Aird, Eileen Margaret. Sylvia Plath. Vol. The modern writers series. Edinburgh: Oliver and Boyd, 1973.
‘"Always the Same Stairs, Always the Same Room”: The Uncanny Architecture of Jean Rhys’s <em>Good Morning, Midnight</Em>’. Journal of Modern Literature 38, no. 4 (2015). https://doi.org/10.2979/jmodelite.38.4.74.
Anolik, Ruth Bienstock. Demons of the Body and Mind: Essays on Disability in Gothic Literature. Jefferson, N.C.: McFarland & Co., Publishers, n.d.
Astbury, Jill. Crazy for You: The Making of Women’s Madness. Melbourne: Oxford University Press, 1996.
Bak, John S. ‘Escaping the Jaundiced Eye: Foucaldian Panopticism in Charlotte Perkins Gilman’s “The Yellow Wallpaper”’. Studies in Short Fiction 31, no. 1 (1994): 39–46. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=9503010336&amp;site=ehost-live.
Bakhtin, M. M. Rabelais and His World. Bloomington: Indiana University Press, 1984.
Ballard, J. G. Crash. London: Harper Perennial, 2008.
Banks, Iain. The Wasp Factory. London: Abacus, 1990.
Baxter, Jeannette. ‘Radical Surrealism: Rereading Photography and History in J.G. Ballard’s’. Textual Practice 22, no. 3 (2008): 507–28. https://doi.org/10.1080/09502360802264673.
Bentall, Richard P. Madness Explained: Psychosis and Human Nature. London: Penguin, 2004.
Berke, Joseph H. Beyond Madness: Psychosocial Interventions in Psychosis. Vol. Therapeutic communities. London: Jessica Kingsley Publishers, 2001. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3015878.
Boyers, Robert. R. D. Laing & Anti-Psychiatry. Vol. Perennial library. New York: Harper & Row, n.d.
Britzolakis, Christina. Sylvia Plath and the Theatre of Mourning. Vol. Oxford English monographs. Oxford: Clarendon Press, 1999.
Burgess, Anthony. A Clockwork Orange. Edited by Andrew Biswell. Restored edition. Vol. Penguin modern classics. London: Penguin Books, 2013.
———. A Clockwork Orange. London: Penguin, n.d.
Busfield, Joan. Managing Madness: Changing Ideas and Practice. London: Hutchinson Educational, 1986.
———. Men, Women and Madness: Understanding Gender and Mental Disorder. Basingstoke: Macmillan, 1996.
Butterfield, Bradley. ‘Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection’. PMLA 114, no. 1 (1999): 64–77. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463427.
Castillo, Richard J. Meanings of Madness. Pacific Grove, Calif: Brooks/Cole, 1998.
Childs, Peter. Ian McEwan’s Enduring Love. Vol. Routledge guides to literature. London: Routledge, 2007.
Chodorow, Nancy J. Feminism and Psychoanalytic Theory. Cambridge: Polity Press, 1989.
Claridge, Gordon, Ruth Pryor, and Gwen Watkins. Sounds from the Bell Jar: Ten Psychotic Authors. 2nd ed. Cambridge, MA: Malor Books, 1998.
Collins, Jo, and John Jervis. Uncanny Modernity: Cultural Theories, Modern Anxieties. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.
Crewe, Jonathan. ‘Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form’. Tulsa Studies in Women’s Literature 14, no. 2 (1995): 273–93. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463900.
Cronenberg, David, and J. G. Ballard. ‘Crash’. [UK]: Sony Pictures Entertainment, 2007.
Czarnecki, Kristin1 Kristin_Czarnecki@georgetowncollege.edu. ‘“Yes, It Can Be Sad, the Sun in the Afternoon”: Kristevan Depression in Jean Rhys’s “Good Morning, Midnight.”’ Journal of Modern Literature 32, no. Issue 3 (2009): 63–82. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=45022591&site=ehost-live.
Davis, Todd, and Kenneth Womack. ‘“O My Brothers”: Reading the Anti-Ethics of the Pseudo-Family in Anthony Burgess’s A Clockwork Orange’. College Literature 29, no. 2 (2002): 19–36. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25112635.
Day, Aidan. ‘Ballard and Baudrillard: Close Reading Crash’. English 49, no. 195 (2000): 277–93. https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/49/195/277/577906.
Dock, Julie Bates, Daphne Ryan Allen, Jennifer Palais, and Kristen Tracy. ‘“But One Expects That”: Charlotte Perkins Gilman’s “The Yellow Wallpaper” and the Shifting Light of Scholarship’. PMLA 111, no. 1 (1996): 52–65. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463133.
Dubois, Diane. ‘“Seeing the Female Body Differently”: Gender Issues in The Silence of the Lambs’. Journal of Gender Studies 10, no. 3 (2001): 297–310. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=5477503&amp;site=ehost-live.
Ellmann, Maud. Psychoanalytic Literary Criticism. Vol. Longman critical readers. Harlow: Longman, 1994.
Evans, Robert O. ‘Nadsat: The Argot and Its Implications in Anthony Burgess’ “A Clockwork Orange”’. Journal of Modern Literature 1, no. 3 (1971): 406–10. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831064.
‘Face to Face: JG Ballard (Part One)’, 25 October 2010. https://www.youtube.com/watch?v=xyZPRL90hNY.
‘Face to Face: JG Ballard (Part Three)’, 25 October 2010. https://www.youtube.com/watch?v=tVYzi-qea2I.
‘Face to Face: JG Ballard (Part Two)’, 25 October 2010. https://www.youtube.com/watch?v=kT2-9wF_MMI.
Felman, Shoshana, and Martha Noel Evans. Writing and Madness: (Literature/Philosophy/Psychoanalysis). Vol. Meridian : crossing aesthetics. Palo Alto, Calif: Stanford University Press, 2003.
Fisher, Mark. The Weird and the Eerie. London: Repeater, 2016.
Fleming, Michael, and Roger Manvell. Images of Madness: The Portrayal of Insanity in the Feature Film. Rutherford: Fairleigh Dickinson University Press, 1985.
Forsythe, Bill, and Joseph Melling. Insanity, Institutions and Society, 1800-1914: A Social History of Madness in Comparative Perspective. Vol. Studies in the social history of medicine. London: Routledge, 1999. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=178160.
Foster, Dennis A. ‘J. G. Ballard’s Empire of the Senses: Perversion and the Failure of Authority’. PMLA 108, no. 3 (1993): 519–32. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462619.
Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. Vol. Routledge classics. London: Routledge, 2001.
Foucault, Michel, and Jean Khalfa. History of Madness. London: Routledge, 2006.
Foucault, Michel, Jacques Lagrange, François Ewald, and Alessandro Fontana. Psychiatric Power: Lectures at the Collège de France, 1973-74. Basingstoke: Palgrave Macmillan, 2006.
Francis, Sam. ‘“Moral Pornography” and “Total Imagination”: The Pornographic in J. G. Ballard’s Crash’. English 57, no. 218 (2008): 146–68. https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/57/218/146/524284.
Freud, Sigmund. Five Lectures on Psycho-Analysis. [U.K?]: [Read Books Ltd.], 2013.
Fuller, Stephen M. ‘Deposing an American Cultural Totem: Clarice Starling and Postmodern Heroism in Thomas Harris’s Red Dragon, The Silence of the Lambs, and Hannibal’. The Journal of Popular Culture 38, no. 5 (2005): 819–33. https://doi.org/10.1111/j.0022-3840.2005.00143.x.
Garrett, Greg. ‘Objecting to Objectification: Re-Viewing the Feminine in The Silence of the Lambs’. The Journal of Popular Culture 27, no. 4 (1994): 1–12. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdfb181b181-1994-027-04-000001pdf&amp;tab=title&amp;jid=393239333234383430%2334303031373139303035.
Gasiorek, Andrzej. J. G. Ballard. Vol. Contemporary British novelists. Manchester: Manchester University Press, 2005.
Gill, Jo. The Cambridge Companion to Sylvia Plath. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2006.
———. The Cambridge Introduction to Sylvia Plath. Vol. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2008.
Gilman, Charlotte Perkins, and Dale M. Bauer. The Yellow Wallpaper. Vol. Bedford cultural editions. Boston: Bedford Books, 1998.
Gilman, Sander L. Seeing the Insane: A Cultural History of Madness and Art in the Western World. New York: Wiley in association with Brunner-Mazel, 1982.
Green, Susan. ‘“Up There with Black Holes and Darwin, Almost Bigger than Dinosaurs”: The Mind and McEwan’s Enduring Love’. Style 45, no. 3 (2011): 441–63.
Greenberg, Jonathan. ‘Why Can’t Biologists Read Poetry? Ian McEwan’s Enduring Love’. Twentieth Century Literature 53, no. 2 (2007): 93–124. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479802.
Gustavo Vargas Cohen. ‘"A BIZARRE DOMESTIC METAMORPHOSIS1”: GENDER ROLES, POWER RELATIONS AND THREATENED HOMES IN SHIRLEY JACKSON’S LIKE MOTHER USED TO MAKE’. Revista E-Scrita : Revista Do Curso de Letras Da Uniabeu 3 n1a (2012). https://oxfordbrookes.on.worldcat.org/search?databaseList=638&queryString=shirley+jackson+like+mother+used+to+make#/oclc/7180078004.
Hague, Angela. ‘“A Faithful Anatomy of Our Times”.’ Frontiers: A Journal of Women Studies 26, no. Issue 2 (2005): 73–96. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=18900714&site=ehost-live.
Harris, Thomas. The Silence of the Lambs. London: Arrow, 2009.
Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. Ann Arbor, Mich: University of Michigan Press, 2007.
Hochman, Barbara. ‘The Reading Habit and The “Yellow Wallpaper” (Charlotte Perkins Gilman)’. American Literature 74, no. 1 (2002): 89–110.
Horner, Avril, and Sue Zlosnik. Daphne Du Maurier: Writing Identity and the Gothic Imagination. Basingstoke: Macmillan, 1998.
Horrobin, David F. The Madness of Adam and Eve: How Schizophrenia Shaped Humanity. London: Corgi, 2002.
Johnson, Erica L. ‘Hontologie: The Chronotope of Shame in Jean Rhys’s Good Morning, Midnight’. KronoScope 13, no. 1 (1 January 2013): 28–46. https://doi.org/10.1163/15685241-12341257.
Kafka, Franz. Metamorphosis and Other Stories. Edited by Willa Muir and Edwin Muir. London: Minerva, 1992.
———. Metamorphosis and Other Stories. Edited by Michael Hofmann. Vol. Modern classics. London: Penguin, 2007.
———. The Metamorphosis. London: Legend Press, 2002. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4876660.
Kendall, Tim. Sylvia Plath: A Critical Study. London: Faber, 2001.
KINGSLEY, ERIN M.1. ‘Birth Giving, the Body, and the Racialized Other in Jean Rhys’s Voyage in the Dark and Good Morning, Midnight.’ Philological Quarterly 94, no. Issue 3 (2015): 291–312. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=113172072&site=ehost-live.
Kristeva, Julia. Powers of Horror: An Essay on Abjection. Vol. European perspectives. New York: Columbia University Press, 1982.
———. Strangers to Ourselves. London: Harvester Wheatsheaf, 1991.
Kristeva, Julia, and Leon S. Roudiez. Black Sun: Depression and Melancholia. New York: Columbia University Press, 1989.
Lacan, Jacques. Écrits: A Selection. Vol. Social science paperbacks. London: Tavistock Publications, 1980. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5268266.
Lacan, Jacques, Jacques Alain Miller, and Alan Sheridan. The Four Fundamental Concepts of Psycho-Analysis. Vol. International psycho-analytical library. London: Hogarth Press, 1977.
Lacan, Jacques, and Anthony Wilden. The Language of the Self: The Function of Language in Psychoanalysis. Baltimore (Md): John Hopkins Press, 1968.
Laing, R. D. The Self and Others: Further Studies in Sanity and Madness. Vol. Studies in existential analysis and phenomenology. London: Tavistock Publications, 1961.
Leader, Darian. What Is Madness? London: Penguin, 2012.
Levy, Eric P. ‘Postlapsarian Will and the Problem of Time in Ian McEwan’s Enduring Love’. Renascence: Essays on Values in Literature 61, no. 3 (2009): 169–93. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=40733776&amp;site=ehost-live.
Logan, Peter Melville. Nerves and Narratives: A Cultural History of Hysteria in Nineteenth-Century British Prose. Berkeley: University of California Press, 1997.
Lynn, David, and Ian McEwan. ‘A Conversation with Ian McEwan’. Kenyon Review 29, no. 3 (2007): 38–51. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4339053?seq=1#page_scan_tab_contents.
Macdonald, Kirsty. ‘Anti-Heroes and Androgynes: Gothic Masculinities in Contemporary Scottish Men’s Fiction’. Irish Journal of Gothic and Horror Studies 3 (2007): 37–53. https://irishgothichorror-files-wordpress-com.oxfordbrookes.idm.oclc.org/2016/04/ijghsissue3.pdf.
Macdonald, Kirsty A. ‘“This Desolate and Appalling Landscape”: The Journey North in Contemporary Scottish Gothic’. Gothic Studies 13, no. 2 (2011): 37–48. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=71367569&amp;site=ehost-live.
Matthews, Graham. ‘Consumerism’s Endgame: Violence and Community in J.G. Ballard’s Late Fiction’. Journal of Modern Literature 36, no. 2 (2013): 122–39. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/jmodelite.36.2.122.
McEwan, Ian. Enduring Love. Vol. Vintage classics. London: Vintage, 1998.
Mills, Sara. Michel Foucault. Vol. Routledge critical thinkers. London: Routledge, 2003. https://oxfordbrookes.on.worldcat.org/oclc/51098224.
Morrison, Jago. ‘Narration and Unease in Ian McEwan’s Later Fiction’. Critique: Studies in Contemporary Fiction 42, no. 3 (January 2001): 253–68. https://doi.org/10.1080/00111610109601143.
Mosher, Loren R., Richard P. Bentall, and John Read. Models of Madness: Psychological, Social and Biological Approaches to Schizophrenia. London: Routledge, 2004. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203420393&uid=^u.
Murphy, Terence Patrick. ‘Opening the Pathway: Plot Management and the Pivotal Seventh Character in Daphne Du Maurier’s "Don’t Look Now”’. Journal of Literary Semantics 37, no. 2 (2008). https://doi.org/10.1515/jlse.2008.009.
Murray, Isobel. Scottish Writers Talking 2: Iain Banks, Bernard MacLaverty, Naomi Mitchison, Iain Crichton Smith, Alan Spence : In Interview. East Linton: Tuckwell Press, 2002.
Ostrowidzki, E. A. ‘Utopias of the New Right in J. G. Ballard’s Fiction’. Space and Culture 12, no. 1 (2009): 4–24. http://sac.sagepub.com.oxfordbrookes.idm.oclc.org/content/12/1/4.abstract.
Palmer, Alan. ‘Attributions of Madness in Ian McEwan’s Enduring Love’. Style 43, no. 3 (2009): 291–308.
Parkin-Gounelas, Ruth. Literature and Psychoanalysis: Intertextual Readings. Basingstoke: Palgrave, 2001.
Parks, John G. ‘THE POSSIBILITY OF EVIL: A KEY TO SHIRLEY JACKSON’S FICTION.’ Studies in Short Fiction 15, no. Issue 3 (n.d.). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=7133425&site=ehost-live.
Phillips, Adam. Going Sane. London: Penguin, 2006.
Plath, Sylvia. The Bell Jar. London: Faber, 1966.
Plath, Sylvia. The Bell Jar. London: Faber, 2005.
Porter, Roy. A Social History of Madness: Stories of the Insane. London: Weidenfeld and Nicolson, 1987.
———. Madness: A Brief History. Oxford: Oxford University Press, 2002.
———. Mind-Forg’d Manacles: A History of Madness in England from the Restoration to the Regency. Harmondsworth: Penguin, 1990.
———. The Faber Book of Madness. London: Faber and Faber, 1991.
Rabinovitz, Rubin. ‘Ethical Values in Anthony Burgess’s “Clockwork Orange”’. Studies in the Novel 11, no. 1 (1979): 43–50. https://www.jstor.org/stable/29531951?seq=1#page_scan_tab_contents.
———. ‘Mechanism vs. Organism: Anthony Burgess’ “A Clockwork Orange”’. Modern Fiction Studies 24, no. 4 (1978): 538–41. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1978-024-04-000006pdf&amp;tab=title&amp;jid=393239333234383430%2333343037343338363034.
Ray, Philip E. ‘Alex before and after: A New Approach to Burgess’ “A Clockwork Orange”’. MFS: Modern Fiction Studies 27, no. 3 (1981): 479–87. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1981-027-03-000005pdf&amp;tab=title&amp;jid=393239333234383430%2333343037343338363034.
Read, John, and Jacqui Dillon, eds. Models of Madness: Psychological, Social, and Biological Approaches to Psychosis. Second edition. London: Routledge, 2013. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1221470.
Rhys, Jean, and A. L. Kennedy. Good Morning, Midnight. London: Penguin, 2000.
Robbins, Bruce. ‘Murder and Mentorship: Advancement in The Silence of the Lambs’. Boundary 2 23, no. 1 (1996): 71–90. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/303577.
Robert Haas. ‘Shirley Jackson’s "The Tooth”: Dentistry as Horror, the Imagination as a Shield’. Literature and Medicine 33 (2015). https://oxfordbrookes.on.worldcat.org/search?queryString=shirley+jackson+the+tooth&format=&submit=Go#/oclc/5850442712.
Rose, Jacqueline. The Haunting of Sylvia Plath. London: Virago, 1991.
Rosenberg, Rosalind. ‘Judith A. Allen: The Feminism of Charlotte Perkins Gilman: Sexualities, Histories, Progressivism’. The American Historical Review 115, no. 4 (2010): 1165–66. https://academic-oup-com.oxfordbrookes.idm.oclc.org/ahr/article/115/4/1165/33791.
Royle, Nicholas. The Uncanny. Manchester, UK: Manchester University Press, 2003.
Rubenstein, Roberta. ‘House Mothers and Haunted Daughters: Shirley Jackson and Female Gothic’. Tulsa Studies in Women’s Literature 15, no. 2 (Autumn 1996). https://doi.org/10.2307/464139.
Rushton, Richard. ‘The Perversion of The Silence of the Lambs and the Dilemma of The Searchers: On Psychoanalytic "Reading”’. Psychoanalysis, Culture & Society 10, no. 3 (2005): 252–68. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/216498966/6ACA333D108C4817PQ/3?accountid=13041.
Ryan, Kiernan. Ian McEwan. Vol. Writers and their work. Plymouth: Northcote House in ass. with the British Council, 1994.
Saunders J.R.Saunders J.R.James Robert SaundersJames Robert SaundersJ.R. Saunders. ‘Why Losing a Tooth Matters: Shirley Jackson’s “The Tooth” and Toni Morrison’s The Bluest Eye’. Midwest Quarterly 53 (2012). https://oxfordbrookes.on.worldcat.org/search?queryString=shirley+jackson+the+tooth&format=&submit=Go#/oclc/774573004.
Scheff, Thomas J. Labelling Madness. Englewood Cliffs: Prentice-Hall, 1975.
Schoene-Harwood, Berthold. ‘Dams Burst: Devolving Gender in Iain Banks’s “The Wasp Factory”’. ARIEL: A Review of International English Literature 30, no. 1 (1999): 131–48. https://journalhosting-ucalgary-ca.oxfordbrookes.idm.oclc.org/index.php/ariel/article/view/34213.
Scull, Andrew. Madness in Civilization: A Cultural History of Insanity, from the Bible to Freud, from the Madhouse to Modern Medicine. London: Thames & Hudson, 2015.
Scull, Andrew T. The Most Solitary of Afflictions: Madness and Society in Britain, 1700-1900. New Haven: Yale University Press, 1993.
Shannonhouse, Rebecca. Out of Her Mind: Women Writing on Madness. New York: Modern Library, 2003.
Shields, Patrick J. ‘Arbitrary Condemnation and Sanctioned Violence in Shirley Jackson’s "the Lottery”’. Contemporary Justice Review 7, no. 4 (December 2004): 411–19. https://doi.org/10.1080/1028258042000305884.
Shone, Tom. ‘The Road to “Crash”’. The New Yorker 73, no. 4 (1997): 70–75.
Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830-1980. London: Virago, 1987.
Slay, Jack. Ian McEwan. Vol. Twayne’s English authors series. New York: Twayne, 1996.
Smith, Anne-Marie. Julia Kristeva: Speaking the Unspeakable. Vol. Modern European thinkers. London: Pluto Press, 1998.
Smith, Ken, Matthew Sweeney, and Felix Post. Beyond Bedlam: Poems Written out of Mental Distress. London: Anvil Press Poetry, 1997.
Stevenson, Anne. Bitter Fame: A Life of Sylvia Plath. London: Viking, 1989.
Sumner, Charles. ‘Humanist Drama in “A Clockwork Orange”’. The Yearbook of English Studies 42 (2012): 49–63. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.5699/yearenglstud.42.2012.0049.
Thrailkill, Jane F. ‘Doctoring “The Yellow Wallpaper”’. ELH 69, no. 2 (2002): 525–66. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/30032030?seq=1#page_scan_tab_contents.
Vice, Sue. Psychoanalytic Criticism: A Reader. Cambridge: Polity Press, 1996.
Vincent, Benet, and Jim Clarke. ‘The Language of ’A Clockwork Orange’ : A Corpus Stylistic Approach to Nadsat’. Language and Literature 26, no. 3 (2017): 247–64. https://doi.org/10.1177/0963947017706625.
Wagner, Linda Welshimer. Sylvia Plath: The Critical Heritage. Vol. Critical heritage series. London: Routledge, 1988.
Welch, Dennis M. ‘MANIPULATION IN SHIRLEY JACKSON’S “SEVEN TYPES OF AMBIGUITY”’. Studies in Short Fiction 18, no. Issue 1 (n.d.). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=8648413&site=ehost-live.
Whittier, Gayle. ‘“The Lottery” as Misogynist Parable.’ Women’s Studies 18, no. Issue 4 (1991). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=5808719&site=ehost-live.
Williams, Linda R. Critical Desire: Psychoanalysis and the Literary Subject. Vol. Interrogating texts. London: Edward Arnold, 1995.
WISKER, GINA. ‘Don’t Look Now! The Compulsions and Revelations of Daphne Du Maurier’s Horror Writing’. Journal of Gender Studies 8, no. 1 (March 1999): 19–33. https://doi.org/10.1080/095892399102797.
Wright, Elizabeth. Psychoanalytic Criticism: Theory in Practice. Vol. New accents. London: Methuen, 1984.
‘Writers in Conversation - J G Ballard’, 27 October 2010. https://www.youtube.com/watch?v=O9eGWMcvEUY.
Yarmove, Jay A. ‘Jackson’s The Lottery.’ Explicator 52, no. Issue 4 (n.d.). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9410177542&site=ehost-live.
Youngquist, Paul. ‘Ballard’s Crash-Body’. Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism 11, no. 1 (2000). http://pmc.iath.virginia.edu/text-only/issue.900/11.1youngquist.txt.