Allen, David. Performing Chekhov. Routledge, 2000. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=166119.
Aston, Elaine, and George Savona. Theatre as Sign-System: A Semiotics of Text and Performance. Routledge, 1991. https://contentstore.cla.co.uk/secure/link?id=a1c544da-f599-e711-80cb-005056af4099.
Aston, Elaine, and George Savona. Theatre as Sign-System: A Semiotics of Text and Performance. Routledge, 1991. https://contentstore.cla.co.uk/secure/link?id=a1c544da-f599-e711-80cb-005056af4099.
Barkan, Leonard. ‘What Did Shakespeare Read? (Chapter 3)’. In The Cambridge Companion to Shakespeare, 1st ed. Cambridge University Press, 2001. https://contentstore.cla.co.uk/secure/link?id=ac2c36cb-5fa7-eb11-85aa-281878522727.
Bartram, Graham, and Anthony Waine. Brecht in Perspective. Longman, 1982.
Bentley, Eric. The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama. Reprinted with corrections, a New postscript and Revised index. Penguin, 1992. https://contentstore.cla.co.uk/secure/link?id=e8cdc0bb-8102-e811-80cd-005056af4099.
Bentley, Eric. The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama. Reprinted with corrections, a New postscript and Revised index. Penguin, 1992.
Boa, Elizabeth. The Sexual Circus: Wedekind’s Theatre of Subversion. Basil Blackwell, 1987.
Bradbury, Malcolm and McFarlane, James Walter. Modernism 1890-1930. 1st ed., Reprinted with a new preface. Penguin literary criticism. Penguin Books, 1991.
Bradbury, Malcolm, and James Walter McFarlane. Modernism, 1890-1930. Pelican guides to European literature. Harvester Press (etc.), 1978.
Braun, Edward. The Director and the Stage: From Naturalism to Grotowski. Methuen, 1982.
Braun, Edward. The Director and the Stage: From Naturalism to Grotowski. Methuen, 1982.
Brecht, Bertolt. Mother Courage and Her Children, in Vol. 5 of Collected Plays. Edited by John Willett and Ralph Manheim. Methuen Drama, 1994.
Brecht, Bertolt, and David Hare. Mother Courage and Her Children. Methuen Drama, 1995.
Brecht, Bertolt, and John Willett. Brecht on Theatre: The Development of an Aesthetic. Methuen, 1964. https://contentstore.cla.co.uk/secure/link?id=a2c544da-f599-e711-80cb-005056af4099.
Brecht, Bertolt, and John Willett. Brecht on Theatre: The Development of an Aesthetic. Methuen, 1964. https://contentstore.cla.co.uk/secure/link?id=a2c544da-f599-e711-80cb-005056af4099.
Brecht, Bertolt, and John Willett. Brecht on Theatre: The Development of an Aesthetic. Methuen, 1964.
Brecht, Bertolt, John Willett, and Ralph Manheim. Mother Courage and Her Children, in Bertolt Brecht Collected Plays, Vol. 5. Eyre Methuen, 1980.
Brooker, Peter. ‘Key Words in Brecht’s Theory and Practice of Theatre’. In The Cambridge Companion to Brecht. Cambridge University Press, n.d.
Brown, Ross. Sound: A Reader in Theatre Practice. Palgrave Macmillan, 2009.
Counsell, Colin. Signs of Performance: An Introduction to Twentieth-Century Theatre. Routledge, 1996.
Esslin, Martin. The Theatre of the Absurd. 3rd ed. Methuen literature. Methuen, 2001.
Esslin, Martin. The Theatre of the Absurd. 3rd ed. Pelican books. Penguin, 1980.
Hansberry, Lorraine. ‘THE NEGRO WRITER AND HIS ROOTS: TOWARD A NEW ROMANTICISM’. The Black Scholar 12, no. 2 (1981).
Hansberry, Lorraine, and Robert Nemiroff. A Raisin in the Sun. Methuen Drama, 2009.
Hansberry, Lorraine, and Deirdre Osborne. A Raisin in the Sun. Methuen Drama, 2011.
Huxley, Michael, and Noel Witts. ‘Samuel Beckett “Quad”, in The Twentieth-Century Performance Reader’. In The Twentieth-Century Performance Reader, 2nd ed. Routledge, 2002. https://contentstore.cla.co.uk/secure/link?id=a3c544da-f599-e711-80cb-005056af4099.
Huxley, Michael, and Noel Witts. The Twentieth-Century Performance Reader. 2nd ed. Routledge, 2002.
Innes, C. D. A Sourcebook on Naturalist Theatre. Routledge, 2000. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165866.
Innes, C. D. A Sourcebook on Naturalist Theatre. Routledge, 2000. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165866.
Innes, C. D. Avant Garde Theatre, 1892-1992. Routledge, 1993. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179251.
Johnson, Walter. August Strindberg. Twayne’s world authors series. Twayne Publishers, 1976.
Kane, Sarah. Crave, in Complete Plays: Blasted, Phaedra’s Love, Cleansed, Crave, 4.48 Psychosis, Skin. Methuen contemporary dramatists. Methuen Drama, 2001.
Kane, Sarah. Crave. Methuen modern plays. Methuen Drama, 1998.
Kuhns, David F. German Expressionist Theatre: The Actor and the Stage. Cambridge University Press, 1997.
Leach, Robert. Makers of Modern Theatre: An Introduction. Routledge, 2004. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=200349.
MacFarlane, James Walter. Ibsen [and] Meaning: Studies, Essays [and] Prefaces, 1953-87. Norvik Press, 1989.
Marber, Patrick. After Miss Julie | Digital Theatre+. n.d. https://edu-digitaltheatreplus-com.oxfordbrookes.idm.oclc.org/content/productions/after-miss-julie.
Marker, Frederick J., and Lise-Lone Marker. Ibsen’s Lively Art: A Performance Study of the Major Plays. Cambridge University Press, 1989.
McFarlane, James Walter, ed. The Cambridge Companion to Ibsen. 1st ed. Cambridge University Press, 1994. https://contentstore.cla.co.uk/secure/link?id=a4c544da-f599-e711-80cb-005056af4099.
McFarlane, James Walter. The Cambridge Companion to Ibsen. Cambridge companions to literature. Cambridge University Press, 1994.
Merlin, Bella. Beyond Stanislavsky: The Psycho-Physical Approach to Actor Training. Nick Hern, 2001.
Merlin, Bella. Konstantin Stanislavsky. Routledge performance practitioners. Routledge, 2003.
Oddey, Alison, and Christine A. White. The Potentials of Spaces: The Theory and Practice of Scenography & Performance. Intellect Books, 2006. https://contentstore.cla.co.uk/secure/link?id=a12c5ae1-f599-e711-80cb-005056af4099.
Patterson, Michael. The Revolution in German Theatre 1900-1933. Theatre production series. Routledge & Kegan Paul, 1981.
Pilling, John. The Cambridge Companion to Beckett. Cambridge companions to literature. Cambridge University Press, 1994.
Pitcher, Harvey J. The Chekhov Play: A New Interpretation. University of California Press, 1985.
Reinert, Otto. Strindberg: A Collection of Critical Essays. Twentieth century views. Prentice-Hall, 1971.
Rowell, George, ed. Nineteenth Century Plays. 2nd ed. Oxford University Press, 1972. https://contentstore.cla.co.uk/secure/link?id=a22c5ae1-f599-e711-80cb-005056af4099.
Schechner, Richard, and Sara Brady. Performance Studies: An Introduction. 3rd ed. Routledge, 2013. https://contentstore.cla.co.uk/secure/link?id=a32c5ae1-f599-e711-80cb-005056af4099.
Schechner, Richard, and Sara Brady. Performance Studies: An Introduction. 3rd ed. Routledge, 2013. https://contentstore.cla.co.uk/secure/link?id=a32c5ae1-f599-e711-80cb-005056af4099.
Shakespeare, William, and Jonathan Bate. Titus Andronicus. Arden Shakespeare : third series. Arden Shakespeare, 2003. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=6158910.
Shakespeare, William, and Eugene M. Waith. Oxford Shakespeare: Titus Andronicus. Oxford University Press, 1984. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3055167.
Shelley, Steven. A Practical Guide to Stage Lighting. 2nd ed. Focal Press/Elsevier, n.d.
Shelley, Steven Louis. A Practical Guide to Stage Lighting. Third edition. Focal Press, 2014. https://oxfordbrookes.on.worldcat.org/oclc/868975040.
Sprinchorn, Evert. Strindberg as Dramatist. Yale University Press, 1982.
Stanislavsky, Konstantin. An Actor Prepares. Theatre Arts Books, 1936.
Stanislavsky, Konstantin. An Actor Prepares. Geoffrey Bles, 1936.
Stanislavsky, Konstantin. An Actor Prepares. Penguin, 1967.
Stanislavsky, Konstantin. Building a Character. Classic drama texts. Methuen Drama, 2008.
Stanislavsky, Konstantin, and Elizabeth Reynolds Hapgood. Building a Character. Eyre Methuen, 1979.
Steene, Birgitta. The Greatest Fire: A Study of August Strindberg. Crosscurrents: modern critiques. Southern Illinois University Press, 1973.
Strindberg, August, and Michael Robinson. Miss Julie: And Other Plays. Oxford University Press, 2008. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5050009.
Strindberg, August, and Michael Robinson. Miss Julie: And Other Plays. Oxford University Press, 2008.
Strindberg, August, Egil Törnqvist, and Birgitta Steene. Strindberg on Drama and Theatre: A Source Book. Amsterdam University Press, 2007. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=419758.
Styan, J. L. Modern Drama in Theory and Practice: Vol.2: Symbolism, Surrealism and the Absurd. Cambridge University Press, 1981.
Templeton, Joan. Ibsen’s Women. Cambridge University Press, 1997.
Thomson, Peter, and Glendyr Sacks. The Cambridge Companion to Brecht. Cambridge University Press, n.d. https://contentstore.cla.co.uk/secure/link?id=b8b21ce8-f599-e711-80cb-005056af4099.
Urban, Ken. ‘Sarah Kane (Chapter 16)’. In The Methuen Drama Guide to Contemporary British Playwrights, edited by Martin Middeke, Peter Paul Schnierer, and Aleks Sierz. Methuen Drama, 2011. https://contentstore.cla.co.uk/secure/link?id=82a40bb4-5da7-eb11-85aa-281878522727.
Wallis, Mick, and Simon Shepherd. Studying Plays. 3rd ed. Bloomsbury Academic, 2010.
Wallis, Mick, and Simon Shepherd. Studying Plays. Fourth edition. Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2018.
Wallis, Mick, and Simon Shepherd. Studying Plays. Fourth edition. Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2018.
Wallis, Mick, and Simon Shepherd. Studying Plays. Fourth edition. Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2018.
Wallis, Mick, and Simon Shepherd. Studying Plays. Fourth edition. Bloomsbury Academic, 2018.
Wallis, Mick, and Simon Shepherd. Studying Plays. Third edition. Bloomsbury Academic, 2010.
Ward, John. The Social and Religious Plays of Strindberg. Athlone Press, 1980.
Wedekind, Frank, and Edward Bond. Spring Awakening. Eyre Methuen, 1980.
Wedekind, Frank, and Edward Bond. Spring Awakening. Eyre Methuen, 1980.
Wedekind, Frank, Elisabeth Pablé, Charlotte Ryland, and Edward Bond. Spring Awakening. Methuen Drama, 2012. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=2437553&site=ehost-live.
Willett, John. The Theatre of Bertolt Brecht: A Study from Eight Aspects. Revised ed. (i.e. 3rd ed. with a revised bibliography). An Eyre Methuen dramabook. Eyre Methuen, 1977.