Altman R, ‘McCabe and Mrs Miller’
——, ‘The Long Goodbye’
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Altman R, ‘Nashville’
Altman R and British Film Institute, Film/Genre (Bfi Publishing 1999)
Antonioni M, ‘Blow-Up’
Badham J, ‘Saturday Night Fever’
Berliner T, Hollywood Incoherent: Narration in Seventies Cinema (University of Texas Press 2010)
——, Hollywood Aesthetic: Pleasure in American Cinema (Oxford University Press 2017)
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——, The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press 2006)
Bordwell D, Staiger J and Thompson K, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (Routledge 1985) <https://www-taylorfrancis-com.oxfordbrookes.idm.oclc.org/books/edit/10.4324/9780203358818/classical-hollywood-cinema-david-bordwell-janet-staiger-kristin-thompson>
Bordwell D, Thompson K and Smith J, Film Art: An Introduction (Twelfth edition, International student edition, McGraw-Hill Education 2019)
Branigan E, Narrative Comprehension and Film (Routledge 1992)
Campbell J, Myths to Live By (Souvenir Press 1973)
——, The Hero with a Thousand Faces, vol 17 (Commemorative ed, Princeton University Press 2004)
Cassavetes J, ‘A Woman under the Influence’
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——, ‘The Godfather’
Curtiz M, ‘Casablanca’
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Custen GF, Bio/Pics: How Hollywood Constructed Public History (Rutgers University Press 1992)
Field S, Screenplay: The Foundations of Screenwriting (Rev ed, Delta 2005)
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Fosse B, ‘Cabaret’
Hamilton I, Writers in Hollywood, 1915-1951 (Faber and Faber 2011)
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Hitchcock A, ‘Rear Window’
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Neale S, Genre and Hollywood (Routledge 2000) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=240335>
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