Aird, Eileen Margaret. Sylvia Plath. The modern writers series. Oliver and Boyd, 1973.
‘"Always the Same Stairs, Always the Same Room”: The Uncanny Architecture of Jean Rhys’s <em>Good Morning, Midnight</Em>’. Journal of Modern Literature 38, no. 4 (2015). https://doi.org/10.2979/jmodelite.38.4.74.
Anolik, Ruth Bienstock. Demons of the Body and Mind: Essays on Disability in Gothic Literature. McFarland & Co., Publishers, n.d.
Astbury, Jill. Crazy for You: The Making of Women’s Madness. Oxford University Press, 1996.
Bak, John S. ‘Escaping the Jaundiced Eye: Foucaldian Panopticism in Charlotte Perkins Gilman’s “The Yellow Wallpaper”’. Studies in Short Fiction 31, no. 1 (1994): 39–46. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=9503010336&amp;site=ehost-live.
Bakhtin, M. M. Rabelais and His World. Indiana University Press, 1984.
Ballard, J. G. Crash. Harper Perennial, 2008.
Banks, Iain. The Wasp Factory. Abacus, 1990.
Baxter, Jeannette. ‘Radical Surrealism: Rereading Photography and History in J.G. Ballard’s’. Textual Practice 22, no. 3 (2008): 507–28. https://doi.org/10.1080/09502360802264673.
Bentall, Richard P. Madness Explained: Psychosis and Human Nature. Penguin, 2004.
Berke, Joseph H. Beyond Madness: Psychosocial Interventions in Psychosis. Therapeutic communities. Jessica Kingsley Publishers, 2001. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3015878.
Boyers, Robert. R. D. Laing & Anti-Psychiatry. Perennial library. Harper & Row, n.d.
Britzolakis, Christina. Sylvia Plath and the Theatre of Mourning. Oxford English monographs. Clarendon Press, 1999.
Burgess, Anthony. A Clockwork Orange. Penguin, n.d.
Burgess, Anthony. A Clockwork Orange. Restored edition. Edited by Andrew Biswell. Penguin modern classics. Penguin Books, 2013.
Busfield, Joan. Managing Madness: Changing Ideas and Practice. Hutchinson Educational, 1986.
Busfield, Joan. Men, Women and Madness: Understanding Gender and Mental Disorder. Macmillan, 1996.
Butterfield, Bradley. ‘Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection’. PMLA 114, no. 1 (1999): 64–77. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463427.
Castillo, Richard J. Meanings of Madness. Brooks/Cole, 1998.
Childs, Peter. Ian McEwan’s Enduring Love. Routledge guides to literature. Routledge, 2007.
Chodorow, Nancy J. Feminism and Psychoanalytic Theory. Polity Press, 1989.
Claridge, Gordon, Ruth Pryor, and Gwen Watkins. Sounds from the Bell Jar: Ten Psychotic Authors. 2nd ed. Malor Books, 1998.
Collins, Jo, and John Jervis. Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave Macmillan, 2008.
Crewe, Jonathan. ‘Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form’. Tulsa Studies in Women’s Literature 14, no. 2 (1995): 273–93. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/463900.
Cronenberg, David, and J. G. Ballard. Crash. Sony Pictures Entertainment, 2007. Videorecording.
Czarnecki, Kristin1 Kristin_Czarnecki@georgetowncollege.edu. ‘“Yes, It Can Be Sad, the Sun in the Afternoon”: Kristevan Depression in Jean Rhys’s “Good Morning, Midnight.”’ Journal of Modern Literature 32, no. Issue 3 (2009): 63–82. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=45022591&site=ehost-live.
Davis, Todd, and Kenneth Womack. ‘“O My Brothers”: Reading the Anti-Ethics of the Pseudo-Family in Anthony Burgess’s A Clockwork Orange’. College Literature 29, no. 2 (2002): 19–36. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/25112635.
Day, Aidan. ‘Ballard and Baudrillard: Close Reading Crash’. English 49, no. 195 (2000): 277–93. https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/49/195/277/577906.
Dock, Julie Bates, Daphne Ryan Allen, Jennifer Palais, and Kristen Tracy. ‘“But One Expects That”: Charlotte Perkins Gilman’s “The Yellow Wallpaper” and the Shifting Light of Scholarship’. PMLA 111, no. 1 (1996): 52–65. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/463133.
Dubois, Diane. ‘“Seeing the Female Body Differently”: Gender Issues in The Silence of the Lambs’. Journal of Gender Studies 10, no. 3 (2001): 297–310. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=5477503&amp;site=ehost-live.
Ellmann, Maud. Psychoanalytic Literary Criticism. Longman critical readers. Longman, 1994.
Evans, Robert O. ‘Nadsat: The Argot and Its Implications in Anthony Burgess’ “A Clockwork Orange”’. Journal of Modern Literature 1, no. 3 (1971): 406–10. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831064.
Face to Face: JG Ballard (Part One). 2010. https://www.youtube.com/watch?v=xyZPRL90hNY.
Face to Face: JG Ballard (Part Three). 2010. https://www.youtube.com/watch?v=tVYzi-qea2I.
Face to Face: JG Ballard (Part Two). 2010. https://www.youtube.com/watch?v=kT2-9wF_MMI.
Felman, Shoshana, and Martha Noel Evans. Writing and Madness: (Literature/Philosophy/Psychoanalysis). Meridian : crossing aesthetics. Stanford University Press, 2003.
Fisher, Mark. The Weird and the Eerie. Repeater, 2016.
Fleming, Michael, and Roger Manvell. Images of Madness: The Portrayal of Insanity in the Feature Film. Fairleigh Dickinson University Press, 1985.
Forsythe, Bill, and Joseph Melling. Insanity, Institutions and Society, 1800-1914: A Social History of Madness in Comparative Perspective. Studies in the social history of medicine. Routledge, 1999. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=178160.
Foster, Dennis A. ‘J. G. Ballard’s Empire of the Senses: Perversion and the Failure of Authority’. PMLA 108, no. 3 (1993): 519–32. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462619.
Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. Routledge classics. Routledge, 2001.
Foucault, Michel, and Jean Khalfa. History of Madness. Routledge, 2006.
Foucault, Michel, and Jacques Lagrange. Psychiatric Power : Lectures at the Collège de France, 1973-74. Palgrave Macmillan, 2006. Print.
Francis, Sam. ‘“Moral Pornography” and “Total Imagination”: The Pornographic in J. G. Ballard’s Crash’. English 57, no. 218 (2008): 146–68. https://academic-oup-com.oxfordbrookes.idm.oclc.org/english/article/57/218/146/524284.
Freud, Sigmund. Five Lectures on Psycho-Analysis. [Read Books Ltd.], 2013.
Fuller, Stephen M. ‘Deposing an American Cultural Totem: Clarice Starling and Postmodern Heroism in Thomas Harris’s Red Dragon, The Silence of the Lambs, and Hannibal’. The Journal of Popular Culture 38, no. 5 (2005): 819–33. https://doi.org/10.1111/j.0022-3840.2005.00143.x.
Garrett, Greg. ‘Objecting to Objectification: Re-Viewing the Feminine in The Silence of the Lambs’. The Journal of Popular Culture 27, no. 4 (1994): 1–12. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdfb181b181-1994-027-04-000001pdf&amp;tab=title&amp;jid=393239333234383430%2334303031373139303035.
Gasiorek, Andrzej. J. G. Ballard. Contemporary British novelists. Manchester University Press, 2005.
Gill, Jo. The Cambridge Companion to Sylvia Plath. Cambridge companions to literature. Cambridge University Press, 2006.
Gill, Jo. The Cambridge Introduction to Sylvia Plath. Cambridge introductions to literature. Cambridge University Press, 2008.
Gilman, Charlotte Perkins, and Dale M. Bauer. The Yellow Wallpaper. Bedford cultural editions. Bedford Books, 1998.
Gilman, Sander L. Seeing the Insane: A Cultural History of Madness and Art in the Western World. Wiley in association with Brunner-Mazel, 1982.
Green, Susan. ‘“Up There with Black Holes and Darwin, Almost Bigger than Dinosaurs”: The Mind and McEwan’s Enduring Love’. Style 45, no. 3 (2011): 441–63.
Greenberg, Jonathan. ‘Why Can’t Biologists Read Poetry? Ian McEwan’s Enduring Love’. Twentieth Century Literature 53, no. 2 (2007): 93–124. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479802.
Gustavo Vargas Cohen. ‘"A BIZARRE DOMESTIC METAMORPHOSIS1”: GENDER ROLES, POWER RELATIONS AND THREATENED HOMES IN SHIRLEY JACKSON’S LIKE MOTHER USED TO MAKE’. Revista E-Scrita : Revista Do Curso de Letras Da Uniabeu 3 n1a (2012). https://oxfordbrookes.on.worldcat.org/search?databaseList=638&queryString=shirley+jackson+like+mother+used+to+make#/oclc/7180078004.
Haas, Robert. ‘Shirley Jackson’s "The Tooth”: Dentistry as Horror, the Imagination as a Shield’. Literature and Medicine 33, no. 1 (2015): 132–56. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=mlf&amp;AN=2015396291&amp;site=ehost-live.
Hague, Angela. ‘“A Faithful Anatomy of Our Times”.’ Frontiers: A Journal of Women Studies 26, no. Issue 2 (2005): 73–96. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=18900714&site=ehost-live.
Harris, Thomas. The Silence of the Lambs. Arrow, 2009.
Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. University of Michigan Press, 2007.
Hochman, Barbara. ‘The Reading Habit and The “Yellow Wallpaper” (Charlotte Perkins Gilman)’. American Literature 74, no. 1 (2002): 89–110.
Horner, Avril, and Sue Zlosnik. Daphne Du Maurier: Writing Identity and the Gothic Imagination. Macmillan, 1998.
Horrobin, David F. The Madness of Adam and Eve: How Schizophrenia Shaped Humanity. Corgi, 2002.
Johnson, Erica L. ‘Hontologie: The Chronotope of Shame in Jean Rhys’s Good Morning, Midnight’. KronoScope 13, no. 1 (2013): 28–46. https://doi.org/10.1163/15685241-12341257.
Kafka, Franz. Metamorphosis and Other Stories. Edited by Michael Hofmann. Modern classics. Penguin, 2007.
Kafka, Franz. Metamorphosis and Other Stories. Edited by Willa Muir and Edwin Muir. Minerva, 1992.
Kafka, Franz. The Metamorphosis. Legend Press, 2002. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4876660.
Kendall, Tim. Sylvia Plath: A Critical Study. Faber, 2001.
KINGSLEY, ERIN M.1. ‘Birth Giving, the Body, and the Racialized Other in Jean Rhys’s Voyage in the Dark and Good Morning, Midnight.’ Philological Quarterly 94, no. Issue 3 (2015): 291–312. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=113172072&site=ehost-live.
Kristeva, Julia. Powers of Horror: An Essay on Abjection. European perspectives. Columbia University Press, 1982.
Kristeva, Julia. Strangers to Ourselves. Harvester Wheatsheaf, 1991.
Kristeva, Julia, and Leon S. Roudiez. Black Sun: Depression and Melancholia. Columbia University Press, 1989.
Lacan, Jacques. Écrits: A Selection. Social science paperbacks. Tavistock Publications, 1980. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5268266.
Lacan, Jacques, Jacques Alain Miller, and Alan Sheridan. The Four Fundamental Concepts of Psycho-Analysis. International psycho-Analytical library. Hogarth Press, 1977.
Lacan, Jacques, and Anthony Wilden. The Language of the Self: The Function of Language in Psychoanalysis. John Hopkins Press, 1968.
Laing, R. D. The Self and Others: Further Studies in Sanity and Madness. Studies in existential analysis and Phenomenology. Tavistock Publications, 1961.
Leader, Darian. What Is Madness? Penguin, 2012.
Levy, Eric P. ‘Postlapsarian Will and the Problem of Time in Ian McEwan’s Enduring Love’. Renascence: Essays on Values in Literature 61, no. 3 (2009): 169–93. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=40733776&amp;site=ehost-live.
Logan, Peter Melville. Nerves and Narratives: A Cultural History of Hysteria in Nineteenth-Century British Prose. University of California Press, 1997.
Lynn, David, and Ian McEwan. ‘A Conversation with Ian McEwan’. Kenyon Review 29, no. 3 (2007): 38–51. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4339053?seq=1#page_scan_tab_contents.
Macdonald, Kirsty. ‘Anti-Heroes and Androgynes: Gothic Masculinities in Contemporary Scottish Men’s Fiction’. Irish Journal of Gothic and Horror Studies 3 (2007): 37–53. https://irishgothichorror-files-wordpress-com.oxfordbrookes.idm.oclc.org/2016/04/ijghsissue3.pdf.
Macdonald, Kirsty A. ‘“This Desolate and Appalling Landscape”: The Journey North in Contemporary Scottish Gothic’. Gothic Studies 13, no. 2 (2011): 37–48. http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=71367569&amp;site=ehost-live.
Matthews, Graham. ‘Consumerism’s Endgame: Violence and Community in J.G. Ballard’s Late Fiction’. Journal of Modern Literature 36, no. 2 (2013): 122–39. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/jmodelite.36.2.122.
McEwan, Ian. Enduring Love. Vintage classics. Vintage, 1998.
Mills, Sara. Michel Foucault. Routledge critical thinkers. Routledge, 2003. https://oxfordbrookes.on.worldcat.org/oclc/51098224.
Morrison, Jago. ‘Narration and Unease in Ian McEwan’s Later Fiction’. Critique: Studies in Contemporary Fiction 42, no. 3 (2001): 253–68. https://doi.org/10.1080/00111610109601143.
Mosher, Loren R., Richard P. Bentall, and John Read. Models of Madness: Psychological, Social and Biological Approaches to Schizophrenia. Routledge, 2004. Electronic resource. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203420393&uid=^u.
Murphy, Terence Patrick. ‘Opening the Pathway: Plot Management and the Pivotal Seventh Character in Daphne Du Maurier’s "Don’t Look Now”’. Journal of Literary Semantics 37, no. 2 (2008). https://doi.org/10.1515/jlse.2008.009.
Murray, Isobel. Scottish Writers Talking 2: Iain Banks, Bernard MacLaverty, Naomi Mitchison, Iain Crichton Smith, Alan Spence : In Interview. Tuckwell Press, 2002.
Ostrowidzki, E. A. ‘Utopias of the New Right in J. G. Ballard’s Fiction’. Space and Culture 12, no. 1 (2009): 4–24. http://sac.sagepub.com.oxfordbrookes.idm.oclc.org/content/12/1/4.abstract.
Palmer, Alan. ‘Attributions of Madness in Ian McEwan’s Enduring Love’. Style 43, no. 3 (2009): 291–308.
Parkin-Gounelas, Ruth. Literature and Psychoanalysis: Intertextual Readings. Palgrave, 2001.
Parks, John G. ‘THE POSSIBILITY OF EVIL: A KEY TO SHIRLEY JACKSON’S FICTION.’ Studies in Short Fiction 15, no. 3 (1978). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=7133425&amp;site=ehost-live.
Phillips, Adam. Going Sane. Penguin, 2006.
Plath, Sylvia. The Bell Jar. Faber, 1966.
Plath, Sylvia. The Bell Jar. Faber, 2005.
Porter, Roy. A Social History of Madness: Stories of the Insane. Weidenfeld and Nicolson, 1987.
Porter, Roy. Madness: A Brief History. Oxford University Press, 2002.
Porter, Roy. Mind-Forg’d Manacles: A History of Madness in England from the Restoration to the Regency. Penguin, 1990.
Porter, Roy. The Faber Book of Madness. Faber and Faber, 1991.
Rabinovitz, Rubin. ‘Ethical Values in Anthony Burgess’s “Clockwork Orange”’. Studies in the Novel 11, no. 1 (1979): 43–50. https://www.jstor.org/stable/29531951?seq=1#page_scan_tab_contents.
Rabinovitz, Rubin. ‘Mechanism vs. Organism: Anthony Burgess’ “A Clockwork Orange”’. Modern Fiction Studies 24, no. 4 (1978): 538–41. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1978-024-04-000006pdf&amp;tab=title&amp;jid=393239333234383430%2333343037343338363034.
Ray, Philip E. ‘Alex before and after: A New Approach to Burgess’ “A Clockwork Orange”’. MFS: Modern Fiction Studies 27, no. 3 (1981): 479–87. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/26281292.
Read, John, and Jacqui Dillon, eds. Models of Madness: Psychological, Social, and Biological Approaches to Psychosis. Second edition. Routledge, 2013. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1221470.
Rhys, Jean, and A. L. Kennedy. Good Morning, Midnight. Penguin, 2000.
Robbins, Bruce. ‘Murder and Mentorship: Advancement in The Silence of the Lambs’. Boundary 2 23, no. 1 (1996): 71–90. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/303577.
Rose, Jacqueline. The Haunting of Sylvia Plath. Virago, 1991.
Rosenberg, Rosalind. ‘Judith A. Allen: The Feminism of Charlotte Perkins Gilman: Sexualities, Histories, Progressivism’. The American Historical Review 115, no. 4 (2010): 1165–66. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=a9h&amp;AN=55359093&amp;site=ehost-live.
Royle, Nicholas. The Uncanny. Manchester University Press, 2003.
Rubenstein, Roberta. ‘House Mothers and Haunted Daughters: Shirley Jackson and Female Gothic’. Tulsa Studies in Women’s Literature 15, no. 2 (1996). https://doi.org/10.2307/464139.
Rushton, Richard. ‘The Perversion of The Silence of the Lambs and the Dilemma of The Searchers: On Psychoanalytic "Reading”’. Psychoanalysis, Culture & Society 10, no. 3 (2005): 252–68. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/216498966/6ACA333D108C4817PQ/3?accountid=13041.
Ryan, Kiernan. Ian McEwan. Writers and Their work. Northcote House in ass. with the British Council, 1994.
Saunders, James Robert. ‘Why Losing a Tooth Matters: Shirley Jackson’s “The Tooth” and Toni Morrison’s The Bluest Eye’. Midwest Quarterly 53, no. 2 (2012): 193–204. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=mlf&amp;AN=2018700727&amp;site=ehost-live.
Scheff, Thomas J. Labelling Madness. Prentice-Hall, 1975.
Schoene-Harwood, Berthold. ‘Dams Burst: Devolving Gender in Iain Banks’s “The Wasp Factory”’. ARIEL: A Review of International English Literature 30, no. 1 (1999): 131–48. https://journalhosting-ucalgary-ca.oxfordbrookes.idm.oclc.org/index.php/ariel/article/view/34213.
Scull, Andrew. Madness in Civilization: A Cultural History of Insanity, from the Bible to Freud, from the Madhouse to Modern Medicine. Thames & Hudson, 2015.
Scull, Andrew T. The Most Solitary of Afflictions: Madness and Society in Britain, 1700-1900. Yale University Press, 1993.
Shannonhouse, Rebecca. Out of Her Mind: Women Writing on Madness. Modern Library, 2003.
Shields, Patrick J. ‘Arbitrary Condemnation and Sanctioned Violence in Shirley Jackson’s "the Lottery”’. Contemporary Justice Review 7, no. 4 (2004): 411–19. https://doi.org/10.1080/1028258042000305884.
Shone, Tom. ‘The Road to “Crash”’. The New Yorker 73, no. 4 (1997): 70–75.
Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830-1980. Virago, 1987.
Slay, Jack. Ian McEwan. Twayne’s English authors series. Twayne, 1996.
Smith, Anne-Marie. Julia Kristeva: Speaking the Unspeakable. Modern European thinkers. Pluto Press, 1998.
Smith, Ken, Matthew Sweeney, and Felix Post. Beyond Bedlam: Poems Written out of Mental Distress. Anvil Press Poetry, 1997.
Stevenson, Anne. Bitter Fame: A Life of Sylvia Plath. Viking, 1989.
Sumner, Charles. ‘Humanist Drama in “A Clockwork Orange”’. The Yearbook of English Studies 42 (2012): 49–63. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.5699/yearenglstud.42.2012.0049.
Thrailkill, Jane F. ‘Doctoring “The Yellow Wallpaper”’. ELH 69, no. 2 (2002): 525–66. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/30032030.
Vice, Sue. Psychoanalytic Criticism: A Reader. Polity Press, 1996.
Vincent, Benet, and Jim Clarke. ‘The Language of ’A Clockwork Orange’ : A Corpus Stylistic Approach to Nadsat’. Language and Literature 26, no. 3 (2017): 247–64. https://doi.org/10.1177/0963947017706625.
Wagner, Linda Welshimer. Sylvia Plath: The Critical Heritage. Critical heritage series. Routledge, 1988.
Welch, Dennis M. ‘MANIPULATION IN SHIRLEY JACKSON’S “SEVEN TYPES OF AMBIGUITY”’. Studies in Short Fiction 18, no. Issue 1 (n.d.). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=8648413&site=ehost-live.
Whittier, Gayle. ‘“The Lottery” as Misogynist Parable.’ Women’s Studies 18, no. Issue 4 (1991). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=5808719&site=ehost-live.
Williams, Linda R. Critical Desire: Psychoanalysis and the Literary Subject. Interrogating texts. Edward Arnold, 1995.
WISKER, GINA. ‘Don’t Look Now! The Compulsions and Revelations of Daphne Du Maurier’s Horror Writing’. Journal of Gender Studies 8, no. 1 (1999): 19–33. https://doi.org/10.1080/095892399102797.
Wright, Elizabeth. Psychoanalytic Criticism: Theory in Practice. New accents. Methuen, 1984.
Writers in Conversation - J G Ballard. 2010. https://www.youtube.com/watch?v=O9eGWMcvEUY.
Yarmove, Jay A. ‘Jackson’s The Lottery.’ Explicator 52, no. Issue 4 (n.d.). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9410177542&site=ehost-live.
Youngquist, Paul. ‘Ballard’s Crash-Body’. Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism 11, no. 1 (2000). http://pmc.iath.virginia.edu/text-only/issue.900/11.1youngquist.txt.