Abel, Elizabeth. Virginia Woolf and the Fictions of Psychoanalysis. University of Chicago Press, 1989.
Albright, Daniel. Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism. Cambridge University Press, 1997.
Allen, Graham. Shelley’s Frankenstein. Continuum, 2008, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=766037.
Amy E. Elkins. ‘Old Pages and New Readings in Virginia Woolf’s “Orlando”’. Tulsa Studies in Women’s Literature, vol. 29, no. 1, 2010, pp. 131–36, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41337036.
Andermahr, Sonya, and Lawrence Phillips, editors. Angela Carter: New Critical Readings. Bloomsbury Academic, 2014.
Bainbridge, Simon. Romanticism: A Sourcebook. Palgrave Macmillan, 2008.
Barr, Marleen S. Feminist Fabulation: Space/Postmodern Fiction. University of Iowa Press, 1992.
Barrett, Eileen, and Patricia Cramer. Virginia Woolf: Lesbian Readings. New York University Press, 1997.
Bazin, Nancy Topping. Virginia Woolf and the Androgynous Vision. Rutgers University Press.
BBC Radio 4 - In Our Time, Samuel Beckett. https://www.bbc.co.uk/programmes/m00021q7.
Beckett, Samuel, et al. Beckett on Film: Krapp’s Last Tape ; What Where ; Footfalls ; Come and Go ; Adenda. Blue Angel Films, 2001. Videorecording.
———. Krapp’s Last Tape: And, Embers. Faber and Faber, 1959.
Botting, Fred. Limits of Horror: Technology, Bodies, Gothic. Manchester University Press, 2008, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069700.
———. Making Monstrous: Frankenstein, Criticism, Theory. Manchester University Press, 1991.
Bowlby, Rachel. Virginia Woolf: Feminist Destinations. Basil Blackwell, 1988.
Bradbury, Malcolm. The Modern British Novel. Secker & Warburg, 1993.
———. The Social Context of Modern English Literature. Blackwell, 1971.
Briggs, Julia. Reading Virginia Woolf. Edinburgh University Press, 2006, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=267197.
Bristow, Joseph, and Trev Lynn Broughton. The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism. Longman, 1997.
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Clarendon, 1984.
Burns, Christy L. ‘Re-Dressing Feminist Identities: Tensions between Essential and Constructed Selves in Virginia Woolf’s Orlando’. Twentieth Century Literature, vol. 40, no. 3, 1994, pp. 342–64, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441560.
Călinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Duke University Press, 1987.
Carroll, Rachel. ‘Imitations of Life: Cloning, Heterosexuality and the Human in Kazuo Ishiguro’s’. Journal of Gender Studies, vol. 19, no. 1, 2010, pp. 59–71, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=48604660&site=ehost-live.
Carter, Angela. Expletives Deleted: Selected Writings. Vintage, 1993.
———. Fireworks. Rev. ed, Virago modern classics, Virago, 2006.
———. Heroes and Villains. Penguin, 1981.
———. Nothing Sacred: Selected Writings. Virago, 1982.
———. The Bloody Chamber and Other Stories. Penguin, 1981.
———. The Magic Toyshop. Virago, 1981.
———. The Passion of New Eve. Virago, 1982.
———. The Sadeian Woman: An Exercise in Cultural History. Virago, 1979.
———. Wise Children. Vintage, 1992.
Carter, Angela, and Jennifer S. Uglow. Shaking a Leg: Journalism and Writings. Chatto & Windus, 1997.
Carter, Angela, and Sarah Waters. Nights at the Circus. Vintage, 1994.
Caughie, Pamela L. ‘The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s Man Into Woman’. MFS Modern Fiction Studies, vol. 59, no. 3, 2013, pp. 501–25, https://muse-jhu-edu.oxfordbrookes.idm.oclc.org/article/522187.
———. Virginia Woolf in the Age of Mechanical Reproduction. Garland, 2000.
Chatman, Seymour. ‘Narratological Empowerment’. Narrative, vol. 1, no. 1, 1993, pp. 59–65, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20106993?seq=1#page_scan_tab_contents.
Chinitz, David, editor. A Companion to T.S. Eliot. Wiley-Blackwell, 2014, https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444315745&uid=^u.
Clayton, Jay, et al. Dickens and Modernity. Edited by Juliet John, n.s., v. 65, D.S. Brewer, 2012.
Clements, Patricia, and Isobel Grundy. Virginia Woolf: New Critical Essays. Vision, 1983.
Cohn, Ruby. Samuel Beckett: A Collection of Criticism. McGraw-Hill, 1975.
Cooper, John Xiros. The Cambridge Introduction to T.S. Eliot. Cambridge University Press, 2006.
Cronin, Anthony. Samuel Beckett: The Last Modernist. HarperCollins, 1996.
Cuddy-Keane, Melba. Virginia Woolf, the Intellectual, and the Public Sphere. Cambridge University Press, 2003.
Currie, Mark. Metafiction. Longman, 1995.
Daly, Nicholas. Literature, Technology, and Modernity, 1860-2000. Cambridge University Press, 2004.
Day, Aidan. Angela Carter: The Rational Glass. Manchester University Press, 1998.
De Gay, Jane. ‘Virginia Woolf’s Feminist Historiography in Orlando’. Critical Survey, vol. 19, no. 1, 2007, pp. 62–72, https://www-berghahnjournals-com.oxfordbrookes.idm.oclc.org/view/journals/critical-survey/19/1/cs190107.xml.
Dickens, Charles. Great Expectations. Open Road Media, 2015, https://oxfordbrookes.on.worldcat.org/oclc/968003131.
———. Great Expectations. Penguin, 2006.
Drama on 3: Krapp’s Last Tape, by Samuel Beckett (With Corin Redgrave. Directed by Polly Thomas and Carrie Rooney). BBC Radio 3, https://learningonscreen.ac.uk/ondemand/index.php/prog/015776B7?bcast=46697386.
Easton, Alison. Angela Carter. Macmillan, 2000.
Eatough, Matthew. ‘The Time That Remains: Organ Donation, Temporal Duration, and Bildung in Kazuo Ishiguro’s Never Let Me Go’. Literature and Medicine, vol. 29, no. 1, 2011, pp. 132–60, https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/902909343/F92991978B7B4224PQ/2?accountid=13041.
Eddins, Dwight. ‘John Fowles: Existence as Authorship’. Contemporary Literature, vol. 17, no. 2, 1976, pp. 204–22, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1207665?origin=crossref&seq=1#page_scan_tab_contents.
Eliot, T. S. Selected Poems. 80th anniversary ed, 80th anniversary collection, Faber, 2009.
———. Selected Prose of T.S. Eliot. Edited by Frank Kermode, Faber, 1975.
Eliot, T. S., and Lawrence S. Rainey. The Annotated Waste Land, with Eliot’s Contemporary Prose. 2nd ed, Yale University Press, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3419857.
Esslin, Martin. Samuel Beckett: A Collection of Critical Essays. Prentice-Hall, 1965.
Faflak, Joel, and Susan Chaplin. The Romanticism Handbook. Continuum, 2011.
Fletcher, John. Samuel Beckett: Waiting for Godot, Endgame, Krapp’s Last Tape. Faber, 2000.
Ford, Boris. The Modern Age. 3rd ed, The Pelican guide to English literature, Penguin, 1973.
Fowles, John. The French Lieutenant’s Woman. Vintage, 2004.
Gamble, Sarah. Angela Carter: A Literary Life. Palgrave Macmillan, 2006.
———. Angela Carter: Writing from the Front Line. Edinburgh University Press, 1997.
———. The Fiction of Angela Carter. Palgrave Macmillan, 2001.
Gates, Sarah. ‘Intertextual Estella: “Great Expectations,” Gender, and Literary Tradition’. PMLA, vol. 124, no. 2, 2009, pp. 390–405, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25614282.
Giddens, Anthony. Modernity and Self-Identity: Self and Society in the Late Modern Age. Polity, 1991, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1272676. Electronic resource.
———. The Consequences of Modernity. Polity Presss in association with Blackwell, 1990.
Goh, Robbie B. H. ‘The Postclone-Nial in Kazuo Ishiguro’s Never Let Me Go and Amitav Ghosh’s the Calcutta Chromosome: Science and the Body in the Asian Diaspora’. ARIEL: A Review of International English Literature, vol. 41, nos 3–4, 2010, https://journalhosting.ucalgary.ca/index.php/ariel/article/view/35086/28977.
Goldman, Jane. The Cambridge Introduction to Virginia Woolf. Cambridge University Press, 2006, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=275126.
———. The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual. Cambridge University Press, 1998.
Gontarski, S. E. A Companion to Samuel Beckett. Wiley-Blackwell, 2010.
———. ‘Crapp’s First Tapes: Beckett’s Manuscript Revisions of “Krapp’s Last Tape”’. Journal of Modern Literature, vol. 6, no. 1, 1977, pp. 61–68, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831019?seq=1#page_scan_tab_contents.
Gordon, Lois. ‘Krapp’s Last Tape: A New Reading’. Journal of Dramatic Theory and Criticism, vol. 5, no. 1, 1990, https://journals.ku.edu/jdtc/article/view/1778.
———. The World of Samuel Beckett, 1906-1946. Yale University Press, 1996.
Grass, Sean. ‘COMMODITY AND IDENTITY IN “GREAT EXPECTATIONS”’. Victorian Literature and Culture, vol. 40, no. 2, 2012, pp. 617–41, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41819960.
Graver, Lawrence, and Raymond Federman. Samuel Beckett: The Critical Heritage. Routledge, 1979.
Green, Michael, et al. English and Cultural Studies: Broadening the Context. John Murray, 1987.
Greene, Sally. Virginia Woolf: Reading the Renaissance. Ohio University Press, 1999.
Griffin, Gabriele. ‘Science and the Cultural Imaginary: The Case of Kazuo Ishiguro’s’. Textual Practice, vol. 23, no. 4, 2009, pp. 645–63, https://doi.org/10.1080/09502360903000570.
Groes, Sebastian, and Barry Lewis. Kazuo Ishiguro: New Critical Visions of the Novels. Palgrave Macmillan, 2011.
Grossman, Jonathan H. ‘Living the Global Transport Network in “Great Expectations”’. Victorian Studies, vol. 57, no. 2, 2015, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2979/victorianstudies.57.2.225.
Guignon, Charles B. The Cambridge Companion to Heidegger. Cambridge University Press, 1993.
Hammond, Kim. ‘Monsters of Modernity: Frankenstein and Modern Environmentalism.’ Cultural Geographies, vol. 11, no. 2, 2004, pp. 181–98, http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=13029824&site=ehost-live.
Haney, William S. Cyberculture, Cyborgs and Science Fiction: Consciousness and the Posthuman. Rodopi, 2006, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=556430.
Harding, Jason. T.S. Eliot in Context. Cambridge University Press, 2011, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=691843.
Haule, James M., and J. H. Stape. Editing Virginia Woolf: Interpreting the Modernist Text. Palgrave, 2002.
Heidegger, Martin. ‘Chapter 27 The Question Concerning Technology’. Philosophy of Technology: The Technological Condition : An Anthology, edited by Robert C. Scharff and Val Dusek, Second edition, vol. 33, Wiley Blackwell, 2014, pp. 305–17.
Heidegger: The Question Concerning Technology - a Useful Web Guide to the Essay. http://www.english.hawaii.edu/criticalink/heidegger/index.html.
Higdon, David Leon. ‘Endgames in John Fowles’s the French Lieutenant’s Woman’. English Studies, vol. 65, no. 4, 1984, pp. 350–61.
Higgins, David. Frankenstein: Character Studies. Continuum, 2008.
Hitchcock, Susan Tyler. Frankenstein: A Cultural History. 1st ed, W.W. Norton, 2007.
Hulle, Dirk van, editor. The New Cambridge Companion to Samuel Beckett. Cambridge University Press, 2015.
Hustis, Harriet. ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’. Studies in English Literature, 1500-1900, vol. 43, no. 4, 2003, pp. 845–58, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4625101.
Hutcheon, Linda. Narcissistic Narrative: The Metafictional Paradox. Methuen, 1984, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=685684.
———. The Politics of Postmodernism. Routledge, 1989.
In Our Time: Samuel Beckett. BBC Radio 4, https://learningonscreen.ac.uk/ondemand/index.php/prog/129EFDD2?bcast=128307282.
Inwood, Michael. Heidegger: A Very Short Introduction. Oxford University Press, 2000, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=232899.
Ishiguro, Kazuo. An Artist of the Floating World. Faber, 1986.
———. An Artist of the Floating World. Faber, 2001.
———. Never Let Me Go. Faber, 2006.
———. The Remains of the Day. Faber, 1993.
———. The Unconsoled. Faber, 1995.
———. When We Were Orphans. Faber and Faber, 2000.
Jackson, Tony E. ‘Charles and the Hopeful Monster: Postmodern Evolutionary Theory in The French Lieutenant’s Woman’. Twentieth Century Literature, vol. 43, no. 2, 1997, pp. 221–42, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441570?seq=1#page_scan_tab_contents.
James Knowlson, ‘Krapp’s Last Tape’: The Evolution of a Play, 1958-75’. http://www.english.fsu.edu/jobs/num01/Num1Knowlson2.htm.
Johansen, Emily. ‘Bureaucracy and Narrative Possibilities in Kazuo Ishiguro’s Never Let Me Go’. The Journal of Commonwealth Literature, vol. 51, no. 3, 2016, http://journals.sagepub.com.oxfordbrookes.idm.oclc.org/doi/full/10.1177/0021989415574137.
John, Juliet. ‘Dickens and the Circus of Modernity’. Dickens and Modernity, edited by Juliet John, n.s., v. 65, D.S. Brewer, 2012.
Johnson, Heather. ‘Textualizing the Double-Gendered Body: Forms of the Grotesque in `The Passion of New Eve’.’ Review of Contemporary Fiction, vol. 14, no. 3, 1994, pp. 43–48, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9502070471&site=ehost-live.
Jordan, John O. The Cambridge Companion to Charles Dickens. Cambridge University Press, 2001.
Keller, Sarah. ‘“Once Wasn’t Enough for You”: Beckett, Technology, and Preservation’. Literature/Film Quarterly, no. 3, 2010, pp. 230–43, http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/753498868?accountid=13041.
Kelly, Adam. ‘Freedom to Struggle: The Ironies of Colson Whitehead’. Open Library of Humanities, vol. 4, no. 2, 2018, https://doi.org/10.16995/olh.332.
Kenner, Hugh. A Reader’s Guide to Samuel Beckett. Thames and Hudson, 1973.
———. Samuel Beckett: A Critical Study. John Calder, 1962.
Knellwolf, Christa, and Jane R. Goodall. Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 1780-1830. Ashgate, 2008.
Knopp, Sherron E. ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’. PMLA, vol. 103, no. 1, 1988, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459.
———. ‘“If I Saw You Would You Kiss Me?”: Sapphism and the Subversiveness of Virginia Woolf’s Orlando’. PMLA, vol. 103, no. 1, 1988, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/462459.
Knowlson, James. Damned to Fame: The Life of Samuel Beckett. Bloomsbury, 1997.
Landrum, David W. ‘Rewriting Marx: Emancipation and Restoration in The French Lieutenant’s Woman’. Twentieth Century Literature, vol. 42, no. 1, 1996, pp. 103–13, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441678?seq=1#page_scan_tab_contents.
Lee, Hermione. The Novels of Virginia Woolf. Methuen, 1977.
Levy, Titus. ‘Human Rights Storytelling and Trauma Narrative in Kazuo Ishiguro’s Never Let Me Go’. Journal of Human Rights, vol. 10, no. 1, 2011, pp. 1–16, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=58619139&site=ehost-live.
Linett, Maren Tova. Virginia Woolf: An MFS Reader. Johns Hopkins University Press, 2009.
Lokke, Kari Elise. ‘Orlando and Incandescence: Virginia Woolf’s Comic Sublime’. MFS Modern Fiction Studies, vol. 38, no. 1, 1992, pp. 235–52, http://muse.jhu.edu.oxfordbrookes.idm.oclc.org/article/243459.
Lyotard, Jean-François. The Postmodern Condition: A Report on Knowledge. Manchester University Press, 1984.
Mahlberg, Michaela, Peter Stockwell, et al. ‘CLiC Dickens: Novel Uses of Concordances for the Integration of Corpus Stylistics and Cognitive Poetics’. Corpora, vol. 11, no. 3, 2016, pp. 433–63, https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=120669502&site=ehost-live.
Mahlberg, Michaela, Kathy Conklin, et al. ‘Reading Dickens’s Characters: Employing Psycholinguistic Methods to Investigate the Cognitive Reality of Patterns in Texts’. Language and Literature, vol. 23, no. 4, 2014, pp. 369–88, https://doi.org/10.1177/0963947014543887.
Majumdar, Robin, and Allen McLaurin. Virginia Woolf, the Critical Heritage. Routledge and Kegan Paul, 1975, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=169640.
Marcus, Jane. New Feminist Essays on Virginia Woolf. Macmillan, 1981.
———. Virginia Woolf and the Languages of Patriarchy. Indiana University Press, 1987.
Marcus, Laura. Virginia Woolf. 2nd ed, Writers and their work, Northcote House, 2004, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3383404.
Marsh, Nicholas. Mary Shelley, Frankenstein. Palgrave Macmillan, 2009, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3306045.
———. Virginia Woolf: The Novels. Macmillan Press, 1998.
Matthews. T.S. Eliot and Early Modern Literature. Dead Voices Speak through the Living Voice. Oxford University Press, 2013.
McBratney, John. ‘RELUCTANT COSMOPOLITANISM IN DICKENS’S “GREAT EXPECTATIONS”’. Victorian Literature and Culture, vol. 38, no. 2, 2010, pp. 529–46, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25733490.
Mcdonald, Keith. ‘Days of Past Futures: Kazuo Ishiguro’s Never Let Me Go as “Speculative Memoir”’. Biography, vol. 30, no. 1, 2007, pp. 74–83, https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=24112154&site=ehost-live.
McDonald, Ronan. The Cambridge Introduction to Samuel Beckett. Cambridge University Press, 2006.
McHale, Brian. Postmodernist Fiction. Routledge, 1989, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179146.
McIntire, Gabrielle. Modernism, Memory, and Desire: T.S. Eliot and Virginia Woolf. Cambridge University Press, 2008.
McIntyre, Gabrielle. Modernism, Memory and Desire: T. S. Eliot and Virginia Woolf. Cambridge University Press, 2008.
Mellis, James. ‘Continuing Conjure: African-Based Spiritual Traditions in Colson Whitehead’s The Underground Railroad and Jesmyn Ward’s Sing, Unburied, Sing’. Religions, vol. 10, no. 7, 2019, https://doi.org/10.3390/rel10070403.
‘Metaleptic Machines[1].’ Semiotica, 2004, http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=ufh&AN=14011057&site=ehost-live.
Miller, J. Hillis. Charles Dickens: The World of His Novels. Harvard University Press, 1958.
Moran, Patricia. Word of Mouth: Body Language in Katherine Mansfield and Virginia Woolf. University Press of Virginia, 1996.
Moretti, Franco. The Way of the World: The Bildungsroman in European Culture. New ed, Verso, 2000.
Morton, Timothy. A Routledge Literary Sourcebook on Mary Shelley’s Frankenstein. Routledge, 2002.
North, Michael. The Political Aesthetic of Yeats, Eliot, and Pound. Cambridge University Press, 1991.
Olson, Richard. Science Deified & Science Defied: The Historical Significance of Science in Western Culture, Vol. 2: From the Early Modern Age through the Early Romantic Era, ca. 1640 to ca. 1820. University of California Press, 1990.
Onega, Susana. ‘Self, World, and Art in the Fiction of John Fowles’. Twentieth Century Literature, vol. 42, no. 1, 1996, pp. 29–57, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441674?origin=crossref&seq=1#page_scan_tab_contents.
———. ‘The Notion of Paradigm Shift and the Roles of Science and Literature in the Interpretation of Reality’. European Review, vol. 22, no. 3, 2014, pp. 491–503, http://search.proquest.com.oxfordbrookes.idm.oclc.org/docview/1541350887?accountid=13041.
Parkes, Adam. ‘Lesbianism, History, and Censorship: The Well of Loneliness and the Suppressed Randiness of Virginia Woolf’s Orlando’. Twentieth Century Literature, vol. 40, no. 4, 1994, pp. 434–60, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/441599.
Parsons, Deborah L. Streetwalking the Metropolis: Women, the City, and Modernity. Oxford University Press, 2000.
Pattie, David. The Complete Critical Guide to Samuel Beckett. Routledge, 2000.
Peach, Linden. Angela Carter. 2nd ed, Palgrave Macmillan, 2009.
Perez-Gil, Maria Del Mar. ‘The Alchemy of the Self in Angela Carter’s The Passion of New Eve’. Studies in the Novel, vol. 39, no. 2, 2007, https://studiesinthenovel.org/read/issue-archive/volume-39.html.
Pountney, Rosemary. Theatre of Shadows: Samuel Beckett’s Drama 1956-76: From All That Fall to Footfalls, with Commentaries on the Latest Plays. Smythe, 1988.
Punter, David. A New Companion to the Gothic. 2nd ed, Blackwell companions to literature and culture, Wiley-Blackwell, 2012, https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781444354928&uid=^u. Electronic resource.
Raine, Craig. T.S. Eliot. Oxford University Press, 2006, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=415810.
Rainey, Lawrence S. Institutions of Modernism. Yale University Press, 1999.
———. Revisiting The Waste Land. Yale University Press, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3420039.
Rauch, Alan. ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’. Studies in Romanticism, vol. 34, no. 2, 1995, pp. 227–53, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live.
Rizq, Rosemary. ‘Copying, Cloning and Creativity: Reading Kazuo Ishiguro’s Never Let Me Go’. British Journal of Psychotherapy, vol. 30, no. 4, 2014, pp. 517–32, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=99087028&site=ehost-live.
Robbins, Bruce. ‘Cruelty Is Bad: Banality and Proximity in Never Let Me Go’. Novel: A Forum on Fiction, vol. 40, no. 3, 2007, pp. 289–302, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/40267704.
Roe, Nicholas. Romanticism: An Oxford Guide. Oxford University Press, 2005.
Roe, Sue, and Susan Sellers. The Cambridge Companion to Virginia Woolf. Cambridge University Press, 2000.
Ruston, Sharon. Creating Romanticism: Case Studies in the Literature, Science and Medicine of the 1790s. Palgrave Macmillan, 2013.
Ryan, Marie-Laure. ‘Postmodernism and the Doctrine of Panfictionality’. Narrative, vol. 5, no. 2, 1997, pp. 165–87, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/20107114?seq=1#page_scan_tab_contents.
Sage, Lorna. Angela Carter. 2nd ed, Writers and their work, Northcote House, 2007.
———. Flesh and the Mirror: Essays on the Art of Angela Carter. Virago, 1994.
Sage, Lorna and British Council. Angela Carter. Northcote House in association with The British Council, 1994.
Samuel Beckett - Krapp’s Last Tape (Patrick Magee). 17 Nov. 2012, https://www.youtube.com/watch?v=otpEwEVFKLc.
Samuel Beckett Interview, 1987. 18 AD, https://www.youtube.com/watch?v=A5niePmKL9w.
Schwartz, Sanford. The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought. Princeton University Press.
Scruggs, Charles. ‘The Two Endings of “The French Lieutenant’s Woman”’. Modern Fiction Studies, vol. 31, no. 1, 1985, pp. 95–113, http://muse.jhu.edu.oxfordbrookes.idm.oclc.org/article/242256.
Sell, Roger D. Great Expectations: Charles Dickens. Macmillan, 1994.
Sellers, Susan. The Cambridge Companion to Virginia Woolf. 2nd ed, Cambridge companions to literature, Cambridge University Press, 2010.
Shaddox, Karl. ‘Generic Considerations in Ishiguro’s “Never Let Me Go”’. Human Rights Quarterly, vol. 35, no. 2, 2013, pp. 448–69, https://heinonline-org.oxfordbrookes.idm.oclc.org/HOL/P?h=hein.journals/hurq35&i=458.
Shail, Andrew. ‘“She Looks Just like One of We-All”: British Cinema Culture and the Origins of Woolf’s Orlando’. Critical Quarterly, vol. 48, no. 2, 2006, pp. 45–76, https://doi.org/10.1111/j.1467-8705.2006.00702.x.
Shelley, Mary Wollstonecraft. Frankenstein. Open Road Integrated Media, 2014, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1799658.
Shelley, Mary Wollstonecraft, and Marilyn Butler. Frankenstein, or, The Modern Prometheus: The 1818 Text. [New ed.], Oxford world’s classics, Oxford University Press, 2008.
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Victoria L. Smith. ‘“Ransacking the Language”: Finding the Missing Goods in Virginia Woolf’s “Orlando”’. Journal of Modern Literature, vol. 29, no. 4, 2006, pp. 57–75, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3831880.
Waugh, Patricia. Feminine Fictions: Revisiting the Postmodern. Routledge, 1989, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1016101.
———. Metafiction: The Theory and Practice of Self-Conscious Fiction. Methuen, 1984, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165759.
Webb, Eugene. The Plays of Samuel Beckett. Owen, 1972, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4305947.
White, Hayden V. The Content of the Form: Narrative Discourse and Historical Representation. Johns Hopkins University Press, 1987.
Whitehead, Colson. The Underground Railroad. Fleet, 2017.
———. Zone One: A Novel. Vintage, 2012.
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Williams, Raymond. The English Novel from Dickens to Lawrence. Chatto & Windus, 1970.
Winters, Lisa Ze. ‘Fiction and Slavery’s Archive: Memory, Agency, and Finding Home’. Reviews in American History, vol. 46, 2018, pp. 338–44, https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/2157615423/fulltext/3584FBA6AD964C3APQ/1?accountid=13041.
Wong, Cynthia F. and British Council. Kazuo Ishiguro. Northcote House in association with the British Council, 2000.
Woolf, Virginia. ‘Chapter 6, A Room of One’s Own’. A Room of One’s Own, 1929.
———. Orlando. Alma Classics, 2014, https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1537872&site=ehost-live.
———. Orlando: A Biography. Annotated ed, Penguin classics, Penguin, 2000.
———. Street Haunting. Penguin, 2005.
Woolf, Virginia, and Michèle Barrett. Women and Writing. Women’s Press, 1979.
Wright, Angela. Mary Shelley. University of Wales Press, 2018.
Wyatt, Jean. ‘The Violence of Gendering: Castration Images in Angela Carter’s “The Magic Toyshop”, “The Passion of New Eve” and "Peter and the Wolf”’. Women’s Studies, vol. 25, no. 6, 1996, pp. 549–70, http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9710035154&site=ehost-live.
Wynne, Deborah. ‘‘ We Were Unhealthy and Unsafe’: Great Expectations and All The Year Round’s Anxiety Stories’. Journal of Victorian Culture, vol. 5, no. 1, 2000, pp. 45–59, http://www-tandfonline-com.oxfordbrookes.idm.oclc.org/doi/abs/10.3366/jvc.2000.5.1.45.
———. The Sensation Novel and the Victorian Family Magazine. Palgrave, 2001.