc.co.uk/programmes/m00021q7
Beckett, S. (1959). Krapp’s last tape: and, Embers. Faber and Faber.
Beckett, S., Egoyan, A., O’Donnell, D., Asmus, W. D., & Crowley, J. (2001). Beckett on film: Krapp’s last tape ; What where ; Footfalls ; Come and go ; Adenda. Blue Angel Films.
Botting, F. (1991). Making monstrous: Frankenstein, criticism, theory. Manchester University Press.
Botting, F. (2008). Limits of horror: technology, bodies, Gothic. Manchester University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069700
Bowlby, R. (1988). Virginia Woolf: feminist destinations: Vol. Rereading literature. Basil Blackwell.
Bradbury, M. (1971). The social context of modern English literature. Blackwell.
Bradbury, M. (1993). The modern British novel. Secker & Warburg.
Briggs, J. (2006). Reading Virginia Woolf. Edinburgh University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=267197
Bristow, J., & Broughton, T. L. (1997). The infernal desires of Angela Carter: fiction, femininity, feminism: Vol. Studies in twentieth-century literature. Longman.
Brooks, P. (1984). Reading for the plot: design and intention in narrative. Clarendon.
Burns, C. L. (1994). Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando. Twentieth Century Literature, 40(3), 342–364. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441560
Călinescu, M. (1987). Five faces of modernity: modernism, avant-garde, decadence, kitsch, postmodernism. Duke University Press.
Carroll, R. (2010). Imitations of life: cloning, heterosexuality and the human in Kazuo Ishiguro’s. Journal of Gender Studies, 19(1), 59–71. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=48604660&site=ehost-live
Carter, A. (1979). The Sadeian woman: an exercise in cultural history. Virago.
Carter, A. (1981a). Heroes and villains. Penguin.
Carter, A. (1981b). The bloody chamber and other stories. Penguin.
Carter, A. (1981c). The magic toyshop: Vol. Virago modern classics. Virago.
Carter, A. (1982a). Nothing sacred: selected writings. Virago.
Carter, A. (1982b). The passion of new Eve: Vol. Virago modern classics. Virago.
Carter, A. (1992). Wise children. Vintage.
Carter, A. (1993). Expletives deleted: selected writings. Vintage.
Carter, A. (2006). Fireworks: Vol. Virago modern classics (Rev. ed). Virago.
Carter, A., & Uglow, J. S. (1997). Shaking a leg: journalism and writings: Vol. The collected Angela Carter. Chatto & Windus.
Carter, A., & Waters, S. (1994). Nights at the circus. Vintage.
Caughie, P. L. (2000). Virginia Woolf in the age of mechanical reproduction: Vol. Border crossings. Garland.
Caughie, P. L. (2013). The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s Man Into Woman. MFS Modern Fiction Studies, 59(3), 501–525. https://muse-jhu-edu.oxfordbrookes.idm.oclc.org/article/522187
Chatman, S. (1993). Narratological Empowerment. Narrative, 1(1), 59–65. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20106993?seq=1#page_scan_tab_contents
Chinitz, D. (Ed.). (2014). A Companion to T.S. Eliot. Wiley-Blackwell. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444315745&uid=^u
Clayton, J., Furneaux, H., Drew, J. M. L., Mahlberg, M., Hollington, M., Marsh, J., Sickmann Han, C. L., Keates, K. E., Rainsford, D., & Schweizer, F. (2012). Dickens and modernity: Vol. n.s., v. 65 (J. John, Ed.). D.S. Brewer.
Clements, P., & Grundy, I. (1983). Virginia Woolf: new critical essays: Vol. Critical studies series. Vision.
Cohn, R. (1975). Samuel Beckett: a collection of criticism: Vol. Contemporary studies in literature. McGraw-Hill.
Cooper, J. X. (2006). The Cambridge introduction to T.S. Eliot. Cambridge University Press.
Cronin, A. (1996). Samuel Beckett: the last modernist. HarperCollins.
Cuddy-Keane, M. (2003). Virginia Woolf, the intellectual, and the public sphere. Cambridge University Press.
Currie, M. (1995). Metafiction: Vol. Longman critical readers. Longman.
Daly, N. (2004). Literature, technology, and modernity, 1860-2000. Cambridge University Press.
Day, A. (1998). Angela Carter: the rational glass. Manchester University Press.
De Gay, J. (2007). Virginia Woolf’s Feminist Historiography in Orlando. Critical Survey, 19(1), 62–72. https://www-berghahnjournals-com.oxfordbrookes.idm.oclc.org/view/journals/critical-survey/19/1/cs190107.xml
Dickens, C. (2006). Great expectations: Vol. Red classics. Penguin.
Dickens, C. (2015). Great Expectations. Open Road Media. https://oxfordbrookes.on.worldcat.org/oclc/968003131
Drama on 3: Krapp’s Last Tape, by Samuel Beckett (With Corin Redgrave. Directed by Polly Thomas and Carrie Rooney). (n.d.). BBC Radio 3. https://learningonscreen.ac.uk/ondemand/index.php/prog/015776B7?bcast=46697386
Easton, A. (2000). Angela Carter: Vol. New casebooks. Macmillan.
Eatough, M. (2011). The time that remains: organ donation, temporal duration, and Bildung in Kazuo Ishiguro’s Never let me go. Literature and Medicine, 29(1), 132–160. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/902909343/F92991978B7B4224PQ/2?accountid=13041
Eddins, D. (1976). John Fowles: Existence as Authorship. Contemporary Literature, 17(2), 204–222. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1207665?origin=crossref&seq=1#page_scan_tab_contents
Eliot, T. S. (1975). Selected prose of T.S. Eliot (F. Kermode, Ed.). Faber.
Eliot, T. S. (2009). Selected poems: Vol. 80th anniversary collection (80th anniversary ed). Faber.
Eliot, T. S., & Rainey, L. S. (n.d.). The annotated Waste Land, with Eliot’s contemporary prose (2nd ed). Yale University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3419857
Esslin, M. (1965). Samuel Beckett: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.
Faflak, J., & Chaplin, S. (2011). The romanticism handbook: Vol. Literature and culture handbooks. Continuum.
Fletcher, J. (2000). Samuel Beckett: Waiting for Godot, Endgame, Krapp’s last tape: Vol. Faber critical guides. Faber.
Ford, B. (1973). The Modern age: Vol. The Pelican guide to English literature (3rd ed). Penguin.
Fowles, J. (2004). The French lieutenant’s woman: Vol. Vintage classics. Vintage.
Gamble, S. (1997). Angela Carter: writing from the front line. Edinburgh University Press.
Gamble, S. (2001). The fiction of Angela Carter: Vol. Readers’ guides to essential criticism. Palgrave Macmillan.
Gamble, S. (2006). Angela Carter: a literary life: Vol. Literary lives. Palgrave Macmillan.
Gates, S. (2009). Intertextual Estella: ‘Great Expectations,’ Gender, and Literary Tradition. PMLA, 124(2), 390–405. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25614282
Giddens, A. (1990). The consequences of modernity. Polity Presss in association with Blackwell.
Giddens, A. (1991). Modernity and self-identity: self and society in the late modern age. Polity. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1272676
Goh, R. B. H. (2010). The postclone-nial in Kazuo Ishiguro’s Never Let Me Go and Amitav Ghosh’s the Calcutta Chromosome: science and the body in the Asian diaspora. ARIEL: A Review of International English Literature, 41(3–4). https://journalhosting.ucalgary.ca/index.php/ariel/article/view/35086/28977
Goldman, J. (1998). The feminist aesthetics of Virginia Woolf: modernism, post-impressionism, and the politics of the visual. Cambridge University Press.
Goldman, J. (2006). The Cambridge introduction to Virginia Woolf: Vol. Cambridge introductions to literature. Cambridge University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=275126
Gontarski, S. E. (1977). Crapp’s First Tapes: Beckett’s Manuscript Revisions of ‘Krapp’s Last Tape’. Journal of Modern Literature, 6(1), 61–68. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831019?seq=1#page_scan_tab_contents
Gontarski, S. E. (2010). A companion to Samuel Beckett: Vol. Blackwell companions to literature and culture. Wiley-Blackwell.
Gordon, L. (1990). Krapp’s Last Tape: A New Reading. Journal of Dramatic Theory and Criticism, 5(1). https://journals.ku.edu/jdtc/article/view/1778
Gordon, L. (1996). The world of Samuel Beckett, 1906-1946. Yale University Press.
Grass, S. (2012). COMMODITY AND IDENTITY IN ‘GREAT EXPECTATIONS’. Victorian Literature and Culture, 40(2), 617–641. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41819960
Graver, L., & Federman, R. (1979). Samuel Beckett: the critical heritage: Vol. The critical heritage series. Routledge.
Green, M., Hoggart, R., & English Association. (1987). English and cultural studies: broadening the context. John Murray.
Greene, S. (1999). Virginia Woolf: reading the Renaissance. Ohio University Press.
Griffin, G. (2009). Science and the cultural imaginary: the case of Kazuo Ishiguro’s. Textual Practice, 23(4), 645–663. https://doi.org/10.1080/09502360903000570
Groes, S., & Lewis, B. (2011). Kazuo Ishiguro: new critical visions of the novels. Palgrave Macmillan.
Grossman, J. H. (2015). Living the Global Transport Network in ‘Great Expectations’. Victorian Studies, 57(2). http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/victorianstudies.57.2.225
Guignon, C. B. (1993). The Cambridge companion to Heidegger: Vol. Cambridge companions to philosophy. Cambridge University Press.
Hammond, K. (2004). Monsters of modernity: Frankenstein and modern environmentalism. Cultural Geographies, 11(2), 181–198. http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=13029824&site=ehost-live
Haney, W. S. (2006). Cyberculture, cyborgs and science fiction: consciousness and the posthuman: Vol. Consciousness, literature&the arts. Rodopi. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556430
Harding, J. (2011). T.S. Eliot in context. Cambridge University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=691843
Haule, J. M., & Stape, J. H. (2002). Editing Virginia Woolf: interpreting the modernist text. Palgrave.
Heidegger, M. (2014). Chapter 27 The Question Concerning Technology. In R. C. Scharff & V. Dusek (Eds.), Philosophy of technology: the technological condition : an anthology (Second edition, Vol. 33, pp. 305–317). Wiley Blackwell.
Heidegger: The Question Concerning Technology - a useful web guide to the essay. (n.d.). http://www.english.hawaii.edu/criticalink/heidegger/index.html
Higdon, D. L. (1984). Endgames in John Fowles’s the French Lieutenant’s woman. English Studies, 65(4), 350–361.
Higgins, D. (2008). Frankenstein: character studies: Vol. Continuum character studies. Continuum.
Hitchcock, S. T. (2007). Frankenstein: a cultural history (1st ed). W.W. Norton.
Hulle, D. van (Ed.). (2015). The new Cambridge companion to Samuel Beckett. Cambridge University Press.
Hustis, H. (2003). Responsible Creativity and the ‘Modernity’ of Mary Shelley’s Prometheus. Studies in English Literature, 1500-1900, 43(4), 845–858. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4625101
Hutcheon, L. (1984). Narcissistic narrative: the metafictional paradox. Methuen. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=685684
Hutcheon, L. (1989). The politics of postmodernism: Vol. New accents. Routledge.
In Our Time: Samuel Beckett. (n.d.). BBC Radio 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/129EFDD2?bcast=128307282
Inwood, M. (2000). Heidegger: a very short introduction: Vol. Very short introductions. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=232899
Ishiguro, K. (1986). An artist of the floating world. Faber.
Ishiguro, K. (1993). The remains of the day. Faber.
Ishiguro, K. (1995). The unconsoled. Faber.
Ishiguro, K. (2000). When we were orphans. Faber and Faber.
Ishiguro, K. (2001). An artist of the floating world. Faber.
Ishiguro, K. (2006). Never let me go. Faber.
Jackson, T. E. (1997). Charles and the Hopeful Monster: Postmodern Evolutionary Theory in The French Lieutenant’s Woman. Twentieth Century Literature, 43(2), 221–242. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441570?seq=1#page_scan_tab_contents
James Knowlson, ‘Krapp’s last tape’: the evolution of a play, 1958-75’. (n.d.). http://www.english.fsu.edu/jobs/num01/Num1Knowlson2.htm
Johansen, E. (2016). Bureaucracy and narrative possibilities in Kazuo Ishiguro’s Never Let Me Go. The Journal of Commonwealth Literature, 51(3). http://journals.sagepub.com.oxfordbrookes.idm.oclc.org/doi/full/10.1177/0021989415574137
John, J. (2012). Dickens and the circus of modernity. In J. John (Ed.), Dickens and modernity: Vol. n.s., v. 65. D.S. Brewer.
Johnson, H. (1994). Textualizing the double-gendered body: Forms of the grotesque in `The Passion of New Eve’. Review of Contemporary Fiction, 14(3), 43–48. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9502070471&site=ehost-live
Jordan, J. O. (2001). The Cambridge companion to Charles Dickens. Cambridge University Press.
Keller, S. (2010). ‘Once Wasn’t Enough for You’: Beckett, Technology, and Preservation. Literature/Film Quarterly, 3, 230–243. http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/753498868?accountid=13041
Kelly, A. (2018). Freedom to Struggle: The Ironies of Colson Whitehead. Open Library of Humanities, 4(2). https://doi.org/10.16995/olh.332
Kenner, H. (1962). Samuel Beckett: a critical study. John Calder.
Kenner, H. (1973). A reader’s guide to Samuel Beckett. Thames and Hudson.
Knellwolf, C., & Goodall, J. R. (2008). Frankenstein’s science: experimentation and discovery in Romantic culture, 1780-1830. Ashgate.
Knopp, S. E. (1988a). ‘If I Saw You Would You Kiss Me?’: Sapphism and the Subversiveness of Virginia Woolf’s Orlando. PMLA, 103(1). http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459
Knopp, S. E. (1988b). ‘If I Saw You Would You Kiss Me?’: Sapphism and the Subversiveness of Virginia Woolf’s Orlando. PMLA, 103(1). http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459
Knowlson, J. (1997). Damned to fame: the life of Samuel Beckett. Bloomsbury.
Landrum, D. W. (1996). Rewriting Marx: Emancipation and Restoration in The French Lieutenant’s Woman. Twentieth Century Literature, 42(1), 103–113. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441678?seq=1#page_scan_tab_contents
Lee, H. (1977). The novels of Virginia Woolf. Methuen.
Levy, T. (2011). Human Rights Storytelling and Trauma Narrative in Kazuo Ishiguro’s Never Let Me Go. Journal of Human Rights, 10(1), 1–16. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=58619139&site=ehost-live
Linett, M. T. (2009). Virginia Woolf: an MFS reader: Vol. Modern fiction studies book. Johns Hopkins University Press.
Lokke, K. E. (1992). Orlando and Incandescence: Virginia Woolf’s Comic Sublime. MFS Modern Fiction Studies, 38(1), 235–252. http://muse.jhu.edu.oxfordbrookes.idm.oclc.org/article/243459
Lyotard, J.-F. (1984). The postmodern condition: a report on knowledge: Vol. Theory and history of literature. Manchester University Press.
Mahlberg, M., Conklin, K., & Bisson, M.-J. (2014). Reading Dickens’s characters: Employing psycholinguistic methods to investigate the cognitive reality of patterns in texts. Language and Literature, 23(4), 369–388. https://doi.org/10.1177/0963947014543887
Mahlberg, M., Stockwell, P., Joode, J. de, Smith, C., & O’Donnell, M. B. (2016). CLiC Dickens: novel uses of concordances for the integration of corpus stylistics and cognitive poetics. Corpora, 11(3), 433–463. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=120669502&site=ehost-live
Majumdar, R., & McLaurin, A. (1975). Virginia Woolf, the critical heritage: Vol. Critical heritage series. Routledge and Kegan Paul. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=169640
Marcus, J. (1981). New feminist essays on Virginia Woolf. Macmillan.
Marcus, J. (1987). Virginia Woolf and the languages of patriarchy. Indiana University Press.
Marcus, L. (2004). Virginia Woolf: Vol. Writers and their work (2nd ed). Northcote House. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3383404
Marsh, N. (1998). Virginia Woolf: the novels: Vol. Analysing texts. Macmillan Press.
Marsh, N. (2009). Mary Shelley, Frankenstein: Vol. Analysing texts. Palgrave Macmillan. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3306045
Matthews. (2013). T.S. Eliot and early modern literature. Dead voices speak through the living voice. Oxford University Press.
McBratney, J. (2010). RELUCTANT COSMOPOLITANISM IN DICKENS’S ‘GREAT EXPECTATIONS’. Victorian Literature and Culture, 38(2), 529–546. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25733490
Mcdonald, K. (2007). Days of past futures: Kazuo Ishiguro’s never let me go as ‘speculative memoir’. Biography, 30(1), 74–83. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=24112154&site=ehost-live
McDonald, R. (2006). The Cambridge introduction to Samuel Beckett: Vol. Cambridge introductions to literature. Cambridge University Press.
McHale, B. (1989). Postmodernist fiction. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179146
McIntire, G. (2008). Modernism, memory, and desire: T.S. Eliot and Virginia Woolf. Cambridge University Press.
McIntyre, G. (2008). Modernism, Memory and Desire: T. S. Eliot and Virginia Woolf. Cambridge University Press.
Mellis, J. (2019). Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing. Religions, 10(7). https://doi.org/10.3390/rel10070403
Metaleptic machines[1]. (2004). Semiotica. http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=ufh&AN=14011057&site=ehost-live
Miller, J. H. (1958). Charles Dickens: the world of his novels. Harvard University Press.
Moran, P. (1996). Word of mouth: body language in Katherine Mansfield and Virginia Woolf: Vol. Feminist issues. University Press of Virginia.
Moretti, F. (2000). The way of the world: the Bildungsroman in European culture (New ed). Verso.
Morton, T. (2002). A Routledge literary sourcebook on Mary Shelley’s Frankenstein. Routledge.
North, M. (1991). The political aesthetic of Yeats, Eliot, and Pound. Cambridge University Press.
Olson, R. (1990). Science deified & science defied: the historical significance of science in Western culture, Vol. 2: From the early modern age through the early Romantic era, ca. 1640 to ca. 1820. University of California Press.
Onega, S. (1996). Self, World, and Art in the Fiction of John Fowles. Twentieth Century Literature, 42(1), 29–57. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441674?origin=crossref&seq=1#page_scan_tab_contents
Onega, S. (2014). The Notion of Paradigm Shift and the Roles of Science and Literature in the Interpretation of Reality. European Review, 22(3), 491–503. http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/1541350887?accountid=13041
Parkes, A. (1994). Lesbianism, History, and Censorship: The Well of Loneliness and the Suppressed Randiness of Virginia Woolf’s Orlando. Twentieth Century Literature, 40(4), 434–460. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441599
Parsons, D. L. (2000). Streetwalking the metropolis: women, the city, and modernity. Oxford University Press.
Pattie, D. (2000). The complete critical guide to Samuel Beckett: Vol. The complete critical guide to English literature. Routledge.
Peach, L. (2009). Angela Carter (2nd ed). Palgrave Macmillan.
Perez-Gil, M. D. M. (2007). The alchemy of the self in Angela Carter’s The Passion of New Eve. Studies in the Novel, 39(2). https://studiesinthenovel.org/read/issue-archive/volume-39.html
Pountney, R. (1988). Theatre of shadows: Samuel Beckett’s drama 1956-76: from All that fall to Footfalls, with commentaries on the latest plays: Vol. Irish literary studies. Smythe.
Punter, D. (2012). A new companion to the gothic: Vol. Blackwell companions to literature and culture (2nd ed). Wiley-Blackwell. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444354928&uid=^u
Raine, C. (2006). T.S. Eliot. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=415810
Rainey, L. S. (n.d.). Revisiting The waste land. Yale University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420039
Rainey, L. S. (1999). Institutions of Modernism. Yale University Press.
Rauch, A. (1995). The Monstrous Body of Knowledge in Mary Shelley’s ‘Frankenstein’. Studies in Romanticism, 34(2), 227–253. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live
Rizq, R. (2014). Copying, Cloning and Creativity: Reading Kazuo Ishiguro’s Never Let Me Go. British Journal of Psychotherapy, 30(4), 517–532. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=99087028&site=ehost-live
Robbins, B. (2007). Cruelty Is Bad: Banality and Proximity in Never Let Me Go. Novel: A Forum on Fiction, 40(3), 289–302. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/40267704
Roe, N. (2005). Romanticism: an Oxford guide. Oxford University Press.
Roe, S., & Sellers, S. (2000). The Cambridge companion to Virginia Woolf: Vol. Cambridge companions to literature. Cambridge University Press.
Ruston, S. (2013). Creating romanticism: case studies in the literature, science and medicine of the 1790s: Vol. Palgrave studies in the Enlightenment, romanticism and cultures of print. Palgrave Macmillan.
Ryan, M.-L. (1997). Postmodernism and the Doctrine of Panfictionality. Narrative, 5(2), 165–187. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20107114?seq=1#page_scan_tab_contents
Sage, L. (1994). Flesh and the mirror: essays on the art of Angela Carter. Virago.
Sage, L. (2007). Angela Carter: Vol. Writers and their work (2nd ed). Northcote House.
Sage, L. & British Council. (1994). Angela Carter: Vol. Writers and their work. Northcote House in association with The British Council.
Samuel Beckett - Krapp’s Last Tape (Patrick Magee). (2012). https://www.youtube.com/watch?v=otpEwEVFKLc
Samuel beckett interview, 1987. (18 C.E.). https://www.youtube.com/watch?v=A5niePmKL9w
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