Abel, Elizabeth. Virginia Woolf and the Fictions of Psychoanalysis. Vol. Women in culture and society. London: University of Chicago Press, 1989.
Albright, Daniel. Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism. Cambridge: Cambridge University Press, 1997.
Allen, Graham. Shelley’s Frankenstein. Vol. Continuum reader’s guides. London: Continuum, 2008. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=766037.
Amy E. Elkins. ‘Old Pages and New Readings in Virginia Woolf’s “Orlando”’. Tulsa Studies in Women’s Literature 29, no. 1 (2010): 131–36. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41337036.
Andermahr, Sonya, and Lawrence Phillips, eds. Angela Carter: New Critical Readings. London: Bloomsbury Academic, 2014.
Bainbridge, Simon. Romanticism: A Sourcebook. Vol. Palgrave sourcebooks. Basingstoke: Palgrave Macmillan, 2008.
Barr, Marleen S. Feminist Fabulation: Space/Postmodern Fiction. Iowa City: University of Iowa Press, 1992.
Barrett, Eileen, and Patricia Cramer. Virginia Woolf: Lesbian Readings. Vol. Cutting edge. New York: New York University Press, 1997.
Bazin, Nancy Topping. Virginia Woolf and the Androgynous Vision. New Brunswick, N.J: Rutgers University Press, n.d.
‘BBC Radio 4 - In Our Time, Samuel Beckett’, n.d. https://www.bbc.co.uk/programmes/m00021q7.
Beckett, Samuel. Krapp’s Last Tape: And, Embers. London: Faber and Faber, 1959.
Beckett, Samuel, Atom Egoyan, Damien O’Donnell, Walter D. Asmus, and John Crowley. ‘Beckett on Film: Krapp’s Last Tape ; What Where ; Footfalls ; Come and Go ; Adenda’. [UK]: Blue Angel Films, 2001.
Botting, Fred. Limits of Horror: Technology, Bodies, Gothic. Manchester: Manchester University Press, 2008. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069700.
———. Making Monstrous: Frankenstein, Criticism, Theory. Manchester: Manchester University Press, 1991.
Bowlby, Rachel. Virginia Woolf: Feminist Destinations. Vol. Rereading literature. Oxford: Basil Blackwell, 1988.
Bradbury, Malcolm. The Modern British Novel. London: Secker & Warburg, 1993.
———. The Social Context of Modern English Literature. Oxford: Blackwell, 1971.
Briggs, Julia. Reading Virginia Woolf. Edinburgh: Edinburgh University Press, 2006. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=267197.
Bristow, Joseph, and Trev Lynn Broughton. The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism. Vol. Studies in twentieth-century literature. London: Longman, 1997.
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon, 1984.
Burns, Christy L. ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’. Twentieth Century Literature 40, no. 3 (1994): 342–64. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441560.
Călinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press, 1987.
Carroll, Rachel. ‘Imitations of Life: Cloning, Heterosexuality and the Human in Kazuo Ishiguro’s’. Journal of Gender Studies 19, no. 1 (2010): 59–71. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=48604660&site=ehost-live.
Carter, Angela. Expletives Deleted: Selected Writings. London: Vintage, 1993.
———. Fireworks. Rev. ed. Vol. Virago modern classics. London: Virago, 2006.
———. Heroes and Villains. London: Penguin, 1981.
———. Nothing Sacred: Selected Writings. London: Virago, 1982.
———. The Bloody Chamber and Other Stories. London: Penguin, 1981.
———. The Magic Toyshop. Vol. Virago modern classics. London: Virago, 1981.
———. The Passion of New Eve. Vol. Virago modern classics. London: Virago, 1982.
———. The Sadeian Woman: An Exercise in Cultural History. London: Virago, 1979.
———. Wise Children. London: Vintage, 1992.
Carter, Angela, and Jennifer S. Uglow. Shaking a Leg: Journalism and Writings. Vol. The collected Angela Carter. London: Chatto & Windus, 1997.
Carter, Angela, and Sarah Waters. Nights at the Circus. London: Vintage, 1994.
Caughie, Pamela L. ‘The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s Man Into Woman’. MFS Modern Fiction Studies 59, no. 3 (2013): 501–25. https://muse-jhu-edu.oxfordbrookes.idm.oclc.org/article/522187.
———. Virginia Woolf in the Age of Mechanical Reproduction. Vol. Border crossings. New York, N.Y.: Garland, 2000.
Chatman, Seymour. ‘Narratological Empowerment’. Narrative 1, no. 1 (1993): 59–65. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20106993?seq=1#page_scan_tab_contents.
Chinitz, David, ed. A Companion to T.S. Eliot. Chichester, West Sussex: Wiley-Blackwell, 2014. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444315745&uid=^u.
Clayton, Jay, Holly Furneaux, John M. L. Drew, Michaela Mahlberg, Michael Hollington, Joss Marsh, Carrie Lynn Sickmann Han, Kim Edwards Keates, Dominic Rainsford, and Florian Schweizer. Dickens and Modernity. Edited by Juliet John. Vol. n.s., v. 65. Cambridge [England]: D.S. Brewer, 2012.
Clements, Patricia, and Isobel Grundy. Virginia Woolf: New Critical Essays. Vol. Critical studies series. London: Vision, 1983.
Cohn, Ruby. Samuel Beckett: A Collection of Criticism. Vol. Contemporary studies in literature. New York: McGraw-Hill, 1975.
Cooper, John Xiros. The Cambridge Introduction to T.S. Eliot. Cambridge, UK: Cambridge University Press, 2006.
Cronin, Anthony. Samuel Beckett: The Last Modernist. London: HarperCollins, 1996.
Cuddy-Keane, Melba. Virginia Woolf, the Intellectual, and the Public Sphere. Cambridge: Cambridge University Press, 2003.
Currie, Mark. Metafiction. Vol. Longman critical readers. London: Longman, 1995.
Daly, Nicholas. Literature, Technology, and Modernity, 1860-2000. Cambridge: Cambridge University Press, 2004.
Day, Aidan. Angela Carter: The Rational Glass. Manchester: Manchester University Press, 1998.
De Gay, Jane. ‘Virginia Woolf’s Feminist Historiography in Orlando’. Critical Survey 19, no. 1 (2007): 62–72. https://www-berghahnjournals-com.oxfordbrookes.idm.oclc.org/view/journals/critical-survey/19/1/cs190107.xml.
Dickens, Charles. Great Expectations. Vol. Red classics. London: Penguin, 2006.
———. Great Expectations. Open Road Media, 2015. https://oxfordbrookes.on.worldcat.org/oclc/968003131.
‘Drama on 3: Krapp’s Last Tape, by Samuel Beckett (With Corin Redgrave. Directed by Polly Thomas and Carrie Rooney)’. BBC Radio 3, n.d. https://learningonscreen.ac.uk/ondemand/index.php/prog/015776B7?bcast=46697386.
Easton, Alison. Angela Carter. Vol. New casebooks. Basingstoke: Macmillan, 2000.
Eatough, Matthew. ‘The Time That Remains: Organ Donation, Temporal Duration, and Bildung in Kazuo Ishiguro’s Never Let Me Go’. Literature and Medicine 29, no. 1 (2011): 132–60. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/902909343/F92991978B7B4224PQ/2?accountid=13041.
Eddins, Dwight. ‘John Fowles: Existence as Authorship’. Contemporary Literature 17, no. 2 (1976): 204–22. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1207665?origin=crossref&seq=1#page_scan_tab_contents.
Eliot, T. S. Selected Poems. 80th anniversary ed. Vol. 80th anniversary collection. London: Faber, 2009.
———. Selected Prose of T.S. Eliot. Edited by Frank Kermode. London: Faber, 1975.
Eliot, T. S., and Lawrence S. Rainey. The Annotated Waste Land, with Eliot’s Contemporary Prose. 2nd ed. New Haven: Yale University Press, n.d. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3419857.
Esslin, Martin. Samuel Beckett: A Collection of Critical Essays. Vol. Twentieth century views. Englewood Cliffs, N.J.: Prentice-Hall, 1965.
Faflak, Joel, and Susan Chaplin. The Romanticism Handbook. Vol. Literature and culture handbooks. London: Continuum, 2011.
Fletcher, John. Samuel Beckett: Waiting for Godot, Endgame, Krapp’s Last Tape. Vol. Faber critical guides. London: Faber, 2000.
Ford, Boris. The Modern Age. 3rd ed. Vol. The Pelican guide to English literature. Harmondsworth: Penguin, 1973.
Fowles, John. The French Lieutenant’s Woman. Vol. Vintage classics. London: Vintage, 2004.
Gamble, Sarah. Angela Carter: A Literary Life. Vol. Literary lives. Basingstoke: Palgrave Macmillan, 2006.
———. Angela Carter: Writing from the Front Line. Edinburgh: Edinburgh University Press, 1997.
———. The Fiction of Angela Carter. Vol. Readers’ guides to essential criticism. Houndmills: Palgrave Macmillan, 2001.
Gates, Sarah. ‘Intertextual Estella: “Great Expectations,” Gender, and Literary Tradition’. PMLA 124, no. 2 (2009): 390–405. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25614282.
Giddens, Anthony. Modernity and Self-Identity: Self and Society in the Late Modern Age. Cambridge: Polity, 1991. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1272676.
———. The Consequences of Modernity. Cambridge: Polity Presss in association with Blackwell, 1990.
Goh, Robbie B. H. ‘The Postclone-Nial in Kazuo Ishiguro’s Never Let Me Go and Amitav Ghosh’s the Calcutta Chromosome: Science and the Body in the Asian Diaspora’. ARIEL: A Review of International English Literature 41, no. 3–4 (2010). https://journalhosting.ucalgary.ca/index.php/ariel/article/view/35086/28977.
Goldman, Jane. The Cambridge Introduction to Virginia Woolf. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2006. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=275126.
———. The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual. Cambridge: Cambridge University Press, 1998.
Gontarski, S. E. A Companion to Samuel Beckett. Vol. Blackwell companions to literature and culture. Oxford: Wiley-Blackwell, 2010.
———. ‘Crapp’s First Tapes: Beckett’s Manuscript Revisions of “Krapp’s Last Tape”’. Journal of Modern Literature 6, no. 1 (1977): 61–68. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831019?seq=1#page_scan_tab_contents.
Gordon, Lois. ‘Krapp’s Last Tape: A New Reading’. Journal of Dramatic Theory and Criticism 5, no. 1 (1990). https://journals.ku.edu/jdtc/article/view/1778.
———. The World of Samuel Beckett, 1906-1946. New Haven: Yale University Press, 1996.
Grass, Sean. ‘COMMODITY AND IDENTITY IN “GREAT EXPECTATIONS”’. Victorian Literature and Culture 40, no. 2 (2012): 617–41. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41819960.
Graver, Lawrence, and Raymond Federman. Samuel Beckett: The Critical Heritage. Vol. The critical heritage series. London: Routledge, 1979.
Green, Michael, Richard Hoggart, and English Association. English and Cultural Studies: Broadening the Context. London: John Murray, 1987.
Greene, Sally. Virginia Woolf: Reading the Renaissance. Athens: Ohio University Press, 1999.
Griffin, Gabriele. ‘Science and the Cultural Imaginary: The Case of Kazuo Ishiguro’s’. Textual Practice 23, no. 4 (2009): 645–63. https://doi.org/10.1080/09502360903000570.
Groes, Sebastian, and Barry Lewis. Kazuo Ishiguro: New Critical Visions of the Novels. Basingstoke: Palgrave Macmillan, 2011.
Grossman, Jonathan H. ‘Living the Global Transport Network in “Great Expectations”’. Victorian Studies 57, no. 2 (2015). http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/victorianstudies.57.2.225.
Guignon, Charles B. The Cambridge Companion to Heidegger. Vol. Cambridge companions to philosophy. Cambridge: Cambridge University Press, 1993.
Hammond, Kim. ‘Monsters of Modernity: Frankenstein and Modern Environmentalism.’ Cultural Geographies 11, no. 2 (2004): 181–98. http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=13029824&site=ehost-live.
Haney, William S. Cyberculture, Cyborgs and Science Fiction: Consciousness and the Posthuman. Vol. Consciousness, literature&the arts. Amsterdam: Rodopi, 2006. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556430.
Harding, Jason. T.S. Eliot in Context. Cambridge, UK: Cambridge University Press, 2011. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=691843.
Haule, James M., and J. H. Stape. Editing Virginia Woolf: Interpreting the Modernist Text. Basingstoke: Palgrave, 2002.
Heidegger, Martin. ‘Chapter 27 The Question Concerning Technology’. In Philosophy of Technology: The Technological Condition : An Anthology, edited by Robert C. Scharff and Val Dusek, Second edition., 33:305–17. Chichester, West Sussex, UK: Wiley Blackwell, 2014.
‘Heidegger: The Question Concerning Technology - a Useful Web Guide to the Essay’, n.d. http://www.english.hawaii.edu/criticalink/heidegger/index.html.
Higdon, David Leon. ‘Endgames in John Fowles’s the French Lieutenant’s Woman’. English Studies 65, no. 4 (1984): 350–61.
Higgins, David. Frankenstein: Character Studies. Vol. Continuum character studies. London: Continuum, 2008.
Hitchcock, Susan Tyler. Frankenstein: A Cultural History. 1st ed. New York: W.W. Norton, 2007.
Hulle, Dirk van, ed. The New Cambridge Companion to Samuel Beckett. New York, NY: Cambridge University Press, 2015.
Hustis, Harriet. ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’. Studies in English Literature, 1500-1900 43, no. 4 (2003): 845–58. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4625101.
Hutcheon, Linda. Narcissistic Narrative: The Metafictional Paradox. New York: Methuen, 1984. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=685684.
———. The Politics of Postmodernism. Vol. New accents. London: Routledge, 1989.
‘In Our Time: Samuel Beckett’. BBC Radio 4, n.d. https://learningonscreen.ac.uk/ondemand/index.php/prog/129EFDD2?bcast=128307282.
Inwood, Michael. Heidegger: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press, 2000. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=232899.
Ishiguro, Kazuo. An Artist of the Floating World. London: Faber, 1986.
———. An Artist of the Floating World. London: Faber, 2001.
———. Never Let Me Go. London: Faber, 2006.
———. The Remains of the Day. London: Faber, 1993.
———. The Unconsoled. London: Faber, 1995.
———. When We Were Orphans. London: Faber and Faber, 2000.
Jackson, Tony E. ‘Charles and the Hopeful Monster: Postmodern Evolutionary Theory in The French Lieutenant’s Woman’. Twentieth Century Literature 43, no. 2 (1997): 221–42. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441570?seq=1#page_scan_tab_contents.
‘James Knowlson, “Krapp’s Last Tape”: The Evolution of a Play, 1958-75’’, n.d. http://www.english.fsu.edu/jobs/num01/Num1Knowlson2.htm.
Johansen, Emily. ‘Bureaucracy and Narrative Possibilities in Kazuo Ishiguro’s Never Let Me Go’. The Journal of Commonwealth Literature 51, no. 3 (2016). http://journals.sagepub.com.oxfordbrookes.idm.oclc.org/doi/full/10.1177/0021989415574137.
John, Juliet. ‘Dickens and the Circus of Modernity’. In Dickens and Modernity, edited by Juliet John, Vol. n.s., v. 65. Cambridge [England]: D.S. Brewer, 2012.
Johnson, Heather. ‘Textualizing the Double-Gendered Body: Forms of the Grotesque in `The Passion of New Eve’.’ Review of Contemporary Fiction 14, no. 3 (1994): 43–48. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9502070471&site=ehost-live.
Jordan, John O. The Cambridge Companion to Charles Dickens. Cambridge: Cambridge University Press, 2001.
Keller, Sarah. ‘“Once Wasn’t Enough for You”: Beckett, Technology, and Preservation’. Literature/Film Quarterly, no. 3 (2010): 230–43. http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/753498868?accountid=13041.
Kelly, Adam. ‘Freedom to Struggle: The Ironies of Colson Whitehead’. Open Library of Humanities 4, no. 2 (2018). https://doi.org/10.16995/olh.332.
Kenner, Hugh. A Reader’s Guide to Samuel Beckett. London: Thames and Hudson, 1973.
———. Samuel Beckett: A Critical Study. London: John Calder, 1962.
Knellwolf, Christa, and Jane R. Goodall. Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 1780-1830. Aldershot: Ashgate, 2008.
Knopp, Sherron E. ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’. PMLA 103, no. 1 (1988). http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459.
———. ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’. PMLA 103, no. 1 (1988). http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459.
Knowlson, James. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury, 1997.
Landrum, David W. ‘Rewriting Marx: Emancipation and Restoration in The French Lieutenant’s Woman’. Twentieth Century Literature 42, no. 1 (1996): 103–13. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441678?seq=1#page_scan_tab_contents.
Lee, Hermione. The Novels of Virginia Woolf. London: Methuen, 1977.
Levy, Titus. ‘Human Rights Storytelling and Trauma Narrative in Kazuo Ishiguro’s Never Let Me Go’. Journal of Human Rights 10, no. 1 (2011): 1–16. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=58619139&site=ehost-live.
Linett, Maren Tova. Virginia Woolf: An MFS Reader. Vol. Modern fiction studies book. Baltimore, MD: Johns Hopkins University Press, 2009.
Lokke, Kari Elise. ‘Orlando and Incandescence: Virginia Woolf’s Comic Sublime’. MFS Modern Fiction Studies 38, no. 1 (1992): 235–52. http://muse.jhu.edu.oxfordbrookes.idm.oclc.org/article/243459.
Lyotard, Jean-François. The Postmodern Condition: A Report on Knowledge. Vol. Theory and history of literature. Manchester: Manchester University Press, 1984.
Mahlberg, Michaela, Kathy Conklin, and Marie-Josée Bisson. ‘Reading Dickens’s Characters: Employing Psycholinguistic Methods to Investigate the Cognitive Reality of Patterns in Texts’. Language and Literature 23, no. 4 (2014): 369–88. https://doi.org/10.1177/0963947014543887.
Mahlberg, Michaela, Peter Stockwell, Johan de Joode, Catherine Smith, and Matthew Brook O’Donnell. ‘CLiC Dickens: Novel Uses of Concordances for the Integration of Corpus Stylistics and Cognitive Poetics’. Corpora 11, no. 3 (2016): 433–63. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=120669502&site=ehost-live.
Majumdar, Robin, and Allen McLaurin. Virginia Woolf, the Critical Heritage. Vol. Critical heritage series. London (etc.): Routledge and Kegan Paul, 1975. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=169640.
Marcus, Jane. New Feminist Essays on Virginia Woolf. London: Macmillan, 1981.
———. Virginia Woolf and the Languages of Patriarchy. Bloomington, Ind: Indiana University Press, 1987.
Marcus, Laura. Virginia Woolf. 2nd ed. Vol. Writers and their work. Plymouth: Northcote House, 2004. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3383404.
Marsh, Nicholas. Mary Shelley, Frankenstein. Vol. Analysing texts. Basingstoke: Palgrave Macmillan, 2009. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3306045.
———. Virginia Woolf: The Novels. Vol. Analysing texts. Basingstoke: Macmillan Press, 1998.
Matthews. T.S. Eliot and Early Modern Literature. Dead Voices Speak through the Living Voice. Corby: Oxford University Press, 2013.
McBratney, John. ‘RELUCTANT COSMOPOLITANISM IN DICKENS’S “GREAT EXPECTATIONS”’. Victorian Literature and Culture 38, no. 2 (2010): 529–46. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25733490.
Mcdonald, Keith. ‘Days of Past Futures: Kazuo Ishiguro’s Never Let Me Go as “Speculative Memoir”’. Biography 30, no. 1 (2007): 74–83. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=24112154&site=ehost-live.
McDonald, Ronan. The Cambridge Introduction to Samuel Beckett. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2006.
McHale, Brian. Postmodernist Fiction. London: Routledge, 1989. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179146.
McIntire, Gabrielle. Modernism, Memory, and Desire: T.S. Eliot and Virginia Woolf. Cambridge: Cambridge University Press, 2008.
McIntyre, Gabrielle. Modernism, Memory and Desire: T. S. Eliot and Virginia Woolf. Cambridge University Press, 2008.
Mellis, James. ‘Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing’. Religions 10, no. 7 (2019). https://doi.org/10.3390/rel10070403.
‘Metaleptic Machines[1].’ Semiotica, 2004. http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=ufh&AN=14011057&site=ehost-live.
Miller, J. Hillis. Charles Dickens: The World of His Novels. Cambridge, Mass: Harvard University Press, 1958.
Moran, Patricia. Word of Mouth: Body Language in Katherine Mansfield and Virginia Woolf. Vol. Feminist issues. Charlottesville: University Press of Virginia, 1996.
Moretti, Franco. The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso, 2000.
Morton, Timothy. A Routledge Literary Sourcebook on Mary Shelley’s Frankenstein. London: Routledge, 2002.
North, Michael. The Political Aesthetic of Yeats, Eliot, and Pound. Cambridge: Cambridge University Press, 1991.
Olson, Richard. Science Deified & Science Defied: The Historical Significance of Science in Western Culture, Vol. 2: From the Early Modern Age through the Early Romantic Era, ca. 1640 to ca. 1820. Berkeley, Calif: University of California Press, 1990.
Onega, Susana. ‘Self, World, and Art in the Fiction of John Fowles’. Twentieth Century Literature 42, no. 1 (1996): 29–57. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441674?origin=crossref&seq=1#page_scan_tab_contents.
———. ‘The Notion of Paradigm Shift and the Roles of Science and Literature in the Interpretation of Reality’. European Review 22, no. 3 (2014): 491–503. http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/1541350887?accountid=13041.
Parkes, Adam. ‘Lesbianism, History, and Censorship: The Well of Loneliness and the Suppressed Randiness of Virginia Woolf’s Orlando’. Twentieth Century Literature 40, no. 4 (1994): 434–60. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441599.
Parsons, Deborah L. Streetwalking the Metropolis: Women, the City, and Modernity. Oxford: Oxford University Press, 2000.
Pattie, David. The Complete Critical Guide to Samuel Beckett. Vol. The complete critical guide to English literature. London: Routledge, 2000.
Peach, Linden. Angela Carter. 2nd ed. Basingstoke: Palgrave Macmillan, 2009.
Perez-Gil, Maria Del Mar. ‘The Alchemy of the Self in Angela Carter’s The Passion of New Eve’. Studies in the Novel 39, no. 2 (2007). https://studiesinthenovel.org/read/issue-archive/volume-39.html.
Pountney, Rosemary. Theatre of Shadows: Samuel Beckett’s Drama 1956-76: From All That Fall to Footfalls, with Commentaries on the Latest Plays. Vol. Irish literary studies. Gerrards Cross: Smythe, 1988.
Punter, David. A New Companion to the Gothic. 2nd ed. Vol. Blackwell companions to literature and culture. Oxford: Wiley-Blackwell, 2012. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444354928&uid=^u.
Raine, Craig. T.S. Eliot. Oxford: Oxford University Press, 2006. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=415810.
Rainey, Lawrence S. Institutions of Modernism. Yale University Press, 1999.
———. Revisiting The Waste Land. New Haven, Conn: Yale University Press, n.d. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420039.
Rauch, Alan. ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’. Studies in Romanticism 34, no. 2 (1995): 227–53. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live.
Rizq, Rosemary. ‘Copying, Cloning and Creativity: Reading Kazuo Ishiguro’s Never Let Me Go’. British Journal of Psychotherapy 30, no. 4 (2014): 517–32. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=99087028&site=ehost-live.
Robbins, Bruce. ‘Cruelty Is Bad: Banality and Proximity in Never Let Me Go’. Novel: A Forum on Fiction 40, no. 3 (2007): 289–302. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/40267704.
Roe, Nicholas. Romanticism: An Oxford Guide. Oxford: Oxford University Press, 2005.
Roe, Sue, and Susan Sellers. The Cambridge Companion to Virginia Woolf. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2000.
Ruston, Sharon. Creating Romanticism: Case Studies in the Literature, Science and Medicine of the 1790s. Vol. Palgrave studies in the Enlightenment, romanticism and cultures of print. Basingstoke: Palgrave Macmillan, 2013.
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———. Flesh and the Mirror: Essays on the Art of Angela Carter. London: Virago, 1994.
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Shelley, Mary Wollstonecraft, and Marilyn Butler. Frankenstein, or, The Modern Prometheus: The 1818 Text. [New ed.]. Vol. Oxford world’s classics. Oxford: Oxford University Press, 2008.
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Waugh, Patricia. Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1016101.
———. Metafiction: The Theory and Practice of Self-Conscious Fiction. Vol. New accents. London: Methuen, 1984. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165759.
Webb, Eugene. The Plays of Samuel Beckett. London: Owen, 1972. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4305947.
White, Hayden V. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore: Johns Hopkins University Press, 1987.
Whitehead, Colson. The Underground Railroad. London: Fleet, 2017.
———. Zone One: A Novel. London: Vintage, 2012.
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Winters, Lisa Ze. ‘Fiction and Slavery’s Archive: Memory, Agency, and Finding Home’. Reviews in American History 46 (2018): 338–44. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/2157615423/fulltext/3584FBA6AD964C3APQ/1?accountid=13041.
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Woolf, Virginia. ‘Chapter 6, A Room of One’s Own’. A Room of One’s Own, 1929.
———. Orlando. Richmond: Alma Classics, 2014. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1537872&site=ehost-live.
———. Orlando: A Biography. Annotated ed. Vol. Penguin classics. London: Penguin, 2000.
———. Street Haunting. Vol. Pocket Penguins. London: Penguin, 2005.
Woolf, Virginia, and Michèle Barrett. Women and Writing. London: Women’s Press, 1979.
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Wyatt, Jean. ‘The Violence of Gendering: Castration Images in Angela Carter’s “The Magic Toyshop”, “The Passion of New Eve” and "Peter and the Wolf”’. Women’s Studies 25, no. 6 (1996): 549–70. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9710035154&site=ehost-live.
Wynne, Deborah. ‘‘ We Were Unhealthy and Unsafe’: Great Expectations and All The Year Round’s Anxiety Stories’. Journal of Victorian Culture 5, no. 1 (2000): 45–59. http://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/abs/10.3366/jvc.2000.5.1.45.
———. The Sensation Novel and the Victorian Family Magazine. Basingstoke: Palgrave, 2001.