Bibliography for ENGL7020 Madness, Psychoanalysis and Writing BETA

Aird, Eileen Margaret. Sylvia Plath. The modern writers series. Edinburgh: Oliver and Boyd, 1973. Print.

‘"Always the Same Stairs, Always the Same Room”: The Uncanny Architecture of Jean Rhys’s <em>Good Morning, Midnight</Em>’. Journal of Modern Literature 38.4 (2015): n. pag. Web.

Anolik, Ruth Bienstock. Demons of the Body and Mind: Essays on Disability in Gothic Literature. Jefferson, N.C.: McFarland & Co., Publishers. Print.

Astbury, Jill. Crazy for You: The Making of Women’s Madness. Melbourne: Oxford University Press, 1996. Print.

Bak, John S. ‘Escaping the Jaundiced Eye: Foucaldian Panopticism in Charlotte Perkins Gilman’s “The Yellow Wallpaper”’. Studies in Short Fiction 31.1 (1994): 39–46. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=9503010336&amp;site=ehost-live>.

Bakhtin, M. M. Rabelais and His World. Bloomington: Indiana University Press, 1984. Print.

Ballard, J. G. Crash. London: Harper Perennial, 2008. Print.

Banks, Iain. The Wasp Factory. London: Abacus, 1990. Print.

Baxter, Jeannette. ‘Radical Surrealism: Rereading Photography and History in J.G. Ballard’s’. Textual Practice 22.3 (2008): 507–528. Web.

Bentall, Richard P. Madness Explained: Psychosis and Human Nature. London: Penguin, 2004. Print.

Berke, Joseph H. Beyond Madness: Psychosocial Interventions in Psychosis. Therapeutic communities. London: Jessica Kingsley Publishers, 2001. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3015878>.

Boyers, Robert. R. D. Laing & Anti-Psychiatry. Perennial library. New York: Harper & Row. Print.

Britzolakis, Christina. Sylvia Plath and the Theatre of Mourning. Oxford English monographs. Oxford: Clarendon Press, 1999. Print.

Burgess, Anthony. A Clockwork Orange. Ed. Andrew Biswell. Restored edition. Penguin modern classics. London: Penguin Books, 2013. Print.

---. A Clockwork Orange. London: Penguin. Print.

Busfield, Joan. Managing Madness: Changing Ideas and Practice. London: Hutchinson Educational, 1986. Print.

---. Men, Women and Madness: Understanding Gender and Mental Disorder. Basingstoke: Macmillan, 1996. Print.

Butterfield, Bradley. ‘Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection’. PMLA 114.1 (1999): 64–77. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463427>.

Castillo, Richard J. Meanings of Madness. Pacific Grove, Calif: Brooks/Cole, 1998. Print.

Childs, Peter. Ian McEwan’s Enduring Love. Routledge guides to literature. London: Routledge, 2007. Print.

Chodorow, Nancy J. Feminism and Psychoanalytic Theory. Cambridge: Polity Press, 1989. Print.

Claridge, Gordon, Ruth Pryor, and Gwen Watkins. Sounds from the Bell Jar: Ten Psychotic Authors. 2nd ed. Cambridge, MA: Malor Books, 1998. Print.

Collins, Jo, and John Jervis. Uncanny Modernity: Cultural Theories, Modern Anxieties. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008. Print.

Crewe, Jonathan. ‘Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form’. Tulsa Studies in Women’s Literature 14.2 (1995): 273–293. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463900>.

Cronenberg, David, and J. G. Ballard. ‘Crash’. 2007 : n. pag. Print.

Czarnecki, Kristin1 Kristin_Czarnecki@georgetowncollege.edu. ‘“Yes, It Can Be Sad, the Sun in the Afternoon”: Kristevan Depression in Jean Rhys’s “Good Morning, Midnight.”’ Journal of Modern Literature 32.Issue 3 (2009): 63–82. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=45022591&site=ehost-live>.

Davis, Todd, and Kenneth Womack. ‘“O My Brothers”: Reading the Anti-Ethics of the Pseudo-Family in Anthony Burgess’s A Clockwork Orange’. College Literature 29.2 (2002): 19–36. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25112635>.

Day, Aidan. ‘Ballard and Baudrillard: Close Reading Crash’. English 49.195 (2000): 277–293. Web. <https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/49/195/277/577906>.

Dock, Julie Bates et al. ‘“But One Expects That”: Charlotte Perkins Gilman’s “The Yellow Wallpaper” and the Shifting Light of Scholarship’. PMLA 111.1 (1996): 52–65. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463133>.

Dubois, Diane. ‘“Seeing the Female Body Differently”: Gender Issues in The Silence of the Lambs’. Journal of Gender Studies 10.3 (2001): 297–310. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=5477503&amp;site=ehost-live>.

Ellmann, Maud. Psychoanalytic Literary Criticism. Longman critical readers. Harlow: Longman, 1994. Print.

Evans, Robert O. ‘Nadsat: The Argot and Its Implications in Anthony Burgess’ “A Clockwork Orange”’. Journal of Modern Literature 1.3 (1971): 406–410. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831064>.

‘Face to Face: JG Ballard (Part One)’. 25 Oct. 2010. Web. <https://www.youtube.com/watch?v=xyZPRL90hNY>.

‘Face to Face: JG Ballard (Part Three)’. 25 Oct. 2010. Web. <https://www.youtube.com/watch?v=tVYzi-qea2I>.

‘Face to Face: JG Ballard (Part Two)’. 25 Oct. 2010. Web. <https://www.youtube.com/watch?v=kT2-9wF_MMI>.

Felman, Shoshana, and Martha Noel Evans. Writing and Madness: (Literature/Philosophy/Psychoanalysis). Meridian : crossing aesthetics. Palo Alto, Calif: Stanford University Press, 2003. Print.

Fisher, Mark. The Weird and the Eerie. London: Repeater, 2016. Print.

Fleming, Michael, and Roger Manvell. Images of Madness: The Portrayal of Insanity in the Feature Film. Rutherford: Fairleigh Dickinson University Press, 1985. Print.

Forsythe, Bill, and Joseph Melling. Insanity, Institutions and Society, 1800-1914: A Social History of Madness in Comparative Perspective. Studies in the social history of medicine. London: Routledge, 1999. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=178160>.

Foster, Dennis A. ‘J. G. Ballard’s Empire of the Senses: Perversion and the Failure of Authority’. PMLA 108.3 (1993): 519–532. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462619>.

Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. Routledge classics. London: Routledge, 2001. Print.

---. Psychiatric Power: Lectures at the Collège de France, 1973-74. Basingstoke: Palgrave Macmillan, 2006. Print.

Foucault, Michel, and Jean Khalfa. History of Madness. London: Routledge, 2006. Print.

Francis, Sam. ‘“Moral Pornography” and “Total Imagination”: The Pornographic in J. G. Ballard’s Crash’. English 57.218 (2008): 146–168. Web. <https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/57/218/146/524284>.

Freud, Sigmund. Five Lectures on Psycho-Analysis. [U.K?]: [Read Books Ltd.], 2013. Print.

Fuller, Stephen M. ‘Deposing an American Cultural Totem: Clarice Starling and Postmodern Heroism in Thomas Harris’s Red Dragon, The Silence of the Lambs, and Hannibal’. The Journal of Popular Culture 38.5 (2005): 819–833. Web.

Garrett, Greg. ‘Objecting to Objectification: Re-Viewing the Feminine in The Silence of the Lambs’. The Journal of Popular Culture 27.4 (1994): 1–12. Web. <https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdfb181b181-1994-027-04-000001pdf&amp;tab=title&amp;jid=393239333234383430%2334303031373139303035>.

Gasiorek, Andrzej. J. G. Ballard. Contemporary British novelists. Manchester: Manchester University Press, 2005. Print.

Gill, Jo. The Cambridge Companion to Sylvia Plath. Cambridge companions to literature. Cambridge: Cambridge University Press, 2006. Print.

---. The Cambridge Introduction to Sylvia Plath. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2008. Print.

Gilman, Charlotte Perkins, and Dale M. Bauer. The Yellow Wallpaper. Bedford cultural editions. Boston: Bedford Books, 1998. Print.

Gilman, Sander L. Seeing the Insane: A Cultural History of Madness and Art in the Western World. New York: Wiley in association with Brunner-Mazel, 1982. Print.

Green, Susan. ‘“Up There with Black Holes and Darwin, Almost Bigger than Dinosaurs”: The Mind and McEwan’s Enduring Love’. Style 45.3 (2011): 441–463. Print.

Greenberg, Jonathan. ‘Why Can’t Biologists Read Poetry? Ian McEwan’s Enduring Love’. Twentieth Century Literature 53.2 (2007): 93–124. Web. <https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479802>.

Gustavo Vargas Cohen. ‘"A BIZARRE DOMESTIC METAMORPHOSIS1”: GENDER ROLES, POWER RELATIONS AND THREATENED HOMES IN SHIRLEY JACKSON’S LIKE MOTHER USED TO MAKE’. revista e-scrita : revista do curso de letras da uniabeu 3 n1a (2012): n. pag. Web. <https://oxfordbrookes.on.worldcat.org/search?databaseList=638&queryString=shirley+jackson+like+mother+used+to+make#/oclc/7180078004>.

Hague, Angela. ‘“A Faithful Anatomy of Our Times”.’ Frontiers: A Journal of Women Studies 26.Issue 2 (2005): 73–96. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=18900714&site=ehost-live>.

Harris, Thomas. The Silence of the Lambs. London: Arrow, 2009. Print.

Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. Ann Arbor, Mich: University of Michigan Press, 2007. Print.

Hochman, Barbara. ‘The Reading Habit and The “Yellow Wallpaper” (Charlotte Perkins Gilman)’. American Literature 74.1 (2002): 89–110. Print.

Horner, Avril, and Sue Zlosnik. Daphne Du Maurier: Writing Identity and the Gothic Imagination. Basingstoke: Macmillan, 1998. Print.

Horrobin, David F. The Madness of Adam and Eve: How Schizophrenia Shaped Humanity. London: Corgi, 2002. Print.

Johnson, Erica L. ‘Hontologie: The Chronotope of Shame in Jean Rhys’s Good Morning, Midnight’. KronoScope 13.1 (2013): 28–46. Web.

Kafka, Franz. Metamorphosis and Other Stories. Ed. Michael Hofmann. Modern classics. London: Penguin, 2007. Print.

---. Metamorphosis and Other Stories. Ed. Willa Muir and Edwin Muir. London: Minerva, 1992. Print.

---. The Metamorphosis. London: Legend Press, 2002. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4876660>.

Kendall, Tim. Sylvia Plath: A Critical Study. London: Faber, 2001. Print.

KINGSLEY, ERIN M.1. ‘Birth Giving, the Body, and the Racialized Other in Jean Rhys’s Voyage in the Dark and Good Morning, Midnight.’ Philological Quarterly 94.Issue 3 (2015): 291–312. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=113172072&site=ehost-live>.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. European perspectives. New York: Columbia University Press, 1982. Print.

---. Strangers to Ourselves. London: Harvester Wheatsheaf, 1991. Print.

Kristeva, Julia, and Leon S. Roudiez. Black Sun: Depression and Melancholia. New York: Columbia University Press, 1989. Print.

Lacan, Jacques. Écrits: A Selection. Social science paperbacks. London: Tavistock Publications, 1980. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5268266>.

Lacan, Jacques, Jacques Alain Miller, and Alan Sheridan. The Four Fundamental Concepts of Psycho-Analysis. International psycho-analytical library. London: Hogarth Press, 1977. Print.

Lacan, Jacques, and Anthony Wilden. The Language of the Self: The Function of Language in Psychoanalysis. Baltimore (Md): John Hopkins Press, 1968. Print.

Laing, R. D. The Self and Others: Further Studies in Sanity and Madness. Studies in existential analysis and phenomenology. London: Tavistock Publications, 1961. Print.

Leader, Darian. What Is Madness? London: Penguin, 2012. Print.

Levy, Eric P. ‘Postlapsarian Will and the Problem of Time in Ian McEwan’s Enduring Love’. Renascence: Essays on Values in Literature 61.3 (2009): 169–193. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=40733776&amp;site=ehost-live>.

Logan, Peter Melville. Nerves and Narratives: A Cultural History of Hysteria in Nineteenth-Century British Prose. Berkeley: University of California Press, 1997. Print.

Lynn, David, and Ian McEwan. ‘A Conversation with Ian McEwan’. Kenyon Review 29.3 (2007): 38–51. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4339053?seq=1#page_scan_tab_contents>.

Macdonald, Kirsty. ‘Anti-Heroes and Androgynes: Gothic Masculinities in Contemporary Scottish Men’s Fiction’. Irish Journal of Gothic and Horror Studies 3 (2007): 37–53. Web. <https://irishgothichorror-files-wordpress-com.oxfordbrookes.idm.oclc.org/2016/04/ijghsissue3.pdf>.

Macdonald, Kirsty A. ‘“This Desolate and Appalling Landscape”: The Journey North in Contemporary Scottish Gothic’. Gothic Studies 13.2 (2011): 37–48. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=71367569&amp;site=ehost-live>.

Matthews, Graham. ‘Consumerism’s Endgame: Violence and Community in J.G. Ballard’s Late Fiction’. Journal of Modern Literature 36.2 (2013): 122–139. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/jmodelite.36.2.122>.

McEwan, Ian. Enduring Love. Vintage classics. London: Vintage, 1998. Print.

Mills, Sara. Michel Foucault. Routledge critical thinkers. London: Routledge, 2003. Web. <https://oxfordbrookes.on.worldcat.org/oclc/51098224>.

Morrison, Jago. ‘Narration and Unease in Ian McEwan’s Later Fiction’. Critique: Studies in Contemporary Fiction 42.3 (2001): 253–268. Web.

Mosher, Loren R., Richard P. Bentall, and John Read. Models of Madness: Psychological, Social and Biological Approaches to Schizophrenia. London: Routledge, 2004. Web. <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203420393&uid=^u>.

Murphy, Terence Patrick. ‘Opening the Pathway: Plot Management and the Pivotal Seventh Character in Daphne Du Maurier’s "Don’t Look Now”’. Journal of Literary Semantics 37.2 (2008): n. pag. Web.

Murray, Isobel. Scottish Writers Talking 2: Iain Banks, Bernard MacLaverty, Naomi Mitchison, Iain Crichton Smith, Alan Spence : In Interview. East Linton: Tuckwell Press, 2002. Print.

Ostrowidzki, E. A. ‘Utopias of the New Right in J. G. Ballard’s Fiction’. Space and Culture 12.1 (2009): 4–24. Web. <http://sac.sagepub.com.oxfordbrookes.idm.oclc.org/content/12/1/4.abstract>.

Palmer, Alan. ‘Attributions of Madness in Ian McEwan’s Enduring Love’. Style 43.3 (2009): 291–308. Print.

Parkin-Gounelas, Ruth. Literature and Psychoanalysis: Intertextual Readings. Basingstoke: Palgrave, 2001. Print.

Parks, John G. ‘THE POSSIBILITY OF EVIL: A KEY TO SHIRLEY JACKSON’S FICTION.’ Studies in Short Fiction 15.Issue 3 n. pag. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=7133425&site=ehost-live>.

Phillips, Adam. Going Sane. London: Penguin, 2006. Print.

Plath, Sylvia. The Bell Jar. London: Faber, 2005. Print.

Plath, Sylvia. The Bell Jar. London: Faber, 1966. Print.

Porter, Roy. A Social History of Madness: Stories of the Insane. London: Weidenfeld and Nicolson, 1987. Print.

---. Madness: A Brief History. Oxford: Oxford University Press, 2002. Print.

---. Mind-Forg’d Manacles: A History of Madness in England from the Restoration to the Regency. Harmondsworth: Penguin, 1990. Print.

---. The Faber Book of Madness. London: Faber and Faber, 1991. Print.

Rabinovitz, Rubin. ‘Ethical Values in Anthony Burgess’s “Clockwork Orange”’. Studies in the Novel 11.1 (1979): 43–50. Web. <https://www.jstor.org/stable/29531951?seq=1#page_scan_tab_contents>.

---. ‘Mechanism vs. Organism: Anthony Burgess’ “A Clockwork Orange”’. Modern Fiction Studies 24.4 (1978): 538–541. Web. <https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1978-024-04-000006pdf&amp;tab=title&amp;jid=393239333234383430%2333343037343338363034>.

Ray, Philip E. ‘Alex before and after: A New Approach to Burgess’ “A Clockwork Orange”’. MFS: Modern Fiction Studies 27.3 (1981): 479–487. Web. <https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1981-027-03-000005pdf&amp;tab=title&amp;jid=393239333234383430%2333343037343338363034>.

Read, John, and Jacqui Dillon, eds. Models of Madness: Psychological, Social, and Biological Approaches to Psychosis. Second edition. London: Routledge, 2013. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1221470>.

Rhys, Jean, and A. L. Kennedy. Good Morning, Midnight. London: Penguin, 2000. Print.

Robbins, Bruce. ‘Murder and Mentorship: Advancement in The Silence of the Lambs’. boundary 2 23.1 (1996): 71–90. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/303577>.

Robert Haas. ‘Shirley Jackson’s "The Tooth”: Dentistry as Horror, the Imagination as a Shield’. Literature and Medicine 33 (2015): n. pag. Web. <https://oxfordbrookes.on.worldcat.org/search?queryString=shirley+jackson+the+tooth&format=&submit=Go#/oclc/5850442712>.

Rose, Jacqueline. The Haunting of Sylvia Plath. London: Virago, 1991. Print.

Rosenberg, Rosalind. ‘Judith A. Allen: The Feminism of Charlotte Perkins Gilman: Sexualities, Histories, Progressivism’. The American Historical Review 115.4 (2010): 1165–1166. Web. <https://academic-oup-com.oxfordbrookes.idm.oclc.org/ahr/article/115/4/1165/33791>.

Royle, Nicholas. The Uncanny. Manchester, UK: Manchester University Press, 2003. Print.

Rubenstein, Roberta. ‘House Mothers and Haunted Daughters: Shirley Jackson and Female Gothic’. Tulsa Studies in Women’s Literature 15.2 (1996): n. pag. Web.

Rushton, Richard. ‘The Perversion of The Silence of the Lambs and the Dilemma of The Searchers: On Psychoanalytic "Reading”’. Psychoanalysis, Culture & Society 10.3 (2005): 252–268. Web. <https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/216498966/6ACA333D108C4817PQ/3?accountid=13041>.

Ryan, Kiernan. Ian McEwan. Writers and their work. Plymouth: Northcote House in ass. with the British Council, 1994. Print.

Saunders J.R.Saunders J.R.James Robert SaundersJames Robert SaundersJ.R. Saunders. ‘Why Losing a Tooth Matters: Shirley Jackson’s “The Tooth” and Toni Morrison’s The Bluest Eye’. Midwest Quarterly 53 (2012): n. pag. Web. <https://oxfordbrookes.on.worldcat.org/search?queryString=shirley+jackson+the+tooth&format=&submit=Go#/oclc/774573004>.

Scheff, Thomas J. Labelling Madness. Englewood Cliffs: Prentice-Hall, 1975. Print.

Schoene-Harwood, Berthold. ‘Dams Burst: Devolving Gender in Iain Banks’s “The Wasp Factory”’. ARIEL: A Review of International English Literature 30.1 (1999): 131–148. Web. <https://journalhosting-ucalgary-ca.oxfordbrookes.idm.oclc.org/index.php/ariel/article/view/34213>.

Scull, Andrew. Madness in Civilization: A Cultural History of Insanity, from the Bible to Freud, from the Madhouse to Modern Medicine. London: Thames & Hudson, 2015. Print.

Scull, Andrew T. The Most Solitary of Afflictions: Madness and Society in Britain, 1700-1900. New Haven: Yale University Press, 1993. Print.

Shannonhouse, Rebecca. Out of Her Mind: Women Writing on Madness. New York: Modern Library, 2003. Print.

Shields, Patrick J. ‘Arbitrary Condemnation and Sanctioned Violence in Shirley Jackson’s "the Lottery”’. Contemporary Justice Review 7.4 (2004): 411–419. Web.

Shone, Tom. ‘The Road to “Crash”’. The New Yorker 73.4 (1997): 70–75. Print.

Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830-1980. London: Virago, 1987. Print.

Slay, Jack. Ian McEwan. Twayne’s English authors series. New York: Twayne, 1996. Print.

Smith, Anne-Marie. Julia Kristeva: Speaking the Unspeakable. Modern European thinkers. London: Pluto Press, 1998. Print.

Smith, Ken, Matthew Sweeney, and Felix Post. Beyond Bedlam: Poems Written out of Mental Distress. London: Anvil Press Poetry, 1997. Print.

Stevenson, Anne. Bitter Fame: A Life of Sylvia Plath. London: Viking, 1989. Print.

Sumner, Charles. ‘Humanist Drama in “A Clockwork Orange”’. The Yearbook of English Studies 42 (2012): 49–63. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.5699/yearenglstud.42.2012.0049>.

Thrailkill, Jane F. ‘Doctoring “The Yellow Wallpaper”’. ELH 69.2 (2002): 525–566. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/30032030?seq=1#page_scan_tab_contents>.

Vice, Sue. Psychoanalytic Criticism: A Reader. Cambridge: Polity Press, 1996. Print.

Vincent, Benet, and Jim Clarke. ‘The Language of ’A Clockwork Orange’ : A Corpus Stylistic Approach to Nadsat’. Language and Literature 26.3 (2017): 247–264. Web.

Wagner, Linda Welshimer. Sylvia Plath: The Critical Heritage. Critical heritage series. London: Routledge, 1988. Print.

Welch, Dennis M. ‘MANIPULATION IN SHIRLEY JACKSON’S “SEVEN TYPES OF AMBIGUITY”’. Studies in Short Fiction 18.Issue 1 n. pag. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=8648413&site=ehost-live>.

Whittier, Gayle. ‘“The Lottery” as Misogynist Parable.’ Women’s Studies 18.Issue 4 (1991): n. pag. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=5808719&site=ehost-live>.

Williams, Linda R. Critical Desire: Psychoanalysis and the Literary Subject. Interrogating texts. London: Edward Arnold, 1995. Print.

WISKER, GINA. ‘Don’t Look Now! The Compulsions and Revelations of Daphne Du Maurier’s Horror Writing’. Journal of Gender Studies 8.1 (1999): 19–33. Web.

Wright, Elizabeth. Psychoanalytic Criticism: Theory in Practice. New accents. London: Methuen, 1984. Print.

‘Writers in Conversation - J G Ballard’. 27 Oct. 2010. Web. <https://www.youtube.com/watch?v=O9eGWMcvEUY>.

Yarmove, Jay A. ‘Jackson’s The Lottery.’ Explicator 52.Issue 4 n. pag. Web. <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9410177542&site=ehost-live>.

Youngquist, Paul. ‘Ballard’s Crash-Body’. Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism 11.1 (2000): n. pag. Web. <http://pmc.iath.virginia.edu/text-only/issue.900/11.1youngquist.txt>.