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———. ‘Spaced-out: Signification and Space in Paul Auster’s “The New York Trilogy”’. Contemporary Literature 36, no. 4 (1995): 613–32. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1208943.
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———. The Art of Twentieth-Century American Poetry: Modernism and After. Vol. Blackwell introductions to literature. Oxford: Blackwell, 2006.
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———. The Cambridge Companion to American Poetry since 1945. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2013.
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Bachelard, Gaston, and Maria Jolas. The Poetics of Space. Boston: Beacon Press, 1994.
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———. Los Angeles: The Architecture of Four Ecologies. London: Allen Lane, 1971.
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‘BBC World Service - The Documentary, We Real Cool: The Poetry of Gwendolyn Brooks’, n.d. http://www.bbc.co.uk/programmes/p033bmrn.
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———. The Arcades Project. Cambridge, Mass: Belknap Press, 1999.
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Blasing, Mutlu Konuk. Politics and Form in Postmodern Poetry: O’Hara, Bishop, Ashbery and Merrill. Vol. Cambridge studies in American literature and culture. Cambridge: Cambridge University Press, 1995.
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———. Changing Places: Women’s Lives in the City. 1st ed. London: P. Chapman, n.d.
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———. The Modern American Novel. 2nd ed. Oxford: Oxford University Press, 1992.
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Buelens, Gert. ‘The American Poet and His City: Crane, Williams and Olson. Perceptions of Reality in American...’ English Studies 73, no. 3 (1992). http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=9208174400&site=ehost-live.
Burgan, Mary E. ‘“Sister Carrie” and the Pathos of Naturalism’. Criticism 15, no. 4 (1973): 336–336. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdfz303z303-1973-015-04-000004pdf&tab=title&jid=393239333234383430%2332383931343737343534.
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‘Carl Sandburg’, n.d. http://www.english.illinois.edu/maps/poets/s_z/sandburg/sandburg.htm.
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———. ‘Images of Men in Lorraine Hansberry’s Writing’. Black American Literature Forum 19, no. 4 (1985): 160–62. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2904279.
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Certeau, Michel de, and Steven Rendall. The Practice of Everyday Life. Berkeley: University of California Press, n.d.
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‘Charles Bukowski’s Last Poetry Reading - The Last Straw Rare Footage’, 9AD. https://www.youtube.com/watch?v=QB6IyLTvB7M.
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Clark, Michael. Dos Passos’ Early Fiction,1912-1938. Selinsgrove (Pa.): Susquehanna University Press, 1987.
Cohn, Julie A. The Grid: Biography of an American Technology. Cambridge, Massachusetts: The MIT Press, 2017.
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‘Commentary about “Let Us Now Praise Famous Men” and a Selection of Walker Evans’s Images’, n.d. http://xroads.virginia.edu/%7EUG97/fsa/letus.html.
‘Commentary about “You Have Seen Their Faces”, with Images from the Book by Margaret Bourke-White’, n.d. http://xroads.virginia.edu/%7ECLASS/am485_98/coe/Faces.html.
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Cooney, Seamus. John Fante: Selected Letters, 1932-1981. Black Sparrow Press, n.d.
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Corkin, Stanley. ‘“Sister Carrie” and Industrial Life: Objects and the New American Self’. Modern Fiction Studies 33, no. 4 (1987): 605–605. https://muse-jhu-edu.oxfordbrookes.idm.oclc.org/article/244375.
Coverley, Merlin. Psychogeography. Harpenden: Pocket Essentials, 2006.
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———. The Bridge: A Poem. New York: Liveright, 1970.
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Davidson, Cathy N., and Arnold E. Davidson, Arnold E. ‘Carrie’s Sisters: The Popular Prototypes for Dreiser’s Heroine’. Modern Fiction Studies 23, no. 3 (1977): 395–395. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdf50405040-1977-023-03-000006pdf&tab=title&jid=393239333234383430%2333343037343338363034.
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———. The Cambridge Companion to Modernist Poetry. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2007.
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———. City of Quartz: Excavating the Future in Los Angeles. New ed. London: Verso, 2006.
Dear, Michael, and Steven Flusty. ‘Postmodern Urbanism’. Annals of the Association of American Geographers 88, no. 1 (1998): 50–72. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2563976.
———. ‘Postmodern Urbanism’. Annals of the Association of American Geographers 88, no. 1 (1998): 50–72. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2563976.
Debord, Guy, and Donald Nicholson-Smith. The Society of the Spectacle. New York: Zone Books, 1994.
Debritto, Abel. ‘A "Dirty Old Man” on Stage: Charles Bukowski and the Underground Press in the 1960s’. English Studies 92, no. 3 (2011): 309–22. https://doi.org/10.1080/0013838X.2011.564777.
‘Defending Los Angeles.’ Time 98, no. 6 (1971). http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=53807432&site=ehost-live.
Deverell, William, and Greg Hise, eds. A Companion to Los Angeles. Vol. Wiley Blackwell companions to American history. Chichester: Wiley Blackwell, 2014.
Diamond, Sam. ‘Getting the Story Joan Didion’s Aesthetic Transformation’. Orbit: A Journal of American Literature 6, no. 1 (2018). https://doi.org/10.16995/orbit.495.
Dickerson, Glenda. African American Theater: A Cultural Companion. Cambridge: Polity, 2008.
Didion, Joan. ‘California Notes’. The New York Review of Books, no. May 26, 2016 (2016). http://www.nybooks.com/articles/2016/05/26/california-notes/.
———. Play It as It Lays: A Novel. [Place of publication not identified]: OPEN ROAD MEDIA, 2017. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4852919.
———. We Tell Ourselves Stories in Order to Live: Collected Nonfiction. Vol. Everyman’s library. New York: Everyman’s Library, 2006.
‘Die Stadt, Frans Masereel, 1925’, n.d. http://graphicwitness.org/historic/st.htm.
Dimendberg, Edward. ‘The Kinetic Icon: Reyner Banham on Los Angeles as Mobile Metropolis’. Urban History 33, no. 01 (2006): 106–25. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/journals/urban-history/article/kinetic-icon-reyner-banham-on-los-angeles-as-mobile-metropolis/830D469D7D4391D29013AC038C8238BA.
Dos Passos, John. The Best Times: An Informal Memoir. [London]: Andre Deutsch, 1968.
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Dreiser, Theodore. Sister Carrie. New York, NY: Open Road Integrated Media, Inc, 2016. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4747091.
———. Sister Carrie. Lanham: Dancing Unicorn Books, 2017. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781515413738&uid=^u.
Dreiser, Theodore, and Donald Pizer. Sister Carrie: An Authoritative Text, Backgrounds, and Sources Criticism. 2nd ed. Vol. A Norton critical edition. New York: Norton, 1991.
———. Sister Carrie: An Authoritative Text, Backgrounds, and Sources Criticism. 2nd ed. Vol. A Norton critical edition. New York: Norton, 1991.
Dybek, Stuart. The Coast of Chicago. New York: Picador, 1990.
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edited by David Starkey and Richard Guzman. Smokestacks & Skyscrapers. Wild Onion Books, n.d.
Elam, Harry Justin, and David Krasner. African American Performance and Theater History: A Critical Reader. New York: Oxford University Press, 2001.
Eldridge, David. American Culture in the 1930s. Vol. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2008.
Elliott, Matthew. ‘John Fante’s “Ask the Dust” and Fictions of Whiteness’. Twentieth Century Literature 56, no. 4 (2010): 530–44. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/41413714.
Espejo, Ramon. ‘Coping with the Postmodern: Paul Auster’s New York Trilogy’. Journal of American Studies 48, no. 1 (2014): 147–71. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/journals/journal-of-american-studies/article/coping-with-the-postmodern-paul-austers-new-york-trilogy/59C3721B4EAFAB808EFF82349683CBA5.
Esteve, Mary. The Aesthetics and Politics of the Crowd in American Literature. Vol. 135. Cambridge, UK: Cambridge University Press, 2003. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=218010.
———. The Aesthetics and Politics of the Crowd in American Literature. Vol. 135. Cambridge, UK: Cambridge University Press, 2003. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=218010.
‘Excerpts from the Documentary Film “O Brother Man: The Art and Life of Lynd Ward”, Directed by Michael Maglaras (2012)’, n.d. http://vimeo.com/two17films/videos.
‘Exhibition: The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960–1980’, n.d. http://extras.artic.edu/city-lost-found.
Fante, John. Ask the Dust. Edinburgh: Canongate, 2012.
Fante, John, and Stephen Cooper. The John Fante Reader. New York: Ecco, 2003.
Farr, Marie T. ‘Freedom and Control: Automobiles in American Women’s Fiction of the 70s and 80s’. Journal of Popular Culture 29, no. 2 (1995): 777–82. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/195358456/48EAA388FF874884PQ/26?accountid=13041.
‘Feminist, Lesbian, Warrior, Poet: Rediscovering the Work of Audre Lorde’, n.d. https://www.newstatesman.com/culture/books/2017/09/feminist-lesbian-warrior-poet-rediscovering-work-audre-lorde.
Fisher, Clive. Hart Crane: A Life. New Haven, [Conn.]: Yale University Press, 2002.
Fitzpatrick, Joan. The Idea of the City: Early-Modern, Modern, and Post-Modern Locations and Communities. Newcastle upon Tyne: Cambridge Scholars Pub, 2009.
‘Flaneuse by Lauren Elkin: Off The Page’, n.d. https://www.penguin.co.uk/articles/in-conversation/interviews/2016/jul/flaneuse-by-lauren-elkin-off-the-page/.
‘Flying Cars and Giant Snakes: 60 Years of Street Life in Los Angeles’, n.d. http://www.theguardian.com/artanddesign/gallery/2015/jun/24/flying-cars-and-giant-snakes-60-years-of-street-life-in-los-angeles-in-pictures?CMP=share_btn_tw.
‘Footage of New York City in 1928’, 22 December 2007. https://www.youtube.com/watch?v=lkqz3lpUBp0.
Ford, Karen Jackson. ‘The Last Quatrain: Gwendolyn Brooks and the Ends of Ballads’. Twentieth Century Literature 56, no. 3 (2010): 371–95. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/41062482.
———. ‘The Last Quatrain: Gwendolyn Brooks and the Ends of Ballads’. Twentieth Century Literature 56, no. 3 (2010). https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/1208132.
Ford, Simon. The Situationist International: A User’s Guide. London: Black Dog, 2005.
‘From Literary Heavyweight to Lifestyle Brand: Exploring the Cult of Joan Didion | Life and Style | The Guardian’, n.d. http://www.theguardian.com/lifeandstyle/2015/aug/17/joan-didion-literary-heavyweight-lifestyle-brand-celine.
Gabriel, Daniel. Hart Crane and the Modernist Epic: Canon and Genre Formation in Crane, Pound, Eliot, and Williams. Basingstoke: Palgrave Macmillan, 2007.
Gammel, Irene. ‘The City’s Eye of Power: Panopticism and Specular Prostitution in Dreiser’s New York and Grove’s...’ Canadian Review of American Studies 22, no. 2 (1991). http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=9611272067&site=ehost-live.
Geherin, David J. ‘Nothingness and Beyond: Joan Didion’s Play It As It Lays’. Critique 16, no. 1 (1974): 1–21. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/1310172415/48EAA388FF874884PQ/65?accountid=13041.
Gelpi, Albert. A Coherent Splendor: The American Poetic Renaissance, 1910-1950. Cambridge: Cambridge University Press, 1987.
‘Georg Simmel, “The Metropolis and Mental Life” (1903)’, n.d. http://www.esperdy.net/wp-content/uploads/2009/09/Simmel_21.pdf.
Geyh, Paula E. ‘From Cities of Things to Cities of Signs: Urban Spaces and Urban Subjects in “Sister Carrie” and “Manhattan Transfer”’. Twentieth Century Literature 52, no. 4 (2006): 413–42. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479784.
———. ‘From Cities of Things to Cities of Signs: Urban Spaces and Urban Subjects in “Sister Carrie” and “Manhattan Transfer”’. Twentieth Century Literature 52, no. 4 (2006): 413–42. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479784.
Gilloch, Graeme, and Walter Benjamin. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity Press, 1996.
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Zurier, Rebecca, Robert W. Snyder, Virginia M. Mecklenburg, and National Museum of American Art. Metropolitan Lives: The Ashcan Artists and Their New York. New York: National Museum of American Art in association with W.W. Norton, 1995.