Abel E, Virginia Woolf and the Fictions of Psychoanalysis, vol Women in culture and society (University of Chicago Press 1989)
Albright D, Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism (Cambridge University Press 1997)
Allen G, Shelley’s Frankenstein, vol Continuum reader’s guides (Continuum 2008) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=766037>
Amy E. Elkins, ‘Old Pages and New Readings in Virginia Woolf’s “Orlando”’ (2010) 29 Tulsa Studies in Women’s Literature 131 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41337036>
Andermahr S and Phillips L (eds), Angela Carter: New Critical Readings (Bloomsbury Academic 2014)
Bainbridge S, Romanticism: A Sourcebook, vol Palgrave sourcebooks (Palgrave Macmillan 2008)
Barr MS, Feminist Fabulation: Space/Postmodern Fiction (University of Iowa Press 1992)
Barrett E and Cramer P, Virginia Woolf: Lesbian Readings, vol Cutting edge (New York University Press 1997)
Bazin NT, Virginia Woolf and the Androgynous Vision (Rutgers University Press)
‘BBC Radio 4 - In Our Time, Samuel Beckett’ <https://www.bbc.co.uk/programmes/m00021q7>
Beckett S, Krapp’s Last Tape: And, Embers (Faber and Faber 1959)
——, ‘Beckett on Film: Krapp’s Last Tape ; What Where ; Footfalls ; Come and Go ; Adenda’
Botting F, Making Monstrous: Frankenstein, Criticism, Theory (Manchester University Press 1991)
——, Limits of Horror: Technology, Bodies, Gothic (Manchester University Press 2008) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069700>
Bowlby R, Virginia Woolf: Feminist Destinations, vol Rereading literature (Basil Blackwell 1988)
Bradbury M, The Social Context of Modern English Literature (Blackwell 1971)
——, The Modern British Novel (Secker & Warburg 1993)
Briggs J, Reading Virginia Woolf (Edinburgh University Press 2006) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=267197>
Bristow J and Broughton TL, The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism, vol Studies in twentieth-century literature (Longman 1997)
Brooks P, Reading for the Plot: Design and Intention in Narrative (Clarendon 1984)
Burns CL, ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’ (1994) 40 Twentieth Century Literature 342 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441560>
Călinescu M, Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism (Duke University Press 1987)
Carroll R, ‘Imitations of Life: Cloning, Heterosexuality and the Human in Kazuo Ishiguro’s’ (2010) 19 Journal of Gender Studies 59 <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=48604660&site=ehost-live>
Carter A, The Sadeian Woman: An Exercise in Cultural History (Virago 1979)
——, Heroes and Villains (Penguin 1981)
——, The Bloody Chamber and Other Stories (Penguin 1981)
——, The Magic Toyshop, vol Virago modern classics (Virago 1981)
——, Nothing Sacred: Selected Writings (Virago 1982)
——, The Passion of New Eve, vol Virago modern classics (Virago 1982)
——, Wise Children (Vintage 1992)
——, Expletives Deleted: Selected Writings (Vintage 1993)
——, Fireworks, vol Virago modern classics (Rev ed, Virago 2006)
Carter A and Uglow JS, Shaking a Leg: Journalism and Writings, vol The collected Angela Carter (Chatto & Windus 1997)
Carter A and Waters S, Nights at the Circus (Vintage 1994)
Caughie PL, Virginia Woolf in the Age of Mechanical Reproduction, vol Border crossings (Garland 2000)
——, ‘The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s Man Into Woman’ (2013) 59 MFS Modern Fiction Studies 501 <https://muse-jhu-edu.oxfordbrookes.idm.oclc.org/article/522187>
Chatman S, ‘Narratological Empowerment’ (1993) 1 Narrative 59 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20106993?seq=1#page_scan_tab_contents>
Chinitz D (ed), A Companion to T.S. Eliot (Wiley-Blackwell 2014) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444315745&uid=^u>
Clayton J and others, Dickens and Modernity, vol n.s., v. 65 (Juliet John ed, DS Brewer 2012)
Clements P and Grundy I, Virginia Woolf: New Critical Essays, vol Critical studies series (Vision 1983)
Cohn R, Samuel Beckett: A Collection of Criticism, vol Contemporary studies in literature (McGraw-Hill 1975)
Cooper JX, The Cambridge Introduction to T.S. Eliot (Cambridge University Press 2006)
Cronin A, Samuel Beckett: The Last Modernist (HarperCollins 1996)
Cuddy-Keane M, Virginia Woolf, the Intellectual, and the Public Sphere (Cambridge University Press 2003)
Currie M, Metafiction, vol Longman critical readers (Longman 1995)
Daly N, Literature, Technology, and Modernity, 1860-2000 (Cambridge University Press 2004)
Day A, Angela Carter: The Rational Glass (Manchester University Press 1998)
De Gay J, ‘Virginia Woolf’s Feminist Historiography in Orlando’ (2007) 19 Critical Survey 62 <https://www-berghahnjournals-com.oxfordbrookes.idm.oclc.org/view/journals/critical-survey/19/1/cs190107.xml>
Dickens C, Great Expectations, vol Red classics (Penguin 2006)
——, Great Expectations (Open Road Media 2015) <https://oxfordbrookes.on.worldcat.org/oclc/968003131>
‘Drama on 3: Krapp’s Last Tape, by Samuel Beckett (With Corin Redgrave. Directed by Polly Thomas and Carrie Rooney)’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/015776B7?bcast=46697386>
Easton A, Angela Carter, vol New casebooks (Macmillan 2000)
Eatough M, ‘The Time That Remains: Organ Donation, Temporal Duration, and Bildung in Kazuo Ishiguro’s Never Let Me Go’ (2011) 29 Literature and medicine 132 <https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/902909343/F92991978B7B4224PQ/2?accountid=13041>
Eddins D, ‘John Fowles: Existence as Authorship’ (1976) 17 Contemporary Literature 204 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1207665?origin=crossref&seq=1#page_scan_tab_contents>
Eliot TS, Selected Prose of T.S. Eliot (Frank Kermode ed, Faber 1975)
——, Selected Poems, vol 80th anniversary collection (80th anniversary ed, Faber 2009)
Eliot TS and Rainey LS, The Annotated Waste Land, with Eliot’s Contemporary Prose (2nd ed, Yale University Press) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3419857>
Esslin M, Samuel Beckett: A Collection of Critical Essays, vol Twentieth century views (Prentice-Hall 1965)
Faflak J and Chaplin S, The Romanticism Handbook, vol Literature and culture handbooks (Continuum 2011)
Fletcher J, Samuel Beckett: Waiting for Godot, Endgame, Krapp’s Last Tape, vol Faber critical guides (Faber 2000)
Ford B, The Modern Age, vol The Pelican guide to English literature (3rd ed, Penguin 1973)
Fowles J, The French Lieutenant’s Woman, vol Vintage classics (Vintage 2004)
Gamble S, Angela Carter: Writing from the Front Line (Edinburgh University Press 1997)
——, The Fiction of Angela Carter, vol Readers’ guides to essential criticism (Palgrave Macmillan 2001)
——, Angela Carter: A Literary Life, vol Literary lives (Palgrave Macmillan 2006)
Gates S, ‘Intertextual Estella: “Great Expectations,” Gender, and Literary Tradition’ (2009) 124 PMLA 390 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25614282>
Giddens A, The Consequences of Modernity (Polity Presss in association with Blackwell 1990)
——, Modernity and Self-Identity: Self and Society in the Late Modern Age (Polity 1991) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1272676>
Goh RBH, ‘The Postclone-Nial in Kazuo Ishiguro’s Never Let Me Go and Amitav Ghosh’s the Calcutta Chromosome: Science and the Body in the Asian Diaspora’ (2010) 41 ARIEL: A Review of International English Literature <https://journalhosting.ucalgary.ca/index.php/ariel/article/view/35086/28977>
Goldman J, The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual (Cambridge University Press 1998)
——, The Cambridge Introduction to Virginia Woolf, vol Cambridge introductions to literature (Cambridge University Press 2006) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=275126>
Gontarski SE, ‘Crapp’s First Tapes: Beckett’s Manuscript Revisions of “Krapp’s Last Tape”’ (1977) 6 Journal of Modern Literature 61 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831019?seq=1#page_scan_tab_contents>
——, A Companion to Samuel Beckett, vol Blackwell companions to literature and culture (Wiley-Blackwell 2010)
Gordon L, ‘Krapp’s Last Tape: A New Reading’ (1990) 5 Journal of Dramatic Theory and Criticism <https://journals.ku.edu/jdtc/article/view/1778>
——, The World of Samuel Beckett, 1906-1946 (Yale University Press 1996)
Grass S, ‘COMMODITY AND IDENTITY IN “GREAT EXPECTATIONS”’ (2012) 40 Victorian Literature and Culture 617 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41819960>
Graver L and Federman R, Samuel Beckett: The Critical Heritage, vol The critical heritage series (Routledge 1979)
Green M, Hoggart R, and English Association, English and Cultural Studies: Broadening the Context (John Murray 1987)
Greene S, Virginia Woolf: Reading the Renaissance (Ohio University Press 1999)
Griffin G, ‘Science and the Cultural Imaginary: The Case of Kazuo Ishiguro’s’ (2009) 23 Textual Practice 645 <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/09502360903000570>
Groes S and Lewis B, Kazuo Ishiguro: New Critical Visions of the Novels (Palgrave Macmillan 2011)
Grossman JH, ‘Living the Global Transport Network in “Great Expectations”’ (2015) 57 Victorian Studies <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/victorianstudies.57.2.225>
Guignon CB, The Cambridge Companion to Heidegger, vol Cambridge companions to philosophy (Cambridge University Press 1993)
Hammond K, ‘Monsters of Modernity: Frankenstein and Modern Environmentalism.’ (2004) 11 Cultural Geographies 181 <http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=13029824&site=ehost-live>
Haney WS, Cyberculture, Cyborgs and Science Fiction: Consciousness and the Posthuman, vol Consciousness, literature&the arts (Rodopi 2006) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556430>
Harding J, T.S. Eliot in Context (Cambridge University Press 2011) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=691843>
Haule JM and Stape JH, Editing Virginia Woolf: Interpreting the Modernist Text (Palgrave 2002)
Heidegger M, ‘Chapter 27 The Question Concerning Technology’ in Robert C Scharff and Val Dusek (eds), Philosophy of technology: the technological condition : an anthology, vol 33 (Second edition, Wiley Blackwell 2014)
‘Heidegger: The Question Concerning Technology - a Useful Web Guide to the Essay’ <http://www.english.hawaii.edu/criticalink/heidegger/index.html>
Higdon DL, ‘Endgames in John Fowles’s the French Lieutenant’s Woman’ (1984) 65 English Studies 350
Higgins D, Frankenstein: Character Studies, vol Continuum character studies (Continuum 2008)
Hitchcock ST, Frankenstein: A Cultural History (1st ed, WW Norton 2007)
Hulle D van (ed), The New Cambridge Companion to Samuel Beckett (Cambridge University Press 2015)
Hustis H, ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’ (2003) 43 Studies in English Literature, 1500-1900 845 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4625101>
Hutcheon L, Narcissistic Narrative: The Metafictional Paradox (Methuen 1984) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=685684>
——, The Politics of Postmodernism, vol New accents (Routledge 1989)
‘In Our Time: Samuel Beckett’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/129EFDD2?bcast=128307282>
Inwood M, Heidegger: A Very Short Introduction, vol Very short introductions (Oxford University Press 2000) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=232899>
Ishiguro K, An Artist of the Floating World (Faber 1986)
——, The Remains of the Day (Faber 1993)
——, The Unconsoled (Faber 1995)
——, When We Were Orphans (Faber and Faber 2000)
——, An Artist of the Floating World (Faber 2001)
——, Never Let Me Go (Faber 2006)
Jackson TE, ‘Charles and the Hopeful Monster: Postmodern Evolutionary Theory in The French Lieutenant’s Woman’ (1997) 43 Twentieth Century Literature 221 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441570?seq=1#page_scan_tab_contents>
‘James Knowlson, “Krapp’s Last Tape”: The Evolution of a Play, 1958-75’’ <http://www.english.fsu.edu/jobs/num01/Num1Knowlson2.htm>
Johansen E, ‘Bureaucracy and Narrative Possibilities in Kazuo Ishiguro’s Never Let Me Go’ (2016) 51 The Journal of Commonwealth Literature <http://journals.sagepub.com.oxfordbrookes.idm.oclc.org/doi/full/10.1177/0021989415574137>
John J, ‘Dickens and the Circus of Modernity’ in Juliet John (ed), Dickens and modernity, vol n.s., v. 65 (DS Brewer 2012)
Johnson H, ‘Textualizing the Double-Gendered Body: Forms of the Grotesque in `The Passion of New Eve’.’ (1994) 14 Review of Contemporary Fiction 43 <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9502070471&site=ehost-live>
Jordan JO, The Cambridge Companion to Charles Dickens (Cambridge University Press 2001)
Keller S, ‘“Once Wasn’t Enough for You”: Beckett, Technology, and Preservation’ [2010] Literature/Film Quarterly 230 <http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/753498868?accountid=13041>
Kelly A, ‘Freedom to Struggle: The Ironies of Colson Whitehead’ (2018) 4 Open Library of Humanities <https://doi.org/10.16995/olh.332>
Kenner H, Samuel Beckett: A Critical Study (John Calder 1962)
——, A Reader’s Guide to Samuel Beckett (Thames and Hudson 1973)
Knellwolf C and Goodall JR, Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 1780-1830 (Ashgate 2008)
Knopp SE, ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’ (1988) 103 PMLA <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459>
——, ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’ (1988) 103 PMLA <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459>
Knowlson J, Damned to Fame: The Life of Samuel Beckett (Bloomsbury 1997)
Landrum DW, ‘Rewriting Marx: Emancipation and Restoration in The French Lieutenant’s Woman’ (1996) 42 Twentieth Century Literature 103 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441678?seq=1#page_scan_tab_contents>
Lee H, The Novels of Virginia Woolf (Methuen 1977)
Levy T, ‘Human Rights Storytelling and Trauma Narrative in Kazuo Ishiguro’s Never Let Me Go’ (2011) 10 Journal of Human Rights 1 <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=58619139&site=ehost-live>
Linett MT, Virginia Woolf: An MFS Reader, vol Modern fiction studies book (Johns Hopkins University Press 2009)
Lokke KE, ‘Orlando and Incandescence: Virginia Woolf’s Comic Sublime’ (1992) 38 MFS Modern Fiction Studies 235 <http://muse.jhu.edu.oxfordbrookes.idm.oclc.org/article/243459>
Lyotard J-F, The Postmodern Condition: A Report on Knowledge, vol Theory and history of literature (Manchester University Press 1984)
Mahlberg M and others, ‘CLiC Dickens: Novel Uses of Concordances for the Integration of Corpus Stylistics and Cognitive Poetics’ (2016) 11 Corpora 433 <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=120669502&site=ehost-live>
Mahlberg M, Conklin K and Bisson M-J, ‘Reading Dickens’s Characters: Employing Psycholinguistic Methods to Investigate the Cognitive Reality of Patterns in Texts’ (2014) 23 Language and Literature 369 <https://journals-sagepub-com.oxfordbrookes.idm.oclc.org/doi/full/10.1177/0963947014543887>
Majumdar R and McLaurin A, Virginia Woolf, the Critical Heritage, vol Critical heritage series (Routledge and Kegan Paul 1975) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=169640>
Marcus J, New Feminist Essays on Virginia Woolf (Macmillan 1981)
——, Virginia Woolf and the Languages of Patriarchy (Indiana University Press 1987)
Marcus L, Virginia Woolf, vol Writers and their work (2nd ed, Northcote House 2004) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3383404>
Marsh N, Virginia Woolf: The Novels, vol Analysing texts (Macmillan Press 1998)
——, Mary Shelley, Frankenstein, vol Analysing texts (Palgrave Macmillan 2009) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3306045>
Matthews, T.S. Eliot and Early Modern Literature. Dead Voices Speak through the Living Voice (Oxford University Press 2013)
McBratney J, ‘RELUCTANT COSMOPOLITANISM IN DICKENS’S “GREAT EXPECTATIONS”’ (2010) 38 Victorian Literature and Culture 529 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25733490>
Mcdonald K, ‘Days of Past Futures: Kazuo Ishiguro’s Never Let Me Go as “Speculative Memoir”’ (2007) 30 Biography 74 <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=24112154&site=ehost-live>
McDonald R, The Cambridge Introduction to Samuel Beckett, vol Cambridge introductions to literature (Cambridge University Press 2006)
McHale B, Postmodernist Fiction (Routledge 1989) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179146>
McIntire G, Modernism, Memory, and Desire: T.S. Eliot and Virginia Woolf (Cambridge University Press 2008)
McIntyre G, Modernism, Memory and Desire: T. S. Eliot and Virginia Woolf (Cambridge University Press 2008)
Mellis J, ‘Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing’ (2019) 10 Religions <https://www.mdpi.com/2077-1444/10/7/403>
‘Metaleptic Machines[1].’ [2004] Semiotica <http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=ufh&AN=14011057&site=ehost-live>
Miller JH, Charles Dickens: The World of His Novels (Harvard University Press 1958)
Moran P, Word of Mouth: Body Language in Katherine Mansfield and Virginia Woolf, vol Feminist issues (University Press of Virginia 1996)
Moretti F, The Way of the World: The Bildungsroman in European Culture (New ed, Verso 2000)
Morton T, A Routledge Literary Sourcebook on Mary Shelley’s Frankenstein (Routledge 2002)
North M, The Political Aesthetic of Yeats, Eliot, and Pound (Cambridge University Press 1991)
Olson R, Science Deified & Science Defied: The Historical Significance of Science in Western Culture, Vol. 2: From the Early Modern Age through the Early Romantic Era, ca. 1640 to ca. 1820 (University of California Press 1990)
Onega S, ‘Self, World, and Art in the Fiction of John Fowles’ (1996) 42 Twentieth Century Literature 29 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441674?origin=crossref&seq=1#page_scan_tab_contents>
——, ‘The Notion of Paradigm Shift and the Roles of Science and Literature in the Interpretation of Reality’ (2014) 22 European Review 491 <http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/1541350887?accountid=13041>
Parkes A, ‘Lesbianism, History, and Censorship: The Well of Loneliness and the Suppressed Randiness of Virginia Woolf’s Orlando’ (1994) 40 Twentieth Century Literature 434 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441599>
Parsons DL, Streetwalking the Metropolis: Women, the City, and Modernity (Oxford University Press 2000)
Pattie D, The Complete Critical Guide to Samuel Beckett, vol The complete critical guide to English literature (Routledge 2000)
Peach L, Angela Carter (2nd ed, Palgrave Macmillan 2009)
Perez-Gil MDM, ‘The Alchemy of the Self in Angela Carter’s The Passion of New Eve’ (2007) 39 Studies in the Novel <https://studiesinthenovel.org/read/issue-archive/volume-39.html>
Pountney R, Theatre of Shadows: Samuel Beckett’s Drama 1956-76: From All That Fall to Footfalls, with Commentaries on the Latest Plays, vol Irish literary studies (Smythe 1988)
Punter D, A New Companion to the Gothic, vol Blackwell companions to literature and culture (2nd ed, Wiley-Blackwell 2012) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444354928&uid=^u>
Raine C, T.S. Eliot (Oxford University Press 2006) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=415810>
Rainey LS, Institutions of Modernism (Yale University Press 1999)
——, Revisiting The Waste Land (Yale University Press) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420039>
Rauch A, ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’ (1995) 34 Studies in Romanticism 227 <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live>
Rizq R, ‘Copying, Cloning and Creativity: Reading Kazuo Ishiguro’s Never Let Me Go’ (2014) 30 British Journal of Psychotherapy 517 <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=99087028&site=ehost-live>
Robbins B, ‘Cruelty Is Bad: Banality and Proximity in Never Let Me Go’ (2007) 40 Novel: A Forum on Fiction 289 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/40267704>
Roe N, Romanticism: An Oxford Guide (Oxford University Press 2005)
Roe S and Sellers S, The Cambridge Companion to Virginia Woolf, vol Cambridge companions to literature (Cambridge University Press 2000)
Ruston S, Creating Romanticism: Case Studies in the Literature, Science and Medicine of the 1790s, vol Palgrave studies in the Enlightenment, romanticism and cultures of print (Palgrave Macmillan 2013)
Ryan M-L, ‘Postmodernism and the Doctrine of Panfictionality’ (1997) 5 Narrative 165 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20107114?seq=1#page_scan_tab_contents>
Sage L, Flesh and the Mirror: Essays on the Art of Angela Carter (Virago 1994)
——, Angela Carter, vol Writers and their work (2nd ed, Northcote House 2007)
Sage L and British Council, Angela Carter, vol Writers and their work (Northcote House in association with The British Council 1994)
‘Samuel Beckett - Krapp’s Last Tape (Patrick Magee)’ <https://www.youtube.com/watch?v=otpEwEVFKLc>
‘Samuel Beckett Interview, 1987’ <https://www.youtube.com/watch?v=A5niePmKL9w>
Schwartz S, The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought (Princeton University Press)
Scruggs C, ‘The Two Endings of “The French Lieutenant’s Woman”’ (1985) 31 Modern Fiction Studies 95 <http://muse.jhu.edu.oxfordbrookes.idm.oclc.org/article/242256>
Sell RD, Great Expectations: Charles Dickens (Macmillan 1994)
Sellers S, The Cambridge Companion to Virginia Woolf, vol Cambridge companions to literature (2nd ed, Cambridge University Press 2010)
Shaddox K, ‘Generic Considerations in Ishiguro’s “Never Let Me Go”’ (2013) 35 Human Rights Quarterly 448 <https://heinonline-org.oxfordbrookes.idm.oclc.org/HOL/P?h=hein.journals/hurq35&i=458>
Shail A, ‘“She Looks Just like One of We-All”: British Cinema Culture and the Origins of Woolf’s Orlando’ (2006) 48 Critical Quarterly 45
Shelley MW, Frankenstein (Open Road Integrated Media 2014) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1799658>
Shelley MW and Butler M, Frankenstein, or, The Modern Prometheus: The 1818 Text, vol Oxford world’s classics ([New ed], Oxford University Press 2008)
Simpson K, Gifts, Markets and Economies of Desire in Virginia Woolf (Palgrave Macmillan 2008)
Smith A and Wallace J, Gothic Modernisms (Palgrave 2001)
Snaith A, Palgrave Advances in Virginia Woolf Studies, vol Palgrave advances (Palgrave Macmillan 2007)
Speck WA, Literature and Society in Eighteenth-Century England, 1680-1820: Ideology, Politics and Culture, vol Themes in British social history (Longman 1998)
Tambling J, Dickens, Violence and the Modern State: Dreams of the Scaffold (Macmillan 1995)
Teo Y, ‘Testimony and the Affirmation of Memory in Kazuo Ishiguro’s’ (2014) 55 Critique: Studies in Contemporary Fiction 127 <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/00111619.2012.656209>
Thacker A, Moving through Modernity: Space and Geography in Modernism (Manchester University Press 2003)
Tucker L, Critical Essays on Angela Carter, vol Critical essays on British literature (GK Hall 1998)
Uhlmann A, Samuel Beckett in Context (Cambridge University Press 2015)
Vallorani N, ‘The Body of the City: Angela Carter’s “The Passion of the New Eve”’ (1994) 21 Science Fiction Studies 365 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4240372?seq=1#page_scan_tab_contents>
Victoria L. Smith, ‘“Ransacking the Language”: Finding the Missing Goods in Virginia Woolf’s “Orlando”’ (2006) 29 Journal of Modern Literature 57 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831880>
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Webb E, The Plays of Samuel Beckett (Owen 1972) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4305947>
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Wynne D, ‘‘ We Were Unhealthy and Unsafe’: Great Expectations and All The Year Round’s Anxiety Stories’ (2000) 5 Journal of Victorian Culture 45 <http://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/abs/10.3366/jvc.2000.5.1.45>
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