Andrews, W. L., Foster, F. S., Harris, T., & Oxford University Press. (2001). The concise Oxford companion to African American literature. Oxford University Press.
Armstrong, J. B. (Ed.). (2015). The Cambridge Companion to American Civil Rights Literature. Cambridge University Press.
Armstrong, T. (2005). Modernism: a cultural history. Polity.
Armstrong, T. (2012). The logic of slavery: debt, technology, and pain in American literature (Vol. 163). Cambridge University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=430642
Ayers, E. L. (2007). The Promise of the New South: Life After Reconstruction - 15th Anniversary Edition. Oxford University Press, USA. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=430642
Baker, P. (2007). African-American Spirituality, Thought & Culture. iUniverse.
Banes, S. (1993). Greenwich Village 1963: avant-garde performance and the effervescent body. Duke University Press.
Barlow, D. (2014). Literary Ethnomusicology and the Soundscape of Jean Toomer’s Cane. Multi-Ethnic Literature of the United States, 39(1), 192–211. https://doi.org/10.1093/melus/mlt069
Bean, A. (1999). A Sourcebook of African-American performance: plays, people, movements. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=166118
Benston, K. W. (2000). Performing blackness: enactments of African-American modernism. Routledge.
Blackburn, R. (2011). The American crucible: slavery, emancipation and human rights. Verso.
Blight, D. W. (2011). American oracle: the Civil War in the civil rights era. Belknap Press of Harvard University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3300987
Bloom, H. (Ed.). (2004). Harlem Renaissance. Chelsea House Publications.
Borstelmann, T. (2001). The Cold War and the color line: American race relations in the global arena. Harvard University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3300333
Bradley, A. (n.d.). Ralph Ellison in progress: from Invisible man to Three days before the shooting--. Yale University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3421159
Bridges, F. W. (n.d.). Resurrection song: African-American spirituality: Vol. v. 16. Orbis Books.
Brooker, P., & Thacker, A. (2012). The Oxford critical and cultural history of modernist magazines: Vol. 2: North America, 1894-1960. Oxford University Press.
Bürger, P., Shaw, M., & Schulte-Sasse, J. (n.d.). Theory of the avant-garde: Vol. v. 4. University of Minnesota Press.
Busby, M. (1991). Ralph Ellison: Vol. TUSAS 582. Twayne Publishers.
Byrd, R. P., & Gates, H. L. (2011). Jean Toomer’s Conflicted Racial Identity. The Chronicle of Higher Education, 57(23), B5, B7–B8. http://oxfordbrookes.idm.oclc.org/login?url=https://www.proquest.com/trade-journals/jean-toomers-conflicted-racial-identity/docview/849625880/se-2?accountid=13041
Calinescu, M. (1987). Five Faces of Modernity (2nd Revised edition). Duke University Press.
Carby, H. V. (1999). Cultures in Babylon: Black Britain and African America. Verso.
Cardullo, B., & Knopf, R. (Eds.). (n.d.). Theater of the avant-garde, 1890-1950: a critical anthology. Yale University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420277
Carlin, G. (2014). Reading Jean Toomer’s Cane. Humanities-Ebooks. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3306139
Carpio, G. (Ed.). (2019). The Cambridge companion to Richard Wright. Cambridge University Press.
Carr, R. (2002). Black nationalism in the new world: reading the African-American and West Indian experience. Duke University Press.
Coleman, L. (1998). Carl Van Vechten and the Harlem Renaissance: a critical assessment. Garland Pub.
Dickerson, G. (2008). African American theater: a cultural companion. Polity.
Du Bois, W. E. B. (2018). The Souls of Black Folk. Myers Education Press, LLC. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5377984
Du Bois, W. E. B. (William E. B. (n.d.). The Souls of Black Folk. https://www.gutenberg.org/ebooks/408
Dualé, C. (2019). Re-Presentation and Re-Memory of the Southern Landscape in Cane : Jean Toomer’s Memorial Minor Writing. Babel. Littératures Plurielles, 40. https://doi.org/10.4000/babel.8526
Dubois, L., & Scott, J. S. (Eds.). (2010). Origins of the Black Atlantic. Taylor & Francis Ltd.
Dyer, R. (1997). White. Routledge.
Dyson, M. E. (n.d.). Reflecting black: African-American cultural criticism: Vol. v. 9. University of Minnesota Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=310242
Elam, H. J., & Krasner, D. (2001). African-American performance and theater history: a critical reader. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=241297
Ellison, R. (1965). Invisible man: Vol. Penguin twentieth-century classics. Penguin.
Ellison, R. (2001). Invisible man: Vol. Penguin classics. Penguin.
Ernest, J. (Ed.). (2020). The Oxford handbook of the African American slave narrative. Oxford University Press.
Farebrother, R. (n.d.). The collage aesthetic in the Harlem Renaissance. Ashgate.
Fisch, A. A. (2007). The Cambridge companion to the African American slave narrative. Cambridge University Press.
Fradin, D. B., & Fradin, J. B. (2012). Zora!: the life of Zora Neal Hurston. Clarion Books.
Fraile Marcos, A. M. (2007). Richard Wright’s Native son (Vol. 2). Rodopi. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556586
Frey, S. R. (n.d.). Water from the rock: Black resistance in a revolutionary age. Princeton University Press.
Frey, S. R., & Wood, B. (Eds.). (1999). From Slavery to Emancipation in the Atlantic World. Taylor & Francis Ltd.
Frey, S., & Wood, B. (Eds.). (1999). From Slavery to Emancipation in the Atlantic World, Special issue of Slavery & Abolition. 20(1). https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/toc/fsla20/20/1?nav=tocList
Gates, H. L. (1988). The signifying monkey: a theory of African-American literary criticism. Oxford University Press, USA. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=679616
Gates, H. L. (2003). The Norton anthology of African American literature (2nd ed). W. W. Norton.
Gershoni, Y. (1997). Africans on African-Americans: the creation and uses of an African-American myth. Macmillan.
Gilpin, R. B. (2011). John Brown still lives!: America’s long reckoning with violence, equality, & change. The University of North Carolina Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=880158
Gilroy, P. (1993). The black Atlantic: modernity and double consciousness. Verso.
Glazier, S. D. (2001). Encyclopedia of African and African-American religions. Routledge.
Gomez, M. A. (2004). Of Du Bois and Diaspora. Journal of Black Studies, 35(2), 175–194. https://doi.org/10.1177/0021934704266716
Graham, M. (Ed.). (2004). The Cambridge companion to the African American novel (1st ed). Cambridge University Press.
Grant, N. (n.d.). Masculinist impulses : Toomer, Hurston, Black writing, and modernity. University of Missouri Press. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3570821
Gray, R. (1986). Writing the South: ideas of an American region: Vol. [19]. Cambridge University Press.
Guterl, M. P. (2013). Jean Toomer and the History of Passing. Reviews in American History, 41(1). http://oxfordbrookes.idm.oclc.org/login?url=https://www.proquest.com/scholarly-journals/jean-toomer-history-passing/docview/1404745484/se-2?accountid=13041
Hemenway, R. E., & Walker, A. (1980). Zora Neale Hurston: a literary biography. University of Illinois Press.
Heywood, L. M. (2002). Central Africans and cultural transformations in the American diaspora. Cambridge University Press.
Hickman, B. (2015). Crisis and the US avant-garde: poetry and real politics. Edinburgh University Press.
Hill, E., & Hatch, J. V. (2003). A history of African American theatre. Cambridge University Press.
Holloway, K. F. C. (1987). The character of the word: the texts of Zora Neale Hurston: Vol. no. 102. Greenwood Press.
Huggins, N. I. (2007). Harlem Renaissance (Updated ed). Oxford University Press. https://oxfordbrookes.on.worldcat.org/oclc/712037553
Hughes, L., & De Santis, C. C. (2002). Essays on art, race, politics, and world affairs: Vol. v. 9. University of Missouri Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3570723
Hurston, Z. N. (1986). Their eyes were watching God: a novel: Vol. Virago modern classic. Virago.
Hurston, Z. N. (2003). Zora Neale Hurston: a life in letters (C. Kaplan, Ed.; 1st Anchor books edition). Anchor Books.
Hurston, Z. N. (2009). Their eyes were watching God. HarperCollins. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=3382631&site=ehost-live
Hutchinson, G. (2007a). The Cambridge companion to the Harlem Renaissance (1st ed). Cambridge University Press.
Hutchinson, G. (2007b). The Cambridge companion to the Harlem Renaissance. Cambridge University Press.
Innes, C. (1993). Avant garde theatre, 1892-1992. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179251
King, L. (2008). The Cambridge introduction to Zora Neale Hurston. Cambridge University Press.
Kolchin, P. (1995). American slavery, 1619-1877. Penguin.
Krasner, D. (1997). Resistance, parody, and double consciousness in African American theatre, 1895-1910. St. Martin’s Press.
Larson, C. R. (n.d.). Invisible darkness: Jean Toomer & Nella Larsen. University of Iowa Press.
Mahurin, S. (2013). ‘Speakin Arms’ and Dancing Bodies in Ntozake Shange. African American Review, 46(2–3), 329–343. https://doi.org/10.1353/afa.2013.0068
Mercer, K. (1994). Welcome to the jungle: new positions in Black cultural studies. Routledge.
Meriwether, J. H. (n.d.). Proudly we can be Africans: Black Americans and Africa, 1935-1961. University of North Carolina Press.
Miller, R. B. (n.d.). Langston Hughes. Salem Press. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=500777&site=ehost-live
Mintz, S. W., & Price, R. (n.d.). The birth of African-American culture: an anthropological perspective. Beacon Press.
Morgan, J. L. (n.d.). Laboring women: reproduction and gender in New World slavery. University of Pennsylvania Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3442010
Mullen, E. J. (n.d.). Critical essays on Langston Hughes. G.K. Hall.
Mullen, H. R. (2006). Recyclopedia: Trimmings, S*PeRM**K*T, and Muse & Drudge. Graywolf Press.
Mullen, H. R. (2012). The cracks between what we are and what we are supposed to be: essays and interviews. University Alabama Press. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=997588
Neal, M. A. (2002). Soul babies: black popular culture and the post-soul aesthetic. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1122905
Ogbar, J. O. G. (2004). Black power: radical politics and African American identity. Johns Hopkins University Press.
Okpewho, I., & Nzegwu, N. (Eds.). (2009). The new African diaspora. Indiana University Press.
O’Meally, R. G. (1988). New essays on Invisible man. Cambridge University Press.
Patton, S. F. (1998). African-American art. Oxford University Press.
Peterson, C. L. (n.d.). Black Gotham: a family history of African Americans in nineteenth-century New York City. Yale University Press.
Pettinger, A. (1998). Always elsewhere: travels of the Black Atlantic. Cassell.
Poggioli, R. (1981). The theory of the avant-grade. Belknap Press of Harvard University Press.
Posnock, R. (2005). The Cambridge companion to Ralph Ellison. Cambridge University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052099
Rabaka, R. (2011). Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement. Rowman & Littlefield Pub. Group. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=686290
Rampersad, A. (2008). Ralph Ellison: a biography (1st Vintage books ed). Vintage Books.
Rice, A. J. (2003). Radical narratives of the Black Atlantic. Continuum.
Rottenberg, C. (Ed.). (2013). Black Harlem and the Jewish Lower East Side. State University of New York Press.
Sayre, H. M. (1989). The object of performance: the American avant-garde since 1970. University of Chicago Press.
Schipper, M. (n.d.). Beyond the boundaries: African literature and literary theory. Allison & Busby.
Sell, M. (n.d.). Avant-garde performance & the limits of criticism: approaching the Living Theatre, happenings/Fluxus, and the Black Arts movement. University of Michigan Press.
Shange, N. (1997). For colored girls who have considered suicide, when the rainbow is enuf: a choreopoem. Scribner Poetry.
Sherrard-Johnson, C. (Ed.). (2015). A companion to the Harlem Renaissance (Vol. 91). Wiley Blackwell. https://oxfordbrookes.on.worldcat.org/oclc/906798542
Shockley, E. (2011). The new black. Wesleyan University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=869205
Smallwood, S. E. (2008). Saltwater slavery: a middle passage from Africa to American diaspora (First Harvard University Press paperback edition). Harvard University Press.
Smethurst, J. E. (2005). The Black Arts Movement: literary nationalism in the 1960s and 1970s. University of North Carolina Press.
Smethurst, J. E. (2011). The African American roots of modernism: from Reconstruction to the Harlem Renaissance. University of North Carolina Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=716596
Street, J. (n.d.). The culture war in the Civil Rights Movement. University Press of Florida. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=4926419
Sweeney, F., & Marsh, K. (Eds.). (2013). Afromodernisms: Paris, Harlem and the avant-garde. Edinburgh University Press.
Terborg-Penn, R. (n.d.). African American women in the struggle for the vote, 1850-1920. Indiana University Press.
Toomer, J., Byrd, R. P., & Gates, H. L. (2011). Cane : authoritative text, contexts, criticism. W.W. Norton.
Toomer, J., & Whalan, M. (n.d.). The letters of Jean Toomer, 1919-1924. University of Tennessee Press.
Tracy, S. C. (2004). A historical guide to Ralph Ellison. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052099
Trotter, J. W. (n.d.). The African American experience. Houghton Mifflin.
Uno, R., & Burns, L. M. S. P. (2002). The color of theater: race, culture, and contemporary performance. Continuum.
Wallace, M. O. (n.d.). Langston Hughes: the Harlem Renaissance. Marshall Cavendish Benchmark.
Walters, W. W. (2013). Archives of the Black Atlantic: reading between literature and history (Vol. 6). Routledge, Taylor & Francis Group. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3061356
Ward, J. W., & Butler, R. (2008). The Richard Wright encyclopedia. Greenwood Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=617341
Watson, S. (1995). The Harlem renaissance: hub of African-American culture, 1920-1930 (First edition). Pantheon Books.
Whalan, M. (2007). Race, manhood, and modernism in America : the short story cycles of Sherwood Anderson and Jean Toomer. University of Tennessee Press.
White, E. B. (n.d.). Transatlantic avant-gardes: little magazines and localist modernism. Edinburgh University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1190663
White, E. B. (2020a). Reading machines in the modernist transatlantic: avant-gardes, technology and the everyday. Edinburgh University Press. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/books/reading-machines-in-the-modernist-transatlantic/77E019BB3A75A6CC3BFDF50512ED525C
White, E. B. (2020b). Reading machines in the modernist transatlantic: avant-gardes, technology and the everyday. Edinburgh University Press. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/books/reading-machines-in-the-modernist-transatlantic/77E019BB3A75A6CC3BFDF50512ED525C
Wilkerson, I. (2010). The warmth of other suns: the epic story of America’s great migration (First edition). Random House. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=736665&site=ehost-live
Williams, D. G. (n.d.). Ethnicity and cultural authority: from Arnold to Du Bois. Edinburgh University Press. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=736665&site=ehost-live
Williams, R., & Pinkney, T. (1989). The politics of modernism: against the new conformists. Verso.
Wintz, C. D. (1988). Black culture and the Harlem Renaissance (1st ed). Rice University Press.
Wintz, C. D. (Ed.). (1996). Harlem Renaissance 1920-1940 (7 volumes). Taylor & Francis Ltd.
Wright, J. S. (2006). Shadowing Ralph Ellison (1st ed). University Press of Mississippi. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=619226
Wright, R. (2000). Native son: Vol. Vintage classics ([New ed.]). Vintage.