Acheson, J., & Huk, R. (1996). Contemporary British poetry: essays in theory and criticism. State University of New York Press.
Acheson, J., & Ross, S. C. E. (2005). The contemporary British novel. Edinburgh University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=264948
Ahmed, S. (2017). Living a feminist life. Duke University Press. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1437228&site=ehost-live
Ahmed, S. (2019). What’s the use?: on the uses of use. Duke University Press.
Aldama, F. L. (2005). Hari Kunzru in conversation. Wasafiri, 20(45). https://doi.org/10.1080/02690050508589956
Alex Clark. (2017). Nicola Barker: ‘I find books about middle-class people so boring – I feel like stabbing myself’. Guardian. https://www.theguardian.com/books/2017/jul/22/nicola-barker-books-interview-love-island-happy
Armitt, L. (2000). Contemporary women’s fiction and the fantastic. Macmillan.
Aston, E. (2003). Feminist views on the English stage: women playwrights, 1990-2000: Vol. Cambridge studies in modern theatre. Cambridge University Press.
Balter, A. (n.d.). Three Rooms. New York Journal of Books. https://www.nyjournalofbooks.com/book-review/three-rooms
Bari, S. (2021). Three Rooms by Jo Hamya review – on belonging and inequality. The Guardian. https://www.theguardian.com/books/2021/jul/08/three-rooms-by-jo-hamya-review-on-belonging-and-inequality
Barker, N. (2008). Darkmans. Harper Perennial.
Barker, N. (2017a). H(a)ppy. William Heinemann.
Barker, N. (2017b). H(a)ppy. William Heinemann.
Barry, K. (2017). War on blandness: review of ‘H(A)PPY,’ by Nicola Barker. New Statesman, 146(5394). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=126380318&site=ehost-live
Barry, P. (2000). Contemporary British poetry and the city. Manchester University Press.
Bergonzi, B. (1970). The situation of the novel. Macmillan.
Bergonzi, B. (1972). The situation of the novel: Vol. Pelican books. Penguin.
Bernard, J. (2019a). Surge. Chatto & Windus.
Bernard, J. (2019b). Surge. Chatto & Windus.
Bernstein, C. (1990). The Politics of poetic form: poetry and public policy. Roof.
Bertram, V. (2005). Gendering poetry: contemporary women and men poets. Pandora.
Bex, S., & Craps, S. (2015). An Interview with Dave Eggers and Mimi Lok. Contemporary Literature, 56(4), 545–567. https://contentstore.cla.co.uk/secure/link?id=b1f20632-f699-e711-80cb-005056af4099
Booth, M. (1985). British poetry 1964-1984: driving through the barricades. Routledge & Kegan Paul.
Bourke, I. (2017). Interview: Nicola Barker. New Statesman, 146(5394). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=126380319&site=ehost-live
Bradbury, M. (1977). The Novel today: contemporary writers on modern fiction. Manchester University Press.
Bradbury, M. (1993). The modern British novel. Secker & Warburg.
Bradbury, M., & Palmer, D. J. (1979). The contemporary English novel: Vol. Stratford-upon-Avon studies. Edward Arnold.
Brannigan, J. (1998). New historicism and cultural materialism: Vol. Transitions. Macmillan.
Brannigan, J. (2003). Orwell to the present: literature in England, 1945-2000: Vol. Transitions. Palgrave Macmillan.
Bridle, J. (2018). Chapter 1 ‘Chasm’, in New dark age: technology and the end of the future [Scan available via link]. Verso. https://contentstore.cla.co.uk/secure/link?id=e80931c2-4577-eb11-9889-28187852b63b
Brinton, I. (2009). Contemporary poetry: poets and poetry since 1990: Vol. Cambridge contexts in literature. Cambridge University Press.
Broom, S. (2006). Contemporary British and Irish poetry: an introduction. Palgrave Macmillan.
Brown, A. (1998). Binary myths: conversations with contemporary poets: Vol. Stride conversation pieces. Stride.
Burgess, A. (1971). The novel now: a student’s guide to contemporary fiction (New ed). Faber and Faber Ltd.
Caracciolo, M. (2022). Contemporary fiction and climate uncertainty: narrating unstable futures (First edition). Bloomsbury Academic. https://www.bloomsburycollections.com/book/contemporary-fiction-and-climate-uncertainty-narrating-unstable-futures/
Coe, J. (2018). Jonathan Coe: can fiction make sense of the news? The Guardian. https://www.theguardian.com/books/2018/nov/03/read-all-about-it-can-fiction-make-sense-of-the-news
Connor, S. (1996). The English novel in history, 1950-1995. Routledge. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203158135&uid=^u
Connor, S. (2004). The Cambridge companion to postmodernism: Vol. Cambridge companions to literature. Cambridge University Press.
Cunningham, V. (2002). Reading after theory: Vol. Blackwell manifestos. Blackwell.
Davies, W. (2018). Nervous states: how feeling took over the world. Jonathan Cape.
Day, G., & Doherty, B. (1997). British poetry from the 1950s to the 1990s: politics and art. Macmillan.
Dinnen, Z. (2018). The digital banal: new media and American literature and culture. Columbia University Press.
Dipple, E. (1988). The unresolvable plot: reading contemporary fiction. Routledge.
D’Isa, C. (2021). Situating Intellectual Freedom in "Three Rooms”. Chicago Review of Books. https://chireviewofbooks.com/2021/09/02/three-rooms/
Drag, W. (2017). Jenny Offill’s Dept. of Speculation and the Revival of Fragmentary Writing. Miscelanea, 56. https://papiro.unizar.es/ojs/index.php/misc/article/view/6787
Duncker, P. (1992). Sisters and strangers: an introduction to contemporary feminist fiction. Blackwell.
Eaglestone, R. (Ed.). (2018). Brexit and literature: critical and cultural responses. Routledge.
Eaglestone, R. (2019). Literature: why it matters. Polity.
Eagleton, T. (2004). After theory. Penguin.
Easthope, A., & Thompson, J. O. (1991). Contemporary poetry meets modern theory. Harvester Wheatsheaf.
Eddo-Lodge, R. (2017). Why I’m no longer talking to white people about race. Bloomsbury Circus.
Eddo-Lodge, R. (2018). Why I’m no longer talking to white people about race (Expanded edition). Bloomsbury Publishing. https://oxfordbrookes.on.worldcat.org/oclc/1029096872
Edwards, C. (2019). Utopia and the contemporary British novel. Cambridge University Press.
Effe, A. (2022). Autofictional: Approaches, Affordances, Forms. Springer Nature. https://link.springer.com/book/10.1007/978-3-030-78440-9
Eggers, D. (2015a). Your fathers, where are they? And the prophets, do they live forever?: a novel. Penguin Books.
Eggers, D. (2015b). Your fathers, where are they? And the prophets, do they live forever?: a novel. Penguin Books.
English, J. F. (2006). A concise companion to contemporary British fiction: Vol. Blackwell concise companions to literature and culture. Blackwell.
Er, Y. (2018). Contemporary Women’s Autofiction as Critique of Postfeminist Discourse. Australian Feminist Studies, 33(97). https://doi.org/10.1080/08164649.2018.1536442
Evans, J. (2019). Conceptualising the global in the wake of the postmodern: literature, culture, theory. Cambridge University Press.
Firchow, P. E. (1974). The writer’s place: interviews on the literary situation in contemporary Britain. University of Minnesota Press.
Fisher, M. (2014). 00: Lost Futures, in Ghosts of my life: writings on depression, hauntology and lost futures. Zero Books. https://oxfordbrookes.on.worldcat.org/oclc/870847120
Flannery, E. (2009). Ireland and postcolonial studies: theory, discourse, utopia. Palgrave Macmillan.
Fox, P. (1994). Class fictions: shame and resistance in the British working-class novel, 1890-1945: Vol. Post-contemporary interventions. Duke University Press.
Gavins, J. (2021). Poetry in the mind: the cognition of contemporary poetic style. Edinburgh University Press.
Geyh, P. (2009). Cities, citizens, and technologies: urban life and postmodernity: Vol. Routledge research in cultural and media studies. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=425502
Gray, R. (1976). American poetry of the twentieth century. Cambridge University Press.
Gregson, I. (1996). Contemporary poetry and postmodernism: dialogue and estrangement. Macmillan.
Haiven, M. (2013). An Interview with Hari Kunzru: Networks, Finance Capital and the Fate of the Novel. Wasafiri, 28(3). https://doi.org/10.1080/02690055.2013.802428
Halberstam, J. (n.d.). In a queer time and place: transgender bodies, subcultural lives. New York University Press.
Hampson, R., & Barry, P. (1993). The New British poetries: the scope of the possible. Manchester University Press.
Hamya, J. (2022a). Three rooms. Vintage.
Hamya, J. (2022b). Three rooms. Vintage.
Hart, M. (2009). The Politics of the State in Contemporary Literary Studies. Literature Compass, 6(5). https://doi.org/10.1111/j.1741-4113.2009.00651.x
Head, D. (2002). The Cambridge introduction to modern British fiction, 1950-2000. Cambridge University Press.
Heise, U. K. (2008). Sense of place and sense of planet: the environmental imagination of the global. Oxford University Press.
Heise, U. K. (2016). Imagining extinction: the cultural meanings of endangered species. The University of Chicago Press.
Herman, P. C. (Ed.). (2018). Terrorism and literature. Cambridge University Press.
Hoover, P. (1994). Postmodern American poetry: a Norton anthology. Norton.
Huehls, M., & Smith, R. G. (Eds.). (2017). Neoliberalism and contemporary literary culture. Johns Hopkins University Press.
Humm, M. (1994). A Reader’s guide to contemporary feminist literary criticism. Harvester Wheatsheaf.
James, D. (2019). Discrepant solace: contemporary literature and the work of consolation (First edition). Oxford University Press.
Jayakumar-Hazra, C. K. L. (2022). "For here, we have not an enduring city, but we are looking for the city to come”: Dysgraphia of disaster and wayward Black futures in Jay Bernard’s Surge (2019). Journal of Postcolonial Writing, 58(3), 374–387. https://doi.org/10.1080/17449855.2021.2019090
Jones, H. (2021). Manifesto, in Violent ignorance: confronting racism and migration control [Scan available via link]. Zed Books. https://contentstore.cla.co.uk/secure/link?id=84abf759-3879-ec11-94f6-0050f2f06092
Jones, P., & Schmidt, M. (1980). British poetry since 1970: a critical survey. Carcanet New Press.
Kendi, I. X. (2019a). How to be an antiracist. The Bodley Head. https://oxfordbrookes.on.worldcat.org/oclc/1203960588
Kendi, I. X. (2019b). How to be an antiracist. The Bodley Head.
Kenyon, O. (1991). Writing women: contemporary women novelists. Pluto.
Kitamura, K. (2021). Well Educated, Well Employed, and a Paycheck Away From Disaster. The New York Times. https://www.nytimes.com/2021/08/28/books/review/three-rooms-jo-hamya.html
Konstantinou, L. (2016). Cool characters: irony and American fiction. Harvard University Press.
Krishnan, M. (2018). Writing spatiality in West Africa: colonial legacies in the Anglophone/Francophone novel. James Currey.
Kunzru, H. (2021a). Red pill. Scribner.
Kunzru, H. (2021b). Red pill. Scribner.
Laing, O. (2018a). Crudo. Picador.
Laing, O. (2018b). Crudo. Picador.
Landow, G. P. (1992). Hypertext: the convergence of contemporary critical theory and technology: Vol. Parallax : re-visions of culture and society. Johns Hopkins University Press.
Lane, R. J., Mengham, R., & Tew, P. (2003). Contemporary British fiction. Polity.
Larrissy, E. (1990). Reading twentieth century poetry: the language of gender and objects. Basil Blackwell.
Launchbury, C. (2021). Grenfell, Race, Remembrance. Wasafiri, 36(1), 4–13. https://doi.org/10.1080/02690055.2021.1838789
Lawrence, M., & Laybourn-Langton, L. (2021). Planet on fire: a manifesto for the age of environmental breakdown. Verso.
Lea, D. (2016a). Twenty-first-century fiction: contemporary British voices. Manchester University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4786647
Lea, D. (2016b). Twenty-first-century fiction: contemporary British voices. Manchester University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4786647
Lea, D., & Schoene-Harwood, B. (2003). Posting the male: masculinities in post-war and contemporary British literature: Vol. Genus : gender in modern culture. Editions Rodopi BV.
Leader, Z. (2002). On modern British fiction. Oxford University Press.
Lee, A. R. (1995). Other Britain, other British: contemporary multicultural fiction. Pluto Press.
Leonard, P. (2013). Literature after globalization: textuality, technology and the nation-state. Bloomsbury. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=1113789
Lewis, R., & Mills, S. (2003). Feminist postcolonial theory: a reader. Edinburgh University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1144713
Llewellyn-Jones, M. (2002). Contemporary Irish drama and cultural identity. Intellect. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=283035
Longenbach, J. (1997). Modern poetry after modernism. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4702494
Lowe, H. (2018). Inside the Frame: Women Writers and the Windrush Legacy: Interviews with Grace Nichols, Karen McCarthy Woolf and Jay Bernard. Wasafiri, 33(2), 3–9. https://doi.org/10.1080/02690055.2018.1431094
Ludwig, H.-W., & Fietz, L. (1995). Poetry in the British Isles: non-metropolitan perspectives. University of Wales Press.
Mahony, C. H. (1998). Contemporary Irish literature: transforming tradition. Macmillan.
Malkoff, K. (1977). Escape from the self: a study in contemporary American poetry and poetics. Columbia University Press.
March, C. L. (2002). Rewriting Scotland: Welsh, McLean, Warner, Banks, Galloway, and Kennedy. Manchester University Press.
Masterson, J. (2016). Floods, fortresses and cabin  fever: Worlding ‘Domeland’ security in  Dave Eggar’s Zeitoun and The Circle. American Literary History, 28(4), 721–739. https://contentstore.cla.co.uk/secure/link?id=3fca9639-f699-e711-80cb-005056af4099
Mathews, P. D. (2021). Hacking the Society of Control: The Fiction of Hari Kunzru. Critique: Studies in Contemporary Fiction, 62(5). https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/00111619.2020.1852157
Mbembe, A., & Corcoran, S. (2019). Necropolitics. Duke University Press.
McBean, S. (2017). Feminism’s queer temporalities. Routledge, Taylor & Francis Group.
McEwan, N. (1981). The survival of the novel: British fiction in the later twentieth century. Macmillan.
McGurl, M. (2021). Everything and less: the novel in the age of Amazon. Verso.
McQuillan, M. (1999). Post-theory: new directions in criticism. Edinburgh University Press.
Mengham, R. (1999). An introduction to contemporary fiction: international writing in English since 1970. Polity Press.
Mole, J. (1989). Passing judgements: poetry in the eighties. Bristol Classical Press.
Monteith, S., Newman, J., & Wheeler, P. (2004). Contemporary British & Irish fiction: an introduction through interviews. Hodder & Stoughton.
Morey, P. (2018). Islamophobia and the novel. Columbia University Press.
Morris, R. K. (1976). Old lines, new forces: essays on the contemporary British novel, 1960-1970. Fairleigh Dickinson University Press.
Morrison, J. (2003). Contemporary fiction. Routledge.
Morton, T. (2018). Being ecological (Vol. 17). Pelican, an imprint of Penguin Books.
Muhammad, I. (2020). Ballad of Unchecked Dread: Weather: A novel by Jenny Offill. Dissent, 2. https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=142530674&site=ehost-live
Nicol, B. (2002). Postmodernism and the contemporary novel: a reader. Edinburgh University Press.
Nicol, B. (2019). Typical Eggers: transnationalism and America in Dave Eggers’s ‘globally-minded’ fiction. Textual Practice, 33(2), 300–317. https://doi.org/10.1080/0950236X.2018.1512548
Nicola Barker - Literature. (n.d.). https://literature.britishcouncil.org/writer/nicola-barker
O’Brien, S. (1995). The deregulated muse: essays on contemporary British & Irish poetry. Bloodaxe.
Offill, J. (2021a). Weather: a novel (Paperback edition). Granta.
Offill, J. (2021b). Weather: a novel (Paperback edition). Granta.
O’Gorman, D. (2015a). Fictions of the war on terror: difference and the transnational 9/11 novel. Palgrave Macmillan.
O’Gorman, D. (2015b). ‘[N]ew constellations for thinking about normativity’: rethinking Judith Butler’s ‘frame’ with reference to Dave Eggers’. Textual Practice, 29(4), 653–674. https://radar.brookes.ac.uk/radar/items/ed69f7b9-942d-436a-989a-bdf5c8388679/1/
O’Gormon, D., & Eaglestone, R. (Eds.). (2019a). The Routledge companion to twenty-first century literary fiction. Routledge.
O’Gormon, D., & Eaglestone, R. (Eds.). (2019b). The Routledge companion to twenty-first century literary fiction. Routledge.
O’Gormon, D., & Eaglestone, R. (Eds.). (2019c). The Routledge companion to twenty-first century literary fiction. Routledge.
Padley, S. (2006). Key concepts in contemporary literature: Vol. Palgrave key concepts. Palgrave Macmillan.
Palmer, P. (1989). Contemporary women’s fiction: narrative practice and feminist theory. Harvester Wheatsheaf.
Palmer, P. (1993). Contemporary lesbian writing: dreams, desire, difference: Vol. Gender in writing. Open University Press.
Parker, E. (2004). Contemporary British women writers: Vol. Essays and studies. D. Brewer.
Parrinder, P. (1987). The failure of theory: essays on criticism and contemporary fiction. Harvester.
Pawling, C. (1984). Popular fiction and social change. Macmillan.
Perloff, M. (1991). Radical artifice: writing poetry in the age of media. University of Chicago Press.
Petrie, D. J. (2004). Contemporary Scottish fictions: film, television and the novel. Edinburgh University Press.
Philips, D., & Haywood, I. (1998). Brave new causes: women in British postwar fictions. Leicester University Press.
Picot, E. (1997). Outcasts from Eden: ideas of landscape in British poetry since 1945: Vol. Liverpool English texts and studies. Liverpool University Press.
Pinsky, R. (1976). The situation of poetry: contemporary poetry and its traditions: Vol. Princeton essays in literature. Princeton University Press.
Rees-Jones, D., & Mark, A. (2000). Contemporary women’s poetry: reading/writing/practice. Macmillan.
Rennison, N. (2005). Contemporary British novelists. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=199999
Reynolds, Margaret & Noakes, Jonathan. (2003). Jeanette Winterson: the essential guide to contemporary literature : Oranges are not the only fruit, The passion, Sexing the cherry, The powerbook: Vol. Vintage living texts. Vintage.
Robinson, A. (1988). Instabilities in contemporary British poetry. Macmillan.
Robson, L. (2017). Wellness republic: Review of ‘H(a)ppy,’ by Nicola Barker. New Statesman, 146(5377). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=124451971&site=ehost-live
Rumens, C. (1990). New women poets. Bloodaxe.
Sage, L. (1992). Women in the house of fiction: post-war women novelists. Macmillan.
Sansom, P., & Jeffries, L. (2000). Contemporary poems: some critical approaches. Smith/Doorstop.
Schoene-Harwood, B. (Ed.). (2020). Nicola Barker: critical essays: Vol. no. 8. Gylphi Limited.
Shaffer, B. W. (2005). A companion to the British and Irish novel 1945-2000. Blackwell Pub. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=284267
Shaw, K. (2017a). Cosmopolitanism in twenty-first century fiction. Palgrave Macmillan. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9783319525242&uid=^u
Shaw, K. (2017b). Cosmopolitanism in twenty-first century fiction. Palgrave Macmillan. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9783319525242&uid=^u
Shaw, R. B. (1973). American poetry since 1960: some critical perspectives. Carcanet Press.
Sinha, V. (2022). Three Rooms. Wasafiri, 37(1). https://doi.org/10.1080/02690055.2022.2000114
Solnick, S. (2018). Poetry and the Anthropocene: ecology, biology and technology in contemporary British and Irish poetry. Routledge.
Spacks, P. M. (1977). Contemporary women novelists: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.
Strongman, L. (2002). The Booker Prize and the legacy of empire: Vol. Cross/cultures : readings in the post/colonial literatures in English. Rodopi.
Sutherland, J. (1981). Bestsellers: popular fiction of the 1970s. Routledge & Kegan Paul.
Tempest, K. (2016a). Let them eat chaos: Vol. Picador poetry. Picador.
Tempest, K. (2016b). Let them eat chaos: Vol. Picador poetry. Picador.
Tew, P. (2004). The contemporary British novel. Continuum.
Timmer, N. (2010). Do you feel it too?: the post-postmodern syndrome in American fiction at the turn of the millennium (Vol. 44). Rodopi.
Tüzün, H. Ö. (2019). Hari Kunzru’s Transmission and Global Risk Society. Gaziantep University Journal of Social Sciences, 18(3). https://doi.org/10.21547/jss.490526
Twitchell, E. (2011). Dave Eggers’s What Is the What: Fictionalizing Trauma in the Era of Misery Lit. American Literature, 83(3), 621–648.
Upstone, S. (2010). British Asian fiction: twenty-first-century voices. Manchester University Press. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=1069623
Wallace, G., & Stevenson, R. (1993). The Scottish novel since the seventies: new visions, old dreams. Edinburgh University Press.
Waugh, P. (1989). Feminine fictions: revisiting the postmodern. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1016101
Wells, L. (2003). Allegories of telling: self-referential narrative in contemporary British fiction: Vol. Costerus new series. Rodopi.
Zamora, L. P. (1998). Contemporary American women writers: gender, class, ethnicity: Vol. Longman critical readers. Longman.