Adams, Henry Hitch. English Domestic or, Homiletic Tragedy 1575 to 1642: Being an Account of the Development of the Tragedy [...]. New York: Blom, 1971.
Adams, Jr., Joseph Quincy. ‘The Authorship of a Warning for Fair Women’. PMLA 28, no. 4 (1913): 594–620. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/457057?seq=1#page_scan_tab_contents.
Andrews, Michael C. ‘Honest Othello: The Handkerchief Once More’. Studies in English Literature, 1500-1900 13, no. 2 (1973): 273–84. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/449739.
Aughterson, Kate. Shakespeare: The Late Plays. Vol. Analysing texts. Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Balizet, Ariane M. Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage. Vol. Routledge studies in Renaissance literature and culture. London: Routledge, 2014.
———. Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage. Vol. Routledge studies in Renaissance literature and culture. London: Routledge, 2014.
Barksted, William, Lewis Machin, John Marston, Francis Beaumont, Thomas Middleton, and John Fletcher. ‘Francis Beaumont and John Fletcher, “The Maid’s Tragedy” (1608-11), in Four Jacobean Sex Tragedies’. In Four Jacobean Sex Tragedies, edited by Martin Wiggins, Vol. Oxford English drama. Oxford: Oxford University Press, 1998.
Beaumont, Francis. The Maid’s Tragedy. Manchester University Press, n.d.
Benson, Sean. Shakespeare, Othello and Domestic Tragedy. Vol. Continuum Shakespeare studies. London: Bloomsbury, 2013.
———. Shakespeare, Othello and Domestic Tragedy. Vol. Bloomsbury Shakespeare studies series. London: Bloomsbury, 2013.
———. Shakespeare, Othello and Domestic Tragedy. Vol. Bloomsbury Shakespeare studies series. London: Bloomsbury, 2013.
Berek, Peter. ‘Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays’. Studies in English Literature, 1500-1900 44, no. 2 (2004): 359–77. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3844635.
Bever, Edward Watts Morton. The Realities of Witchcraft and Popular Magic in Early Modern Europe: Culture, Cognition, and Everyday Life. Vol. Palgrave historical studies in witchcraft and magic. Basingstoke: Palgrave Macmillan, 2008.
Bingham, Mark E. ‘The Multiple Plot in Fletcherian Tragicomedies’. Studies in English Literature, 1500-1900 33, no. 2 (1993): 405–23. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/451006.
Blake, Ann. ‘Children and Suffering in Shakespeare’s Plays’. The Yearbook of English Studies 23 (1993): 293–304. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3507985.
Blayney, Glenn H. ‘Wardship in English Drama (1600-1650)’. Studies in Philology 53, no. 3 (1956): 470–84. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4173174.
Bowers, Rick. ‘A Woman Killed with Kindness: Plausibility on a Smaller Scale’. Studies in English Literature, 1500-1900 24, no. 2 (1984): 293–306. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450529.
Bradley, A. C. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. Harmondsworth: Penguin, 1991.
Braxton, Phyllis Natalie. ‘Othello: The Moor and the Metaphor’. South Atlantic Review 55, no. 4 (1990): 1–17. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3200442.
Bromley, Laura G. ‘Domestic Conduct in A Woman Killed with Kindness’. Studies in English Literature, 1500-1900 26, no. 2 (1986): 259–76. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450507.
Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare. London: Routledge and Kegan Paul (etc.), 1975.
Callaghan, Dympna. Woman and Gender in Renaissance Tragedy: A Study of King Lear, Othello, The Duchess of Malfi and The White Devil. New York: Harvester Wheatsheaf, 1989.
Cary, Cecile Williamson. ‘“Go Breake This Lute”: Music in Heywood’s “A Woman Killed with Kindness”’. Huntington Library Quarterly 37, no. 2 (1974): 111–22. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3817029.
Clegg, Cyndia Susan. ‘English Renaissance Books on Islam and Shakespeare’s “Othello”’. Pacific Coast Philology 41 (2006): 1–12. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25474192.
Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford: Oxford University Press, 2004. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052657.
Davidson, Jane. Early Modern Supernatural. Vol. Praeger Series on the Early Modern World. Santa Barbara: ABC-CLIO, 2012. https://oxfordbrookes.idm.oclc.org/login?url=http://brookes.eblib.com/patron/FullRecord.aspx?p=831971.
De Grazia, Margreta, Maureen Quilligan, and Peter Stallybrass. Subject and Object in Renaissance Culture. Vol. Cambridge studies in renaissance literature and culture. Cambridge: Cambridge University Press, 1996.
Dolan, Frances E. Dangerous Familiars: Representations of Domestic Crime in England, 1550-1700. Ithaca: Cornell University Press, 1994.
———. ‘Gender, Moral Agency, and Dramatic Form in A Warning for Fair Women’. Studies in English Literature, 1500-1900 29, no. 2 (1989): 201–18. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450471.
Edwards, Kathryn A. Werewolves, Witches, and Wandering Spirits: Traditional Belief and Folklore in Early Modern Europe. Vol. Sixteenth century essays&studies. Kirksville, MO: Truman State University Press, 2002.
Fernie, Ewan. The Demonic: Literature and Experience. London: Routledge, 2013. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1125259.
Gibson, Marion. Early Modern Witches: Witchcraft Cases in Contemporary Writing. London: Routledge, 2000. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=243164.
Golding, M. R. ‘Variations in the Use of the Masque in English Revenge Tragedy’. The Yearbook of English Studies 3 (1973): 44–54. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3506855.
Gossett, Suzanne. ‘Masque Influence on the Dramaturgy of Beaumont and Fletcher’. Modern Philology 69, no. 3 (1972): 199–208. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/436643.
Granville-Barker, Harley. Prefaces to Shakespeare:  Vol.1, Hamlet; King Lear; The Merchant of Venice; Antony and Cleopatra; Cymbeline. London: Batsford, 1958.
———. Prefaces to Shakespeare: Vol.2, Othello; Coriolanus; Romeo and Juliet; Julius Caesar; Love’s Labour’s Lost. London: Batsford, 1958.
Granville-Barker, Harley, and Muriel St. Clare Byrne. Prefaces to Shakespeare: Vol.4: Love’s Labours Lost, Romeo and Juliet, The Merchant of Venice [and] Othello. London: Batsford, 1963.
Harris, Jonathan Gil, and Natasha Korda. Staged Properties in Early Modern English Drama. Cambridge: Cambridge University Press, 2002.
Henderson, Diana E. ‘Many Mansions: Reconstructing A Woman Killed with Kindness’. Studies in English Literature, 1500-1900 26, no. 2 (1986): 277–94. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450508.
Henze, Catherine A. ‘Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque’. Studies in English Literature, 1500-1900 44, no. 2 (2004): 379–404. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3844636.
Heywood, Thomas. ‘Thomas Heywood, “A Woman Killed with Kindness” (1603), in Three Elizabethan Domestic Tragedies’. In Three Elizabethan Domestic Tragedies, edited by Keith Sturgess, Vol. Penguin classics. London: Penguin, 2012.
Holdsworth, R. V. ‘Middleton’s Authorship of A Yorkshire Tragedy’. The Review of English Studies 45, no. 177 (1994): 1–25. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/517438.
Huebert, Ronald. ‘“An Artificial Way to Grieve”: The Forsaken Woman in Beaumont and Fletcher, Massinger and Ford’. ELH 44, no. 4 (1977): 601–21. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2872427.
Johnstone, Nathan. ‘The Protestant Devil: The Experience of Temptation in Early Modern England’. The Journal of British Studies 43, no. 02 (2004): 173–205. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/journals/journal-of-british-studies/article/protestant-devil-the-experience-of-temptation-in-early-modern-england/655C3CA66A37F9DD2B93972300799D0F.
Jones, Ann Rosalind, and Peter Stallybrass. Renaissance Clothing and the Materials of Memory. Vol. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 2000. https://contentstore.cla.co.uk/secure/link?id=2a295103-f699-e711-80cb-005056af4099.
Karim-Cooper, Farah, and Tiffany Stern, eds. Shakespeare’s Theatres and the Effects of Performance. Vol. The Arden Shakespeare library. London: Bloomsbury Arden Shakespeare, 2013. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781408174647&uid=^u.
———, eds. Shakespeare’s Theatres and the Effects of Performance. Vol. The Arden Shakespeare library. London: Arden Shakespeare, 2013.
Kay, Carol McGinnis. ‘Othello’s Need for Mirrors’. Shakespeare Quarterly 34, no. 3 (1983): 261–70. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2869886.
Kirwan, Peter. ‘The First Collected “Shakespeare Apocrypha”’. Shakespeare Quarterly 62, no. 4 (2011): 594–601. https://academic-oup-com.oxfordbrookes.idm.oclc.org/sq/article/62/4/594/5064697.
Korda, Natasha. Shakespeare’s Domestic Economies: Gender and Property in Early Modern England. Philadelphia, Pa: University of Pennsylvania Press, 2002. https://oxfordbrookes.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3441699.
———. Shakespeare’s Domestic Economies: Gender and Property in Early Modern England. Philadelphia, Pa: University of Pennsylvania Press, 2002. https://oxfordbrookes.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3441699.
Lawrence, William Witherle. Shakespeare’s Problem Comedies. Rev. ed. Vol. Penguin Shakespeare. Harmondsworth: Penguin, 1969.
Leggott, Gemma, ed. ‘Anon, “A Warning for Fair Women”, Available on Early Modern Literary Studies: Resources’. Early Modern Literary Studies:resources, 2011. https://extra.shu.ac.uk/emls/iemls/resources.html.
———, ed. ‘Anon, “Two Lamentable Tragedies”, Available on Early Modern Literary Studies: Resources’. Early Modern Literary Studies: resources, 2011. https://extra.shu.ac.uk/emls/iemls/resources.html.
Levack, Brian P. The Oxford Handbook of Witchcraft in Early Modern Europe and Colonial America. Vol. Oxford handbooks in history. Oxford: Oxford University Press, 2013.
———. The Witch-Hunt in Early Modern Europe. 3rd ed. Harlow, England: Pearson Longman, 2006. https://oxfordbrookes.on.worldcat.org/oclc/61309397.
———. The Witch-Hunt in Early Modern Europe. Fourth edition. London: Routledge, Taylor & Francis Group, 2016.
Lieblein, Leanore. ‘The Context of Murder in English Domestic Plays, 1590-1610’. Studies in English Literature, 1500-1900 23, no. 2 (1983): 181–96. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450087.
———. ‘The Context of Murder in English Domestic Plays, 1590-1610’. Studies in English Literature, 1500-1900 23, no. 2 (1983): 181–96. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450087.
MacDonald, Joyce Green. ‘Acting Black: “Othello,” “Othello” Burlesques, and the Performance of Blackness’. Theatre Journal 46, no. 2 (1994): 231–49. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3208453.
Maxwell-Stuart, P. G. Witch Hunters: Professional Prickers, Unwitchers & Witch Finders of the Renaissance. Stroud: Tempus, 2003.
McCoy, Richard C. Faith in Shakespeare. New York: Oxford University Press, 2013.
McMahon, Vanessa. Murder in Shakespeare’s England. London: Hambledon and London, 2004.
McQuade, Paula. ‘“A Labyrinth of Sin”: Marriage and Moral Capacity in Thomas Heywood’s “A Woman Killed with Kindness”’. Modern Philology 98, no. 2 (2000): 231–50. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/438934.
Orlin, Lena Cowen. ‘“Domestic Tragedy: Private Life on the Public Stage”, in A Companion to Renaissance Drama’. In A Companion to Renaissance Drama, Vol. Blackwell companions to literature and culture. Oxford: Blackwell, 2002. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=214132.
———. Private Matters and Public Culture in Post-Reformation England. Ithaca: Cornell University Press, 1994.
———. The Renaissance: A Sourcebook. Basingstoke: Palgrave Macmillan, 2009. https://contentstore.cla.co.uk/secure/link?id=2b295103-f699-e711-80cb-005056af4099.
Panek, Jennifer. ‘Punishing Adultery in A Woman Killed with Kindness’. Studies in English Literature, 1500-1900 34, no. 2 (1994): 357–78. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450906.
Purkiss, Diane. The Witch in History: Early Modern and Twentieth-Century Representations. London: Routledge, 1996. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179374.
Richardson, Catherine. Domestic Life and Domestic Tragedy in Early Modern England: The Material Life of the Household. Manchester: Manchester University Press, 2006. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069493.
———. Domestic Life and Domestic Tragedy in Early Modern England: The Material Life of the Household. Manchester: Manchester University Press, 2006. https://contentstore.cla.co.uk/secure/link?id=9f1e8e0a-f699-e711-80cb-005056af4099.
———. Shakespeare and Material Culture. Vol. Oxford Shakespeare topics. Oxford: Oxford University Press, 2011. https://contentstore.cla.co.uk/secure/link?id=a01e8e0a-f699-e711-80cb-005056af4099.
———. ‘“Tragedy, Family and Household”, in The Cambridge Companion to English Renaissance Tragedy’. In The Cambridge Companion to English Renaissance Tragedy, Vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2010.
Rowley, William, Thomas Dekker, John Ford, Peter Corbin, and Douglas Sedge. The Witch of Edmonton. Vol. Revels student editions. Manchester: Manchester University Press, 1999.
Seaman, John E. ‘Othello’s Pearl’. Shakespeare Quarterly 19, no. 1 (1968): 81–85. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2867846.
Shakespeare, William. Cymbeline. Edited by Martin Butler. Vol. The new Cambridge Shakespeare. Cambridge: Cambridge University Press, 2005. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3314869.
———. Othello. Edited by E. A. J. Honigmann. Vol. The Arden Shakespeare : third series. London: Arden Shakespeare, 2004.
Shakespeare, William, and Michael Neill. Othello: The Moor of Venice. Oxford: Oxford University Press, 2008. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=349884.
Sharpe, J.A. ‘“Last Dying Speeches”: Religion, Ideology and Public Execution in Seventeenth-Century England’. Past & Present May, no. 107 (1985): 144–67. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/650708.
Slights, Camille Wells. ‘Slaves and Subjects in Othello’. Shakespeare Quarterly 48, no. 4 (1997): 377–90. https://academic-oup-com.oxfordbrookes.idm.oclc.org/sq/article/48/4/377/5073855.
Smith, Hallett D. ‘A Woman Killed with Kindness’. PMLA 53, no. 1 (1938): 138–47. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/458408.
Sturgess, Keith, and Thomas Heywood. ‘Thomas Middleton “A Yorkshire Tragedy” (1608), in Three Elizabethan Domestic Tragedies’. In Three Elizabethan Domestic Tragedies. London: Penguin, 2012.
Thorne, Alison. Shakespeare’s Romances. Vol. New casebooks. Basingstoke: Palgrave Macmillan, 2003.
Wall, Wendy. Staging Domesticity: Household Work and English Identity in Early Modern Drama. Vol. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 2006.
Wiggins, Martin, Thomas Heywood, Thomas Dekker, and Thomas Heywood. A Woman Killed with Kindness and Other Domestic Plays. Vol. Oxford English drama. Oxford: Oxford University Press, 2008.
Williamson, Elizabeth. The Materiality of Religion in Early Modern English Drama. Vol. Studies in performance and early modern drama. London: Routledge, 2016.
Willis, Deborah. Malevolent Nurture: Witch-Hunting and Maternal Power in Early Modern England. Ithaca: Cornell University Press, 1995.
Yachnin, Paul. ‘Magical Properties: Vision, Possession, and Wonder in “Othello”’. Theatre Journal 48, no. 2 (1996): 197–208. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3208867.
Yarington, Robert, Chiaki Hanabusa, E. Giddens, and Malone Society. Two Lamentable Tragedies. Vol. The Malone Society reprints. Manchester: Manchester University Press for the Malone Society, 2013.
Yarington, Robert and Malone Society. Two Lamentable Tragedies. Edited by Chiaki Hanabusa and E. Giddens. Vol. The Malone Society reprints. Manchester: Manchester University Press for the Malone Society, 2013.