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Bakhtin, M. M. (1984). Rabelais and his world. Indiana University Press.
Ballard, J. G. (2008). Crash. Harper Perennial.
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Baxter, J. (2008). Radical Surrealism: rereading photography and history in J.G. Ballard’s. Textual Practice, 22(3), 507–528. https://doi.org/10.1080/09502360802264673
Bentall, R. P. (2004). Madness explained: psychosis and human nature. Penguin.
Berke, J. H. (2001). Beyond madness: psychosocial interventions in psychosis: Vol. Therapeutic communities. Jessica Kingsley Publishers. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3015878
Boyers, R. (n.d.). R. D. Laing & anti-psychiatry: Vol. Perennial library. Harper & Row.
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Burgess, A. (2013). A clockwork orange: Vol. Penguin modern classics (A. Biswell, Ed.; Restored edition). Penguin Books.
Busfield, J. (1986). Managing madness: changing ideas and practice. Hutchinson Educational.
Busfield, J. (1996). Men, women and madness: understanding gender and mental disorder. Macmillan.
Butterfield, B. (1999). Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection. PMLA, 114(1), 64–77. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463427
Castillo, R. J. (1998). Meanings of madness. Brooks/Cole.
Childs, P. (2007). Ian McEwan’s Enduring love: Vol. Routledge guides to literature. Routledge.
Chodorow, N. J. (1989). Feminism and psychoanalytic theory. Polity Press.
Claridge, G., Pryor, R., & Watkins, G. (1998). Sounds from the bell jar: ten psychotic authors (2nd ed). Malor Books.
Collins, J., & Jervis, J. (2008). Uncanny modernity: cultural theories, modern anxieties. Palgrave Macmillan.
Crewe, J. (1995). Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form. Tulsa Studies in Women’s Literature, 14(2), 273–293. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463900
Cronenberg, D., & Ballard, J. G. (2007). Crash. Sony Pictures Entertainment.
Czarnecki, Kristin1 Kristin_Czarnecki@georgetowncollege.edu. (2009). ‘Yes, it can be sad, the sun in the afternoon’: Kristevan Depression in Jean Rhys’s ‘Good Morning, Midnight.’ Journal of Modern Literature, 32(Issue 3), 63–82. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=45022591&site=ehost-live
Davis, T., & Womack, K. (2002). ‘O My Brothers’: Reading the Anti-Ethics of the Pseudo-Family in Anthony Burgess’s A Clockwork Orange. College Literature, 29(2), 19–36. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25112635
Day, A. (2000). Ballard and Baudrillard: Close Reading Crash. English, 49(195), 277–293. https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/49/195/277/577906
Dock, J. B., Allen, D. R., Palais, J., & Tracy, K. (1996). ‘But One Expects That’: Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’ and the Shifting Light of Scholarship. PMLA, 111(1), 52–65. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463133
Dubois, D. (2001). ‘Seeing the Female Body Differently’: Gender issues in The Silence of the Lambs. Journal of Gender Studies, 10(3), 297–310. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=5477503&site=ehost-live
Ellmann, M. (1994). Psychoanalytic literary criticism: Vol. Longman critical readers. Longman.
Evans, R. O. (1971). Nadsat: The Argot and Its Implications in Anthony Burgess’ ‘A Clockwork Orange’. Journal of Modern Literature, 1(3), 406–410. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831064
Face to Face: JG Ballard (Part One). (2010). https://www.youtube.com/watch?v=xyZPRL90hNY
Face to Face: JG Ballard (Part Three). (2010). https://www.youtube.com/watch?v=tVYzi-qea2I
Face to Face: JG Ballard (Part Two). (2010). https://www.youtube.com/watch?v=kT2-9wF_MMI
Felman, S., & Evans, M. N. (2003). Writing and madness: (literature/philosophy/psychoanalysis): Vol. Meridian : crossing aesthetics. Stanford University Press.
Fisher, M. (2016). The weird and the eerie. Repeater.
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Forsythe, B., & Melling, J. (1999). Insanity, institutions and society, 1800-1914: a social history of madness in comparative perspective: Vol. Studies in the social history of medicine. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=178160
Foster, D. A. (1993). J. G. Ballard’s Empire of the Senses: Perversion and the Failure of Authority. PMLA, 108(3), 519–532. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462619
Foucault, M. (2001). Madness and civilization: a history of insanity in the Age of Reason: Vol. Routledge classics. Routledge.
Foucault, M., & Khalfa, J. (2006). History of madness. Routledge.
Foucault, M., Lagrange, J., Ewald, F., & Fontana, A. (2006). Psychiatric power: lectures at the Collège de France, 1973-74. Palgrave Macmillan.
Francis, S. (2008). ‘Moral Pornography’ and ‘Total Imagination’: The Pornographic in J. G. Ballard’s Crash. English, 57(218), 146–168. https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/57/218/146/524284
Freud, S. (2013). Five lectures on psycho-analysis. [Read Books Ltd.].
Fuller, S. M. (2005). Deposing an American Cultural Totem: Clarice Starling and Postmodern Heroism in Thomas Harris’s Red Dragon, The Silence of the Lambs, and Hannibal. The Journal of Popular Culture, 38(5), 819–833. https://doi.org/10.1111/j.0022-3840.2005.00143.x
Garrett, G. (1994). Objecting to Objectification: Re-Viewing the Feminine in The Silence of the Lambs. The Journal of Popular Culture, 27(4), 1–12. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdfb181b181-1994-027-04-000001pdf&tab=title&jid=393239333234383430%2334303031373139303035
Gasiorek, A. (2005). J. G. Ballard: Vol. Contemporary British novelists. Manchester University Press.
Gill, J. (2006). The Cambridge companion to Sylvia Plath: Vol. Cambridge companions to literature. Cambridge University Press.
Gill, J. (2008). The Cambridge introduction to Sylvia Plath: Vol. Cambridge introductions to literature. Cambridge University Press.
Gilman, C. P., & Bauer, D. M. (1998). The yellow wallpaper: Vol. Bedford cultural editions. Bedford Books.
Gilman, S. L. (1982). Seeing the insane: a cultural history of madness and art in the western world. Wiley in association with Brunner-Mazel.
Green, S. (2011). ‘Up There with Black Holes and Darwin, Almost Bigger than Dinosaurs’: The Mind and McEwan’s Enduring Love. Style, 45(3), 441–463.
Greenberg, J. (2007). Why Can’t Biologists Read Poetry? Ian McEwan’s Enduring Love. Twentieth Century Literature, 53(2), 93–124. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479802
Gustavo Vargas Cohen. (2012). "A BIZARRE DOMESTIC METAMORPHOSIS1”: GENDER ROLES, POWER RELATIONS AND THREATENED HOMES IN SHIRLEY JACKSON’S LIKE MOTHER USED TO MAKE. Revista E-Scrita : Revista Do Curso de Letras Da Uniabeu, 3 n1a. https://oxfordbrookes.on.worldcat.org/search?databaseList=638&queryString=shirley+jackson+like+mother+used+to+make#/oclc/7180078004
Hague, Angela. (2005). ‘A Faithful Anatomy of Our Times’. Frontiers: A Journal of Women Studies, 26(Issue 2), 73–96. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=18900714&site=ehost-live
Harris, T. (2009). The silence of the lambs. Arrow.
Helle, A. P. (2007). The unraveling archive: essays on Sylvia Plath. University of Michigan Press.
Hochman, B. (2002). The reading habit and The ‘Yellow Wallpaper’ (Charlotte Perkins Gilman). American Literature, 74(1), 89–110.
Horner, A., & Zlosnik, S. (1998). Daphne du Maurier: writing identity and the Gothic imagination. Macmillan.
Horrobin, D. F. (2002). The madness of Adam and Eve: how schizophrenia shaped humanity. Corgi.
Johnson, E. L. (2013). Hontologie: The Chronotope of Shame in Jean Rhys’s Good Morning, Midnight. KronoScope, 13(1), 28–46. https://doi.org/10.1163/15685241-12341257
Kafka, F. (1992). Metamorphosis and other stories (W. Muir & E. Muir, Eds.). Minerva.
Kafka, F. (2002). The metamorphosis. Legend Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4876660
Kafka, F. (2007). Metamorphosis and other stories: Vol. Modern classics (M. Hofmann, Ed.). Penguin.
Kendall, T. (2001). Sylvia Plath: a critical study. Faber.
KINGSLEY, ERIN M.1. (2015). Birth Giving, the Body, and the Racialized Other in Jean Rhys’s Voyage in the Dark and Good Morning, Midnight. Philological Quarterly, 94(Issue 3), 291–312. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=113172072&site=ehost-live
Kristeva, J. (1982). Powers of horror: an essay on abjection: Vol. European perspectives. Columbia University Press.
Kristeva, J. (1991). Strangers to ourselves. Harvester Wheatsheaf.
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Lacan, J. (1980). Écrits: a selection: Vol. Social science paperbacks. Tavistock Publications. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5268266
Lacan, J., Miller, J. A., & Sheridan, A. (1977). The four fundamental concepts of psycho-analysis: Vol. International psycho-analytical library. Hogarth Press.
Lacan, J., & Wilden, A. (1968). The language of the self: the function of language in psychoanalysis. John Hopkins Press.
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Leader, D. (2012). What is madness? Penguin.
Levy, E. P. (2009). Postlapsarian Will and the Problem of Time in Ian McEwan’s Enduring Love. Renascence: Essays on Values in Literature, 61(3), 169–193. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=40733776&site=ehost-live
Logan, P. M. (1997). Nerves and narratives: a cultural history of hysteria in nineteenth-century British prose. University of California Press.
Lynn, D., & McEwan, I. (2007). A Conversation with Ian McEwan. Kenyon Review, 29(3), 38–51. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4339053?seq=1#page_scan_tab_contents
Macdonald, K. (2007). Anti-Heroes and Androgynes: Gothic Masculinities in Contemporary Scottish Men’s Fiction. Irish Journal of Gothic and Horror Studies, 3, 37–53. https://irishgothichorror-files-wordpress-com.oxfordbrookes.idm.oclc.org/2016/04/ijghsissue3.pdf
Macdonald, K. A. (2011). ‘This Desolate and Appalling Landscape’: The Journey North in Contemporary Scottish Gothic. Gothic Studies, 13(2), 37–48. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=71367569&site=ehost-live
Matthews, G. (2013). Consumerism’s Endgame: Violence and Community in J.G. Ballard’s Late Fiction. Journal of Modern Literature, 36(2), 122–139. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/jmodelite.36.2.122
McEwan, I. (1998). Enduring love: Vol. Vintage classics. Vintage.
Mills, S. (2003). Michel Foucault: Vol. Routledge critical thinkers. Routledge. https://oxfordbrookes.on.worldcat.org/oclc/51098224
Morrison, J. (2001). Narration and Unease in Ian McEwan’s Later Fiction. Critique: Studies in Contemporary Fiction, 42(3), 253–268. https://doi.org/10.1080/00111610109601143
Mosher, L. R., Bentall, R. P., & Read, J. (2004). Models of madness: psychological, social and biological approaches to schizophrenia. Routledge. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203420393&uid=^u
Murphy, T. P. (2008). Opening the pathway: Plot management and the pivotal seventh character in Daphne du Maurier’s "Don’t Look Now”. Journal of Literary Semantics, 37(2). https://doi.org/10.1515/jlse.2008.009
Murray, I. (2002). Scottish writers talking 2: Iain Banks, Bernard MacLaverty, Naomi Mitchison, Iain Crichton Smith, Alan Spence : in interview. Tuckwell Press.
Ostrowidzki, E. A. (2009). Utopias of the New Right in J. G. Ballard’s Fiction. Space and Culture, 12(1), 4–24. http://sac.sagepub.com.oxfordbrookes.idm.oclc.org/content/12/1/4.abstract
Palmer, A. (2009). Attributions of Madness in Ian McEwan’s Enduring Love. Style, 43(3), 291–308.
Parkin-Gounelas, R. (2001). Literature and psychoanalysis: intertextual readings. Palgrave.
Parks, John G. (n.d.). THE POSSIBILITY OF EVIL: A KEY TO SHIRLEY JACKSON’S FICTION. Studies in Short Fiction, 15(Issue 3). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=7133425&site=ehost-live
Phillips, A. (2006). Going sane. Penguin.
Plath, S. (1966). The bell jar. Faber.
Plath, Sylvia. (2005). The bell jar. Faber.
Porter, R. (1987). A social history of madness: stories of the insane. Weidenfeld and Nicolson.
Porter, R. (1990). Mind-forg’d manacles: a history of madness in England from the Restoration to the Regency. Penguin.
Porter, R. (1991). The Faber book of madness. Faber and Faber.
Porter, R. (2002). Madness: a brief history. Oxford University Press.
Rabinovitz, R. (1978). Mechanism vs. Organism: Anthony Burgess’ ‘A Clockwork Orange’. Modern Fiction Studies, 24(4), 538–541. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1978-024-04-000006pdf&tab=title&jid=393239333234383430%2333343037343338363034
Rabinovitz, R. (1979). Ethical values in Anthony Burgess’s ‘Clockwork Orange’. Studies in the Novel, 11(1), 43–50. https://www.jstor.org/stable/29531951?seq=1#page_scan_tab_contents
Ray, P. E. (1981). Alex before and after: A New Approach to Burgess’ ‘A Clockwork Orange’. MFS: Modern Fiction Studies, 27(3), 479–487. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1981-027-03-000005pdf&tab=title&jid=393239333234383430%2333343037343338363034
Read, J., & Dillon, J. (Eds.). (2013). Models of madness: psychological, social, and biological approaches to psychosis (Second edition). Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1221470
Rhys, J., & Kennedy, A. L. (2000). Good morning, midnight. Penguin.
Robbins, B. (1996). Murder and Mentorship: Advancement in The Silence of the Lambs. Boundary 2, 23(1), 71–90. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/303577
Robert Haas. (2015). Shirley Jackson’s "The Tooth”: Dentistry as Horror, the Imagination as a Shield. Literature and Medicine, 33. https://oxfordbrookes.on.worldcat.org/search?queryString=shirley+jackson+the+tooth&format=&submit=Go#/oclc/5850442712
Rose, J. (1991). The haunting of Sylvia Plath. Virago.
Rosenberg, R. (2010). Judith A. Allen: The Feminism of Charlotte Perkins Gilman: Sexualities, Histories, Progressivism. The American Historical Review, 115(4), 1165–1166. https://academic-oup-com.oxfordbrookes.idm.oclc.org/ahr/article/115/4/1165/33791
Royle, N. (2003). The uncanny. Manchester University Press.
Rubenstein, R. (1996). House Mothers and Haunted Daughters: Shirley Jackson and Female Gothic. Tulsa Studies in Women’s Literature, 15(2). https://doi.org/10.2307/464139
Rushton, R. (2005). The Perversion of The Silence of the Lambs and the Dilemma of The Searchers: on Psychoanalytic "Reading”. Psychoanalysis, Culture & Society, 10(3), 252–268. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/216498966/6ACA333D108C4817PQ/3?accountid=13041
Ryan, K. (1994). Ian McEwan: Vol. Writers and their work. Northcote House in ass. with the British Council.
Saunders J.R.Saunders J.R.James Robert SaundersJames Robert SaundersJ.R. Saunders. (2012). Why losing a tooth matters: Shirley Jackson’s ‘The Tooth’ and Toni Morrison’s The Bluest Eye. Midwest Quarterly, 53. https://oxfordbrookes.on.worldcat.org/search?queryString=shirley+jackson+the+tooth&format=&submit=Go#/oclc/774573004
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Schoene-Harwood, B. (1999). Dams Burst: Devolving Gender in Iain Banks’s ‘The Wasp Factory’. ARIEL: A Review of International English Literature, 30(1), 131–148. https://journalhosting-ucalgary-ca.oxfordbrookes.idm.oclc.org/index.php/ariel/article/view/34213
Scull, A. (2015). Madness in civilization: a cultural history of insanity, from the Bible to Freud, from the madhouse to modern medicine. Thames & Hudson.
Scull, A. T. (1993). The most solitary of afflictions: madness and society in Britain, 1700-1900. Yale University Press.
Shannonhouse, R. (2003). Out of her mind: women writing on madness. Modern Library.
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Showalter, E. (1987). The female malady: women, madness, and English culture, 1830-1980. Virago.
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Smith, A.-M. (1998). Julia Kristeva: speaking the unspeakable: Vol. Modern European thinkers. Pluto Press.
Smith, K., Sweeney, M., & Post, F. (1997). Beyond Bedlam: poems written out of mental distress. Anvil Press Poetry.
Stevenson, A. (1989). Bitter fame: a life of Sylvia Plath. Viking.
Sumner, C. (2012). Humanist Drama in ‘A Clockwork Orange’. The Yearbook of English Studies, 42, 49–63. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.5699/yearenglstud.42.2012.0049
Thrailkill, J. F. (2002). Doctoring ‘The Yellow Wallpaper’. ELH, 69(2), 525–566. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/30032030?seq=1#page_scan_tab_contents
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Vincent, B., & Clarke, J. (2017). The language of ’A Clockwork Orange’ : A corpus stylistic approach to Nadsat. Language and Literature, 26(3), 247–264. https://doi.org/10.1177/0963947017706625
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Welch, Dennis M. (n.d.). MANIPULATION IN SHIRLEY JACKSON’S ‘SEVEN TYPES OF AMBIGUITY’. Studies in Short Fiction, 18(Issue 1). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=8648413&site=ehost-live
Whittier, Gayle. (1991). ‘The Lottery’ as Misogynist Parable. Women’s Studies, 18(Issue 4). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=5808719&site=ehost-live
Williams, L. R. (1995). Critical desire: psychoanalysis and the literary subject: Vol. Interrogating texts. Edward Arnold.
WISKER, G. (1999). Don’t Look Now! The compulsions and revelations of Daphne du Maurier’s horror writing. Journal of Gender Studies, 8(1), 19–33. https://doi.org/10.1080/095892399102797
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Writers in Conversation - J G Ballard. (2010). https://www.youtube.com/watch?v=O9eGWMcvEUY
Yarmove, Jay A. (n.d.). Jackson’s The Lottery. Explicator, 52(Issue 4). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9410177542&site=ehost-live
Youngquist, P. (2000). Ballard’s Crash-Body. Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism, 11(1). http://pmc.iath.virginia.edu/text-only/issue.900/11.1youngquist.txt
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