Allen D, Performing Chekhov (Routledge 2000) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=166119>
Aston E and Savona G, ‘Theatre as Sign-System: A Semiotics of Text and Performance’ (Routledge 1991) <https://contentstore.cla.co.uk/secure/link?id=a1c544da-f599-e711-80cb-005056af4099>
——, ‘Theatre as Sign-System: A Semiotics of Text and Performance’ (Routledge 1991) <https://contentstore.cla.co.uk/secure/link?id=a1c544da-f599-e711-80cb-005056af4099>
Barkan L, ‘What Did Shakespeare Read? (Chapter 3)’, The Cambridge companion to Shakespeare (1st ed, Cambridge University Press 2001) <https://contentstore.cla.co.uk/secure/link?id=ac2c36cb-5fa7-eb11-85aa-281878522727>
Bartram G and Waine A, Brecht in Perspective (Longman 1982)
Bentley E, The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama (Reprinted with corrections, a new postscript and revised index, Penguin 1992) <https://contentstore.cla.co.uk/secure/link?id=e8cdc0bb-8102-e811-80cd-005056af4099>
——, The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama (Reprinted with corrections, a new postscript and revised index, Penguin 1992)
Boa E, The Sexual Circus: Wedekind’s Theatre of Subversion (Basil Blackwell 1987)
Bradbury M and McFarlane JW, Modernism, 1890-1930, vol Pelican guides to European literature (Harvester Press (etc) 1978)
Bradbury, Malcolm and McFarlane, James Walter, Modernism 1890-1930, vol Penguin literary criticism (1st ed., reprinted with a new preface, Penguin Books 1991)
Braun E, The Director and the Stage: From Naturalism to Grotowski (Methuen 1982)
——, The Director and the Stage: From Naturalism to Grotowski (Methuen 1982)
Brecht B, Mother Courage and Her Children, in Vol. 5 of Collected Plays (John Willett and Ralph Manheim eds, Methuen Drama 1994)
Brecht B and Hare D, Mother Courage and Her Children (Methuen Drama 1995)
Brecht B and Willett J, ‘Brecht on Theatre: The Development of an Aesthetic’ (Methuen 1964) <https://contentstore.cla.co.uk/secure/link?id=a2c544da-f599-e711-80cb-005056af4099>
——, ‘Brecht on Theatre: The Development of an Aesthetic’ (Methuen 1964) <https://contentstore.cla.co.uk/secure/link?id=a2c544da-f599-e711-80cb-005056af4099>
——, Brecht on Theatre: The Development of an Aesthetic (Methuen 1964)
Brecht B, Willett J and Manheim R, Mother Courage and Her Children, in Bertolt Brecht Collected Plays, Vol. 5 (Eyre Methuen 1980)
Brooker P, ‘Key Words in Brecht’s Theory and Practice of Theatre’, The Cambridge companion to Brecht (Cambridge University Press) <https://contentstore.cla.co.uk/secure/link?id=b8b21ce8-f599-e711-80cb-005056af4099>
Brown R, Sound: A Reader in Theatre Practice (Palgrave Macmillan 2009)
Counsell C, Signs of Performance: An Introduction to Twentieth-Century Theatre (Routledge 1996)
Esslin M, The Theatre of the Absurd, vol Pelican books (3rd ed, Penguin 1980)
——, The Theatre of the Absurd, vol Methuen literature (3rd ed, Methuen 2001)
Hansberry L, ‘THE NEGRO WRITER AND HIS ROOTS: TOWARD A NEW ROMANTICISM’ (1981) 12 The Black Scholar
Hansberry L and Nemiroff R, A Raisin in the Sun (Methuen Drama 2009)
Hansberry L and Osborne D, A Raisin in the Sun (Methuen Drama 2011)
Huxley M and Witts N, ‘Samuel Beckett “Quad”, in The Twentieth-Century Performance Reader’, The twentieth-century performance reader (2nd ed, Routledge 2002) <https://contentstore.cla.co.uk/secure/link?id=a3c544da-f599-e711-80cb-005056af4099>
——, The Twentieth-Century Performance Reader (2nd ed, Routledge 2002)
Innes, C. D., A Sourcebook on Naturalist Theatre (Routledge 2000) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165866>
Innes CD, Avant Garde Theatre, 1892-1992 (Routledge 1993) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179251>
——, A Sourcebook on Naturalist Theatre (Routledge 2000) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165866>
Johnson W, August Strindberg, vol Twayne’s world authors series (Twayne Publishers 1976)
Kane S, Crave, vol Methuen modern plays (Methuen Drama 1998)
——, Crave, in Complete Plays: Blasted, Phaedra’s Love, Cleansed, Crave, 4.48 Psychosis, Skin, vol Methuen contemporary dramatists (Methuen Drama 2001)
Kuhns DF, German Expressionist Theatre: The Actor and the Stage (Cambridge University Press 1997)
Leach R, Makers of Modern Theatre: An Introduction (Routledge 2004) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=200349>
MacFarlane JW, Ibsen [and] Meaning: Studies, Essays [and] Prefaces, 1953-87 (Norvik Press 1989)
Marber P, ‘After Miss Julie | Digital Theatre+’ <https://edu-digitaltheatreplus-com.oxfordbrookes.idm.oclc.org/content/productions/after-miss-julie>
Marker FJ and Marker L-L, Ibsen’s Lively Art: A Performance Study of the Major Plays (Cambridge University Press 1989)
McFarlane JW, The Cambridge Companion to Ibsen, vol Cambridge companions to literature (Cambridge University Press 1994)
—— (ed), ‘The Cambridge Companion to Ibsen’ (1st ed, Cambridge University Press 1994) <https://contentstore.cla.co.uk/secure/link?id=a4c544da-f599-e711-80cb-005056af4099>
Merlin B, Beyond Stanislavsky: The Psycho-Physical Approach to Actor Training (Nick Hern 2001)
——, Konstantin Stanislavsky, vol Routledge performance practitioners (Routledge 2003)
Oddey A and White CA, The Potentials of Spaces: The Theory and Practice of Scenography & Performance (Intellect Books 2006) <https://contentstore.cla.co.uk/secure/link?id=a12c5ae1-f599-e711-80cb-005056af4099>
Patterson M, The Revolution in German Theatre 1900-1933, vol Theatre production series (Routledge & Kegan Paul 1981)
Pilling J, The Cambridge Companion to Beckett, vol Cambridge companions to literature (Cambridge University Press 1994)
Pitcher HJ, The Chekhov Play: A New Interpretation (University of California Press 1985)
Reinert O, Strindberg: A Collection of Critical Essays, vol Twentieth century views (Prentice-Hall 1971)
Rowell G (ed), Nineteenth Century Plays (2nd ed, Oxford University Press 1972) <https://contentstore.cla.co.uk/secure/link?id=a22c5ae1-f599-e711-80cb-005056af4099>
Schechner R and Brady S, ‘Performance Studies: An Introduction’ (3rd ed, Routledge 2013) <https://contentstore.cla.co.uk/secure/link?id=a32c5ae1-f599-e711-80cb-005056af4099>
——, ‘Performance Studies: An Introduction’ (3rd ed, Routledge 2013) <https://contentstore.cla.co.uk/secure/link?id=a32c5ae1-f599-e711-80cb-005056af4099>
Shakespeare W and Bate J, Titus Andronicus, vol Arden Shakespeare : third series (Arden Shakespeare 2003) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=6158910>
Shakespeare W and Waith EM, Oxford Shakespeare: Titus Andronicus (Oxford University Press 1984) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3055167>
Shelley S, A Practical Guide to Stage Lighting (2nd ed, Focal Press/Elsevier) <https://contentstore.cla.co.uk/secure/link?id=b7b21ce8-f599-e711-80cb-005056af4099>
Shelley SL, A Practical Guide to Stage Lighting (Third edition, Focal Press 2014) <https://oxfordbrookes.on.worldcat.org/oclc/868975040>
Sprinchorn E, Strindberg as Dramatist (Yale University Press 1982)
Stanislavsky K, An Actor Prepares (Theatre Arts Books 1936)
——, An Actor Prepares (Geoffrey Bles 1936)
——, An Actor Prepares (Penguin 1967)
——, Building a Character, vol Classic drama texts (Methuen Drama 2008)
Stanislavsky K and Hapgood ER, Building a Character (Eyre Methuen 1979)
Steene B, The Greatest Fire: A Study of August Strindberg, vol Crosscurrents: modern critiques (Southern Illinois University Press 1973)
Strindberg A and Robinson M, Miss Julie: And Other Plays (Oxford University Press 2008) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5050009>
——, Miss Julie: And Other Plays (Oxford University Press 2008)
Strindberg A, Törnqvist E and Steene B, Strindberg on Drama and Theatre: A Source Book (Amsterdam University Press 2007) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=419758>
Styan JL, Modern Drama in Theory and Practice: Vol.2: Symbolism, Surrealism and the Absurd (Cambridge University Press 1981)
Templeton J, Ibsen’s Women (Cambridge University Press 1997)
Thomson P and Sacks G, ‘The Cambridge Companion to Brecht’ (Cambridge University Press) <https://contentstore.cla.co.uk/secure/link?id=b8b21ce8-f599-e711-80cb-005056af4099>
Urban K, ‘Sarah Kane (Chapter 16)’ in Martin Middeke, Peter Paul Schnierer and Aleks Sierz (eds), The Methuen drama guide to contemporary British playwrights (Methuen Drama 2011) <https://contentstore.cla.co.uk/secure/link?id=82a40bb4-5da7-eb11-85aa-281878522727>
Wallis M and Shepherd S, Studying Plays (Third edition, Bloomsbury Academic 2010)
——, Studying Plays (3rd ed, Bloomsbury Academic 2010)
——, Studying Plays (Fourth edition, Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc 2018)
——, Studying Plays (Fourth edition, Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc 2018)
——, Studying Plays (Fourth edition, Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc 2018)
——, Studying Plays (Fourth edition, Bloomsbury Academic 2018)
Ward J, The Social and Religious Plays of Strindberg (Athlone Press 1980)
Wedekind F and others, Spring Awakening (Methuen Drama 2012) <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=nlebk&amp;AN=2437553&amp;site=ehost-live>
Wedekind F and Bond E, Spring Awakening (Eyre Methuen 1980)
——, Spring Awakening (Eyre Methuen 1980)
Willett J, The Theatre of Bertolt Brecht: A Study from Eight Aspects, vol An Eyre Methuen dramabook (Revised ed (i.e 3rd ed with a revised bibliography), Eyre Methuen 1977)