Acheson, James, and Romana Huk. Contemporary British Poetry: Essays in Theory and Criticism. Albany: State University of New York Press, 1996.
Acheson, James, and Sarah C. E. Ross. The Contemporary British Novel. Edinburgh: Edinburgh University Press, 2005. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=264948.
Ahmed, Sara. Living a Feminist Life. Durham: Duke University Press, 2017. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1437228&site=ehost-live.
———. What’s the Use?: On the Uses of Use. Durham: Duke University Press, 2019.
Aldama, Fredrick Luis. ‘Hari Kunzru in Conversation’. Wasafiri 20, no. 45 (2005). https://doi.org/10.1080/02690050508589956.
Alex Clark. ‘Nicola Barker: “I Find Books about Middle-Class People so Boring – I Feel like Stabbing Myself”’. Guardian, 22 July 2017. https://www.theguardian.com/books/2017/jul/22/nicola-barker-books-interview-love-island-happy.
Armitt, Lucie. Contemporary Women’s Fiction and the Fantastic. Basingstoke: Macmillan, 2000.
Aston, Elaine. Feminist Views on the English Stage: Women Playwrights, 1990-2000. Vol. Cambridge studies in modern theatre. Cambridge: Cambridge University Press, 2003.
Balter, Ariel. ‘Three Rooms’. New York Journal of Books, n.d. https://www.nyjournalofbooks.com/book-review/three-rooms.
Bari, Shahidha. ‘Three Rooms by Jo Hamya Review – on Belonging and Inequality’. The Guardian, 2021. https://www.theguardian.com/books/2021/jul/08/three-rooms-by-jo-hamya-review-on-belonging-and-inequality.
Barker, Nicola. Darkmans. London: Harper Perennial, 2008.
———. H(a)Ppy. London: William Heinemann, 2017.
———. H(a)Ppy. London: William Heinemann, 2017.
Barry, Kevin. ‘War on Blandness: Review of “H(A)PPY,” by Nicola Barker’. New Statesman 146, no. 5394 (2017). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=126380318&site=ehost-live.
Barry, Peter. Contemporary British Poetry and the City. Manchester: Manchester University Press, 2000.
Bergonzi, Bernard. The Situation of the Novel. London: Macmillan, 1970.
———. The Situation of the Novel. Vol. Pelican books. Harmondsworth: Penguin, 1972.
Bernard, Jay. Surge. London: Chatto & Windus, 2019.
———. Surge. London: Chatto & Windus, 2019.
Bernstein, Charles. The Politics of Poetic Form: Poetry and Public Policy. New York, NY: Roof, 1990.
Bertram, Vicki. Gendering Poetry: Contemporary Women and Men Poets. London: Pandora, 2005.
Bex, Sean, and Stef Craps. ‘An Interview with Dave Eggers and Mimi Lok’. Contemporary Literature 56, no. 4 (2015): 545–67. https://contentstore.cla.co.uk/secure/link?id=b1f20632-f699-e711-80cb-005056af4099.
Booth, Martin. British Poetry 1964-1984: Driving through the Barricades. London: Routledge & Kegan Paul, 1985.
Bourke, India. ‘Interview: Nicola Barker.’ New Statesman 146, no. 5394 (2017). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=126380319&site=ehost-live.
Bradbury, Malcolm. The Modern British Novel. London: Secker & Warburg, 1993.
———. The Novel Today: Contemporary Writers on Modern Fiction. Manchester: Manchester University Press, 1977.
Bradbury, Malcolm, and D. J. Palmer. The Contemporary English Novel. Vol. Stratford-upon-Avon studies. London: Edward Arnold, 1979.
Brannigan, John. New Historicism and Cultural Materialism. Vol. Transitions. Basingstoke: Macmillan, 1998.
———. Orwell to the Present: Literature in England, 1945-2000. Vol. Transitions. Basingstoke: Palgrave Macmillan, 2003.
Bridle, James. Chapter 1 ‘Chasm’, in New Dark Age: Technology and the End of the Future [Scan Available via Link]. London: Verso, 2018. https://contentstore.cla.co.uk/secure/link?id=e80931c2-4577-eb11-9889-28187852b63b.
Brinton, Ian. Contemporary Poetry: Poets and Poetry since 1990. Vol. Cambridge contexts in literature. Cambridge: Cambridge University Press, 2009.
Broom, Sarah. Contemporary British and Irish Poetry: An Introduction. Basingstoke: Palgrave Macmillan, 2006.
Brown, Andy. Binary Myths: Conversations with Contemporary Poets. Vol. Stride conversation pieces. Exeter: Stride, 1998.
Burgess, Anthony. The Novel Now: A Student’s Guide to Contemporary Fiction. New ed. London (3 Queen Sq., WC1N 3AU): Faber and Faber Ltd, 1971.
Caracciolo, Marco. Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures. First edition. London [England]: Bloomsbury Academic, 2022. https://www.bloomsburycollections.com/book/contemporary-fiction-and-climate-uncertainty-narrating-unstable-futures/.
Coe, Jonathan. ‘Jonathan Coe: Can Fiction Make Sense of the News?’ The Guardian, 3 November 2018. https://www.theguardian.com/books/2018/nov/03/read-all-about-it-can-fiction-make-sense-of-the-news.
Connor, Steven. The Cambridge Companion to Postmodernism. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2004.
———. The English Novel in History, 1950-1995. London: Routledge, 1996. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780203158135&uid=^u.
Cunningham, Valentine. Reading after Theory. Vol. Blackwell manifestos. Oxford: Blackwell, 2002.
Davies, William. Nervous States: How Feeling Took over the World. London: Jonathan Cape, 2018.
Day, Gary, and Brian Doherty. British Poetry from the 1950s to the 1990s: Politics and Art. Basingstoke: Macmillan, 1997.
Dinnen, Zara. The Digital Banal: New Media and American Literature and Culture. New York: Columbia University Press, 2018.
Dipple, Elizabeth. The Unresolvable Plot: Reading Contemporary Fiction. New York: Routledge, 1988.
D’Isa, Clancey. ‘Situating Intellectual Freedom in "Three Rooms”’. Chicago Review of Books, 2021. https://chireviewofbooks.com/2021/09/02/three-rooms/.
Drag, Wojciech. ‘Jenny Offill’s Dept. of Speculation and the Revival of Fragmentary Writing’. Miscelanea 56 (2017). https://papiro.unizar.es/ojs/index.php/misc/article/view/6787.
Duncker, Patricia. Sisters and Strangers: An Introduction to Contemporary Feminist Fiction. Oxford: Blackwell, 1992.
Eaglestone, Robert, ed. Brexit and Literature: Critical and Cultural Responses. London: Routledge, 2018.
———. Literature: Why It Matters. Cambridge, UK: Polity, 2019.
Eagleton, Terry. After Theory. London: Penguin, 2004.
Easthope, Antony, and John O. Thompson. Contemporary Poetry Meets Modern Theory. Hemel Hempstead: Harvester Wheatsheaf, 1991.
Eddo-Lodge, Reni. Why I’m No Longer Talking to White People about Race. London, UK: Bloomsbury Circus, 2017.
———. Why I’m No Longer Talking to White People about Race. Expanded edition. London: Bloomsbury Publishing, 2018. https://oxfordbrookes.on.worldcat.org/oclc/1029096872.
Edwards, Caroline. Utopia and the Contemporary British Novel. Cambridge, United Kingdom: Cambridge University Press, 2019.
Effe, Alexandra. Autofictional: Approaches, Affordances, Forms. [S.l.]: Springer Nature, 2022. https://link.springer.com/book/10.1007/978-3-030-78440-9.
Eggers, Dave. Your Fathers, Where Are They? And the Prophets, Do They Live Forever?: A Novel. UK: Penguin Books, 2015.
———. Your Fathers, Where Are They? And the Prophets, Do They Live Forever?: A Novel. UK: Penguin Books, 2015.
English, James F. A Concise Companion to Contemporary British Fiction. Vol. Blackwell concise companions to literature and culture. Oxford: Blackwell, 2006.
Er, Yanbing. ‘Contemporary Women’s Autofiction as Critique of Postfeminist Discourse’. Australian Feminist Studies 33, no. 97 (2018). https://doi.org/10.1080/08164649.2018.1536442.
Evans, Joel. Conceptualising the Global in the Wake of the Postmodern: Literature, Culture, Theory. New York: Cambridge University Press, 2019.
Firchow, Peter Edgerly. The Writer’s Place: Interviews on the Literary Situation in Contemporary Britain. Minneapolis: University of Minnesota Press, 1974.
Fisher, Mark. 00: Lost Futures, in Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Winchester, UK: Zero Books, 2014. https://oxfordbrookes.on.worldcat.org/oclc/870847120.
Flannery, Eóin. Ireland and Postcolonial Studies: Theory, Discourse, Utopia. Basingstoke: Palgrave Macmillan, 2009.
Fox, Pamela. Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945. Vol. Post-contemporary interventions. Durham, N.C.: Duke University Press, 1994.
Gavins, Joanna. Poetry in the Mind: The Cognition of Contemporary Poetic Style. Edinburgh: Edinburgh University Press, 2021.
Geyh, Paula. Cities, Citizens, and Technologies: Urban Life and Postmodernity. Vol. Routledge research in cultural and media studies. London: Routledge, 2009. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=425502.
Gray, Richard. American Poetry of the Twentieth Century. Cambridge: Cambridge University Press, 1976.
Gregson, Ian. Contemporary Poetry and Postmodernism: Dialogue and Estrangement. Basingstoke: Macmillan, 1996.
Haiven, Max. ‘An Interview with Hari Kunzru: Networks, Finance Capital and the Fate of the Novel’. Wasafiri 28, no. 3 (2013). https://doi.org/10.1080/02690055.2013.802428.
Halberstam, Judith. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York: New York University Press, n.d.
Hampson, Robert, and Peter Barry. The New British Poetries: The Scope of the Possible. Manchester: Manchester University Press, 1993.
Hamya, Jo. Three Rooms. London: Vintage, 2022.
———. Three Rooms. London: Vintage, 2022.
Hart, Matthew. ‘The Politics of the State in Contemporary Literary Studies’. Literature Compass 6, no. 5 (2009). https://doi.org/10.1111/j.1741-4113.2009.00651.x.
Head, Dominic. The Cambridge Introduction to Modern British Fiction, 1950-2000. Cambridge: Cambridge University Press, 2002.
Heise, Ursula K. Imagining Extinction: The Cultural Meanings of Endangered Species. Chicago: The University of Chicago Press, 2016.
———. Sense of Place and Sense of Planet: The Environmental Imagination of the Global. Oxford: Oxford University Press, 2008.
Herman, Peter C., ed. Terrorism and Literature. Cambridge, United Kingdom: Cambridge University Press, 2018.
Hoover, Paul. Postmodern American Poetry: A Norton Anthology. New York: Norton, 1994.
Huehls, Mitchum, and Rachel Greenwald Smith, eds. Neoliberalism and Contemporary Literary Culture. Baltimore: Johns Hopkins University Press, 2017.
Humm, Maggie. A Reader’s Guide to Contemporary Feminist Literary Criticism. New York: Harvester Wheatsheaf, 1994.
James, David. Discrepant Solace: Contemporary Literature and the Work of Consolation. First edition. Oxford, United Kingdom: Oxford University Press, 2019.
Jayakumar-Hazra, Cathie Kanagavalli Lakshmi. ‘"For Here, We Have Not an Enduring City, but We Are Looking for the City to Come”: Dysgraphia of Disaster and Wayward Black Futures in Jay Bernard’s Surge (2019)’. Journal of Postcolonial Writing 58, no. 3 (2022): 374–87. https://doi.org/10.1080/17449855.2021.2019090.
Jones, Hannah. Manifesto, in Violent Ignorance: Confronting Racism and Migration Control [Scan Available via Link]. London: Zed Books, 2021. https://contentstore.cla.co.uk/secure/link?id=84abf759-3879-ec11-94f6-0050f2f06092.
Jones, Peter, and Michael Schmidt. British Poetry since 1970: A Critical Survey. Manchester: Carcanet New Press, 1980.
Kendi, Ibram X. How to Be an Antiracist. London: The Bodley Head, 2019. https://oxfordbrookes.on.worldcat.org/oclc/1203960588.
———. How to Be an Antiracist. London: The Bodley Head, 2019.
Kenyon, Olga. Writing Women: Contemporary Women Novelists. London: Pluto, 1991.
Kitamura, Katie. ‘Well Educated, Well Employed, and a Paycheck Away From Disaster’. The New York Times, 2021. https://www.nytimes.com/2021/08/28/books/review/three-rooms-jo-hamya.html.
Konstantinou, Lee. Cool Characters: Irony and American Fiction. Cambridge, Massachusetts: Harvard University Press, 2016.
Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Woodbridge, Suffolk: James Currey, 2018.
Kunzru, Hari. Red Pill. London: Scribner, 2021.
———. Red Pill. London: Scribner, 2021.
Laing, Olivia. Crudo. London: Picador, 2018.
———. Crudo. London: Picador, 2018.
Landow, George P. Hypertext: The Convergence of Contemporary Critical Theory and Technology. Vol. Parallax : re-visions of culture and society. Baltimore: Johns Hopkins University Press, 1992.
Lane, Richard J., Rod Mengham, and Philip Tew. Contemporary British Fiction. Cambridge: Polity, 2003.
Larrissy, Edward. Reading Twentieth Century Poetry: The Language of Gender and Objects. Oxford: Basil Blackwell, 1990.
Launchbury, Claire. ‘Grenfell, Race, Remembrance’. Wasafiri 36, no. 1 (2021): 4–13. https://doi.org/10.1080/02690055.2021.1838789.
Lawrence, Mathew, and Laurie Laybourn-Langton. Planet on Fire: A Manifesto for the Age of Environmental Breakdown. London: Verso, 2021.
Lea, Daniel. Twenty-First-Century Fiction: Contemporary British Voices. Manchester: Manchester University Press, 2016. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4786647.
———. Twenty-First-Century Fiction: Contemporary British Voices. Manchester: Manchester University Press, 2016. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4786647.
Lea, Daniel, and Berthold Schoene-Harwood. Posting the Male: Masculinities in Post-War and Contemporary British Literature. Vol. Genus : gender in modern culture. Amsterdam: Editions Rodopi BV, 2003.
Leader, Zachary. On Modern British Fiction. Oxford: Oxford University Press, 2002.
Lee, A. Robert. Other Britain, Other British: Contemporary Multicultural Fiction. London: Pluto Press, 1995.
Leonard, Philip. Literature after Globalization: Textuality, Technology and the Nation-State. London: Bloomsbury, 2013. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=1113789.
Lewis, Reina, and Sara Mills. Feminist Postcolonial Theory: A Reader. Edinburgh: Edinburgh University Press, 2003. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1144713.
Llewellyn-Jones, Margaret. Contemporary Irish Drama and Cultural Identity. Bristol: Intellect, 2002. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=283035.
Longenbach, James. Modern Poetry after Modernism. New York: Oxford University Press, 1997. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4702494.
Lowe, Hannah. ‘Inside the Frame: Women Writers and the Windrush Legacy: Interviews with Grace Nichols, Karen McCarthy Woolf and Jay Bernard’. Wasafiri 33, no. 2 (2018): 3–9. https://doi.org/10.1080/02690055.2018.1431094.
Ludwig, Hans-Werner, and Lothar Fietz. Poetry in the British Isles: Non-Metropolitan Perspectives. Cardiff: University of Wales Press, 1995.
Mahony, Christina Hunt. Contemporary Irish Literature: Transforming Tradition. Basingstoke: Macmillan, 1998.
Malkoff, Karl. Escape from the Self: A Study in Contemporary American Poetry and Poetics. New York: Columbia University Press, 1977.
March, Cristie L. Rewriting Scotland: Welsh, McLean, Warner, Banks, Galloway, and Kennedy. Manchester: Manchester University Press, 2002.
Masterson, John. ‘Floods, Fortresses and Cabin  Fever: Worlding “Domeland” Security in  Dave Eggar’s Zeitoun and The Circle’. American Literary History 28, no. 4 (2016): 721–39. https://contentstore.cla.co.uk/secure/link?id=3fca9639-f699-e711-80cb-005056af4099.
Mathews, Peter D. ‘Hacking the Society of Control: The Fiction of Hari Kunzru’. Critique: Studies in Contemporary Fiction 62, no. 5 (2021). https://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/full/10.1080/00111619.2020.1852157.
Mbembe, Achille, and Steve Corcoran. Necropolitics. Durham: Duke University Press, 2019.
McBean, Sam. Feminism’s Queer Temporalities. London: Routledge, Taylor & Francis Group, 2017.
McEwan, Neil. The Survival of the Novel: British Fiction in the Later Twentieth Century. London: Macmillan, 1981.
McGurl, Mark. Everything and Less: The Novel in the Age of Amazon. London: Verso, 2021.
McQuillan, Martin. Post-Theory: New Directions in Criticism. Edinburgh: Edinburgh University Press, 1999.
Mengham, Rod. An Introduction to Contemporary Fiction: International Writing in English since 1970. Cambridge: Polity Press, 1999.
Mole, John. Passing Judgements: Poetry in the Eighties. Bristol: Bristol Classical Press, 1989.
Monteith, Sharon, Jenny Newman, and Pat Wheeler. Contemporary British & Irish Fiction: An Introduction through Interviews. London: Hodder & Stoughton, 2004.
Morey, Peter. Islamophobia and the Novel. New York: Columbia University Press, 2018.
Morris, Robert K. Old Lines, New Forces: Essays on the Contemporary British Novel, 1960-1970. Rutherford (etc.): Fairleigh Dickinson University Press, 1976.
Morrison, Jago. Contemporary Fiction. London: Routledge, 2003.
Morton, Timothy. Being Ecological. Vol. 17. UK: Pelican, an imprint of Penguin Books, 2018.
Muhammad, Ismail. ‘Ballad of Unchecked Dread: Weather: A Novel by Jenny Offill’. Dissent, no. 2 (2020). https://oxfordbrookes.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=142530674&site=ehost-live.
Nicol, Bran. Postmodernism and the Contemporary Novel: A Reader. Edinburgh: Edinburgh University Press, 2002.
———. ‘Typical Eggers: Transnationalism and America in Dave Eggers’s “Globally-Minded” Fiction’. Textual Practice 33, no. 2 (2019): 300–317. https://doi.org/10.1080/0950236X.2018.1512548.
‘Nicola Barker - Literature’, n.d. https://literature.britishcouncil.org/writer/nicola-barker.
O’Brien, Sean. The Deregulated Muse: Essays on Contemporary British & Irish Poetry. Newcastle-upon-Tyne: Bloodaxe, 1995.
Offill, Jenny. Weather: A Novel. Paperback edition. London: Granta, 2021.
———. Weather: A Novel. Paperback edition. London: Granta, 2021.
O’Gorman, Daniel. Fictions of the War on Terror: Difference and the Transnational 9/11 Novel. Basingstoke: Palgrave Macmillan, 2015.
———. ‘“[N]Ew Constellations for Thinking about Normativity”: Rethinking Judith Butler’s “Frame” with Reference to Dave Eggers’’. Textual Practice 29, no. 4 (2015): 653–74. https://radar.brookes.ac.uk/radar/items/ed69f7b9-942d-436a-989a-bdf5c8388679/1/.
O’Gormon, Daniel, and Robert Eaglestone, eds. The Routledge Companion to Twenty-First Century Literary Fiction. Abingdon, Oxon: Routledge, 2019.
———, eds. The Routledge Companion to Twenty-First Century Literary Fiction. Abingdon, Oxon: Routledge, 2019.
———, eds. The Routledge Companion to Twenty-First Century Literary Fiction. Abingdon, Oxon: Routledge, 2019.
Padley, Steve. Key Concepts in Contemporary Literature. Vol. Palgrave key concepts. Basingstoke: Palgrave Macmillan, 2006.
Palmer, Paulina. Contemporary Lesbian Writing: Dreams, Desire, Difference. Vol. Gender in writing. Buckingham: Open University Press, 1993.
———. Contemporary Women’s Fiction: Narrative Practice and Feminist Theory. New York: Harvester Wheatsheaf, 1989.
Parker, Emma. Contemporary British Women Writers. Vol. Essays and studies. Cambridge: D. Brewer, 2004.
Parrinder, Patrick. The Failure of Theory: Essays on Criticism and Contemporary Fiction. Brighton: Harvester, 1987.
Pawling, Christopher. Popular Fiction and Social Change. London: Macmillan, 1984.
Perloff, Marjorie. Radical Artifice: Writing Poetry in the Age of Media. Chicago: University of Chicago Press, 1991.
Petrie, Duncan J. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh: Edinburgh University Press, 2004.
Philips, Deborah, and Ian Haywood. Brave New Causes: Women in British Postwar Fictions. London: Leicester University Press, 1998.
Picot, Edward. Outcasts from Eden: Ideas of Landscape in British Poetry since 1945. Vol. Liverpool English texts and studies. Liverpool: Liverpool University Press, 1997.
Pinsky, Robert. The Situation of Poetry: Contemporary Poetry and Its Traditions. Vol. Princeton essays in literature. Princeton, N.J: Princeton University Press, 1976.
Rees-Jones, Deryn, and Alison Mark. Contemporary Women’s Poetry: Reading/Writing/Practice. Basingstoke: Macmillan, 2000.
Rennison, Nick. Contemporary British Novelists. London: Routledge, 2005. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=199999.
Reynolds, Margaret and Noakes, Jonathan. Jeanette Winterson: The Essential Guide to Contemporary Literature : Oranges Are Not the Only Fruit, The Passion, Sexing the Cherry, The Powerbook. Vol. Vintage living texts. London: Vintage, 2003.
Robinson, Alan. Instabilities in Contemporary British Poetry. Basingstoke: Macmillan, 1988.
Robson, Leo. ‘Wellness Republic: Review of “H(a)Ppy,” by Nicola Barker’. New Statesman 146, no. 5377 (2017). http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=124451971&site=ehost-live.
Rumens, Carol. New Women Poets. Newcastle upon Tyne: Bloodaxe, 1990.
Sage, Lorna. Women in the House of Fiction: Post-War Women Novelists. Basingstoke: Macmillan, 1992.
Sansom, Peter, and Lesley Jeffries. Contemporary Poems: Some Critical Approaches. Huddersfield: Smith/Doorstop, 2000.
Schoene-Harwood, Berthold, ed. Nicola Barker: Critical Essays. Vol. no. 8. Canterbury, UK: Gylphi Limited, 2020.
Shaffer, Brian W. A Companion to the British and Irish Novel 1945-2000. Malden, MA: Blackwell Pub, 2005. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=284267.
Shaw, Kristian. Cosmopolitanism in Twenty-First Century Fiction. Cham, Switzerland: Palgrave Macmillan, 2017. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9783319525242&uid=^u.
———. Cosmopolitanism in Twenty-First Century Fiction. Cham, Switzerland: Palgrave Macmillan, 2017. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9783319525242&uid=^u.
Shaw, Robert B. American Poetry since 1960: Some Critical Perspectives. Cheadle: Carcanet Press, 1973.
Sinha, Vamika. ‘Three Rooms’. Wasafiri 37, no. 1 (2022). https://doi.org/10.1080/02690055.2022.2000114.
Solnick, Sam. Poetry and the Anthropocene: Ecology, Biology and Technology in Contemporary British and Irish Poetry. London: Routledge, 2018.
Spacks, Patricia Meyer. Contemporary Women Novelists: A Collection of Critical Essays. Vol. Twentieth century views. Englewood Cliffs: Prentice-Hall, 1977.
Strongman, Luke. The Booker Prize and the Legacy of Empire. Vol. Cross/cultures : readings in the post/colonial literatures in English. Amsterdam: Rodopi, 2002.
Sutherland, John. Bestsellers: Popular Fiction of the 1970s. London: Routledge & Kegan Paul, 1981.
Tempest, Kate. Let Them Eat Chaos. Vol. Picador poetry. London: Picador, 2016.
———. Let Them Eat Chaos. Vol. Picador poetry. London: Picador, 2016.
Tew, Philip. The Contemporary British Novel. London: Continuum, 2004.
Timmer, Nicoline. Do You Feel It Too?: The Post-Postmodern Syndrome in American Fiction at the Turn of the Millennium. Vol. 44. Amsterdam: Rodopi, 2010.
Tüzün, Hatice Övgü. ‘Hari Kunzru’s Transmission and Global Risk Society’. Gaziantep University Journal of Social Sciences 18, no. 3 (2019). https://doi.org/10.21547/jss.490526.
Twitchell, E. ‘Dave Eggers’s What Is the What: Fictionalizing Trauma in the Era of Misery Lit’. American Literature 83, no. 3 (2011): 621–48.
Upstone, Sara. British Asian Fiction: Twenty-First-Century Voices. Manchester: Manchester University Press, 2010. https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=1069623.
Wallace, Gavin, and Randall Stevenson. The Scottish Novel since the Seventies: New Visions, Old Dreams. Edinburgh: Edinburgh University Press, 1993.
Waugh, Patricia. Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1016101.
Wells, Lynn. Allegories of Telling: Self-Referential Narrative in Contemporary British Fiction. Vol. Costerus new series. Amsterdam: Rodopi, 2003.
Zamora, Lois Parkinson. Contemporary American Women Writers: Gender, Class, Ethnicity. Vol. Longman critical readers. London: Longman, 1998.