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Dahlhaus, C. and Rogers D. Spotswood Collection (no date) Nineteenth-century music. Berkeley: University of California Press.
Ellis, K. (1995) Music criticism in nineteenth-century France: La revue et gazette musicale de Paris, 1834-80. Cambridge: Cambridge University Press.
Europe, empire, and spectacle in nineteenth-century British music: Book (2006). Aldershot: Ashgate.
Fauser, A. (no date) Musical encounters at the 1889 Paris World’s Fair. Rochester: University of Rochester Press.
Fuller, S. and Losseff, N. (no date) The idea of music in Victorian fiction. Aldershot, Hants, England: Burlington, VT.
Garratt, J. (2010a) Music, culture and social reform in the age of Wagner. Cambridge: Cambridge University Press.
Garratt, J. (2010b) Music, culture and social reform in the age of Wagner. Cambridge: Cambridge University Press. Available at: http://web.a.ebscohost.com.oxfordbrookes.idm.oclc.org/ehost/detail/detail?vid=0&sid=8b2533c5-663d-457d-9953-78e70a88a89e%40sessionmgr4009&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=361545&db=nlebk.
Hyde, D. (no date) New found voices: women in nineteenth century English music. 3rd ed. Aldershot: Ashgate.
Kramer, L. (no date a) Music and poetry: the nineteenth century and after. Berkeley: University of California Press.
Kramer, L. (no date b) Music as cultural practice, 1800-1900. Berkeley: University of California Press.
Locke, R. P. (2009) Musical exoticism: images and reflections. Cambridge: Cambridge University Press.
Mole, T. (no date) Romanticism and celebrity culture, 1750-1850. Cambridge: Cambridge University Press.
Nattiez, J. J. (no date) Music and discourse: toward a semiology of music. Princeton, N.J.: Princeton University Press.
Rosselli, J. (1991a) Music & musicians in nineteenth-century Italy. London: B.T. Batsford.
Rosselli, J. (1991b) Music & musicians in nineteenth-century Italy. London: B.T. Batsford.
Samson, J. (2001) The Cambridge history of nineteenth-century music. Cambridge: Cambridge University Press.
Scott, D. (no date) The singing bourgeois: songs of the Victorian drawing room and parlour. 2nd ed. Aldershot: Ashgate.
Scott, D. B. (2008a) Sounds of the metropolis: the Nineteenth-century popular music revolution in London, New York, Paris, and Vienna. New York: Oxford University Press.
Scott, D. B. (2008b) Sounds of the metropolis: the Nineteenth-century popular music revolution in London, New York, Paris, and Vienna. New York: Oxford University Press. Available at: http://web.a.ebscohost.com.oxfordbrookes.idm.oclc.org/ehost/detail/detail?vid=0&sid=d31c5ceb-1537-4749-b5c4-b21978022fcf%40sdc-v-sessmgr02&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=nlebk&AN=242192.
Solie, R. A. (no date) Music in other words: Victorian conversations. Berkeley: University of California Press.
Taruskin, R. (2005) The Oxford history of western music. Oxford: Oxford University Press.
Temperley, N. (1989) The Lost chord: essays in Victorian music. Bloomington: Indiana University Press.
The Cambridge History of Nineteenth-Century Music (2001). Cambridge University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=201828.