Bibliography for ENGL5004 The Culture of Modernity (2020) BETA

Abel, Elizabeth. Virginia Woolf and the Fictions of Psychoanalysis. Women in culture and society. London: University of Chicago Press, 1989. Print.

Albright, Daniel. Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism. Cambridge: Cambridge University Press, 1997. Print.

Allen, Graham. Shelley’s Frankenstein. Continuum reader’s guides. London: Continuum, 2008. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=766037>.

Amy E. Elkins. ‘Old Pages and New Readings in Virginia Woolf’s “Orlando”’. Tulsa Studies in Women’s Literature 29.1 (2010): 131–136. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41337036>.

Andermahr, Sonya, and Lawrence Phillips, eds. Angela Carter: New Critical Readings. London: Bloomsbury Academic, 2014. Print.

Bainbridge, Simon. Romanticism: A Sourcebook. Palgrave sourcebooks. Basingstoke: Palgrave Macmillan, 2008. Print.

Barr, Marleen S. Feminist Fabulation: Space/Postmodern Fiction. Iowa City: University of Iowa Press, 1992. Print.

Barrett, Eileen, and Patricia Cramer. Virginia Woolf: Lesbian Readings. Cutting edge. New York: New York University Press, 1997. Print.

Bazin, Nancy Topping. Virginia Woolf and the Androgynous Vision. New Brunswick, N.J: Rutgers University Press. Print.

‘BBC Radio 4 - In Our Time, Samuel Beckett’. N.p., n.d. Web. <https://www.bbc.co.uk/programmes/m00021q7>.

Beckett, Samuel et al. ‘Beckett on Film: Krapp’s Last Tape ; What Where ; Footfalls ; Come and Go ; Adenda’. 2001 : n. pag. Print.

---. Krapp’s Last Tape: And, Embers. London: Faber and Faber, 1959. Print.

Botting, Fred. Limits of Horror: Technology, Bodies, Gothic. Manchester: Manchester University Press, 2008. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069700>.

---. Making Monstrous: Frankenstein, Criticism, Theory. Manchester: Manchester University Press, 1991. Print.

Bowlby, Rachel. Virginia Woolf: Feminist Destinations. Rereading literature. Oxford: Basil Blackwell, 1988. Print.

Bradbury, Malcolm. The Modern British Novel. London: Secker & Warburg, 1993. Print.

---. The Social Context of Modern English Literature. Oxford: Blackwell, 1971. Print.

Briggs, Julia. Reading Virginia Woolf. Edinburgh: Edinburgh University Press, 2006. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=267197>.

Bristow, Joseph, and Trev Lynn Broughton. The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism. Studies in twentieth-century literature. London: Longman, 1997. Print.

Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon, 1984. Print.

Burns, Christy L. ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’. Twentieth Century Literature 40.3 (1994): 342–364. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441560>.

Călinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham: Duke University Press, 1987. Print.

Carroll, Rachel. ‘Imitations of Life: Cloning, Heterosexuality and the Human in Kazuo Ishiguro’s’. Journal of Gender Studies 19.1 (2010): 59–71. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=48604660&amp;site=ehost-live>.

Carter, Angela. Expletives Deleted: Selected Writings. London: Vintage, 1993. Print.

---. Fireworks. Rev. ed. Virago modern classics. London: Virago, 2006. Print.

---. Heroes and Villains. London: Penguin, 1981. Print.

---. Nothing Sacred: Selected Writings. London: Virago, 1982. Print.

---. The Bloody Chamber and Other Stories. London: Penguin, 1981. Print.

---. The Magic Toyshop. Virago modern classics. London: Virago, 1981. Print.

---. The Passion of New Eve. Virago modern classics. London: Virago, 1982. Print.

---. The Sadeian Woman: An Exercise in Cultural History. London: Virago, 1979. Print.

---. Wise Children. London: Vintage, 1992. Print.

Carter, Angela, and Jennifer S. Uglow. Shaking a Leg: Journalism and Writings. The collected Angela Carter. London: Chatto & Windus, 1997. Print.

Carter, Angela, and Sarah Waters. Nights at the Circus. London: Vintage, 1994. Print.

Caughie, Pamela L. ‘The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s Man Into Woman’. MFS Modern Fiction Studies 59.3 (2013): 501–525. Web. <https://muse-jhu-edu.oxfordbrookes.idm.oclc.org/article/522187>.

---. Virginia Woolf in the Age of Mechanical Reproduction. Border crossings. New York, N.Y.: Garland, 2000. Print.

Chatman, Seymour. ‘Narratological Empowerment’. Narrative 1.1 (1993): 59–65. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20106993?seq=1#page_scan_tab_contents>.

Chinitz, David, ed. A Companion to T.S. Eliot. Chichester, West Sussex: Wiley-Blackwell, 2014. Web. <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444315745&uid=^u>.

Clayton, Jay et al. Dickens and Modernity. Ed. Juliet John. n.s., v. 65. Cambridge [England]: D.S. Brewer, 2012. Print.

Clements, Patricia, and Isobel Grundy. Virginia Woolf: New Critical Essays. Critical studies series. London: Vision, 1983. Print.

Cohn, Ruby. Samuel Beckett: A Collection of Criticism. Contemporary studies in literature. New York: McGraw-Hill, 1975. Print.

Cooper, John Xiros. The Cambridge Introduction to T.S. Eliot. Cambridge, UK: Cambridge University Press, 2006. Print.

Cronin, Anthony. Samuel Beckett: The Last Modernist. London: HarperCollins, 1996. Print.

Cuddy-Keane, Melba. Virginia Woolf, the Intellectual, and the Public Sphere. Cambridge: Cambridge University Press, 2003. Print.

Currie, Mark. Metafiction. Longman critical readers. London: Longman, 1995. Print.

Daly, Nicholas. Literature, Technology, and Modernity, 1860-2000. Cambridge: Cambridge University Press, 2004. Print.

Day, Aidan. Angela Carter: The Rational Glass. Manchester: Manchester University Press, 1998. Print.

De Gay, Jane. ‘Virginia Woolf’s Feminist Historiography in Orlando’. Critical Survey 19.1 (2007): 62–72. Web. <https://www-berghahnjournals-com.oxfordbrookes.idm.oclc.org/view/journals/critical-survey/19/1/cs190107.xml>.

Dickens, Charles. Great Expectations. Red classics. London: Penguin, 2006. Print.

---. Great Expectations. Open Road Media, 2015. Web. <https://oxfordbrookes.on.worldcat.org/oclc/968003131>.

‘Drama on 3: Krapp’s Last Tape, by Samuel Beckett (With Corin Redgrave. Directed by Polly Thomas and Carrie Rooney)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/015776B7?bcast=46697386>.

Easton, Alison. Angela Carter. New casebooks. Basingstoke: Macmillan, 2000. Print.

Eatough, Matthew. ‘The Time That Remains: Organ Donation, Temporal Duration, and Bildung in Kazuo Ishiguro’s Never Let Me Go’. Literature and medicine 29.1 (2011): 132–160. Web. <https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/902909343/F92991978B7B4224PQ/2?accountid=13041>.

Eddins, Dwight. ‘John Fowles: Existence as Authorship’. Contemporary Literature 17.2 (1976): 204–222. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1207665?origin=crossref&amp;seq=1#page_scan_tab_contents>.

Eliot, T. S. Selected Poems. 80th anniversary ed. 80th anniversary collection. London: Faber, 2009. Print.

---. Selected Prose of T.S. Eliot. Ed. Frank Kermode. London: Faber, 1975. Print.

Eliot, T. S., and Lawrence S. Rainey. The Annotated Waste Land, with Eliot’s Contemporary Prose. 2nd ed. New Haven: Yale University Press. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3419857>.

Esslin, Martin. Samuel Beckett: A Collection of Critical Essays. Twentieth century views. Englewood Cliffs, N.J.: Prentice-Hall, 1965. Print.

Faflak, Joel, and Susan Chaplin. The Romanticism Handbook. Literature and culture handbooks. London: Continuum, 2011. Print.

Fletcher, John. Samuel Beckett: Waiting for Godot, Endgame, Krapp’s Last Tape. Faber critical guides. London: Faber, 2000. Print.

Ford, Boris. The Modern Age. 3rd ed. The Pelican guide to English literature. Harmondsworth: Penguin, 1973. Print.

Fowles, John. The French Lieutenant’s Woman. Vintage classics. London: Vintage, 2004. Print.

Gamble, Sarah. Angela Carter: A Literary Life. Literary lives. Basingstoke: Palgrave Macmillan, 2006. Print.

---. Angela Carter: Writing from the Front Line. Edinburgh: Edinburgh University Press, 1997. Print.

---. The Fiction of Angela Carter. Readers’ guides to essential criticism. Houndmills: Palgrave Macmillan, 2001. Print.

Gates, Sarah. ‘Intertextual Estella: “Great Expectations,” Gender, and Literary Tradition’. PMLA 124.2 (2009): 390–405. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25614282>.

Giddens, Anthony. Modernity and Self-Identity: Self and Society in the Late Modern Age. Cambridge: Polity, 1991. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1272676>.

---. The Consequences of Modernity. Cambridge: Polity Presss in association with Blackwell, 1990. Print.

Goh, Robbie B. H. ‘The Postclone-Nial in Kazuo Ishiguro’s Never Let Me Go and Amitav Ghosh’s the Calcutta Chromosome: Science and the Body in the Asian Diaspora’. ARIEL: A Review of International English Literature 41.3–4 (2010): n. pag. Web. <https://journalhosting.ucalgary.ca/index.php/ariel/article/view/35086/28977>.

Goldman, Jane. The Cambridge Introduction to Virginia Woolf. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2006. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=275126>.

---. The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual. Cambridge: Cambridge University Press, 1998. Print.

Gontarski, S. E. A Companion to Samuel Beckett. Blackwell companions to literature and culture. Oxford: Wiley-Blackwell, 2010. Print.

---. ‘Crapp’s First Tapes: Beckett’s Manuscript Revisions of “Krapp’s Last Tape”’. Journal of Modern Literature 6.1 (1977): 61–68. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831019?seq=1#page_scan_tab_contents>.

Gordon, Lois. ‘Krapp’s Last Tape: A New Reading’. Journal of Dramatic Theory and Criticism 5.1 (1990): n. pag. Web. <https://journals.ku.edu/jdtc/article/view/1778>.

---. The World of Samuel Beckett, 1906-1946. New Haven: Yale University Press, 1996. Print.

Grass, Sean. ‘COMMODITY AND IDENTITY IN “GREAT EXPECTATIONS”’. Victorian Literature and Culture 40.2 (2012): 617–641. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41819960>.

Graver, Lawrence, and Raymond Federman. Samuel Beckett: The Critical Heritage. The critical heritage series. London: Routledge, 1979. Print.

Green, Michael, Richard Hoggart, and English Association. English and Cultural Studies: Broadening the Context. London: John Murray, 1987. Print.

Greene, Sally. Virginia Woolf: Reading the Renaissance. Athens: Ohio University Press, 1999. Print.

Griffin, Gabriele. ‘Science and the Cultural Imaginary: The Case of Kazuo Ishiguro’s’. Textual Practice 23.4 (2009): 645–663. Web. <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/09502360903000570>.

Groes, Sebastian, and Barry Lewis. Kazuo Ishiguro: New Critical Visions of the Novels. Basingstoke: Palgrave Macmillan, 2011. Print.

Grossman, Jonathan H. ‘Living the Global Transport Network in “Great Expectations”’. Victorian Studies 57.2 (2015): n. pag. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/victorianstudies.57.2.225>.

Guignon, Charles B. The Cambridge Companion to Heidegger. Cambridge companions to philosophy. Cambridge: Cambridge University Press, 1993. Print.

Hammond, Kim. ‘Monsters of Modernity: Frankenstein and Modern Environmentalism.’ Cultural Geographies 11.2 (2004): 181–198. Web. <http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&amp;db=a9h&amp;AN=13029824&amp;site=ehost-live>.

Haney, William S. Cyberculture, Cyborgs and Science Fiction: Consciousness and the Posthuman. Consciousness, literature&the arts. Amsterdam: Rodopi, 2006. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556430>.

Harding, Jason. T.S. Eliot in Context. Cambridge, UK: Cambridge University Press, 2011. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=691843>.

Haule, James M., and J. H. Stape. Editing Virginia Woolf: Interpreting the Modernist Text. Basingstoke: Palgrave, 2002. Print.

Heidegger, Martin. ‘Chapter 27 The Question Concerning Technology’. Philosophy of Technology: The Technological Condition : An Anthology. Ed. Robert C. Scharff and Val Dusek. Second edition. Vol. 33. Chichester, West Sussex, UK: Wiley Blackwell, 2014. 305–317. Print.

‘Heidegger: The Question Concerning Technology - a Useful Web Guide to the Essay’. N.p., n.d. Web. <http://www.english.hawaii.edu/criticalink/heidegger/index.html>.

Higdon, David Leon. ‘Endgames in John Fowles’s the French Lieutenant’s Woman’. English Studies 65.4 (1984): 350–361. Print.

Higgins, David. Frankenstein: Character Studies. Continuum character studies. London: Continuum, 2008. Print.

Hitchcock, Susan Tyler. Frankenstein: A Cultural History. 1st ed. New York: W.W. Norton, 2007. Print.

Hulle, Dirk van, ed. The New Cambridge Companion to Samuel Beckett. New York, NY: Cambridge University Press, 2015. Print.

Hustis, Harriet. ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’. Studies in English Literature, 1500-1900 43.4 (2003): 845–858. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4625101>.

Hutcheon, Linda. Narcissistic Narrative: The Metafictional Paradox. New York: Methuen, 1984. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=685684>.

---. The Politics of Postmodernism. New accents. London: Routledge, 1989. Print.

‘In Our Time: Samuel Beckett’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/129EFDD2?bcast=128307282>.

Inwood, Michael. Heidegger: A Very Short Introduction. Very short introductions. Oxford: Oxford University Press, 2000. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=232899>.

Ishiguro, Kazuo. An Artist of the Floating World. London: Faber, 1986. Print.

---. An Artist of the Floating World. London: Faber, 2001. Print.

---. Never Let Me Go. London: Faber, 2006. Print.

---. The Remains of the Day. London: Faber, 1993. Print.

---. The Unconsoled. London: Faber, 1995. Print.

---. When We Were Orphans. London: Faber and Faber, 2000. Print.

Jackson, Tony E. ‘Charles and the Hopeful Monster: Postmodern Evolutionary Theory in The French Lieutenant’s Woman’. Twentieth Century Literature 43.2 (1997): 221–242. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441570?seq=1#page_scan_tab_contents>.

‘James Knowlson, “Krapp’s Last Tape”: The Evolution of a Play, 1958-75’’. N.p., n.d. Web. <http://www.english.fsu.edu/jobs/num01/Num1Knowlson2.htm>.

Johansen, Emily. ‘Bureaucracy and Narrative Possibilities in Kazuo Ishiguro’s Never Let Me Go’. The Journal of Commonwealth Literature 51.3 (2016): n. pag. Web. <http://journals.sagepub.com.oxfordbrookes.idm.oclc.org/doi/full/10.1177/0021989415574137>.

John, Juliet. ‘Dickens and the Circus of Modernity’. Dickens and Modernity. Ed. Juliet John. n.s., v. 65. Cambridge [England]: D.S. Brewer, 2012. Print.

Johnson, Heather. ‘Textualizing the Double-Gendered Body: Forms of the Grotesque in `The Passion of New Eve’.’ Review of Contemporary Fiction 14.3 (1994): 43–48. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=9502070471&amp;site=ehost-live>.

Jordan, John O. The Cambridge Companion to Charles Dickens. Cambridge: Cambridge University Press, 2001. Print.

Keller, Sarah. ‘“Once Wasn’t Enough for You”: Beckett, Technology, and Preservation’. Literature/Film Quarterly 3 (2010): 230–243. Web. <http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/753498868?accountid=13041>.

Kelly, Adam. ‘Freedom to Struggle: The Ironies of Colson Whitehead’. Open Library of Humanities 4.2 (2018): n. pag. Web. <https://doi.org/10.16995/olh.332>.

Kenner, Hugh. A Reader’s Guide to Samuel Beckett. London: Thames and Hudson, 1973. Print.

---. Samuel Beckett: A Critical Study. London: John Calder, 1962. Print.

Knellwolf, Christa, and Jane R. Goodall. Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 1780-1830. Aldershot: Ashgate, 2008. Print.

Knopp, Sherron E. ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’. PMLA 103.1 (1988): n. pag. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459>.

---. ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’. PMLA 103.1 (1988): n. pag. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459>.

Knowlson, James. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury, 1997. Print.

Landrum, David W. ‘Rewriting Marx: Emancipation and Restoration in The French Lieutenant’s Woman’. Twentieth Century Literature 42.1 (1996): 103–113. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441678?seq=1#page_scan_tab_contents>.

Lee, Hermione. The Novels of Virginia Woolf. London: Methuen, 1977. Print.

Levy, Titus. ‘Human Rights Storytelling and Trauma Narrative in Kazuo Ishiguro’s Never Let Me Go’. Journal of Human Rights 10.1 (2011): 1–16. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=58619139&amp;site=ehost-live>.

Linett, Maren Tova. Virginia Woolf: An MFS Reader. Modern fiction studies book. Baltimore, MD: Johns Hopkins University Press, 2009. Print.

Lokke, Kari Elise. ‘Orlando and Incandescence: Virginia Woolf’s Comic Sublime’. MFS Modern Fiction Studies 38.1 (1992): 235–252. Web. <http://muse.jhu.edu.oxfordbrookes.idm.oclc.org/article/243459>.

Lyotard, Jean-François. The Postmodern Condition: A Report on Knowledge. Theory and history of literature. Manchester: Manchester University Press, 1984. Print.

Mahlberg, Michaela et al. ‘CLiC Dickens: Novel Uses of Concordances for the Integration of Corpus Stylistics and Cognitive Poetics’. Corpora 11.3 (2016): 433–463. Web. <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=ufh&amp;AN=120669502&amp;site=ehost-live>.

Mahlberg, Michaela, Kathy Conklin, and Marie-Josée Bisson. ‘Reading Dickens’s Characters: Employing Psycholinguistic Methods to Investigate the Cognitive Reality of Patterns in Texts’. Language and Literature 23.4 (2014): 369–388. Web. <https://journals-sagepub-com.oxfordbrookes.idm.oclc.org/doi/full/10.1177/0963947014543887>.

Majumdar, Robin, and Allen McLaurin. Virginia Woolf, the Critical Heritage. Critical heritage series. London (etc.): Routledge and Kegan Paul, 1975. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=169640>.

Marcus, Jane. New Feminist Essays on Virginia Woolf. London: Macmillan, 1981. Print.

---. Virginia Woolf and the Languages of Patriarchy. Bloomington, Ind: Indiana University Press, 1987. Print.

Marcus, Laura. Virginia Woolf. 2nd ed. Writers and their work. Plymouth: Northcote House, 2004. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3383404>.

Marsh, Nicholas. Mary Shelley, Frankenstein. Analysing texts. Basingstoke: Palgrave Macmillan, 2009. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3306045>.

---. Virginia Woolf: The Novels. Analysing texts. Basingstoke: Macmillan Press, 1998. Print.

Matthews. T.S. Eliot and Early Modern Literature. Dead Voices Speak through the Living Voice. Corby: Oxford University Press, 2013. Print.

McBratney, John. ‘RELUCTANT COSMOPOLITANISM IN DICKENS’S “GREAT EXPECTATIONS”’. Victorian Literature and Culture 38.2 (2010): 529–546. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25733490>.

Mcdonald, Keith. ‘Days of Past Futures: Kazuo Ishiguro’s Never Let Me Go as “Speculative Memoir”’. Biography 30.1 (2007): 74–83. Web. <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=24112154&amp;site=ehost-live>.

McDonald, Ronan. The Cambridge Introduction to Samuel Beckett. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2006. Print.

McHale, Brian. Postmodernist Fiction. London: Routledge, 1989. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179146>.

McIntire, Gabrielle. Modernism, Memory, and Desire: T.S. Eliot and Virginia Woolf. Cambridge: Cambridge University Press, 2008. Print.

McIntyre, Gabrielle. Modernism, Memory and Desire: T. S. Eliot and Virginia Woolf. Cambridge University Press, 2008. Print.

Mellis, James. ‘Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing’. Religions 10.7 (2019): n. pag. Web. <https://www.mdpi.com/2077-1444/10/7/403>.

‘Metaleptic Machines[1].’ Semiotica (2004): n. pag. Web. <http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=ufh&AN=14011057&site=ehost-live>.

Miller, J. Hillis. Charles Dickens: The World of His Novels. Cambridge, Mass: Harvard University Press, 1958. Print.

Moran, Patricia. Word of Mouth: Body Language in Katherine Mansfield and Virginia Woolf. Feminist issues. Charlottesville: University Press of Virginia, 1996. Print.

Moretti, Franco. The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso, 2000. Print.

Morton, Timothy. A Routledge Literary Sourcebook on Mary Shelley’s Frankenstein. London: Routledge, 2002. Print.

North, Michael. The Political Aesthetic of Yeats, Eliot, and Pound. Cambridge: Cambridge University Press, 1991. Print.

Olson, Richard. Science Deified & Science Defied: The Historical Significance of Science in Western Culture, Vol. 2: From the Early Modern Age through the Early Romantic Era, ca. 1640 to ca. 1820. Berkeley, Calif: University of California Press, 1990. Print.

Onega, Susana. ‘Self, World, and Art in the Fiction of John Fowles’. Twentieth Century Literature 42.1 (1996): 29–57. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441674?origin=crossref&amp;seq=1#page_scan_tab_contents>.

---. ‘The Notion of Paradigm Shift and the Roles of Science and Literature in the Interpretation of Reality’. European Review 22.3 (2014): 491–503. Web. <http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/1541350887?accountid=13041>.

Parkes, Adam. ‘Lesbianism, History, and Censorship: The Well of Loneliness and the Suppressed Randiness of Virginia Woolf’s Orlando’. Twentieth Century Literature 40.4 (1994): 434–460. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441599>.

Parsons, Deborah L. Streetwalking the Metropolis: Women, the City, and Modernity. Oxford: Oxford University Press, 2000. Print.

Pattie, David. The Complete Critical Guide to Samuel Beckett. The complete critical guide to English literature. London: Routledge, 2000. Print.

Peach, Linden. Angela Carter. 2nd ed. Basingstoke: Palgrave Macmillan, 2009. Print.

Perez-Gil, Maria Del Mar. ‘The Alchemy of the Self in Angela Carter’s The Passion of New Eve’. Studies in the Novel 39.2 (2007): n. pag. Web. <https://studiesinthenovel.org/read/issue-archive/volume-39.html>.

Pountney, Rosemary. Theatre of Shadows: Samuel Beckett’s Drama 1956-76: From All That Fall to Footfalls, with Commentaries on the Latest Plays. Irish literary studies. Gerrards Cross: Smythe, 1988. Print.

Punter, David. A New Companion to the Gothic. 2nd ed. Blackwell companions to literature and culture. Oxford: Wiley-Blackwell, 2012. Web. <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444354928&uid=^u>.

Raine, Craig. T.S. Eliot. Oxford: Oxford University Press, 2006. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=415810>.

Rainey, Lawrence S. Institutions of Modernism. Yale University Press, 1999. Print.

---. Revisiting The Waste Land. New Haven, Conn: Yale University Press. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420039>.

Rauch, Alan. ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’. Studies in Romanticism 34.2 (1995): 227–253. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=aft&amp;AN=505748560&amp;site=ehost-live>.

Rizq, Rosemary. ‘Copying, Cloning and Creativity: Reading Kazuo Ishiguro’s Never Let Me Go’. British Journal of Psychotherapy 30.4 (2014): 517–532. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=99087028&amp;site=ehost-live>.

Robbins, Bruce. ‘Cruelty Is Bad: Banality and Proximity in Never Let Me Go’. Novel: A Forum on Fiction 40.3 (2007): 289–302. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/40267704>.

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Sellers, Susan. The Cambridge Companion to Virginia Woolf. 2nd ed. Cambridge companions to literature. Cambridge: Cambridge University Press, 2010. Print.

Shaddox, Karl. ‘Generic Considerations in Ishiguro’s “Never Let Me Go”’. Human Rights Quarterly 35.2 (2013): 448–469. Web. <https://heinonline-org.oxfordbrookes.idm.oclc.org/HOL/P?h=hein.journals/hurq35&amp;i=458>.

Shail, Andrew. ‘“She Looks Just like One of We-All”: British Cinema Culture and the Origins of Woolf’s Orlando’. Critical Quarterly 48.2 (2006): 45–76. Web.

Shelley, Mary Wollstonecraft. Frankenstein. New York: Open Road Integrated Media, 2014. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1799658>.

Shelley, Mary Wollstonecraft, and Marilyn Butler. Frankenstein, or, The Modern Prometheus: The 1818 Text. [New ed.]. Oxford world’s classics. Oxford: Oxford University Press, 2008. Print.

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Teo, Yugin. ‘Testimony and the Affirmation of Memory in Kazuo Ishiguro’s’. Critique: Studies in Contemporary Fiction 55.2 (2014): 127–137. Web. <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/00111619.2012.656209>.

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Victoria L. Smith. ‘“Ransacking the Language”: Finding the Missing Goods in Virginia Woolf’s “Orlando”’. Journal of Modern Literature 29.4 (2006): 57–75. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831880>.

Waugh, Patricia. Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1016101>.

---. Metafiction: The Theory and Practice of Self-Conscious Fiction. New accents. London: Methuen, 1984. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165759>.

Webb, Eugene. The Plays of Samuel Beckett. London: Owen, 1972. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4305947>.

White, Hayden V. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore: Johns Hopkins University Press, 1987. Print.

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---. Zone One: A Novel. London: Vintage, 2012. Print.

Whiteley, Sara. ‘Text World Theory, Real Readers and Emotional Responses to The Remains of the Day’. Language and Literature 20.1 (2011): 23–42. Web. <https://journals-sagepub-com.oxfordbrookes.idm.oclc.org/doi/pdf/10.1177/0963947010377950>.

Williams, Raymond. The English Novel from Dickens to Lawrence. London: Chatto & Windus, 1970. Print.

Winters, Lisa Ze. ‘Fiction and Slavery’s Archive: Memory, Agency, and Finding Home’. Reviews in American History 46 (2018): 338–344. Web. <https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/2157615423/fulltext/3584FBA6AD964C3APQ/1?accountid=13041>.

Wong, Cynthia F. and British Council. Kazuo Ishiguro. Writers and their work. Plymouth: Northcote House in association with the British Council, 2000. Print.

Woolf, Virginia. ‘Chapter 6, A Room of One’s Own’. A Room of One’s Own. N.p., 1929. Print.

---. Orlando. Richmond: Alma Classics, 2014. Web. <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=nlebk&amp;AN=1537872&amp;site=ehost-live>.

---. Orlando: A Biography. Annotated ed. Penguin classics. London: Penguin, 2000. Print.

---. Street Haunting. Pocket Penguins. London: Penguin, 2005. Print.

Woolf, Virginia, and Michèle Barrett. Women and Writing. London: Women’s Press, 1979. Print.

Wright, Angela. Mary Shelley. Cardiff: University of Wales Press, 2018. Print.

Wyatt, Jean. ‘The Violence of Gendering: Castration Images in Angela Carter’s “The Magic Toyshop”, “The Passion of New Eve” and "Peter and the Wolf”’. Women’s Studies 25.6 (1996): 549–570. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=9710035154&amp;site=ehost-live>.

Wynne, Deborah. ‘‘ We Were Unhealthy and Unsafe’: Great Expectations and All The Year Round’s Anxiety Stories’. Journal of Victorian Culture 5.1 (2000): 45–59. Web. <http://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/abs/10.3366/jvc.2000.5.1.45>.

---. The Sensation Novel and the Victorian Family Magazine. Basingstoke: Palgrave, 2001. Print.