Adams, H. H. (1971). English domestic or, homiletic tragedy 1575 to 1642: being an account of the development of the tragedy [...]. Blom.
Adams, Jr., J. Q. (1913). The Authorship of a Warning for Fair Women. PMLA, 28(4), 594–620. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/457057?seq=1#page_scan_tab_contents
Andrews, M. C. (1973). Honest Othello: The Handkerchief Once More. Studies in English Literature, 1500-1900, 13(2), 273–284. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/449739
Aughterson, K. (2013). Shakespeare: the late plays: Vol. Analysing texts. Palgrave Macmillan.
Balizet, A. M. (2014a). Blood and home in early modern drama: domestic identity on the Renaissance stage: Vol. Routledge studies in Renaissance literature and culture. Routledge.
Balizet, A. M. (2014b). Blood and home in early modern drama: domestic identity on the Renaissance stage: Vol. Routledge studies in Renaissance literature and culture. Routledge.
Barksted, W., Machin, L., Marston, J., Beaumont, F., Middleton, T., & Fletcher, J. (1998). Francis Beaumont and John Fletcher, ‘The Maid’s Tragedy’ (1608-11), in Four Jacobean sex tragedies. In M. Wiggins (Ed.), Four Jacobean sex tragedies: Vol. Oxford English drama. Oxford University Press.
Beaumont, F. (n.d.). The maid’s tragedy. Manchester University Press.
Benson, S. (2013a). Shakespeare, Othello and domestic tragedy: Vol. Bloomsbury Shakespeare studies series. Bloomsbury.
Benson, S. (2013b). Shakespeare, Othello and domestic tragedy: Vol. Bloomsbury Shakespeare studies series. Bloomsbury.
Benson, S. (2013c). Shakespeare, Othello and domestic tragedy: Vol. Continuum Shakespeare studies. Bloomsbury.
Berek, P. (2004). Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays. Studies in English Literature, 1500-1900, 44(2), 359–377. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3844635
Bever, E. W. M. (2008). The realities of witchcraft and popular magic in early modern Europe: culture, cognition, and everyday life: Vol. Palgrave historical studies in witchcraft and magic. Palgrave Macmillan.
Bingham, M. E. (1993). The Multiple Plot in Fletcherian Tragicomedies. Studies in English Literature, 1500-1900, 33(2), 405–423. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/451006
Blake, A. (1993). Children and Suffering in Shakespeare’s Plays. The Yearbook of English Studies, 23, 293–304. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3507985
Blayney, G. H. (1956). Wardship in English Drama (1600-1650). Studies in Philology, 53(3), 470–484. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4173174
Bowers, R. (1984). A Woman Killed with Kindness: Plausibility on a Smaller Scale. Studies in English Literature, 1500-1900, 24(2), 293–306. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450529
Bradley, A. C. (1991). Shakespearean tragedy: lectures on Hamlet, Othello, King Lear, Macbeth. Penguin.
Braxton, P. N. (1990). Othello: The Moor and the Metaphor. South Atlantic Review, 55(4), 1–17. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3200442
Bromley, L. G. (1986). Domestic Conduct in A Woman Killed with Kindness. Studies in English Literature, 1500-1900, 26(2), 259–276. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450507
Bullough, G. (1975). Narrative and dramatic sources of Shakespeare. Routledge and Kegan Paul (etc.).
Callaghan, D. (1989). Woman and gender in Renaissance tragedy: a study of King Lear, Othello, The Duchess of Malfi and The White Devil. Harvester Wheatsheaf.
Cary, C. W. (1974). ‘Go Breake This Lute’: Music in Heywood’s “A Woman Killed with Kindness”. Huntington Library Quarterly, 37(2), 111–122. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3817029
Clegg, C. S. (2006). English Renaissance Books on Islam and Shakespeare’s ‘Othello’. Pacific Coast Philology, 41, 1–12. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25474192
Cooper, H. (2004). The English romance in time: transforming motifs from Geoffrey of Monmouth to the death of Shakespeare. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052657
Davidson, J. (2012). Early modern supernatural: Vol. Praeger Series on the Early Modern World. ABC-CLIO. https://oxfordbrookes.idm.oclc.org/login?url=http://brookes.eblib.com/patron/FullRecord.aspx?p=831971
De Grazia, M., Quilligan, M., & Stallybrass, P. (1996). Subject and object in renaissance culture: Vol. Cambridge studies in renaissance literature and culture. Cambridge University Press.
Dolan, F. E. (1989). Gender, Moral Agency, and Dramatic Form in A Warning for Fair Women. Studies in English Literature, 1500-1900, 29(2), 201–218. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450471
Dolan, F. E. (1994). Dangerous familiars: representations of domestic crime in England, 1550-1700. Cornell University Press.
Edwards, K. A. (2002). Werewolves, witches, and wandering spirits: traditional belief and folklore in early modern Europe: Vol. Sixteenth century essays&studies. Truman State University Press.
Fernie, E. (2013). The demonic: literature and experience. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1125259
Gibson, M. (2000). Early modern witches: witchcraft cases in contemporary writing. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=243164
Golding, M. R. (1973). Variations in the Use of the Masque in English Revenge Tragedy. The Yearbook of English Studies, 3, 44–54. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3506855
Gossett, S. (1972). Masque Influence on the Dramaturgy of Beaumont and Fletcher. Modern Philology, 69(3), 199–208. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/436643
Granville-Barker, H. (1958a). Prefaces to Shakespeare:  Vol.1, Hamlet; King Lear; The merchant of Venice; Antony and Cleopatra; Cymbeline. Batsford.
Granville-Barker, H. (1958b). Prefaces to Shakespeare: Vol.2, Othello; Coriolanus; Romeo and Juliet; Julius Caesar; Love’s labour’s lost. Batsford.
Granville-Barker, H., & Byrne, M. St. C. (1963). Prefaces to Shakespeare: Vol.4: Love’s labours lost, Romeo and Juliet, The Merchant of Venice [and] Othello. Batsford.
Harris, J. G., & Korda, N. (2002). Staged properties in early modern English drama. Cambridge University Press.
Henderson, D. E. (1986). Many Mansions: Reconstructing A Woman Killed with Kindness. Studies in English Literature, 1500-1900, 26(2), 277–294. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450508
Henze, C. A. (2004). Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque. Studies in English Literature, 1500-1900, 44(2), 379–404. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3844636
Heywood, T. (2012). Thomas Heywood, ‘A Woman Killed with Kindness’ (1603), in Three Elizabethan domestic tragedies. In K. Sturgess (Ed.), Three Elizabethan domestic tragedies: Vol. Penguin classics. Penguin.
Holdsworth, R. V. (1994). Middleton’s Authorship of A Yorkshire Tragedy. The Review of English Studies, 45(177), 1–25. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/517438
Huebert, R. (1977). ‘An Artificial way to Grieve’: The Forsaken Woman in Beaumont and Fletcher, Massinger and Ford. ELH, 44(4), 601–621. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2872427
Johnstone, N. (2004). The Protestant Devil: The Experience of Temptation in Early Modern England. The Journal of British Studies, 43(02), 173–205. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/journals/journal-of-british-studies/article/protestant-devil-the-experience-of-temptation-in-early-modern-england/655C3CA66A37F9DD2B93972300799D0F
Jones, A. R., & Stallybrass, P. (2000). Renaissance clothing and the materials of memory: Vol. Cambridge studies in Renaissance literature and culture. Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=2a295103-f699-e711-80cb-005056af4099
Karim-Cooper, F., & Stern, T. (Eds.). (2013a). Shakespeare’s theatres and the effects of performance: Vol. The Arden Shakespeare library. Bloomsbury Arden Shakespeare. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781408174647&uid=^u
Karim-Cooper, F., & Stern, T. (Eds.). (2013b). Shakespeare’s theatres and the effects of performance: Vol. The Arden Shakespeare library. Arden Shakespeare.
Kay, C. M. (1983). Othello’s Need for Mirrors. Shakespeare Quarterly, 34(3), 261–270. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2869886
Kirwan, P. (2011). The First Collected ‘Shakespeare Apocrypha’. Shakespeare Quarterly, 62(4), 594–601. https://academic-oup-com.oxfordbrookes.idm.oclc.org/sq/article/62/4/594/5064697
Korda, N. (2002a). Shakespeare’s domestic economies: gender and property in early modern England. University of Pennsylvania Press. https://oxfordbrookes.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3441699
Korda, N. (2002b). Shakespeare’s domestic economies: gender and property in early modern England. University of Pennsylvania Press. https://oxfordbrookes.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3441699
Lawrence, W. W. (1969). Shakespeare’s problem comedies: Vol. Penguin Shakespeare (Rev. ed). Penguin.
Leggott, G. (Ed.). (2011a). Anon, ‘A Warning for Fair Women’, available on Early Modern Literary Studies: resources. Early Modern Literary Studies:Resources. https://extra.shu.ac.uk/emls/iemls/resources.html
Leggott, G. (Ed.). (2011b). Anon, ‘Two Lamentable Tragedies’, available on Early Modern Literary Studies: resources. Early Modern Literary Studies: Resources. https://extra.shu.ac.uk/emls/iemls/resources.html
Levack, B. P. (2006). The witch-hunt in early modern Europe (3rd ed). Pearson Longman. https://oxfordbrookes.on.worldcat.org/oclc/61309397
Levack, B. P. (2013). The Oxford handbook of witchcraft in early modern Europe and colonial America: Vol. Oxford handbooks in history. Oxford University Press.
Levack, B. P. (2016). The witch-hunt in early modern Europe (Fourth edition). Routledge, Taylor & Francis Group.
Lieblein, L. (1983a). The Context of Murder in English Domestic Plays, 1590-1610. Studies in English Literature, 1500-1900, 23(2), 181–196. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450087
Lieblein, L. (1983b). The Context of Murder in English Domestic Plays, 1590-1610. Studies in English Literature, 1500-1900, 23(2), 181–196. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450087
MacDonald, J. G. (1994). Acting Black: ‘Othello,’ ‘Othello’ Burlesques, and the Performance of Blackness. Theatre Journal, 46(2), 231–249. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3208453
Maxwell-Stuart, P. G. (2003). Witch hunters: professional prickers, unwitchers & witch finders of the Renaissance. Tempus.
McCoy, R. C. (2013). Faith in Shakespeare. Oxford University Press.
McMahon, V. (2004). Murder in Shakespeare’s England. Hambledon and London.
McQuade, P. (2000). ‘A Labyrinth of Sin’: Marriage and Moral Capacity in Thomas Heywood’s ‘A Woman Killed with Kindness’. Modern Philology, 98(2), 231–250. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/438934
Orlin, L. C. (1994). Private matters and public culture in post-Reformation England. Cornell University Press.
Orlin, L. C. (2002). ‘Domestic Tragedy: Private Life on the Public Stage’, in A companion to Renaissance drama. In A companion to Renaissance drama: Vol. Blackwell companions to literature and culture. Blackwell. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=214132
Orlin, L. C. (2009). The Renaissance: a sourcebook. Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=2b295103-f699-e711-80cb-005056af4099
Panek, J. (1994). Punishing Adultery in A Woman Killed with Kindness. Studies in English Literature, 1500-1900, 34(2), 357–378. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450906
Purkiss, D. (1996). The witch in history: early modern and twentieth-century representations. Routledge. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179374
Richardson, C. (2006a). Domestic life and domestic tragedy in early modern England: the material life of the household. Manchester University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069493
Richardson, C. (2006b). Domestic life and domestic tragedy in early modern England: the material life of the household. Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=9f1e8e0a-f699-e711-80cb-005056af4099
Richardson, C. (2010). ‘Tragedy, family and household’, in The Cambridge companion to English Renaissance tragedy. In The Cambridge companion to English Renaissance tragedy: Vol. Cambridge companions to literature. Cambridge University Press.
Richardson, C. (2011). Shakespeare and material culture: Vol. Oxford Shakespeare topics. Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=a01e8e0a-f699-e711-80cb-005056af4099
Rowley, W., Dekker, T., Ford, J., Corbin, P., & Sedge, D. (1999). The witch of Edmonton: Vol. Revels student editions. Manchester University Press.
Seaman, J. E. (1968). Othello’s Pearl. Shakespeare Quarterly, 19(1), 81–85. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2867846
Shakespeare, W. (2004). Othello: Vol. The Arden Shakespeare : third series (E. A. J. Honigmann, Ed.). Arden Shakespeare.
Shakespeare, W. (2005). Cymbeline: Vol. The new Cambridge Shakespeare (M. Butler, Ed.). Cambridge University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3314869
Shakespeare, W., & Neill, M. (2008). Othello: the moor of Venice. Oxford University Press. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=349884
Sharpe, J. A. (1985). ‘Last Dying Speeches’: Religion, Ideology and Public Execution in Seventeenth-Century England. Past & Present, May(107), 144–167. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/650708
Slights, C. W. (1997). Slaves and Subjects in Othello. Shakespeare Quarterly, 48(4), 377–390. https://academic-oup-com.oxfordbrookes.idm.oclc.org/sq/article/48/4/377/5073855
Smith, H. D. (1938). A Woman Killed with Kindness. PMLA, 53(1), 138–147. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/458408
Sturgess, K., & Heywood, T. (2012). Thomas Middleton ‘A Yorkshire Tragedy’ (1608), in Three Elizabethan domestic tragedies. In Three Elizabethan domestic tragedies. Penguin.
Thorne, A. (2003). Shakespeare’s romances: Vol. New casebooks. Palgrave Macmillan.
Wall, W. (2006). Staging domesticity: household work and English identity in early modern drama: Vol. Cambridge studies in Renaissance literature and culture. Cambridge University Press.
Wiggins, M., Heywood, T., Dekker, T., & Heywood, T. (2008). A woman killed with kindness and other domestic plays: Vol. Oxford English drama. Oxford University Press.
Williamson, E. (2016). The materiality of religion in early modern English drama: Vol. Studies in performance and early modern drama. Routledge.
Willis, D. (1995). Malevolent nurture: witch-hunting and maternal power in early modern England. Cornell University Press.
Yachnin, P. (1996). Magical Properties: Vision, Possession, and Wonder in ‘Othello’. Theatre Journal, 48(2), 197–208. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3208867
Yarington, R., Hanabusa, C., Giddens, E., & Malone Society. (2013). Two lamentable tragedies: Vol. The Malone Society reprints. Manchester University Press for the Malone Society.
Yarington, R. & Malone Society. (2013). Two lamentable tragedies: Vol. The Malone Society reprints (C. Hanabusa & E. Giddens, Eds.). Manchester University Press for the Malone Society.