Acheson J and Huk R, Contemporary British Poetry: Essays in Theory and Criticism (State University of New York Press 1996)
Acheson J and Ross SCE, The Contemporary British Novel (Edinburgh University Press 2005) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=264948>
Ahmed S, Living a Feminist Life (Duke University Press 2017) <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1437228&site=ehost-live>
——, What’s the Use?: On the Uses of Use (Duke University Press 2019)
Aldama FL, ‘Hari Kunzru in Conversation’ (2005) 20 Wasafiri <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/abs/10.1080/02690050508589956>
Alex Clark, ‘Nicola Barker: “I Find Books about Middle-Class People so Boring – I Feel like Stabbing Myself”’ [2017] Guardian <https://www.theguardian.com/books/2017/jul/22/nicola-barker-books-interview-love-island-happy>
Armitt L, Contemporary Women’s Fiction and the Fantastic (Macmillan 2000)
Aston E, Feminist Views on the English Stage: Women Playwrights, 1990-2000, vol Cambridge studies in modern theatre (Cambridge University Press 2003)
Balter A, ‘Three Rooms’ New York Journal of Books <https://www.nyjournalofbooks.com/book-review/three-rooms>
Bari S, ‘Three Rooms by Jo Hamya Review – on Belonging and Inequality’ [2021] The Guardian <https://www.theguardian.com/books/2021/jul/08/three-rooms-by-jo-hamya-review-on-belonging-and-inequality>
Barker N, Darkmans (Harper Perennial 2008)
——, H(a)Ppy (William Heinemann 2017)
——, H(a)Ppy (William Heinemann 2017)
Barry K, ‘War on Blandness: Review of “H(A)PPY,” by Nicola Barker’ (2017) 146 New Statesman <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=126380318&site=ehost-live>
Barry P, Contemporary British Poetry and the City (Manchester University Press 2000)
Bergonzi B, The Situation of the Novel (Macmillan 1970)
——, The Situation of the Novel, vol Pelican books (Penguin 1972)
Bernard J, Surge (Chatto & Windus 2019)
——, Surge (Chatto & Windus 2019)
Bernstein C, The Politics of Poetic Form: Poetry and Public Policy (Roof 1990)
Bertram V, Gendering Poetry: Contemporary Women and Men Poets (Pandora 2005)
Bex S and Craps S, ‘An Interview with Dave Eggers and Mimi Lok’ (2015) 56 Contemporary Literature 545 <https://contentstore.cla.co.uk/secure/link?id=b1f20632-f699-e711-80cb-005056af4099>
Booth M, British Poetry 1964-1984: Driving through the Barricades (Routledge & Kegan Paul 1985)
Bourke I, ‘Interview: Nicola Barker.’ (2017) 146 New Statesman <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=126380319&site=ehost-live>
Bradbury M, The Novel Today: Contemporary Writers on Modern Fiction (Manchester University Press 1977)
——, The Modern British Novel (Secker & Warburg 1993)
Bradbury M and Palmer DJ, The Contemporary English Novel, vol Stratford-upon-Avon studies (Edward Arnold 1979)
Brannigan J, New Historicism and Cultural Materialism, vol Transitions (Macmillan 1998)
——, Orwell to the Present: Literature in England, 1945-2000, vol Transitions (Palgrave Macmillan 2003)
Bridle J, Chapter 1 ‘Chasm’, in New Dark Age: Technology and the End of the Future [Scan Available via Link] (Verso 2018) <https://contentstore.cla.co.uk/secure/link?id=e80931c2-4577-eb11-9889-28187852b63b>
Brinton I, Contemporary Poetry: Poets and Poetry since 1990, vol Cambridge contexts in literature (Cambridge University Press 2009)
Broom S, Contemporary British and Irish Poetry: An Introduction (Palgrave Macmillan 2006)
Brown A, Binary Myths: Conversations with Contemporary Poets, vol Stride conversation pieces (Stride 1998)
Burgess A, The Novel Now: A Student’s Guide to Contemporary Fiction (New ed, Faber and Faber Ltd 1971)
Caracciolo M, Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures (First edition, Bloomsbury Academic 2022) <https://www.bloomsburycollections.com/book/contemporary-fiction-and-climate-uncertainty-narrating-unstable-futures/>
Coe J, ‘Jonathan Coe: Can Fiction Make Sense of the News?’ [2018] The Guardian <https://www.theguardian.com/books/2018/nov/03/read-all-about-it-can-fiction-make-sense-of-the-news>
Connor S, The English Novel in History, 1950-1995 (Routledge 1996) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203158135&uid=^u>
——, The Cambridge Companion to Postmodernism, vol Cambridge companions to literature (Cambridge University Press 2004)
Cunningham V, Reading after Theory, vol Blackwell manifestos (Blackwell 2002)
Davies W, Nervous States: How Feeling Took over the World (Jonathan Cape 2018)
Day G and Doherty B, British Poetry from the 1950s to the 1990s: Politics and Art (Macmillan 1997)
Dinnen Z, The Digital Banal: New Media and American Literature and Culture (Columbia University Press 2018)
Dipple E, The Unresolvable Plot: Reading Contemporary Fiction (Routledge 1988)
D’Isa C, ‘Situating Intellectual Freedom in "Three Rooms”’ [2021] Chicago Review of Books <https://chireviewofbooks.com/2021/09/02/three-rooms/>
Drag W, ‘Jenny Offill’s Dept. of Speculation and the Revival of Fragmentary Writing’ (2017) 56 Miscelanea <https://papiro.unizar.es/ojs/index.php/misc/article/view/6787>
Duncker P, Sisters and Strangers: An Introduction to Contemporary Feminist Fiction (Blackwell 1992)
Eaglestone R (ed), Brexit and Literature: Critical and Cultural Responses (Routledge 2018)
——, Literature: Why It Matters (Polity 2019)
Eagleton T, After Theory (Penguin 2004)
Easthope A and Thompson JO, Contemporary Poetry Meets Modern Theory (Harvester Wheatsheaf 1991)
Eddo-Lodge R, Why I’m No Longer Talking to White People about Race (Bloomsbury Circus 2017)
——, Why I’m No Longer Talking to White People about Race (Expanded edition, Bloomsbury Publishing 2018) <https://oxfordbrookes.on.worldcat.org/oclc/1029096872>
Edwards C, Utopia and the Contemporary British Novel (Cambridge University Press 2019)
Effe A, Autofictional: Approaches, Affordances, Forms (Springer Nature 2022) <https://link.springer.com/book/10.1007/978-3-030-78440-9>
Eggers D, Your Fathers, Where Are They? And the Prophets, Do They Live Forever?: A Novel (Penguin Books 2015)
——, Your Fathers, Where Are They? And the Prophets, Do They Live Forever?: A Novel (Penguin Books 2015)
English JF, A Concise Companion to Contemporary British Fiction, vol Blackwell concise companions to literature and culture (Blackwell 2006)
Er Y, ‘Contemporary Women’s Autofiction as Critique of Postfeminist Discourse’ (2018) 33 Australian Feminist Studies <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/08164649.2018.1536442>
Evans J, Conceptualising the Global in the Wake of the Postmodern: Literature, Culture, Theory (Cambridge University Press 2019)
Firchow PE, The Writer’s Place: Interviews on the Literary Situation in Contemporary Britain (University of Minnesota Press 1974)
Fisher M, 00: Lost Futures, in Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures (Zero Books 2014) <https://oxfordbrookes.on.worldcat.org/oclc/870847120>
Flannery E, Ireland and Postcolonial Studies: Theory, Discourse, Utopia (Palgrave Macmillan 2009)
Fox P, Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945, vol Post-contemporary interventions (Duke University Press 1994)
Gavins J, Poetry in the Mind: The Cognition of Contemporary Poetic Style (Edinburgh University Press 2021)
Geyh P, Cities, Citizens, and Technologies: Urban Life and Postmodernity, vol Routledge research in cultural and media studies (Routledge 2009) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=425502>
Gray R, American Poetry of the Twentieth Century (Cambridge University Press 1976)
Gregson I, Contemporary Poetry and Postmodernism: Dialogue and Estrangement (Macmillan 1996)
Haiven M, ‘An Interview with Hari Kunzru: Networks, Finance Capital and the Fate of the Novel’ (2013) 28 Wasafiri <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/02690055.2013.802428>
Halberstam J, In a Queer Time and Place: Transgender Bodies, Subcultural Lives (New York University Press)
Hampson R and Barry P, The New British Poetries: The Scope of the Possible (Manchester University Press 1993)
Hamya J, Three Rooms (Vintage 2022)
——, Three Rooms (Vintage 2022)
Hart M, ‘The Politics of the State in Contemporary Literary Studies’ (2009) 6 Literature Compass <https://compass-onlinelibrary-wiley-com.oxfordbrookes.idm.oclc.org/doi/full/10.1111/j.1741-4113.2009.00651>
Head D, The Cambridge Introduction to Modern British Fiction, 1950-2000 (Cambridge University Press 2002)
Heise UK, Sense of Place and Sense of Planet: The Environmental Imagination of the Global (Oxford University Press 2008)
——, Imagining Extinction: The Cultural Meanings of Endangered Species (The University of Chicago Press 2016)
Herman PC (ed), Terrorism and Literature (Cambridge University Press 2018)
Hoover P, Postmodern American Poetry: A Norton Anthology (Norton 1994)
Huehls M and Smith RG (eds), Neoliberalism and Contemporary Literary Culture (Johns Hopkins University Press 2017)
Humm M, A Reader’s Guide to Contemporary Feminist Literary Criticism (Harvester Wheatsheaf 1994)
James D, Discrepant Solace: Contemporary Literature and the Work of Consolation (First edition, Oxford University Press 2019)
Jayakumar-Hazra CKL, ‘"For Here, We Have Not an Enduring City, but We Are Looking for the City to Come”: Dysgraphia of Disaster and Wayward Black Futures in Jay Bernard’s Surge (2019)’ (2022) 58 Journal of Postcolonial Writing 374 <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/10.1080/17449855.2021.2019090>
Jones H, Manifesto, in Violent Ignorance: Confronting Racism and Migration Control [Scan Available via Link] (Zed Books 2021) <https://contentstore.cla.co.uk/secure/link?id=84abf759-3879-ec11-94f6-0050f2f06092>
Jones P and Schmidt M, British Poetry since 1970: A Critical Survey (Carcanet New Press 1980)
Kendi IX, How to Be an Antiracist (The Bodley Head 2019) <https://oxfordbrookes.on.worldcat.org/oclc/1203960588>
——, How to Be an Antiracist (The Bodley Head 2019)
Kenyon O, Writing Women: Contemporary Women Novelists (Pluto 1991)
Kitamura K, ‘Well Educated, Well Employed, and a Paycheck Away From Disaster’ [2021] The New York Times <https://www.nytimes.com/2021/08/28/books/review/three-rooms-jo-hamya.html>
Konstantinou L, Cool Characters: Irony and American Fiction (Harvard University Press 2016)
Krishnan M, Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel (James Currey 2018)
Kunzru H, Red Pill (Scribner 2021)
——, Red Pill (Scribner 2021)
Laing O, Crudo (Picador 2018)
——, Crudo (Picador 2018)
Landow GP, Hypertext: The Convergence of Contemporary Critical Theory and Technology, vol Parallax : re-visions of culture and society (Johns Hopkins University Press 1992)
Lane RJ, Mengham R and Tew P, Contemporary British Fiction (Polity 2003)
Larrissy E, Reading Twentieth Century Poetry: The Language of Gender and Objects (Basil Blackwell 1990)
Launchbury C, ‘Grenfell, Race, Remembrance’ (2021) 36 Wasafiri 4 <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/10.1080/02690055.2021.1838789>
Lawrence M and Laybourn-Langton L, Planet on Fire: A Manifesto for the Age of Environmental Breakdown (Verso 2021)
Lea D, Twenty-First-Century Fiction: Contemporary British Voices (Manchester University Press 2016) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4786647>
——, Twenty-First-Century Fiction: Contemporary British Voices (Manchester University Press 2016) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4786647>
Lea D and Schoene-Harwood B, Posting the Male: Masculinities in Post-War and Contemporary British Literature, vol Genus : gender in modern culture (Editions Rodopi BV 2003)
Leader Z, On Modern British Fiction (Oxford University Press 2002)
Lee AR, Other Britain, Other British: Contemporary Multicultural Fiction (Pluto Press 1995)
Leonard P, Literature after Globalization: Textuality, Technology and the Nation-State (Bloomsbury 2013) <https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=1113789>
Lewis R and Mills S, Feminist Postcolonial Theory: A Reader (Edinburgh University Press 2003) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1144713>
Llewellyn-Jones M, Contemporary Irish Drama and Cultural Identity (Intellect 2002) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=283035>
Longenbach J, Modern Poetry after Modernism (Oxford University Press 1997) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4702494>
Lowe H, ‘Inside the Frame: Women Writers and the Windrush Legacy: Interviews with Grace Nichols, Karen McCarthy Woolf and Jay Bernard’ (2018) 33 Wasafiri 3 <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/10.1080/02690055.2018.1431094>
Ludwig H-W and Fietz L, Poetry in the British Isles: Non-Metropolitan Perspectives (University of Wales Press 1995)
Mahony CH, Contemporary Irish Literature: Transforming Tradition (Macmillan 1998)
Malkoff K, Escape from the Self: A Study in Contemporary American Poetry and Poetics (Columbia University Press 1977)
March CL, Rewriting Scotland: Welsh, McLean, Warner, Banks, Galloway, and Kennedy (Manchester University Press 2002)
Masterson J, ‘Floods, Fortresses and Cabin Fever: Worlding “Domeland” Security in Dave Eggar’s Zeitoun and The Circle’ (2016) 28 American Literary History 721 <https://contentstore.cla.co.uk/secure/link?id=3fca9639-f699-e711-80cb-005056af4099>
Mathews PD, ‘Hacking the Society of Control: The Fiction of Hari Kunzru’ (2021) 62 Critique: Studies in Contemporary Fiction <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/00111619.2020.1852157>
Mbembe A and Corcoran S, Necropolitics (Duke University Press 2019)
McBean S, Feminism’s Queer Temporalities (Routledge, Taylor & Francis Group 2017)
McEwan N, The Survival of the Novel: British Fiction in the Later Twentieth Century (Macmillan 1981)
McGurl M, Everything and Less: The Novel in the Age of Amazon (Verso 2021)
McQuillan M, Post-Theory: New Directions in Criticism (Edinburgh University Press 1999)
Mengham R, An Introduction to Contemporary Fiction: International Writing in English since 1970 (Polity Press 1999)
Mole J, Passing Judgements: Poetry in the Eighties (Bristol Classical Press 1989)
Monteith S, Newman J and Wheeler P, Contemporary British & Irish Fiction: An Introduction through Interviews (Hodder & Stoughton 2004)
Morey P, Islamophobia and the Novel (Columbia University Press 2018)
Morris RK, Old Lines, New Forces: Essays on the Contemporary British Novel, 1960-1970 (Fairleigh Dickinson University Press 1976)
Morrison J, Contemporary Fiction (Routledge 2003)
Morton T, Being Ecological, vol 17 (Pelican, an imprint of Penguin Books 2018)
Muhammad I, ‘Ballad of Unchecked Dread: Weather: A Novel by Jenny Offill’ [2020] Dissent <https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=142530674&site=ehost-live>
Nicol B, Postmodernism and the Contemporary Novel: A Reader (Edinburgh University Press 2002)
——, ‘Typical Eggers: Transnationalism and America in Dave Eggers’s “Globally-Minded” Fiction’ (2019) 33 Textual Practice 300 <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/10.1080/0950236X.2018.1512548>
‘Nicola Barker - Literature’ <https://literature.britishcouncil.org/writer/nicola-barker>
O’Brien S, The Deregulated Muse: Essays on Contemporary British & Irish Poetry (Bloodaxe 1995)
Offill J, Weather: A Novel (Paperback edition, Granta 2021)
——, Weather: A Novel (Paperback edition, Granta 2021)
O’Gorman D, Fictions of the War on Terror: Difference and the Transnational 9/11 Novel (Palgrave Macmillan 2015)
——, ‘“[N]Ew Constellations for Thinking about Normativity”: Rethinking Judith Butler’s “Frame” with Reference to Dave Eggers’’ (2015) 29 Textual Practice 653 <https://radar.brookes.ac.uk/radar/items/ed69f7b9-942d-436a-989a-bdf5c8388679/1/>
O’Gormon D and Eaglestone R (eds), The Routledge Companion to Twenty-First Century Literary Fiction (Routledge 2019)
—— (eds), The Routledge Companion to Twenty-First Century Literary Fiction (Routledge 2019)
—— (eds), The Routledge Companion to Twenty-First Century Literary Fiction (Routledge 2019)
Padley S, Key Concepts in Contemporary Literature, vol Palgrave key concepts (Palgrave Macmillan 2006)
Palmer P, Contemporary Women’s Fiction: Narrative Practice and Feminist Theory (Harvester Wheatsheaf 1989)
——, Contemporary Lesbian Writing: Dreams, Desire, Difference, vol Gender in writing (Open University Press 1993)
Parker E, Contemporary British Women Writers, vol Essays and studies (D Brewer 2004)
Parrinder P, The Failure of Theory: Essays on Criticism and Contemporary Fiction (Harvester 1987)
Pawling C, Popular Fiction and Social Change (Macmillan 1984)
Perloff M, Radical Artifice: Writing Poetry in the Age of Media (University of Chicago Press 1991)
Petrie DJ, Contemporary Scottish Fictions: Film, Television and the Novel (Edinburgh University Press 2004)
Philips D and Haywood I, Brave New Causes: Women in British Postwar Fictions (Leicester University Press 1998)
Picot E, Outcasts from Eden: Ideas of Landscape in British Poetry since 1945, vol Liverpool English texts and studies (Liverpool University Press 1997)
Pinsky R, The Situation of Poetry: Contemporary Poetry and Its Traditions, vol Princeton essays in literature (Princeton University Press 1976)
Rees-Jones D and Mark A, Contemporary Women’s Poetry: Reading/Writing/Practice (Macmillan 2000)
Rennison N, Contemporary British Novelists (Routledge 2005) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=199999>
Reynolds, Margaret and Noakes, Jonathan, Jeanette Winterson: The Essential Guide to Contemporary Literature : Oranges Are Not the Only Fruit, The Passion, Sexing the Cherry, The Powerbook, vol Vintage living texts (Vintage 2003)
Robinson A, Instabilities in Contemporary British Poetry (Macmillan 1988)
Robson L, ‘Wellness Republic: Review of “H(a)Ppy,” by Nicola Barker’ (2017) 146 New Statesman <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=124451971&site=ehost-live>
Rumens C, New Women Poets (Bloodaxe 1990)
Sage L, Women in the House of Fiction: Post-War Women Novelists (Macmillan 1992)
Sansom P and Jeffries L, Contemporary Poems: Some Critical Approaches (Smith/Doorstop 2000)
Schoene-Harwood B (ed), Nicola Barker: Critical Essays, vol no. 8 (Gylphi Limited 2020)
Shaffer BW, A Companion to the British and Irish Novel 1945-2000 (Blackwell Pub 2005) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=284267>
Shaw K, Cosmopolitanism in Twenty-First Century Fiction (Palgrave Macmillan 2017) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9783319525242&uid=^u>
——, Cosmopolitanism in Twenty-First Century Fiction (Palgrave Macmillan 2017) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9783319525242&uid=^u>
Shaw RB, American Poetry since 1960: Some Critical Perspectives (Carcanet Press 1973)
Sinha V, ‘Three Rooms’ (2022) 37 Wasafiri <https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/02690055.2022.2000114>
Solnick S, Poetry and the Anthropocene: Ecology, Biology and Technology in Contemporary British and Irish Poetry (Routledge 2018)
Spacks PM, Contemporary Women Novelists: A Collection of Critical Essays, vol Twentieth century views (Prentice-Hall 1977)
Strongman L, The Booker Prize and the Legacy of Empire, vol Cross/cultures : readings in the post/colonial literatures in English (Rodopi 2002)
Sutherland J, Bestsellers: Popular Fiction of the 1970s (Routledge & Kegan Paul 1981)
Tempest K, Let Them Eat Chaos, vol Picador poetry (Picador 2016)
——, Let Them Eat Chaos, vol Picador poetry (Picador 2016)
Tew P, The Contemporary British Novel (Continuum 2004)
Timmer N, Do You Feel It Too?: The Post-Postmodern Syndrome in American Fiction at the Turn of the Millennium, vol 44 (Rodopi 2010)
Tüzün HÖ, ‘Hari Kunzru’s Transmission and Global Risk Society’ (2019) 18 Gaziantep University Journal of Social Sciences <https://dergipark.org.tr/en/pub/jss/issue/46308/490526>
Twitchell E, ‘Dave Eggers’s What Is the What: Fictionalizing Trauma in the Era of Misery Lit’ (2011) 83 American Literature 621
Upstone S, British Asian Fiction: Twenty-First-Century Voices (Manchester University Press 2010) <https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=1069623>
Wallace G and Stevenson R, The Scottish Novel since the Seventies: New Visions, Old Dreams (Edinburgh University Press 1993)
Waugh P, Feminine Fictions: Revisiting the Postmodern (Routledge 1989) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1016101>
Wells L, Allegories of Telling: Self-Referential Narrative in Contemporary British Fiction, vol Costerus new series (Rodopi 2003)
Zamora LP, Contemporary American Women Writers: Gender, Class, Ethnicity, vol Longman critical readers (Longman 1998)
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