Aldwell, Edward and Schachter, Carl. Harmony and Voice Leading. 3rd ed. Belmont, Calif: Wadsworth, 2003.
Aldwell, Edward, Schachter, Carl, and Cadwallader, Allen Clayton. Harmony & Voice Leading. 4th ed., International ed. [U.S.?]: Schirmer Cengage Learning, 2011.
Beach, David. Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form. London: Routledge, 2012. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=957835.
Beach, David, and Ryan C. McClelland. Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition. London: Routledge, 2012. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=957576.
Brahms, Johannes, Johannes Brahms, and Donald McCorkle. Variations on a Theme of Haydn for Orchestra Op. 56A and for Two Pianos Op. 56B: The Revised Scores of the Standard Editions, Sketches, Textual Criticism and Notes, Historical Background, Analytical Essays, Views and Comments. Vol. Norton critical scores. New York: Norton, 1976.
Cadwallader, Allen Clayton and Gagné, David. Analysis of Tonal Music: A Schenkerian Approach. New York: Oxford University Press, 1998.
———. Analysis of Tonal Music: A Schenkerian Approach. 3rd ed. New York: Oxford University Press, 2011.
Christensen, Thomas Street. The Cambridge History of Western Music Theory. Vol. Cambridge history of music. Cambridge: Cambridge University Press, 2002.
Clendinning, Jane Piper, and Elizabeth West Marvin. The Musician’s Guide to Theory and Analysis. Third edition. New York: W. W. Norton & Company, 2016.
Cook, Nicholas. A Guide to Musical Analysis. Oxford: Oxford University Press, 1994.
Dunsby, Jonathan and Whittall, Arnold. Music Analysis in Theory and Practice. London: Faber Music, 1988.
Everett, Walter. The Foundations of Rock: From ‘Blue Suede Shoes’ to ‘Suite: Judy Blue Eyes’. New York: Oxford University Press, 2009.
Forte, Allen. The American Popular Ballad of the Golden Era, 1924-1950. Princeton, N.J.: Princeton University Press, 1995.
Forte, Allen and Gilbert, Steven E. Introduction to Schenkerian Analysis. London: Norton, 1982.
Gridley, Mark C. Jazz Styles: History & Analysis. 6th ed. Upper Saddle River, N.J.: Prentice Hall, 1997.
‘IMSLP/Petrucci Music Library: Free Public Domain Sheet Music’, n.d. http://imslp.org/wiki/.
Joseph Kerman. ‘How We Got into Analysis, and How to Get Out’. Critical Inquiry 7, no. 2 (1980): 311–31. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1343130.
Littlewood, Julian. The Variations of Johannes Brahms. Vol. Poetics of music. London: Plumbago Books, 2004.
Metz, Ken, and Robert J. Frank. Fundamentals for the Aspiring Musician: A Preparatory Course for Music Theory. London: Routledge, 2011.
Moore, Allan F. Analyzing Popular Music. Cambridge: Cambridge University Press, 2003. https://oxfordbrookes.on.worldcat.org/oclc/49626566.
Moore, Allan F. Analyzing Popular Music. Cambridge: Cambridge University Press, 2003. https://oxfordbrookes.on.worldcat.org/oclc/49626566.
———. Song Means: Analysing and Interpreting Recorded Popular Song. Vol. Ashgate popular and folk music series. Farnham: Ashgate, 2012.
———. Song Means: Analysing and Interpreting Recorded Popular Song. Vol. Ashgate popular and folk music series. Farnham: Ashgate, 2012. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=432253.
‘Naxos Music Library - Invaluable Resource for Music Enthusiasts and Collectors’, n.d. https://www.naxosmusiclibrary.com/home.asp?rurl=%2Fdefault%2Easp.
‘Oxford Music Online’. Oxford: Oxford University Press, n.d. https://www-oxfordmusiconline-com.oxfordbrookes.idm.oclc.org/.
Piston, Walter and DeVoto, Mark. Harmony. 5th ed. London: Norton, 1987.
Rosen, Charles. Sonata Forms. New York: W. W. Norton, 1980.
———. Sonata Forms. Revised ed. London: Norton, 1988.
Salzer, Felix, and Carl Schachter. Counterpoint in Composition: The Study of Voice Leading. Columbia University Press Morningside ed. New York: Columbia University Press, 1989.
Straus, Joseph N. Introduction to Post-Tonal Theory. Englewood Cliffs, N.J.: Prentice Hall, 1990.
Straus, Joseph Nathan. Introduction to Post-Tonal Theory. 3rd ed. Upper Saddle River, N.J.: Prentice Hall, 2005.
Tovey, Donald Francis and Foss, Hubert J. Essays and Lectures on Music. London: Oxford University Press, 1949.
Vincent Duckles. ‘Musicology, §II: Disciplines of Musicology’. Grove Music Online, n.d. http://www.oxfordmusiconline.com.oxfordbrookes.idm.oclc.org/subscriber/article/grove/music/46710pg2?q=disciplines+of+musicology&search=quick&pos=1&_start=1#firsthit.