Aird, Eileen Margaret. Sylvia Plath. Oliver and Boyd, 1973.
‘"Always the Same Stairs, Always the Same Room”: The Uncanny Architecture of Jean Rhys’s <em>Good Morning, Midnight</Em>’. Journal of Modern Literature, vol. 38, no. 4, 2015, https://doi.org/10.2979/jmodelite.38.4.74.
Anolik, Ruth Bienstock. Demons of the Body and Mind: Essays on Disability in Gothic Literature. McFarland & Co., Publishers.
Astbury, Jill. Crazy for You: The Making of Women’s Madness. Oxford University Press, 1996.
Bak, John S. ‘Escaping the Jaundiced Eye: Foucaldian Panopticism in Charlotte Perkins Gilman’s “The Yellow Wallpaper”’. Studies in Short Fiction, vol. 31, no. 1, 1994, pp. 39–46, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=9503010336&amp;site=ehost-live.
Bakhtin, M. M. Rabelais and His World. Indiana University Press, 1984.
Ballard, J. G. Crash. Harper Perennial, 2008.
Banks, Iain. The Wasp Factory. Abacus, 1990.
Baxter, Jeannette. ‘Radical Surrealism: Rereading Photography and History in J.G. Ballard’s’. Textual Practice, vol. 22, no. 3, 2008, pp. 507–28, https://doi.org/10.1080/09502360802264673.
Bentall, Richard P. Madness Explained: Psychosis and Human Nature. Penguin, 2004.
Berke, Joseph H. Beyond Madness: Psychosocial Interventions in Psychosis. Jessica Kingsley Publishers, 2001, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3015878.
Boyers, Robert. R. D. Laing & Anti-Psychiatry. Harper & Row.
Britzolakis, Christina. Sylvia Plath and the Theatre of Mourning. Clarendon Press, 1999.
Burgess, Anthony. A Clockwork Orange. Edited by Andrew Biswell, Restored edition, Penguin modern classics, Penguin Books, 2013.
———. A Clockwork Orange. Penguin.
Busfield, Joan. Managing Madness: Changing Ideas and Practice. Hutchinson Educational, 1986.
———. Men, Women and Madness: Understanding Gender and Mental Disorder. Macmillan, 1996.
Butterfield, Bradley. ‘Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection’. PMLA, vol. 114, no. 1, 1999, pp. 64–77, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463427.
Castillo, Richard J. Meanings of Madness. Brooks/Cole, 1998.
Childs, Peter. Ian McEwan’s Enduring Love. Routledge, 2007.
Chodorow, Nancy J. Feminism and Psychoanalytic Theory. Polity Press, 1989.
Claridge, Gordon, et al. Sounds from the Bell Jar: Ten Psychotic Authors. 2nd ed, Malor Books, 1998.
Collins, Jo, and John Jervis. Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave Macmillan, 2008.
Crewe, Jonathan. ‘Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form’. Tulsa Studies in Women’s Literature, vol. 14, no. 2, 1995, pp. 273–93, https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/463900.
Cronenberg, David, and J. G. Ballard. Crash. Sony Pictures Entertainment, 2007. Videorecording.
Czarnecki, Kristin1 Kristin_Czarnecki@georgetowncollege.edu. ‘“Yes, It Can Be Sad, the Sun in the Afternoon”: Kristevan Depression in Jean Rhys’s “Good Morning, Midnight.”’ Journal of Modern Literature, vol. 32, no. Issue 3, 2009, pp. 63–82, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=45022591&site=ehost-live.
Davis, Todd, and Kenneth Womack. ‘“O My Brothers”: Reading the Anti-Ethics of the Pseudo-Family in Anthony Burgess’s A Clockwork Orange’. College Literature, vol. 29, no. 2, 2002, pp. 19–36, https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/25112635.
Day, Aidan. ‘Ballard and Baudrillard: Close Reading Crash’. English, vol. 49, no. 195, 2000, pp. 277–93, https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/49/195/277/577906.
Dock, Julie Bates, et al. ‘“But One Expects That”: Charlotte Perkins Gilman’s “The Yellow Wallpaper” and the Shifting Light of Scholarship’. PMLA, vol. 111, no. 1, 1996, pp. 52–65, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463133.
Dubois, Diane. ‘“Seeing the Female Body Differently”: Gender Issues in The Silence of the Lambs’. Journal of Gender Studies, vol. 10, no. 3, 2001, pp. 297–310, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=5477503&amp;site=ehost-live.
Ellmann, Maud. Psychoanalytic Literary Criticism. Longman, 1994.
Evans, Robert O. ‘Nadsat: The Argot and Its Implications in Anthony Burgess’ “A Clockwork Orange”’. Journal of Modern Literature, vol. 1, no. 3, 1971, pp. 406–10, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831064.
Face to Face: JG Ballard (Part One). 25 Oct. 2010, https://www.youtube.com/watch?v=xyZPRL90hNY.
Face to Face: JG Ballard (Part Three). 25 Oct. 2010, https://www.youtube.com/watch?v=tVYzi-qea2I.
Face to Face: JG Ballard (Part Two). 25 Oct. 2010, https://www.youtube.com/watch?v=kT2-9wF_MMI.
Felman, Shoshana, and Martha Noel Evans. Writing and Madness: (Literature/Philosophy/Psychoanalysis). Stanford University Press, 2003.
Fisher, Mark. The Weird and the Eerie. Repeater, 2016.
Fleming, Michael, and Roger Manvell. Images of Madness: The Portrayal of Insanity in the Feature Film. Fairleigh Dickinson University Press, 1985.
Forsythe, Bill, and Joseph Melling. Insanity, Institutions and Society, 1800-1914: A Social History of Madness in Comparative Perspective. Routledge, 1999, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=178160.
Foster, Dennis A. ‘J. G. Ballard’s Empire of the Senses: Perversion and the Failure of Authority’. PMLA, vol. 108, no. 3, 1993, pp. 519–32, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462619.
Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. Routledge, 2001.
Foucault, Michel, and Jean Khalfa. History of Madness. Routledge, 2006.
Foucault, Michel, and Jacques Lagrange. Psychiatric Power : Lectures at the Collège de France, 1973-74. Palgrave Macmillan, 2006. Print.
Francis, Sam. ‘“Moral Pornography” and “Total Imagination”: The Pornographic in J. G. Ballard’s Crash’. English, vol. 57, no. 218, 2008, pp. 146–68, https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/57/218/146/524284.
Freud, Sigmund. Five Lectures on Psycho-Analysis. [Read Books Ltd.], 2013.
Fuller, Stephen M. ‘Deposing an American Cultural Totem: Clarice Starling and Postmodern Heroism in Thomas Harris’s Red Dragon, The Silence of the Lambs, and Hannibal’. The Journal of Popular Culture, vol. 38, no. 5, 2005, pp. 819–33, https://doi.org/10.1111/j.0022-3840.2005.00143.x.
Garrett, Greg. ‘Objecting to Objectification: Re-Viewing the Feminine in The Silence of the Lambs’. The Journal of Popular Culture, vol. 27, no. 4, 1994, pp. 1–12, https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdfb181b181-1994-027-04-000001pdf&amp;tab=title&amp;jid=393239333234383430%2334303031373139303035.
Gasiorek, Andrzej. J. G. Ballard. Manchester University Press, 2005.
Gill, Jo. The Cambridge Companion to Sylvia Plath. Cambridge University Press, 2006.
———. The Cambridge Introduction to Sylvia Plath. Cambridge University Press, 2008.
Gilman, Charlotte Perkins, and Dale M. Bauer. The Yellow Wallpaper. Bedford Books, 1998.
Gilman, Sander L. Seeing the Insane: A Cultural History of Madness and Art in the Western World. Wiley in association with Brunner-Mazel, 1982.
Green, Susan. ‘“Up There with Black Holes and Darwin, Almost Bigger than Dinosaurs”: The Mind and McEwan’s Enduring Love’. Style, vol. 45, no. 3, 2011, pp. 441–63.
Greenberg, Jonathan. ‘Why Can’t Biologists Read Poetry? Ian McEwan’s Enduring Love’. Twentieth Century Literature, vol. 53, no. 2, 2007, pp. 93–124, https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479802.
Gustavo Vargas Cohen. ‘"A BIZARRE DOMESTIC METAMORPHOSIS1”: GENDER ROLES, POWER RELATIONS AND THREATENED HOMES IN SHIRLEY JACKSON’S LIKE MOTHER USED TO MAKE’. Revista E-Scrita : Revista Do Curso de Letras Da Uniabeu, 3 n1a, 2012, https://oxfordbrookes.on.worldcat.org/search?databaseList=638&queryString=shirley+jackson+like+mother+used+to+make#/oclc/7180078004.
Haas, Robert. ‘Shirley Jackson’s "The Tooth”: Dentistry as Horror, the Imagination as a Shield’. Literature and Medicine, vol. 33, no. 1, 2015, pp. 132–56, https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=mlf&amp;AN=2015396291&amp;site=ehost-live.
Hague, Angela. ‘“A Faithful Anatomy of Our Times”.’ Frontiers: A Journal of Women Studies, vol. 26, no. Issue 2, 2005, pp. 73–96, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=18900714&site=ehost-live.
Harris, Thomas. The Silence of the Lambs. Arrow, 2009.
Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. University of Michigan Press, 2007.
Hochman, Barbara. ‘The Reading Habit and The “Yellow Wallpaper” (Charlotte Perkins Gilman)’. American Literature, vol. 74, no. 1, 2002, pp. 89–110.
Horner, Avril, and Sue Zlosnik. Daphne Du Maurier: Writing Identity and the Gothic Imagination. Macmillan, 1998.
Horrobin, David F. The Madness of Adam and Eve: How Schizophrenia Shaped Humanity. Corgi, 2002.
Johnson, Erica L. ‘Hontologie: The Chronotope of Shame in Jean Rhys’s Good Morning, Midnight’. KronoScope, vol. 13, no. 1, Jan. 2013, pp. 28–46, https://doi.org/10.1163/15685241-12341257.
Kafka, Franz. Metamorphosis and Other Stories. Edited by Michael Hofmann, Modern classics, Penguin, 2007.
———. Metamorphosis and Other Stories. Edited by Willa Muir and Edwin Muir, Minerva, 1992.
———. The Metamorphosis. Legend Press, 2002, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4876660.
Kendall, Tim. Sylvia Plath: A Critical Study. Faber, 2001.
KINGSLEY, ERIN M.1. ‘Birth Giving, the Body, and the Racialized Other in Jean Rhys’s Voyage in the Dark and Good Morning, Midnight.’ Philological Quarterly, vol. 94, no. Issue 3, 2015, pp. 291–312, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=113172072&site=ehost-live.
Kristeva, Julia. Powers of Horror: An Essay on Abjection. Columbia University Press, 1982.
———. Strangers to Ourselves. Harvester Wheatsheaf, 1991.
Kristeva, Julia, and Leon S. Roudiez. Black Sun: Depression and Melancholia. Columbia University Press, 1989.
Lacan, Jacques. Écrits: A Selection. Tavistock Publications, 1980, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5268266.
———. The Four Fundamental Concepts of Psycho-Analysis. Hogarth Press, 1977.
Lacan, Jacques, and Anthony Wilden. The Language of the Self: The Function of Language in Psychoanalysis. John Hopkins Press, 1968.
Laing, R. D. The Self and Others: Further Studies in Sanity and Madness. Tavistock Publications, 1961.
Leader, Darian. What Is Madness? Penguin, 2012.
Levy, Eric P. ‘Postlapsarian Will and the Problem of Time in Ian McEwan’s Enduring Love’. Renascence: Essays on Values in Literature, vol. 61, no. 3, 2009, pp. 169–93, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=40733776&amp;site=ehost-live.
Logan, Peter Melville. Nerves and Narratives: A Cultural History of Hysteria in Nineteenth-Century British Prose. University of California Press, 1997.
Lynn, David, and Ian McEwan. ‘A Conversation with Ian McEwan’. Kenyon Review, vol. 29, no. 3, 2007, pp. 38–51, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4339053?seq=1#page_scan_tab_contents.
Macdonald, Kirsty. ‘Anti-Heroes and Androgynes: Gothic Masculinities in Contemporary Scottish Men’s Fiction’. Irish Journal of Gothic and Horror Studies, vol. 3, 2007, pp. 37–53, https://irishgothichorror-files-wordpress-com.oxfordbrookes.idm.oclc.org/2016/04/ijghsissue3.pdf.
Macdonald, Kirsty A. ‘“This Desolate and Appalling Landscape”: The Journey North in Contemporary Scottish Gothic’. Gothic Studies, vol. 13, no. 2, 2011, pp. 37–48, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=71367569&amp;site=ehost-live.
Matthews, Graham. ‘Consumerism’s Endgame: Violence and Community in J.G. Ballard’s Late Fiction’. Journal of Modern Literature, vol. 36, no. 2, 2013, pp. 122–39, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/jmodelite.36.2.122.
McEwan, Ian. Enduring Love. Vintage, 1998.
Mills, Sara. Michel Foucault. Routledge, 2003, https://oxfordbrookes.on.worldcat.org/oclc/51098224.
Morrison, Jago. ‘Narration and Unease in Ian McEwan’s Later Fiction’. Critique: Studies in Contemporary Fiction, vol. 42, no. 3, Jan. 2001, pp. 253–68, https://doi.org/10.1080/00111610109601143.
Mosher, Loren R., et al. Models of Madness: Psychological, Social and Biological Approaches to Schizophrenia. Routledge, 2004, https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203420393&uid=^u. Electronic resource.
Murphy, Terence Patrick. ‘Opening the Pathway: Plot Management and the Pivotal Seventh Character in Daphne Du Maurier’s "Don’t Look Now”’. Journal of Literary Semantics, vol. 37, no. 2, 2008, https://doi.org/10.1515/jlse.2008.009.
Murray, Isobel. Scottish Writers Talking 2: Iain Banks, Bernard MacLaverty, Naomi Mitchison, Iain Crichton Smith, Alan Spence : In Interview. Tuckwell Press, 2002.
Ostrowidzki, E. A. ‘Utopias of the New Right in J. G. Ballard’s Fiction’. Space and Culture, vol. 12, no. 1, 2009, pp. 4–24, http://sac.sagepub.com.oxfordbrookes.idm.oclc.org/content/12/1/4.abstract.
Palmer, Alan. ‘Attributions of Madness in Ian McEwan’s Enduring Love’. Style, vol. 43, no. 3, 2009, pp. 291–308.
Parkin-Gounelas, Ruth. Literature and Psychoanalysis: Intertextual Readings. Palgrave, 2001.
Parks, John G. ‘THE POSSIBILITY OF EVIL: A KEY TO SHIRLEY JACKSON’S FICTION.’ Studies in Short Fiction, vol. 15, no. 3, 1978, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=7133425&amp;site=ehost-live.
Phillips, Adam. Going Sane. Penguin, 2006.
Plath, Sylvia. The Bell Jar. Faber, 1966.
Plath, Sylvia. The Bell Jar. Faber, 2005.
Porter, Roy. A Social History of Madness: Stories of the Insane. Weidenfeld and Nicolson, 1987.
———. Madness: A Brief History. Oxford University Press, 2002.
———. Mind-Forg’d Manacles: A History of Madness in England from the Restoration to the Regency. Penguin, 1990.
———. The Faber Book of Madness. Faber and Faber, 1991.
Rabinovitz, Rubin. ‘Ethical Values in Anthony Burgess’s “Clockwork Orange”’. Studies in the Novel, vol. 11, no. 1, 1979, pp. 43–50, https://www.jstor.org/stable/29531951?seq=1#page_scan_tab_contents.
———. ‘Mechanism vs. Organism: Anthony Burgess’ “A Clockwork Orange”’. Modern Fiction Studies, vol. 24, no. 4, 1978, pp. 538–41, https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1978-024-04-000006pdf&amp;tab=title&amp;jid=393239333234383430%2333343037343338363034.
Ray, Philip E. ‘Alex before and after: A New Approach to Burgess’ “A Clockwork Orange”’. MFS: Modern Fiction Studies, vol. 27, no. 3, 1981, pp. 479–87, https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/26281292.
Read, John, and Jacqui Dillon, editors. Models of Madness: Psychological, Social, and Biological Approaches to Psychosis. Second edition, Routledge, 2013, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1221470.
Rhys, Jean, and A. L. Kennedy. Good Morning, Midnight. Penguin, 2000.
Robbins, Bruce. ‘Murder and Mentorship: Advancement in The Silence of the Lambs’. Boundary 2, vol. 23, no. 1, 1996, pp. 71–90, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/303577.
Rose, Jacqueline. The Haunting of Sylvia Plath. Virago, 1991.
Rosenberg, Rosalind. ‘Judith A. Allen: The Feminism of Charlotte Perkins Gilman: Sexualities, Histories, Progressivism’. The American Historical Review, vol. 115, no. 4, 2010, pp. 1165–66, https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=55359093&amp;site=ehost-live.
Royle, Nicholas. The Uncanny. Manchester University Press, 2003.
Rubenstein, Roberta. ‘House Mothers and Haunted Daughters: Shirley Jackson and Female Gothic’. Tulsa Studies in Women’s Literature, vol. 15, no. 2, 1996, https://doi.org/10.2307/464139.
Rushton, Richard. ‘The Perversion of The Silence of the Lambs and the Dilemma of The Searchers: On Psychoanalytic "Reading”’. Psychoanalysis, Culture & Society, vol. 10, no. 3, 2005, pp. 252–68, https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/216498966/6ACA333D108C4817PQ/3?accountid=13041.
Ryan, Kiernan. Ian McEwan. Northcote House in ass. with the British Council, 1994.
Saunders, James Robert. ‘Why Losing a Tooth Matters: Shirley Jackson’s “The Tooth” and Toni Morrison’s The Bluest Eye’. Midwest Quarterly, vol. 53, no. 2, 2012, pp. 193–204, https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=mlf&amp;AN=2018700727&amp;site=ehost-live.
Scheff, Thomas J. Labelling Madness. Prentice-Hall, 1975.
Schoene-Harwood, Berthold. ‘Dams Burst: Devolving Gender in Iain Banks’s “The Wasp Factory”’. ARIEL: A Review of International English Literature, vol. 30, no. 1, 1999, pp. 131–48, https://journalhosting-ucalgary-ca.oxfordbrookes.idm.oclc.org/index.php/ariel/article/view/34213.
Scull, Andrew. Madness in Civilization: A Cultural History of Insanity, from the Bible to Freud, from the Madhouse to Modern Medicine. Thames & Hudson, 2015.
Scull, Andrew T. The Most Solitary of Afflictions: Madness and Society in Britain, 1700-1900. Yale University Press, 1993.
Shannonhouse, Rebecca. Out of Her Mind: Women Writing on Madness. Modern Library, 2003.
Shields, Patrick J. ‘Arbitrary Condemnation and Sanctioned Violence in Shirley Jackson’s "the Lottery”’. Contemporary Justice Review, vol. 7, no. 4, Dec. 2004, pp. 411–19, https://doi.org/10.1080/1028258042000305884.
Shone, Tom. ‘The Road to “Crash”’. The New Yorker, vol. 73, no. 4, 1997, pp. 70–75.
Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830-1980. Virago, 1987.
Slay, Jack. Ian McEwan. Twayne, 1996.
Smith, Anne-Marie. Julia Kristeva: Speaking the Unspeakable. Pluto Press, 1998.
Smith, Ken, et al. Beyond Bedlam: Poems Written out of Mental Distress. Anvil Press Poetry, 1997.
Stevenson, Anne. Bitter Fame: A Life of Sylvia Plath. Viking, 1989.
Sumner, Charles. ‘Humanist Drama in “A Clockwork Orange”’. The Yearbook of English Studies, vol. 42, 2012, pp. 49–63, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.5699/yearenglstud.42.2012.0049.
Thrailkill, Jane F. ‘Doctoring “The Yellow Wallpaper”’. ELH, vol. 69, no. 2, 2002, pp. 525–66, https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/30032030.
Vice, Sue. Psychoanalytic Criticism: A Reader. Polity Press, 1996.
Vincent, Benet, and Jim Clarke. ‘The Language of ’A Clockwork Orange’ : A Corpus Stylistic Approach to Nadsat’. Language and Literature, vol. 26, no. 3, 2017, pp. 247–64, https://doi.org/10.1177/0963947017706625.
Wagner, Linda Welshimer. Sylvia Plath: The Critical Heritage. Routledge, 1988.
Welch, Dennis M. ‘MANIPULATION IN SHIRLEY JACKSON’S “SEVEN TYPES OF AMBIGUITY”’. Studies in Short Fiction, vol. 18, no. Issue 1, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=8648413&site=ehost-live.
Whittier, Gayle. ‘“The Lottery” as Misogynist Parable.’ Women’s Studies, vol. 18, no. Issue 4, 1991, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=5808719&site=ehost-live.
Williams, Linda R. Critical Desire: Psychoanalysis and the Literary Subject. Edward Arnold, 1995.
WISKER, GINA. ‘Don’t Look Now! The Compulsions and Revelations of Daphne Du Maurier’s Horror Writing’. Journal of Gender Studies, vol. 8, no. 1, Mar. 1999, pp. 19–33, https://doi.org/10.1080/095892399102797.
Wright, Elizabeth. Psychoanalytic Criticism: Theory in Practice. Methuen, 1984.
Writers in Conversation - J G Ballard. 27 Oct. 2010, https://www.youtube.com/watch?v=O9eGWMcvEUY.
Yarmove, Jay A. ‘Jackson’s The Lottery.’ Explicator, vol. 52, no. Issue 4, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9410177542&site=ehost-live.
Youngquist, Paul. ‘Ballard’s Crash-Body’. Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism, vol. 11, no. 1, 2000, http://pmc.iath.virginia.edu/text-only/issue.900/11.1youngquist.txt.