Aird, E.M. (1973) Sylvia Plath. Edinburgh: Oliver and Boyd.
‘"Always the same stairs, always the same room”: The Uncanny Architecture of Jean Rhys’s <em>Good Morning, Midnight</em>’ (2015) Journal of Modern Literature, 38(4). Available at: https://doi.org/10.2979/jmodelite.38.4.74.
Anolik, R.B. (no date) Demons of the body and mind: essays on disability in gothic literature. Jefferson, N.C.: McFarland & Co., Publishers.
Astbury, J. (1996) Crazy for you: the making of women’s madness. Melbourne: Oxford University Press.
Bak, J.S. (1994) ‘Escaping the Jaundiced Eye: Foucaldian Panopticism in Charlotte Perkins Gilman’s “The Yellow Wallpaper”’, Studies in Short Fiction, 31(1), pp. 39–46. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=9503010336&amp;site=ehost-live.
Bakhtin, M.M. (1984) Rabelais and his world. Bloomington: Indiana University Press.
Ballard, J.G. (2008) Crash. London: Harper Perennial.
Banks, I. (1990) The wasp factory. London: Abacus.
Baxter, J. (2008) ‘Radical Surrealism: rereading photography and history in J.G. Ballard’s’, Textual Practice, 22(3), pp. 507–528. Available at: https://doi.org/10.1080/09502360802264673.
Bentall, R.P. (2004) Madness explained: psychosis and human nature. London: Penguin.
Berke, J.H. (2001) Beyond madness: psychosocial interventions in psychosis. London: Jessica Kingsley Publishers. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3015878.
Boyers, R. (no date) R. D. Laing & anti-psychiatry. New York: Harper & Row.
Britzolakis, C. (1999) Sylvia Plath and the theatre of mourning. Oxford: Clarendon Press.
Burgess, A. (2013) A clockwork orange. Restored edition. Edited by A. Biswell. London: Penguin Books.
Burgess, A. (no date) A clockwork orange. London: Penguin.
Busfield, J. (1986) Managing madness: changing ideas and practice. London: Hutchinson Educational.
Busfield, J. (1996) Men, women and madness: understanding gender and mental disorder. Basingstoke: Macmillan.
Butterfield, B. (1999) ‘Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection’, PMLA, 114(1), pp. 64–77. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463427.
Castillo, R.J. (1998) Meanings of madness. Pacific Grove, Calif: Brooks/Cole.
Childs, P. (2007) Ian McEwan’s Enduring love. London: Routledge.
Chodorow, N.J. (1989) Feminism and psychoanalytic theory. Cambridge: Polity Press.
Claridge, G., Pryor, R. and Watkins, G. (1998) Sounds from the bell jar: ten psychotic authors. 2nd ed. Cambridge, MA: Malor Books.
Collins, J. and Jervis, J. (2008) Uncanny modernity: cultural theories, modern anxieties. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Crewe, J. (1995) ‘Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form’, Tulsa Studies in Women’s Literature, 14(2), pp. 273–293. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463900.
Cronenberg, D. and Ballard, J.G. (2007) ‘Crash’. [UK]: Sony Pictures Entertainment.
Czarnecki, Kristin1 Kristin_Czarnecki@georgetowncollege.edu (2009) ‘“Yes, it can be sad, the sun in the afternoon”: Kristevan Depression in Jean Rhys’s “Good Morning, Midnight.”’, Journal of Modern Literature, 32(Issue 3), pp. 63–82. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=45022591&site=ehost-live.
Davis, T. and Womack, K. (2002) ‘“O My Brothers”: Reading the Anti-Ethics of the Pseudo-Family in Anthony Burgess’s A Clockwork Orange’, College Literature, 29(2), pp. 19–36. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25112635.
Day, A. (2000) ‘Ballard and Baudrillard: Close Reading Crash’, English, 49(195), pp. 277–293. Available at: https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/49/195/277/577906.
Dock, J.B. et al. (1996) ‘“But One Expects That”: Charlotte Perkins Gilman’s “The Yellow Wallpaper” and the Shifting Light of Scholarship’, PMLA, 111(1), pp. 52–65. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463133.
Dubois, D. (2001) ‘“Seeing the Female Body Differently”: Gender issues in The Silence of the Lambs’, Journal of Gender Studies, 10(3), pp. 297–310. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=5477503&amp;site=ehost-live.
Ellmann, M. (1994) Psychoanalytic literary criticism. Harlow: Longman.
Evans, R.O. (1971) ‘Nadsat: The Argot and Its Implications in Anthony Burgess’ “A Clockwork Orange”’, Journal of Modern Literature, 1(3), pp. 406–410. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831064.
‘Face to Face: JG Ballard (Part One)’ (2010). Available at: https://www.youtube.com/watch?v=xyZPRL90hNY.
‘Face to Face: JG Ballard (Part Three)’ (2010). Available at: https://www.youtube.com/watch?v=tVYzi-qea2I.
‘Face to Face: JG Ballard (Part Two)’ (2010). Available at: https://www.youtube.com/watch?v=kT2-9wF_MMI.
Felman, S. and Evans, M.N. (2003) Writing and madness: (literature/philosophy/psychoanalysis). Palo Alto, Calif: Stanford University Press.
Fisher, M. (2016) The weird and the eerie. London: Repeater.
Fleming, M. and Manvell, R. (1985) Images of madness: the portrayal of insanity in the feature film. Rutherford: Fairleigh Dickinson University Press.
Forsythe, B. and Melling, J. (1999) Insanity, institutions and society, 1800-1914: a social history of madness in comparative perspective. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=178160.
Foster, D.A. (1993) ‘J. G. Ballard’s Empire of the Senses: Perversion and the Failure of Authority’, PMLA, 108(3), pp. 519–532. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462619.
Foucault, M. (2001) Madness and civilization: a history of insanity in the Age of Reason. London: Routledge.
Foucault, M. et al. (2006) Psychiatric power: lectures at the Collège de France, 1973-74. Basingstoke: Palgrave Macmillan.
Foucault, M. and Khalfa, J. (2006) History of madness. London: Routledge.
Francis, S. (2008) ‘“Moral Pornography” and “Total Imagination”: The Pornographic in J. G. Ballard’s Crash’, English, 57(218), pp. 146–168. Available at: https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/57/218/146/524284.
Freud, S. (2013) Five lectures on psycho-analysis. [U.K?]: [Read Books Ltd.].
Fuller, S.M. (2005) ‘Deposing an American Cultural Totem: Clarice Starling and Postmodern Heroism in Thomas Harris’s Red Dragon, The Silence of the Lambs, and Hannibal’, The Journal of Popular Culture, 38(5), pp. 819–833. Available at: https://doi.org/10.1111/j.0022-3840.2005.00143.x.
Garrett, G. (1994) ‘Objecting to Objectification: Re-Viewing the Feminine in The Silence of the Lambs’, The Journal of Popular Culture, 27(4), pp. 1–12. Available at: https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdfb181b181-1994-027-04-000001pdf&amp;tab=title&amp;jid=393239333234383430%2334303031373139303035.
Gasiorek, A. (2005) J. G. Ballard. Manchester: Manchester University Press.
Gill, J. (2006) The Cambridge companion to Sylvia Plath. Cambridge: Cambridge University Press.
Gill, J. (2008) The Cambridge introduction to Sylvia Plath. Cambridge: Cambridge University Press.
Gilman, C.P. and Bauer, D.M. (1998) The yellow wallpaper. Boston: Bedford Books.
Gilman, S.L. (1982) Seeing the insane: a cultural history of madness and art in the western world. New York: Wiley in association with Brunner-Mazel.
Green, S. (2011) ‘“Up There with Black Holes and Darwin, Almost Bigger than Dinosaurs”: The Mind and McEwan’s Enduring Love’, Style, 45(3), pp. 441–463.
Greenberg, J. (2007) ‘Why Can’t Biologists Read Poetry? Ian McEwan’s Enduring Love’, Twentieth Century Literature, 53(2), pp. 93–124. Available at: https://read-dukeupress-edu.oxfordbrookes.idm.oclc.org/twentieth-century-lit/article/53/2/93-124/22522.
Gustavo Vargas Cohen (2012) ‘"A BIZARRE DOMESTIC METAMORPHOSIS1”: GENDER ROLES, POWER RELATIONS AND THREATENED HOMES IN SHIRLEY JACKSON’S LIKE MOTHER USED TO MAKE’, revista e-scrita : revista do curso de letras da uniabeu, 3 n1a. Available at: https://oxfordbrookes.on.worldcat.org/search?databaseList=638&queryString=shirley+jackson+like+mother+used+to+make#/oclc/7180078004.
Hague, Angela (2005) ‘“A Faithful Anatomy of Our Times”.’, Frontiers: A Journal of Women Studies, 26(Issue 2), pp. 73–96. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=18900714&site=ehost-live.
Harris, T. (2009) The silence of the lambs. London: Arrow.
Helle, A.P. (2007) The unraveling archive: essays on Sylvia Plath. Ann Arbor, Mich: University of Michigan Press.
Hochman, B. (2002) ‘The reading habit and The “Yellow Wallpaper” (Charlotte Perkins Gilman)’, American Literature, 74(1), pp. 89–110.
Horner, A. and Zlosnik, S. (1998) Daphne du Maurier: writing identity and the Gothic imagination. Basingstoke: Macmillan.
Horrobin, D.F. (2002) The madness of Adam and Eve: how schizophrenia shaped humanity. London: Corgi.
Johnson, E.L. (2013) ‘Hontologie: The Chronotope of Shame in Jean Rhys’s Good Morning, Midnight’, KronoScope, 13(1), pp. 28–46. Available at: https://doi.org/10.1163/15685241-12341257.
Kafka, F. (1992) Metamorphosis and other stories. Edited by W. Muir and E. Muir. London: Minerva.
Kafka, F. (2002) The metamorphosis. London: Legend Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4876660.
Kafka, F. (2007) Metamorphosis and other stories. Edited by M. Hofmann. London: Penguin.
Kendall, T. (2001) Sylvia Plath: a critical study. London: Faber.
KINGSLEY, ERIN M.1 (2015) ‘Birth Giving, the Body, and the Racialized Other in Jean Rhys’s Voyage in the Dark and Good Morning, Midnight.’, Philological Quarterly, 94(Issue 3), pp. 291–312. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=113172072&site=ehost-live.
Kristeva, J. (1982) Powers of horror: an essay on abjection. New York: Columbia University Press.
Kristeva, J. (1991) Strangers to ourselves. London: Harvester Wheatsheaf.
Kristeva, J. and Roudiez, L.S. (1989) Black sun: depression and melancholia. New York: Columbia University Press.
Lacan, J. (1980) Écrits: a selection. London: Tavistock Publications. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5268266.
Lacan, J., Miller, J.A. and Sheridan, A. (1977) The four fundamental concepts of psycho-analysis. London: Hogarth Press.
Lacan, J. and Wilden, A. (1968) The language of the self: the function of language in psychoanalysis. Baltimore (Md): John Hopkins Press.
Laing, R.D. (1961) The self and others: further studies in sanity and madness. London: Tavistock Publications.
Leader, D. (2012) What is madness? London: Penguin.
Levy, E.P. (2009) ‘Postlapsarian Will and the Problem of Time in Ian McEwan’s Enduring Love’, Renascence: Essays on Values in Literature, 61(3), pp. 169–193. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=40733776&amp;site=ehost-live.
Logan, P.M. (1997) Nerves and narratives: a cultural history of hysteria in nineteenth-century British prose. Berkeley: University of California Press.
Lynn, D. and McEwan, I. (2007) ‘A Conversation with Ian McEwan’, Kenyon Review, 29(3), pp. 38–51. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4339053?seq=1#page_scan_tab_contents.
Macdonald, K. (2007) ‘Anti-Heroes and Androgynes: Gothic Masculinities in Contemporary Scottish Men’s Fiction’, Irish Journal of Gothic and Horror Studies, 3, pp. 37–53. Available at: https://irishgothichorror-files-wordpress-com.oxfordbrookes.idm.oclc.org/2016/04/ijghsissue3.pdf.
Macdonald, K.A. (2011) ‘“This Desolate and Appalling Landscape”: The Journey North in Contemporary Scottish Gothic’, Gothic Studies, 13(2), pp. 37–48. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=71367569&amp;site=ehost-live.
Matthews, G. (2013) ‘Consumerism’s Endgame: Violence and Community in J.G. Ballard’s Late Fiction’, Journal of Modern Literature, 36(2), pp. 122–139. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/jmodelite.36.2.122.
McEwan, I. (1998) Enduring love. London: Vintage.
Mills, S. (2003) Michel Foucault. London: Routledge. Available at: https://oxfordbrookes.on.worldcat.org/oclc/51098224.
Morrison, J. (2001) ‘Narration and Unease in Ian McEwan’s Later Fiction’, Critique: Studies in Contemporary Fiction, 42(3), pp. 253–268. Available at: https://doi.org/10.1080/00111610109601143.
Mosher, L.R., Bentall, R.P. and Read, J. (2004) Models of madness: psychological, social and biological approaches to schizophrenia. London: Routledge. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203420393&uid=^u.
Murphy, T.P. (2008) ‘Opening the pathway: Plot management and the pivotal seventh character in Daphne du Maurier’s "Don’t Look Now”’, Journal of Literary Semantics, 37(2). Available at: https://doi.org/10.1515/jlse.2008.009.
Murray, I. (2002) Scottish writers talking 2: Iain Banks, Bernard MacLaverty, Naomi Mitchison, Iain Crichton Smith, Alan Spence : in interview. East Linton: Tuckwell Press.
Ostrowidzki, E.A. (2009) ‘Utopias of the New Right in J. G. Ballard’s Fiction’, Space and Culture, 12(1), pp. 4–24. Available at: http://sac.sagepub.com.oxfordbrookes.idm.oclc.org/content/12/1/4.abstract.
Palmer, A. (2009) ‘Attributions of Madness in Ian McEwan’s Enduring Love’, Style, 43(3), pp. 291–308.
Parkin-Gounelas, R. (2001) Literature and psychoanalysis: intertextual readings. Basingstoke: Palgrave.
Parks, John G. (no date) ‘THE POSSIBILITY OF EVIL: A KEY TO SHIRLEY JACKSON’S FICTION.’, Studies in Short Fiction, 15(Issue 3). Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=7133425&site=ehost-live.
Phillips, A. (2006) Going sane. London: Penguin.
Plath, S. (1966) The bell jar. London: Faber.
Plath, Sylvia (2005) The bell jar. London: Faber.
Porter, R. (1987) A social history of madness: stories of the insane. London: Weidenfeld and Nicolson.
Porter, R. (1990) Mind-forg’d manacles: a history of madness in England from the Restoration to the Regency. Harmondsworth: Penguin.
Porter, R. (1991) The Faber book of madness. London: Faber and Faber.
Porter, R. (2002) Madness: a brief history. Oxford: Oxford University Press.
Rabinovitz, R. (1978) ‘Mechanism vs. Organism: Anthony Burgess’ “A Clockwork Orange”’, Modern Fiction Studies, 24(4), pp. 538–541. Available at: https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1978-024-04-000006pdf&amp;tab=title&amp;jid=393239333234383430%2333343037343338363034.
Rabinovitz, R. (1979) ‘Ethical values in Anthony Burgess’s “Clockwork Orange”’, Studies in the Novel, 11(1), pp. 43–50. Available at: https://www.jstor.org/stable/29531951?seq=1#page_scan_tab_contents.
Ray, P.E. (1981) ‘Alex before and after: A New Approach to Burgess’ “A Clockwork Orange”’, MFS: Modern Fiction Studies, 27(3), pp. 479–487. Available at: https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1981-027-03-000005pdf&amp;tab=title&amp;jid=393239333234383430%2333343037343338363034.
Read, J. and Dillon, J. (eds) (2013) Models of madness: psychological, social, and biological approaches to psychosis. Second edition. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1221470.
Rhys, J. and Kennedy, A.L. (2000) Good morning, midnight. London: Penguin.
Robbins, B. (1996) ‘Murder and Mentorship: Advancement in The Silence of the Lambs’, boundary 2, 23(1), pp. 71–90. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/303577.
Robert Haas (2015) ‘Shirley Jackson’s "The Tooth”: Dentistry as Horror, the Imagination as a Shield’, Literature and Medicine, 33. Available at: https://oxfordbrookes.on.worldcat.org/search?queryString=shirley+jackson+the+tooth&format=&submit=Go#/oclc/5850442712.
Rose, J. (1991) The haunting of Sylvia Plath. London: Virago.
Rosenberg, R. (2010) ‘Judith A. Allen: The Feminism of Charlotte Perkins Gilman: Sexualities, Histories, Progressivism’, The American Historical Review, 115(4), pp. 1165–1166. Available at: https://academic-oup-com.oxfordbrookes.idm.oclc.org/ahr/article/115/4/1165/33791.
Royle, N. (2003) The uncanny. Manchester, UK: Manchester University Press.
Rubenstein, R. (1996) ‘House Mothers and Haunted Daughters: Shirley Jackson and Female Gothic’, Tulsa Studies in Women’s Literature, 15(2). Available at: https://doi.org/10.2307/464139.
Rushton, R. (2005) ‘The Perversion of The Silence of the Lambs and the Dilemma of The Searchers: on Psychoanalytic "Reading”’, Psychoanalysis, Culture & Society, 10(3), pp. 252–268. Available at: https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/216498966/6ACA333D108C4817PQ/3?accountid=13041.
Ryan, K. (1994) Ian McEwan. Plymouth: Northcote House in ass. with the British Council.
Saunders J.R.Saunders J.R.James Robert SaundersJames Robert SaundersJ.R. Saunders (2012) ‘Why losing a tooth matters: Shirley Jackson’s “The Tooth” and Toni Morrison’s The Bluest Eye’, Midwest Quarterly, 53. Available at: https://oxfordbrookes.on.worldcat.org/search?queryString=shirley+jackson+the+tooth&format=&submit=Go#/oclc/774573004.
Scheff, T.J. (1975) Labelling madness. Englewood Cliffs: Prentice-Hall.
Schoene-Harwood, B. (1999) ‘Dams Burst: Devolving Gender in Iain Banks’s “The Wasp Factory”’, ARIEL: A Review of International English Literature, 30(1), pp. 131–148. Available at: https://journalhosting-ucalgary-ca.oxfordbrookes.idm.oclc.org/index.php/ariel/article/view/34213.
Scull, A. (2015) Madness in civilization: a cultural history of insanity, from the Bible to Freud, from the madhouse to modern medicine. London: Thames & Hudson.
Scull, A.T. (1993) The most solitary of afflictions: madness and society in Britain, 1700-1900. New Haven: Yale University Press.
Shannonhouse, R. (2003) Out of her mind: women writing on madness. New York: Modern Library.
Shields, P.J. (2004) ‘Arbitrary condemnation and sanctioned violence in shirley jackson’s "the lottery”’, Contemporary Justice Review, 7(4), pp. 411–419. Available at: https://doi.org/10.1080/1028258042000305884.
Shone, T. (1997) ‘The Road to “Crash”’, The New Yorker, 73(4), pp. 70–75.
Showalter, E. (1987) The female malady: women, madness, and English culture, 1830-1980. London: Virago.
Slay, J. (1996) Ian McEwan. New York: Twayne.
Smith, A.-M. (1998) Julia Kristeva: speaking the unspeakable. London: Pluto Press.
Smith, K., Sweeney, M. and Post, F. (1997) Beyond Bedlam: poems written out of mental distress. London: Anvil Press Poetry.
Stevenson, A. (1989) Bitter fame: a life of Sylvia Plath. London: Viking.
Sumner, C. (2012) ‘Humanist Drama in “A Clockwork Orange”’, The Yearbook of English Studies, 42, pp. 49–63. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.5699/yearenglstud.42.2012.0049.
Thrailkill, J.F. (2002) ‘Doctoring “The Yellow Wallpaper”’, ELH, 69(2), pp. 525–566. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/30032030?seq=1#page_scan_tab_contents.
Vice, S. (1996) Psychoanalytic criticism: a reader. Cambridge: Polity Press.
Vincent, B. and Clarke, J. (2017) ‘The language of ’A Clockwork Orange’ : A corpus stylistic approach to Nadsat’, Language and Literature, 26(3), pp. 247–264. Available at: https://doi.org/10.1177/0963947017706625.
Wagner, L.W. (1988) Sylvia Plath: the critical heritage. London: Routledge.
Welch, Dennis M. (no date) ‘MANIPULATION IN SHIRLEY JACKSON’S “SEVEN TYPES OF AMBIGUITY”’, Studies in Short Fiction, 18(Issue 1). Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=8648413&site=ehost-live.
Whittier, Gayle (1991) ‘“The Lottery” as Misogynist Parable.’, Women’s Studies, 18(Issue 4). Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=5808719&site=ehost-live.
Williams, L.R. (1995) Critical desire: psychoanalysis and the literary subject. London: Edward Arnold.
WISKER, G. (1999) ‘Don’t Look Now! The compulsions and revelations of Daphne du Maurier’s horror writing’, Journal of Gender Studies, 8(1), pp. 19–33. Available at: https://doi.org/10.1080/095892399102797.
Wright, E. (1984) Psychoanalytic criticism: theory in practice. London: Methuen.
‘Writers in Conversation - J G Ballard’ (2010). Available at: https://www.youtube.com/watch?v=O9eGWMcvEUY.
Yarmove, Jay A. (no date) ‘Jackson’s The Lottery.’, Explicator, 52(Issue 4). Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9410177542&site=ehost-live.
Youngquist, P. (2000) ‘Ballard’s Crash-Body’, Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism, 11(1). Available at: http://pmc.iath.virginia.edu/text-only/issue.900/11.1youngquist.txt.