Aldwell, Edward and Schachter, Carl (2003) Harmony and voice leading. 3rd ed. Belmont, Calif: Wadsworth.
Aldwell, Edward, Schachter, Carl, and Cadwallader, Allen Clayton (2011) Harmony & voice leading. 4th ed., International ed. [U.S.?]: Schirmer Cengage Learning.
Beach, D. (2012) Advanced Schenkerian analysis: perspectives on phrase rhythm, motive, and form. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=957835.
Beach, D. and McClelland, R.C. (2012) Analysis of 18th- and 19th-century musical works in the classical tradition. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=957576.
Brahms, J., Brahms, J. and McCorkle, D. (1976) Variations on a theme of Haydn for orchestra op. 56A and for two pianos op. 56B: the revised scores of the standard editions, sketches, textual criticism and notes, historical background, analytical essays, views and comments. New York: Norton.
Cadwallader, Allen Clayton and Gagné, David (1998) Analysis of tonal music: a Schenkerian approach. New York: Oxford University Press.
Cadwallader, Allen Clayton and Gagné, David (2011) Analysis of tonal music: a Schenkerian approach. 3rd ed. New York: Oxford University Press.
Christensen, Thomas Street (2002) The Cambridge history of Western music theory. Cambridge: Cambridge University Press.
Clendinning, J.P. and Marvin, E.W. (2016) The musician’s guide to theory and analysis. Third edition. New York: W. W. Norton & Company.
Cook, Nicholas (1994) A guide to musical analysis. Oxford: Oxford University Press.
Dunsby, Jonathan and Whittall, Arnold (1988) Music analysis in theory and practice. London: Faber Music.
Everett, Walter (2009) The foundations of rock: from ‘Blue suede shoes’ to ‘Suite: Judy blue eyes’. New York: Oxford University Press.
Forte, Allen (1995) The American popular ballad of the golden era, 1924-1950. Princeton, N.J.: Princeton University Press.
Forte, Allen and Gilbert, Steven E. (1982) Introduction to Schenkerian analysis. London: Norton.
Gridley, Mark C. (1997) Jazz styles: history & analysis. 6th ed. Upper Saddle River, N.J.: Prentice Hall.
IMSLP/Petrucci Music Library: Free Public Domain Sheet Music (no date). Available at: http://imslp.org/wiki/.
Joseph Kerman (1980) ‘How We Got into Analysis, and How to Get out’, Critical Inquiry, 7(2), pp. 311–331. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1343130.
Littlewood, J. (2004) The variations of Johannes Brahms. London: Plumbago Books.
Metz, K. and Frank, R.J. (2011) Fundamentals for the aspiring musician: a preparatory course for music theory. London: Routledge.
Moore, A.F. (2003) Analyzing popular music. Cambridge: Cambridge University Press. Available at: https://oxfordbrookes.on.worldcat.org/oclc/49626566.
Moore, A.F. (2012a) Song means: analysing and interpreting recorded popular song. Farnham: Ashgate.
Moore, A.F. (2012b) Song means: analysing and interpreting recorded popular song. Farnham: Ashgate. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=432253.
Moore, Allan F. (2003) Analyzing popular music. Cambridge: Cambridge University Press. Available at: https://oxfordbrookes.on.worldcat.org/oclc/49626566.
‘Naxos Music Library - Invaluable Resource for Music Enthusiasts and Collectors’ (no date). Available at: https://www.naxosmusiclibrary.com/home.asp?rurl=%2Fdefault%2Easp.
Oxford music online (no date). Oxford: Oxford University Press. Available at: https://www-oxfordmusiconline-com.oxfordbrookes.idm.oclc.org/.
Piston, Walter and DeVoto, Mark (1987) Harmony. 5th ed. London: Norton.
Rosen, Charles (1980) Sonata forms. New York: W. W. Norton.
Rosen, Charles (1988) Sonata forms. Revised ed. London: Norton.
Salzer, F. and Schachter, C. (1989) Counterpoint in composition: the study of voice leading. Columbia University Press Morningside ed. New York: Columbia University Press.
Straus, Joseph N. (1990) Introduction to post-tonal theory. Englewood Cliffs, N.J.: Prentice Hall.
Straus, Joseph Nathan (2005) Introduction to post-tonal theory. 3rd ed. Upper Saddle River, N.J.: Prentice Hall.
Tovey, Donald Francis and Foss, Hubert J. (1949) Essays and lectures on music. London: Oxford University Press.
Vincent Duckles (no date) ‘Musicology, §II: Disciplines of musicology’, Grove Music Online [Preprint]. Available at: http://www.oxfordmusiconline.com.oxfordbrookes.idm.oclc.org/subscriber/article/grove/music/46710pg2?q=disciplines+of+musicology&search=quick&pos=1&_start=1#firsthit.