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Beach, David. Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form. London: Routledge, 2012. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=957835>.
Beach, David, and Ryan C. McClelland. Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition. London: Routledge, 2012. Web. <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=957576>.
Brahms, Johannes, Johannes Brahms, and Donald McCorkle. Variations on a Theme of Haydn for Orchestra Op. 56A and for Two Pianos Op. 56B: The Revised Scores of the Standard Editions, Sketches, Textual Criticism and Notes, Historical Background, Analytical Essays, Views and Comments. Norton critical scores. New York: Norton, 1976. Print.
Cadwallader, Allen Clayton and Gagné, David. Analysis of Tonal Music: A Schenkerian Approach. 3rd ed. New York: Oxford University Press, 2011. Print.
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Gridley, Mark C. Jazz Styles: History & Analysis. 6th ed. Upper Saddle River, N.J.: Prentice Hall, 1997. Print.
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Joseph Kerman. ‘How We Got into Analysis, and How to Get Out’. Critical Inquiry 7.2 (1980): 311–331. Web. <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1343130>.
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‘Naxos Music Library - Invaluable Resource for Music Enthusiasts and Collectors’. Web. <https://www.naxosmusiclibrary.com/home.asp?rurl=%2Fdefault%2Easp>.
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Piston, Walter and DeVoto, Mark. Harmony. 5th ed. London: Norton, 1987. Print.
Rosen, Charles. Sonata Forms. Revised ed. London: Norton, 1988. Print.
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Salzer, Felix, and Carl Schachter. Counterpoint in Composition: The Study of Voice Leading. Columbia University Press Morningside ed. New York: Columbia University Press, 1989. Print.
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Vincent Duckles. ‘Musicology, §II: Disciplines of Musicology’. Grove Music Online n. pag. Web. <http://www.oxfordmusiconline.com.oxfordbrookes.idm.oclc.org/subscriber/article/grove/music/46710pg2?q=disciplines+of+musicology&search=quick&pos=1&_start=1#firsthit>.