Allen, D. (2000). Performing Chekhov. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=166119
Aston, E., & Savona, G. (1991a). Theatre as sign-system: a semiotics of text and performance. Routledge. https://contentstore.cla.co.uk/secure/link?id=a1c544da-f599-e711-80cb-005056af4099
Aston, E., & Savona, G. (1991b). Theatre as sign-system: a semiotics of text and performance. Routledge. https://contentstore.cla.co.uk/secure/link?id=a1c544da-f599-e711-80cb-005056af4099
Barkan, L. (2001). What did Shakespeare read? (Chapter 3). In The Cambridge companion to Shakespeare (1st ed, pp. 31–47). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=ac2c36cb-5fa7-eb11-85aa-281878522727
Bartram, G., & Waine, A. (1982). Brecht in perspective. Longman.
Bentley, E. (1992a). The theory of the modern stage: an introduction to modern theatre and drama (Reprinted with corrections, a new postscript and revised index). Penguin. https://contentstore.cla.co.uk/secure/link?id=e8cdc0bb-8102-e811-80cd-005056af4099
Bentley, E. (1992b). The theory of the modern stage: an introduction to modern theatre and drama (Reprinted with corrections, a new postscript and revised index). Penguin.
Boa, E. (1987). The sexual circus: Wedekind’s theatre of subversion. Basil Blackwell.
Bradbury, M., & McFarlane, J. W. (1978). Modernism, 1890-1930: Vol. Pelican guides to European literature. Harvester Press (etc.).
Bradbury, Malcolm & McFarlane, James Walter. (1991). Modernism 1890-1930: Vol. Penguin literary criticism (1st ed., reprinted with a new preface). Penguin Books.
Braun, E. (1982a). The director and the stage: from naturalism to Grotowski. Methuen.
Braun, E. (1982b). The director and the stage: from naturalism to Grotowski. Methuen.
Brecht, B. (1994). Mother Courage and her Children, in Vol. 5 of Collected plays (J. Willett & R. Manheim, Eds.). Methuen Drama.
Brecht, B., & Hare, D. (1995). Mother Courage and her children. Methuen Drama.
Brecht, B., & Willett, J. (1964a). Brecht on theatre: the development of an aesthetic. Methuen. https://contentstore.cla.co.uk/secure/link?id=a2c544da-f599-e711-80cb-005056af4099
Brecht, B., & Willett, J. (1964b). Brecht on theatre: the development of an aesthetic. Methuen. https://contentstore.cla.co.uk/secure/link?id=a2c544da-f599-e711-80cb-005056af4099
Brecht, B., & Willett, J. (1964c). Brecht on theatre: the development of an aesthetic. Methuen.
Brecht, B., Willett, J., & Manheim, R. (1980). Mother Courage and her Children, in Bertolt Brecht collected plays, Vol. 5. Eyre Methuen.
Brooker, P. (n.d.). Key words in Brecht’s theory and practice of theatre. In The Cambridge companion to Brecht. Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=b8b21ce8-f599-e711-80cb-005056af4099
Brown, R. (2009). Sound: a reader in theatre practice. Palgrave Macmillan.
Counsell, C. (1996). Signs of performance: an introduction to twentieth-century theatre. Routledge.
Esslin, M. (1980). The Theatre of the absurd: Vol. Pelican books (3rd ed). Penguin.
Esslin, M. (2001). The theatre of the absurd: Vol. Methuen literature (3rd ed). Methuen.
Hansberry, L. (1981). THE NEGRO WRITER AND HIS ROOTS: TOWARD A NEW ROMANTICISM. The Black Scholar, 12(2).
Hansberry, L., & Nemiroff, R. (2009). A raisin in the sun. Methuen Drama.
Hansberry, L., & Osborne, D. (2011). A raisin in the sun. Methuen Drama.
Huxley, M., & Witts, N. (2002a). Samuel Beckett ‘Quad’, in The twentieth-century performance reader. In The twentieth-century performance reader (2nd ed, pp. 68–72). Routledge. https://contentstore.cla.co.uk/secure/link?id=a3c544da-f599-e711-80cb-005056af4099
Huxley, M., & Witts, N. (2002b). The twentieth-century performance reader (2nd ed). Routledge.
Innes, C. D. (1993). Avant garde theatre, 1892-1992. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179251
Innes, C. D. (2000). A sourcebook on naturalist theatre. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165866
Innes, C. D. (2000). A sourcebook on naturalist theatre. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165866
Johnson, W. (1976). August Strindberg: Vol. Twayne’s world authors series. Twayne Publishers.
Kane, S. (1998). Crave: Vol. Methuen modern plays. Methuen Drama.
Kane, S. (2001). Crave, in Complete plays: Blasted, Phaedra’s love, Cleansed, Crave, 4.48 psychosis, Skin: Vol. Methuen contemporary dramatists. Methuen Drama.
Kuhns, D. F. (1997). German expressionist theatre: the actor and the stage. Cambridge University Press.
Leach, R. (2004). Makers of modern theatre: an introduction. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=200349
MacFarlane, J. W. (1989). Ibsen [and] meaning: studies, essays [and] prefaces, 1953-87. Norvik Press.
Marber, P. (n.d.). After Miss Julie | Digital Theatre+. https://edu-digitaltheatreplus-com.oxfordbrookes.idm.oclc.org/content/productions/after-miss-julie
Marker, F. J., & Marker, L.-L. (1989). Ibsen’s lively art: a performance study of the major plays. Cambridge University Press.
McFarlane, J. W. (Ed.). (1994a). The Cambridge companion to Ibsen (1st ed). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=a4c544da-f599-e711-80cb-005056af4099
McFarlane, J. W. (1994b). The Cambridge companion to Ibsen: Vol. Cambridge companions to literature. Cambridge University Press.
Merlin, B. (2001). Beyond Stanislavsky: the psycho-physical approach to actor training. Nick Hern.
Merlin, B. (2003). Konstantin Stanislavsky: Vol. Routledge performance practitioners. Routledge.
Oddey, A., & White, C. A. (2006). The potentials of spaces: the theory and practice of scenography & performance. Intellect Books. https://contentstore.cla.co.uk/secure/link?id=a12c5ae1-f599-e711-80cb-005056af4099
Patterson, M. (1981). The revolution in German theatre 1900-1933: Vol. Theatre production series. Routledge & Kegan Paul.
Pilling, J. (1994). The Cambridge companion to Beckett: Vol. Cambridge companions to literature. Cambridge University Press.
Pitcher, H. J. (1985). The Chekhov play: a new interpretation. University of California Press.
Reinert, O. (1971). Strindberg: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.
Rowell, G. (Ed.). (1972). Nineteenth century plays (2nd ed). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=a22c5ae1-f599-e711-80cb-005056af4099
Schechner, R., & Brady, S. (2013a). Performance studies: an introduction (3rd ed). Routledge. https://contentstore.cla.co.uk/secure/link?id=a32c5ae1-f599-e711-80cb-005056af4099
Schechner, R., & Brady, S. (2013b). Performance studies: an introduction (3rd ed). Routledge. https://contentstore.cla.co.uk/secure/link?id=a32c5ae1-f599-e711-80cb-005056af4099
Shakespeare, W., & Bate, J. (2003). Titus Andronicus: Vol. Arden Shakespeare : third series. Arden Shakespeare. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=6158910
Shakespeare, W., & Waith, E. M. (1984). Oxford Shakespeare: Titus Andronicus. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3055167
Shelley, S. (n.d.). A practical guide to stage lighting (2nd ed). Focal Press/Elsevier. https://contentstore.cla.co.uk/secure/link?id=b7b21ce8-f599-e711-80cb-005056af4099
Shelley, S. L. (2014). A practical guide to stage lighting (Third edition). Focal Press. https://oxfordbrookes.on.worldcat.org/oclc/868975040
Sprinchorn, E. (1982). Strindberg as dramatist. Yale University Press.
Stanislavsky, K. (1936a). An actor prepares. Theatre Arts Books.
Stanislavsky, K. (1936b). An actor prepares. Geoffrey Bles.
Stanislavsky, K. (1967). An actor prepares. Penguin.
Stanislavsky, K. (2008). Building a character: Vol. Classic drama texts. Methuen Drama.
Stanislavsky, K., & Hapgood, E. R. (1979). Building a character. Eyre Methuen.
Steene, B. (1973). The greatest fire: a study of August Strindberg: Vol. Crosscurrents: modern critiques. Southern Illinois University Press.
Strindberg, A., & Robinson, M. (2008a). Miss Julie: and other plays. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5050009
Strindberg, A., & Robinson, M. (2008b). Miss Julie: and other plays. Oxford University Press.
Strindberg, A., Törnqvist, E., & Steene, B. (2007). Strindberg on drama and theatre: a source book. Amsterdam University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=419758
Styan, J. L. (1981). Modern drama in theory and practice: Vol.2: Symbolism, surrealism and the absurd. Cambridge University Press.
Templeton, J. (1997). Ibsen’s women. Cambridge University Press.
Thomson, P., & Sacks, G. (n.d.). The Cambridge companion to Brecht. Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=b8b21ce8-f599-e711-80cb-005056af4099
Urban, K. (2011). Sarah Kane (Chapter 16). In M. Middeke, P. P. Schnierer, & A. Sierz (Eds.), The Methuen drama guide to contemporary British playwrights (pp. 304–322). Methuen Drama. https://contentstore.cla.co.uk/secure/link?id=82a40bb4-5da7-eb11-85aa-281878522727
Wallis, M., & Shepherd, S. (2010a). Studying plays (Third edition). Bloomsbury Academic.
Wallis, M., & Shepherd, S. (2010b). Studying plays (3rd ed). Bloomsbury Academic.
Wallis, M., & Shepherd, S. (2018a). Studying plays (Fourth edition). Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
Wallis, M., & Shepherd, S. (2018b). Studying plays (Fourth edition). Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
Wallis, M., & Shepherd, S. (2018c). Studying plays (Fourth edition). Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
Wallis, M., & Shepherd, S. (2018d). Studying plays (Fourth edition). Bloomsbury Academic.
Ward, J. (1980). The social and religious plays of Strindberg. Athlone Press.
Wedekind, F., & Bond, E. (1980a). Spring awakening. Eyre Methuen.
Wedekind, F., & Bond, E. (1980b). Spring awakening. Eyre Methuen.
Wedekind, F., Pablé, E., Ryland, C., & Bond, E. (2012). Spring awakening. Methuen Drama. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=2437553&site=ehost-live
Willett, J. (1977). The theatre of Bertolt Brecht: a study from eight aspects: Vol. An Eyre Methuen dramabook (Revised ed. (i.e. 3rd ed. with a revised bibliography)). Eyre Methuen.