Andrews, W.L. et al. (2001) The concise Oxford companion to African American literature. New York: Oxford University Press.
Armstrong, J.B. (ed.) (2015) The Cambridge Companion to American Civil Rights Literature. New York: Cambridge University Press.
Armstrong, T. (2005) Modernism: a cultural history. Cambridge: Polity.
Armstrong, T. (2012) The logic of slavery: debt, technology, and pain in American literature. Cambridge: Cambridge University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=430642.
Ayers, E.L. (2007) The Promise of the New South: Life After Reconstruction - 15th Anniversary Edition. Oxford: Oxford University Press, USA. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=430642.
Baker, P. (2007) African-American Spirituality, Thought & Culture. iUniverse.
Banes, S. (1993) Greenwich Village 1963: avant-garde performance and the effervescent body. Durham: Duke University Press.
Barlow, D. (2014) ‘Literary Ethnomusicology and the Soundscape of Jean Toomer’s Cane’, Multi-Ethnic Literature of the United States, 39(1), pp. 192–211. Available at: https://doi.org/10.1093/melus/mlt069.
Bean, A. (1999) A Sourcebook of African-American performance: plays, people, movements. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=166118.
Benston, K.W. (2000) Performing blackness: enactments of African-American modernism. London: Routledge.
Blackburn, R. (2011) The American crucible: slavery, emancipation and human rights. London: Verso.
Blight, D.W. (2011) American oracle: the Civil War in the civil rights era. Cambridge, Mass: Belknap Press of Harvard University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3300987.
Bloom, H. (ed.) (2004) Harlem Renaissance. Chelsea House Publications.
Borstelmann, T. (2001) The Cold War and the color line: American race relations in the global arena. Cambridge, Massachusetts: Harvard University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3300333.
Bradley, A. (no date) Ralph Ellison in progress: from Invisible man to Three days before the shooting--. New Haven: Yale University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3421159.
Bridges, F.W. (no date) Resurrection song: African-American spirituality. Maryknoll, N.Y.: Orbis Books.
Brooker, P. and Thacker, A. (2012) The Oxford critical and cultural history of modernist magazines: Vol. 2: North America, 1894-1960. Oxford: Oxford University Press.
Bürger, P., Shaw, M. and Schulte-Sasse, J. (no date) Theory of the avant-garde. Minneapolis: University of Minnesota Press.
Busby, M. (1991) Ralph Ellison. Boston: Twayne Publishers.
Byrd, R.P. and Gates, H.L. (2011) ‘Jean Toomer’s Conflicted Racial Identity’, The Chronicle of Higher Education, 57(23), pp. B5, B7–B8. Available at: http://oxfordbrookes.idm.oclc.org/login?url=https://www.proquest.com/trade-journals/jean-toomers-conflicted-racial-identity/docview/849625880/se-2?accountid=13041.
Calinescu, M. (1987) Five Faces of Modernity. 2nd Revised edition. North Carolina: Duke University Press.
Carby, H.V. (1999) Cultures in Babylon: Black Britain and African America. London: Verso.
Cardullo, B. and Knopf, R. (eds) (no date) Theater of the avant-garde, 1890-1950: a critical anthology. New Haven: Yale University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420277.
Carlin, G. (2014) Reading Jean Toomer’s Cane. Penrith [England]: Humanities-Ebooks. Available at: https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3306139.
Carpio, G. (ed.) (2019) The Cambridge companion to Richard Wright. Cambridge: Cambridge University Press.
Carr, R. (2002) Black nationalism in the new world: reading the African-American and West Indian experience. Durham: Duke University Press.
Coleman, L. (1998) Carl Van Vechten and the Harlem Renaissance: a critical assessment. New York: Garland Pub.
Dickerson, G. (2008) African American theater: a cultural companion. Cambridge, UK: Polity.
Du Bois, W.E.B. (2018) The Souls of Black Folk. Gorham ME: Myers Education Press, LLC. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5377984.
Du Bois, W.E.B. (William E.B. (no date) The Souls of Black Folk. Available at: https://www.gutenberg.org/ebooks/408.
Dualé, C. (2019) ‘Re-Presentation and Re-Memory of the Southern Landscape in Cane : Jean Toomer’s Memorial Minor Writing’, Babel. Littératures plurielles, 40. Available at: https://doi.org/10.4000/babel.8526.
Dubois, L. and Scott, J.S. (eds) (2010) Origins of the Black Atlantic. London: Taylor & Francis Ltd.
Dyer, R. (1997) White. London: Routledge.
Dyson, M.E. (no date) Reflecting black: African-American cultural criticism. Minneapolis: University of Minnesota Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=310242.
Elam, H.J. and Krasner, D. (2001) African-American performance and theater history: a critical reader. Oxford [England]: Oxford University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=241297.
Ellison, R. (1965) Invisible man. Harmondsworth: Penguin.
Ellison, R. (2001) Invisible man. London: Penguin.
Ernest, J. (ed.) (2020) The Oxford handbook of the African American slave narrative. New York: Oxford University Press.
Farebrother, R. (no date) The collage aesthetic in the Harlem Renaissance. Farnham, England: Ashgate.
Fisch, A.A. (2007) The Cambridge companion to the African American slave narrative. Cambridge: Cambridge University Press.
Fradin, D.B. and Fradin, J.B. (2012) Zora!: the life of Zora Neal Hurston. Clarion Books.
Fraile Marcos, A.M. (2007) Richard Wright’s Native son. Amsterdam [Netherlands]: Rodopi. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556586.
Frey, S. and Wood, B. (eds) (1999) ‘From Slavery to Emancipation in the Atlantic World, Special issue of Slavery & Abolition’, 20(1). Available at: https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/toc/fsla20/20/1?nav=tocList.
Frey, S.R. (no date) Water from the rock: Black resistance in a revolutionary age. Princeton, N.J.: Princeton University Press.
Frey, S.R. and Wood, B. (eds) (1999) From Slavery to Emancipation in the Atlantic World. London: Taylor & Francis Ltd.
Gates, H.L. (1988) The signifying monkey: a theory of African-American literary criticism. Oxford: Oxford University Press, USA. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=679616.
Gates, H.L. (2003) The Norton anthology of African American literature. 2nd ed. New York: W. W. Norton.
Gershoni, Y. (1997) Africans on African-Americans: the creation and uses of an African-American myth. Basingstoke: Macmillan.
Gilpin, R.B. (2011) John Brown still lives!: America’s long reckoning with violence, equality, & change. Chapel Hill: The University of North Carolina Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=880158.
Gilroy, P. (1993) The black Atlantic: modernity and double consciousness. London: Verso.
Glazier, S.D. (2001) Encyclopedia of African and African-American religions. New York: Routledge.
Gomez, M.A. (2004) ‘Of Du Bois and Diaspora’, Journal of Black Studies, 35(2), pp. 175–194. Available at: https://doi.org/10.1177/0021934704266716.
Graham, M. (ed.) (2004) The Cambridge companion to the African American novel. 1st ed. Cambridge, UK: Cambridge University Press.
Grant, N. (no date) Masculinist impulses : Toomer, Hurston, Black writing, and modernity. Columbia: University of Missouri Press. Available at: https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3570821.
Gray, R. (1986) Writing the South: ideas of an American region. Cambridge [Cambridgeshire]: Cambridge University Press.
Guterl, M.P. (2013) ‘Jean Toomer and the History of Passing’, Reviews in American History, 41(1). Available at: http://oxfordbrookes.idm.oclc.org/login?url=https://www.proquest.com/scholarly-journals/jean-toomer-history-passing/docview/1404745484/se-2?accountid=13041.
Hemenway, R.E. and Walker, A. (1980) Zora Neale Hurston: a literary biography. Urbana [Ill.]: University of Illinois Press.
Heywood, L.M. (2002) Central Africans and cultural transformations in the American diaspora. Cambridge: Cambridge University Press.
Hickman, B. (2015) Crisis and the US avant-garde: poetry and real politics. Edinburgh: Edinburgh University Press.
Hill, E. and Hatch, J.V. (2003) A history of African American theatre. Cambridge: Cambridge University Press.
Holloway, K.F.C. (1987) The character of the word: the texts of Zora Neale Hurston. New York: Greenwood Press.
Huggins, N.I. (2007) Harlem Renaissance. Updated ed. New York: Oxford University Press. Available at: https://oxfordbrookes.on.worldcat.org/oclc/712037553.
Hughes, L. and De Santis, C.C. (2002) Essays on art, race, politics, and world affairs. Columbia, Mo: University of Missouri Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3570723.
Hurston, Z.N. (1986) Their eyes were watching God: a novel. London: Virago.
Hurston, Z.N. (2003) Zora Neale Hurston: a life in letters. 1st Anchor books edition. Edited by C. Kaplan. New York: Anchor Books.
Hurston, Z.N. (2009) Their eyes were watching God. [New York]: HarperCollins. Available at: https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=3382631&site=ehost-live.
Hutchinson, G. (2007a) The Cambridge companion to the Harlem Renaissance. 1st ed. New York: Cambridge University Press.
Hutchinson, G. (2007b) The Cambridge companion to the Harlem Renaissance. New York: Cambridge University Press.
Innes, C. (1993) Avant garde theatre, 1892-1992. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179251.
King, L. (2008) The Cambridge introduction to Zora Neale Hurston. Cambridge, UK: Cambridge University Press.
Kolchin, P. (1995) American slavery, 1619-1877. London: Penguin.
Krasner, D. (1997) Resistance, parody, and double consciousness in African American theatre, 1895-1910. New York: St. Martin’s Press.
Larson, C.R. (no date) Invisible darkness: Jean Toomer & Nella Larsen. Iowa City: University of Iowa Press.
Mahurin, S. (2013) ‘“Speakin Arms” and Dancing Bodies in Ntozake Shange’, African American Review, 46(2–3), pp. 329–343. Available at: https://doi.org/10.1353/afa.2013.0068.
Mercer, K. (1994) Welcome to the jungle: new positions in Black cultural studies. New York: Routledge.
Meriwether, J.H. (no date) Proudly we can be Africans: Black Americans and Africa, 1935-1961. Chapel Hill: University of North Carolina Press.
Miller, R.B. (no date) Langston Hughes. Ipswich, Mass: Salem Press. Available at: https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=500777&site=ehost-live.
Mintz, S.W. and Price, R. (no date) The birth of African-American culture: an anthropological perspective. Boston: Beacon Press.
Morgan, J.L. (no date) Laboring women: reproduction and gender in New World slavery. Philadelphia: University of Pennsylvania Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3442010.
Mullen, E.J. (no date) Critical essays on Langston Hughes. Boston, Mass: G.K. Hall.
Mullen, H.R. (2006) Recyclopedia: Trimmings, S*PeRM**K*T, and Muse & Drudge. St. Paul, MN: Graywolf Press.
Mullen, H.R. (2012) The cracks between what we are and what we are supposed to be: essays and interviews. Tuscaloosa: University Alabama Press. Available at: https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=997588.
Neal, M.A. (2002) Soul babies: black popular culture and the post-soul aesthetic. New York: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1122905.
Ogbar, J.O.G. (2004) Black power: radical politics and African American identity. Baltimore: Johns Hopkins University Press.
Okpewho, I. and Nzegwu, N. (eds) (2009) The new African diaspora. Bloomington: Indiana University Press.
O’Meally, R.G. (1988) New essays on Invisible man. Cambridge: Cambridge University Press.
Patton, S.F. (1998) African-American art. Oxford: Oxford University Press.
Peterson, C.L. (no date) Black Gotham: a family history of African Americans in nineteenth-century New York City. New Haven [Conn.]: Yale University Press.
Pettinger, A. (1998) Always elsewhere: travels of the Black Atlantic. London: Cassell.
Poggioli, R. (1981) The theory of the avant-grade. Cambridge, Mass: Belknap Press of Harvard University Press.
Posnock, R. (2005) The Cambridge companion to Ralph Ellison. Cambridge: Cambridge University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052099.
Rabaka, R. (2011) Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement. Lanham: Rowman & Littlefield Pub. Group. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=686290.
Rampersad, A. (2008) Ralph Ellison: a biography. 1st Vintage books ed. New York: Vintage Books.
Rice, A.J. (2003) Radical narratives of the Black Atlantic. London: Continuum.
Rottenberg, C. (ed.) (2013) Black Harlem and the Jewish Lower East Side. Albany, NY: State University of New York Press.
Sayre, H.M. (1989) The object of performance: the American avant-garde since 1970. Chicago: University of Chicago Press.
Schipper, M. (no date) Beyond the boundaries: African literature and literary theory. London: Allison & Busby.
Sell, M. (no date) Avant-garde performance & the limits of criticism: approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement. Ann Arbor: University of Michigan Press.
Shange, N. (1997) For colored girls who have considered suicide, when the rainbow is enuf: a choreopoem. New York: Scribner Poetry.
Sherrard-Johnson, C. (ed.) (2015) A companion to the Harlem Renaissance. Chichester, West Sussex, UK: Wiley Blackwell. Available at: https://oxfordbrookes.on.worldcat.org/oclc/906798542.
Shockley, E. (2011) The new black. Middletown, CT: Wesleyan University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=869205.
Smallwood, S.E. (2008) Saltwater slavery: a middle passage from Africa to American diaspora. First Harvard University Press paperback edition. Cambridge, Massachusetts: Harvard University Press.
Smethurst, J.E. (2005) The Black Arts Movement: literary nationalism in the 1960s and 1970s. Chapel Hill: University of North Carolina Press.
Smethurst, J.E. (2011) The African American roots of modernism: from Reconstruction to the Harlem Renaissance. Chapel Hill, North Carolina: University of North Carolina Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=716596.
Street, J. (no date) The culture war in the Civil Rights Movement. Gainesville: University Press of Florida. Available at: https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=4926419.
Sweeney, F. and Marsh, K. (eds) (2013) Afromodernisms: Paris, Harlem and the avant-garde. Edinburgh: Edinburgh University Press.
Terborg-Penn, R. (no date) African American women in the struggle for the vote, 1850-1920. Bloomington: Indiana University Press.
Toomer, J., Byrd, R.P. and Gates, H.L. (2011) Cane : authoritative text, contexts, criticism. New York: W.W. Norton.
Toomer, J. and Whalan, M. (no date) The letters of Jean Toomer, 1919-1924. Knoxville: University of Tennessee Press.
Tracy, S.C. (2004) A historical guide to Ralph Ellison. Oxford: Oxford University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052099.
Trotter, J.W. (no date) The African American experience. Boston: Houghton Mifflin.
Uno, R. and Burns, L.M.S.P. (2002) The color of theater: race, culture, and contemporary performance. London: Continuum.
Wallace, M.O. (no date) Langston Hughes: the Harlem Renaissance. New York: Marshall Cavendish Benchmark.
Walters, W.W. (2013) Archives of the Black Atlantic: reading between literature and history. New York: Routledge, Taylor & Francis Group. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3061356.
Ward, J.W. and Butler, R. (2008) The Richard Wright encyclopedia. Westport, Conn: Greenwood Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=617341.
Watson, S. (1995) The Harlem renaissance: hub of African-American culture, 1920-1930. First edition. New York: Pantheon Books.
Whalan, M. (2007) Race, manhood, and modernism in America : the short story cycles of Sherwood Anderson and Jean Toomer. Knoxville: University of Tennessee Press.
White, E.B. (2020a) Reading machines in the modernist transatlantic: avant-gardes, technology and the everyday. Edinburgh: Edinburgh University Press. Available at: https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/books/reading-machines-in-the-modernist-transatlantic/77E019BB3A75A6CC3BFDF50512ED525C.
White, E.B. (2020b) Reading machines in the modernist transatlantic: avant-gardes, technology and the everyday. Edinburgh: Edinburgh University Press. Available at: https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/books/reading-machines-in-the-modernist-transatlantic/77E019BB3A75A6CC3BFDF50512ED525C.
White, E.B. (no date) Transatlantic avant-gardes: little magazines and localist modernism. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1190663.
Wilkerson, I. (2010) The warmth of other suns: the epic story of America’s great migration. First edition. New York: Random House. Available at: https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=736665&site=ehost-live.
Williams, D.G. (no date) Ethnicity and cultural authority: from Arnold to Du Bois. Edinburgh: Edinburgh University Press. Available at: https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=736665&site=ehost-live.
Williams, R. and Pinkney, T. (1989) The politics of modernism: against the new conformists. London [England]: Verso.
Wintz, C.D. (1988) Black culture and the Harlem Renaissance. 1st ed. Houston, Tex: Rice University Press.
Wintz, C.D. (ed.) (1996) Harlem Renaissance 1920-1940 (7 volumes). London: Taylor & Francis Ltd.
Wright, J.S. (2006) Shadowing Ralph Ellison. 1st ed. Jackson: University Press of Mississippi. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=619226.
Wright, R. (2000) Native son. [New ed.]. London: Vintage.