Andrews, William L., Frances Smith Foster, Trudier Harris, and Oxford University Press. The Concise Oxford Companion to African American Literature. New York: Oxford University Press, 2001.
Armstrong, Julie Buckner, ed. The Cambridge Companion to American Civil Rights Literature. New York: Cambridge University Press, 2015.
Armstrong, Tim. Modernism: A Cultural History. Cambridge: Polity, 2005.
———. The Logic of Slavery: Debt, Technology, and Pain in American Literature. Vol. 163. Cambridge: Cambridge University Press, 2012. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=430642.
Ayers, Edward L. The Promise of the New South: Life After Reconstruction - 15th Anniversary Edition. Oxford: Oxford University Press, USA, 2007. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=430642.
Baker, Phyllis. African-American Spirituality, Thought & Culture. iUniverse, 2007.
Banes, Sally. Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body. Durham: Duke University Press, 1993.
Barlow, Daniel. ‘Literary Ethnomusicology and the Soundscape of Jean Toomer’s Cane’. Multi-Ethnic Literature of the United States 39, no. 1 (2014): 192–211. https://doi.org/10.1093/melus/mlt069.
Bean, Annemarie. A Sourcebook of African-American Performance: Plays, People, Movements. London: Routledge, 1999. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=166118.
Benston, Kimberly W. Performing Blackness: Enactments of African-American Modernism. London: Routledge, 2000.
Blackburn, Robin. The American Crucible: Slavery, Emancipation and Human Rights. London: Verso, 2011.
Blight, David W. American Oracle: The Civil War in the Civil Rights Era. Cambridge, Mass: Belknap Press of Harvard University Press, 2011. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3300987.
Bloom, Harold, ed. Harlem Renaissance. Chelsea House Publications, 2004.
Borstelmann, Thomas. The Cold War and the Color Line: American Race Relations in the Global Arena. Cambridge, Massachusetts: Harvard University Press, 2001. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3300333.
Bradley, Adam. Ralph Ellison in Progress: From Invisible Man to Three Days before the Shooting--. New Haven: Yale University Press, n.d. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3421159.
Bridges, Flora Wilson. Resurrection Song: African-American Spirituality. Vol. v. 16. Maryknoll, N.Y.: Orbis Books, n.d.
Brooker, Peter, and Andrew Thacker. The Oxford Critical and Cultural History of Modernist Magazines: Vol. 2: North America, 1894-1960. Oxford: Oxford University Press, 2012.
Bürger, Peter, Michael Shaw, and Jochen Schulte-Sasse. Theory of the Avant-Garde. Vol. v. 4. Minneapolis: University of Minnesota Press, n.d.
Busby, Mark. Ralph Ellison. Vol. TUSAS 582. Boston: Twayne Publishers, 1991.
Byrd, Rudolph P., and Henry Louis Gates. ‘Jean Toomer’s Conflicted Racial Identity’. The Chronicle of Higher Education 57, no. 23 (2011): B5, B7–8. http://oxfordbrookes.idm.oclc.org/login?url=https://www.proquest.com/trade-journals/jean-toomers-conflicted-racial-identity/docview/849625880/se-2?accountid=13041.
Calinescu, Matei. Five Faces of Modernity. 2nd Revised edition. North Carolina: Duke University Press, 1987.
Carby, Hazel V. Cultures in Babylon: Black Britain and African America. London: Verso, 1999.
Cardullo, Bert, and Robert Knopf, eds. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. New Haven: Yale University Press, n.d. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420277.
Carlin, Gerry. Reading Jean Toomer’s Cane. Penrith [England]: Humanities-Ebooks, 2014. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3306139.
Carpio, Glenda, ed. The Cambridge Companion to Richard Wright. Cambridge: Cambridge University Press, 2019.
Carr, Robert. Black Nationalism in the New World: Reading the African-American and West Indian Experience. Durham: Duke University Press, 2002.
Coleman, Leon. Carl Van Vechten and the Harlem Renaissance: A Critical Assessment. New York: Garland Pub, 1998.
Dickerson, Glenda. African American Theater: A Cultural Companion. Cambridge, UK: Polity, 2008.
Du Bois, W. E. B. The Souls of Black Folk. Gorham ME: Myers Education Press, LLC, 2018. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5377984.
Du Bois, W. E. B. (William Edward Burghardt). The Souls of Black Folk, n.d. https://www.gutenberg.org/ebooks/408.
Dualé, Christine. ‘Re-Presentation and Re-Memory of the Southern Landscape in Cane : Jean Toomer’s Memorial Minor Writing’. Babel. Littératures Plurielles 40 (2019). https://doi.org/10.4000/babel.8526.
Dubois, Laurent, and Julius S. Scott, eds. Origins of the Black Atlantic. London: Taylor & Francis Ltd, 2010.
Dyer, Richard. White. London: Routledge, 1997.
Dyson, Michael Eric. Reflecting Black: African-American Cultural Criticism. Vol. v. 9. Minneapolis: University of Minnesota Press, n.d. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=310242.
Elam, Harry Justin, and David Krasner. African-American Performance and Theater History: A Critical Reader. Oxford [England]: Oxford University Press, 2001. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=241297.
Ellison, Ralph. Invisible Man. Vol. Penguin twentieth-century classics. Harmondsworth: Penguin, 1965.
———. Invisible Man. Vol. Penguin classics. London: Penguin, 2001.
Ernest, John, ed. The Oxford Handbook of the African American Slave Narrative. New York: Oxford University Press, 2020.
Farebrother, Rachel. The Collage Aesthetic in the Harlem Renaissance. Farnham, England: Ashgate, n.d.
Fisch, Audrey A. The Cambridge Companion to the African American Slave Narrative. Cambridge: Cambridge University Press, 2007.
Fradin, Dennis Brindell, and Judith Bloom Fradin. Zora!: The Life of Zora Neal Hurston. Clarion Books, 2012.
Fraile Marcos, Ana Ma. Richard Wright’s Native Son. Vol. 2. Amsterdam [Netherlands]: Rodopi, 2007. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556586.
Frey, Sylvia R. Water from the Rock: Black Resistance in a Revolutionary Age. Princeton, N.J.: Princeton University Press, n.d.
Frey, Sylvia R., and Betty Wood, eds. From Slavery to Emancipation in the Atlantic World. London: Taylor & Francis Ltd, 1999.
Frey, Sylvia, and Betty Wood, eds. ‘From Slavery to Emancipation in the Atlantic World, Special Issue of Slavery & Abolition’ 20, no. 1 (1999). https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/toc/fsla20/20/1?nav=tocList.
Gates, Henry Louis. The Norton Anthology of African American Literature. 2nd ed. New York: W. W. Norton, 2003.
———. The Signifying Monkey: A Theory of African-American Literary Criticism. Oxford: Oxford University Press, USA, 1988. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=679616.
Gershoni, Yekutiel. Africans on African-Americans: The Creation and Uses of an African-American Myth. Basingstoke: Macmillan, 1997.
Gilpin, R. Blakeslee. John Brown Still Lives!: America’s Long Reckoning with Violence, Equality, & Change. Chapel Hill: The University of North Carolina Press, 2011. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=880158.
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. London: Verso, 1993.
Glazier, Stephen D. Encyclopedia of African and African-American Religions. New York: Routledge, 2001.
Gomez, Michael A. ‘Of Du Bois and Diaspora’. Journal of Black Studies 35, no. 2 (2004): 175–94. https://doi.org/10.1177/0021934704266716.
Graham, Maryemma, ed. The Cambridge Companion to the African American Novel. 1st ed. Cambridge, UK: Cambridge University Press, 2004.
Grant, Nathan. Masculinist Impulses : Toomer, Hurston, Black Writing, and Modernity. Columbia: University of Missouri Press, n.d. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3570821.
Gray, Richard. Writing the South: Ideas of an American Region. Vol. [19]. Cambridge [Cambridgeshire]: Cambridge University Press, 1986.
Guterl, Matthew Pratt. ‘Jean Toomer and the History of Passing’. Reviews in American History 41, no. 1 (2013). http://oxfordbrookes.idm.oclc.org/login?url=https://www.proquest.com/scholarly-journals/jean-toomer-history-passing/docview/1404745484/se-2?accountid=13041.
Hemenway, Robert E., and Alice Walker. Zora Neale Hurston: A Literary Biography. Urbana [Ill.]: University of Illinois Press, 1980.
Heywood, Linda M. Central Africans and Cultural Transformations in the American Diaspora. Cambridge: Cambridge University Press, 2002.
Hickman, Ben. Crisis and the US Avant-Garde: Poetry and Real Politics. Edinburgh: Edinburgh University Press, 2015.
Hill, Errol, and James V. Hatch. A History of African American Theatre. Cambridge: Cambridge University Press, 2003.
Holloway, Karla F. C. The Character of the Word: The Texts of Zora Neale Hurston. Vol. no. 102. New York: Greenwood Press, 1987.
Huggins, Nathan Irvin. Harlem Renaissance. Updated ed. New York: Oxford University Press, 2007. https://oxfordbrookes.on.worldcat.org/oclc/712037553.
Hughes, Langston, and Christopher C. De Santis. Essays on Art, Race, Politics, and World Affairs. Vol. v. 9. Columbia, Mo: University of Missouri Press, 2002. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3570723.
Hurston, Zora Neale. Their Eyes Were Watching God. [New York]: HarperCollins, 2009. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=3382631&site=ehost-live.
———. Their Eyes Were Watching God: A Novel. Vol. Virago modern classic. London: Virago, 1986.
———. Zora Neale Hurston: A Life in Letters. Edited by Carla Kaplan. 1st Anchor books edition. New York: Anchor Books, 2003.
Hutchinson, George. The Cambridge Companion to the Harlem Renaissance. 1st ed. New York: Cambridge University Press, 2007.
———. The Cambridge Companion to the Harlem Renaissance. New York: Cambridge University Press, 2007.
Innes, Christopher. Avant Garde Theatre, 1892-1992. London: Routledge, 1993. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179251.
King, Lovalerie. The Cambridge Introduction to Zora Neale Hurston. Cambridge, UK: Cambridge University Press, 2008.
Kolchin, Peter. American Slavery, 1619-1877. London: Penguin, 1995.
Krasner, David. Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910. New York: St. Martin’s Press, 1997.
Larson, Charles R. Invisible Darkness: Jean Toomer & Nella Larsen. Iowa City: University of Iowa Press, n.d.
Mahurin, Sarah. ‘“Speakin Arms” and Dancing Bodies in Ntozake Shange’. African American Review 46, no. 2–3 (2013): 329–43. https://doi.org/10.1353/afa.2013.0068.
Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. New York: Routledge, 1994.
Meriwether, James Hunter. Proudly We Can Be Africans: Black Americans and Africa, 1935-1961. Chapel Hill: University of North Carolina Press, n.d.
Miller, R. Baxter. Langston Hughes. Ipswich, Mass: Salem Press, n.d. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=500777&site=ehost-live.
Mintz, Sidney W., and Richard Price. The Birth of African-American Culture: An Anthropological Perspective. Boston: Beacon Press, n.d.
Morgan, Jennifer L. Laboring Women: Reproduction and Gender in New World Slavery. Philadelphia: University of Pennsylvania Press, n.d. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3442010.
Mullen, Edward J. Critical Essays on Langston Hughes. Boston, Mass: G.K. Hall, n.d.
Mullen, Harryette Romell. Recyclopedia: Trimmings, S*PeRM**K*T, and Muse & Drudge. St. Paul, MN: Graywolf Press, 2006.
———. The Cracks between What We Are and What We Are Supposed to Be: Essays and Interviews. Tuscaloosa: University Alabama Press, 2012. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=997588.
Neal, Mark Anthony. Soul Babies: Black Popular Culture and the Post-Soul Aesthetic. New York: Routledge, 2002. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1122905.
Ogbar, Jeffrey Ogbonna Green. Black Power: Radical Politics and African American Identity. Baltimore: Johns Hopkins University Press, 2004.
Okpewho, Isidore, and Nkiru Nzegwu, eds. The New African Diaspora. Bloomington: Indiana University Press, 2009.
O’Meally, Robert G. New Essays on Invisible Man. Cambridge: Cambridge University Press, 1988.
Patton, Sharon F. African-American Art. Oxford: Oxford University Press, 1998.
Peterson, Carla L. Black Gotham: A Family History of African Americans in Nineteenth-Century New York City. New Haven [Conn.]: Yale University Press, n.d.
Pettinger, Alasdair. Always Elsewhere: Travels of the Black Atlantic. London: Cassell, 1998.
Poggioli, Renato. The Theory of the Avant-Grade. Cambridge, Mass: Belknap Press of Harvard University Press, 1981.
Posnock, Ross. The Cambridge Companion to Ralph Ellison. Cambridge: Cambridge University Press, 2005. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052099.
Rabaka, Reiland. Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement. Lanham: Rowman & Littlefield Pub. Group, 2011. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=686290.
Rampersad, Arnold. Ralph Ellison: A Biography. 1st Vintage books ed. New York: Vintage Books, 2008.
Rice, Alan J. Radical Narratives of the Black Atlantic. London: Continuum, 2003.
Rottenberg, Catherine, ed. Black Harlem and the Jewish Lower East Side. Albany, NY: State University of New York Press, 2013.
Sayre, Henry M. The Object of Performance: The American Avant-Garde since 1970. Chicago: University of Chicago Press, 1989.
Schipper, Mineke. Beyond the Boundaries: African Literature and Literary Theory. London: Allison & Busby, n.d.
Sell, Mike. Avant-Garde Performance & the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement. Ann Arbor: University of Michigan Press, n.d.
Shange, Ntozake. For Colored Girls Who Have Considered Suicide, When the Rainbow Is Enuf: A Choreopoem. New York: Scribner Poetry, 1997.
Sherrard-Johnson, Cherene, ed. A Companion to the Harlem Renaissance. Vol. 91. Chichester, West Sussex, UK: Wiley Blackwell, 2015. https://oxfordbrookes.on.worldcat.org/oclc/906798542.
Shockley, Evie. The New Black. Middletown, CT: Wesleyan University Press, 2011. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=869205.
Smallwood, Stephanie E. Saltwater Slavery: A Middle Passage from Africa to American Diaspora. First Harvard University Press paperback edition. Cambridge, Massachusetts: Harvard University Press, 2008.
Smethurst, James Edward. The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance. Chapel Hill, North Carolina: University of North Carolina Press, 2011. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=716596.
———. The Black Arts Movement: Literary Nationalism in the 1960s and 1970s. Chapel Hill: University of North Carolina Press, 2005.
Street, Joe. The Culture War in the Civil Rights Movement. Gainesville: University Press of Florida, n.d. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=4926419.
Sweeney, Fionnghuala, and Kate Marsh, eds. Afromodernisms: Paris, Harlem and the Avant-Garde. Edinburgh: Edinburgh University Press, 2013.
Terborg-Penn, Rosalyn. African American Women in the Struggle for the Vote, 1850-1920. Bloomington: Indiana University Press, n.d.
Toomer, Jean, Rudolph P. Byrd, and Henry Louis Gates. Cane : Authoritative Text, Contexts, Criticism. New York: W.W. Norton, 2011.
Toomer, Jean, and Mark Whalan. The Letters of Jean Toomer, 1919-1924. Knoxville: University of Tennessee Press, n.d.
Tracy, Steven C. A Historical Guide to Ralph Ellison. Oxford: Oxford University Press, 2004. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052099.
Trotter, Joe William. The African American Experience. Boston: Houghton Mifflin, n.d.
Uno, Roberta, and Lucy Mae San Pablo Burns. The Color of Theater: Race, Culture, and Contemporary Performance. London: Continuum, 2002.
Wallace, Maurice O. Langston Hughes: The Harlem Renaissance. New York: Marshall Cavendish Benchmark, n.d.
Walters, Wendy W. Archives of the Black Atlantic: Reading between Literature and History. Vol. 6. New York: Routledge, Taylor & Francis Group, 2013. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3061356.
Ward, Jerry Washington, and Robert Butler. The Richard Wright Encyclopedia. Westport, Conn: Greenwood Press, 2008. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=617341.
Watson, Steven. The Harlem Renaissance: Hub of African-American Culture, 1920-1930. First edition. New York: Pantheon Books, 1995.
Whalan, Mark. Race, Manhood, and Modernism in America : The Short Story Cycles of Sherwood Anderson and Jean Toomer. Knoxville: University of Tennessee Press, 2007.
White, Eric B. Reading Machines in the Modernist Transatlantic: Avant-Gardes, Technology and the Everyday. Edinburgh: Edinburgh University Press, 2020. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/books/reading-machines-in-the-modernist-transatlantic/77E019BB3A75A6CC3BFDF50512ED525C.
———. Reading Machines in the Modernist Transatlantic: Avant-Gardes, Technology and the Everyday. Edinburgh: Edinburgh University Press, 2020. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/books/reading-machines-in-the-modernist-transatlantic/77E019BB3A75A6CC3BFDF50512ED525C.
———. Transatlantic Avant-Gardes: Little Magazines and Localist Modernism. Edinburgh: Edinburgh University Press, n.d. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1190663.
Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. First edition. New York: Random House, 2010. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=736665&site=ehost-live.
Williams, Daniel G. Ethnicity and Cultural Authority: From Arnold to Du Bois. Edinburgh: Edinburgh University Press, n.d. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=736665&site=ehost-live.
Williams, Raymond, and Tony Pinkney. The Politics of Modernism: Against the New Conformists. London [England]: Verso, 1989.
Wintz, Cary D. Black Culture and the Harlem Renaissance. 1st ed. Houston, Tex: Rice University Press, 1988.
———, ed. Harlem Renaissance 1920-1940 (7 Volumes). London: Taylor & Francis Ltd, 1996.
Wright, John S. Shadowing Ralph Ellison. 1st ed. Jackson: University Press of Mississippi, 2006. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=619226.
Wright, Richard. Native Son. [New ed.]. Vol. Vintage classics. London: Vintage, 2000.