Adamson G and Bryan-Wilson J, ‘Cashing-In’, Art in the making: artists and their materials from the studio to crowdsourcing, with 219 illustrations (Thames & Hudson 2016) <https://contentstore.cla.co.uk/secure/link?id=e8962c96-d735-ed11-bd6e-0050f2f06092>
‘A-n The Artists Information Company’ <https://oxfordbrookes.on.worldcat.org/atoztitles/browse/collections?title=A>
‘Applying to National Lottery Project Grants: Three Steps | Arts Council England’ <https://www.artscouncil.org.uk/arts-council-national-lottery-project-grants/applying-national-lottery-project-grants-three-steps>
‘Axisweb - Contemporary Art & Artists’ <https://www.axisweb.org/>
Becker C, ‘Countervaillance: Educating Creative Practitioners’, Thinking in place: art, action, and cultural production (Paradigm Publishers 2009) <https://contentstore.cla.co.uk/secure/link?id=9b2e5f39-f938-ed11-bd6e-0050f2f06092>
Berwick Street Collective, ‘Nightcleaners & ’36 to ’77’
Bhandari HD and Melber J, Art/Work: Everything You Need to Know (and Do) as You Pursue Your Art Career (Free Press trade paperback edition, Free Press 2017)
Biggs I, Art as Research: Creative Practice and Academic Authority : A Project-Based Examination of the Politics of Art-Led Research in a Doctoral Context (VDM Verlag Dr Müller 2009)
Bishop C (ed), ‘Artists’ Writings’, Participation (Whitechapel 2006) <https://contentstore.cla.co.uk/secure/link?id=c918adce-5430-ed11-bd6e-0050f2f06092>
Brook O, O’Brien D and Taylor M, Culture Is Bad for You: Inequality and the Cultural and Creative Industries (Manchester University Press 2020)
Buck L, McClean D and Lovell V (eds), Commissioning Contemporary Art: A Handbook for Curators Collectors and Artists (Thames & Hudson 2012)
Burrill A, Make It Now!: Creative Inspiration and the Art of Getting Things Done (Virgin Books, an imprint of Ebury Publishing 2017)
Cahill J, ‘Becoming an Artist’, Ways of being: advice for artists by artists (Laurence King Publishing Ltd 2018) <https://contentstore.cla.co.uk/secure/link?id=5680d6bb-9f39-ed11-bd6e-0050f2f06092>
Claire Bishop, ‘Art of the Encounter: Antagonism and Relational Aesthetics’ <https://www.jstor.org/stable/25564369>
‘Commoning Accessibility – Casco Art Institute’ <https://casco.art/resource/commoning-accessibility/>
Crossick G and Kaszynska P, ‘Understanding the Value of Arts & Culture The AHRC Cultural Value Project’ <https://www.ukri.org/wp-content/uploads/2021/11/AHRC-291121-UnderstandingTheValueOfArts-CulturalValueProjectReport.pdf>
Denscombe M, Research Proposals: A Practical Guide (Open University Press 2012) <https://oxfordbrookes.idm.oclc.org/login?url=https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780335244072&uid=^u>
——, Research Proposals: A Practical Guide (Second edition, Open University Press 2019)
——, The Good Research Guide: Research Methods for Small-Scale Social Research Projects (Seventh edition, Open University Press, McGraw Hill 2021)
Dormer P, The Art of the Maker (Thames and Hudson)
Douglas A and James NP, Artists’ Stories (AN Publications 1996)
Duffin D and Duffin D, Organising Your Exhibition: The Self-Help Guide, vol 5 (2nd ed, AN Publications)
Elliott A and Bohun Gallery, The Art of Prior’s Court School: The Stephanie Shirley Collection (Bohun Gallery 2002)
Filipovic E, The Artist as Curator. An Anthology (Buchhandlung Walther König 2017)
Finkelpearl T, What We Made: Conversations on Art and Social Cooperation (Duke University Press 2013)
‘Funding Library | The White Pube’ <https://thewhitepube.co.uk/funding-library/>
George A, The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces (Thames & Hudson 2015)
Glinkowski P and others, The Art of Giving: The Artist in Public and Private Funding : An Interpretative Summary of a Conference Organised by Tate Britain and Wimbledon College of Art, University of the Arts Londond, Supported by the Rootstein Hopkins Foundation (Wimbledon College of Art 2008)
Grant D, Selling Art without Galleries: Toward Making a Living from Your Art (Second edition, Allworth Press 2017)
——, ‘Establishing a Presence in the Art World’, The fine artist’s career guide: making money in the arts and beyond (2nd ed, Allworth Press) <https://contentstore.cla.co.uk/secure/link?id=57a99a11-1f30-ed11-bd6e-0050f2f06092>
Greenberg R, Ferguson BW and Nairne S, Thinking about Exhibitions (Routledge 1996)
Hall S, ‘Whose Heritage? Un-Settling “The Heritage”, Re-Imagining the Post-Nation’, The third text reader on art, culture and theory (Continuum 2002) <https://contentstore.cla.co.uk/secure/link?id=8b52a1b1-3430-ed11-bd6e-0050f2f06092>
Hiller S and others, The Producers: Contemporary Curators in Conversation: 4, vol 7 (BALTIC 2002)
hooks bell, ‘Women Artists: The Creative Process’, Feminism-art-theory: an anthology, 1968-2000 (Blackwell Publishers 1995) <https://contentstore.cla.co.uk/secure/link?id=cba34e84-8b39-ed11-bd6e-0050f2f06092>
Horowitz N, Art of the Deal: Contemporary Art in a Global Financial Market (Princeton University Press 2014)
Janssen R, Metamorfose Vertalingen (Utrecht), and Witte de With, centrum voor hedendaagse kunst, Changing Roles: Artists’ Personal Views and Wishes, vol 4/2007 (Witte de With Center for Contemporary Art)
Kleon A, Steal like an Artist: 10 Things Nobody Told You about Being Creative (Workman Publishing Company 2012)
——, Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered (Workman Publishing Company 2014)
Kuoni C and Independent Curators International, Words of Wisdom: A Curator’s Vade Mecum on Contemporary Art (Independent Curators International)
Lacy S, Mapping the Terrain: New Genre Public Art (Bay Press)
Lazzarato M, ‘Art, Work and Politics in Disciplinary Societies and Societies of Security’ in Éric Alliez and Peter Osborne (eds), Spheres of action: art and politics (MIT Press) <https://contentstore.cla.co.uk/secure/link?id=80a82526-8f2e-ed11-bd6e-0050f2f06092>
Liam Gillick and Claire Bishop, ‘Letters and Responses’ <https://www.jstor.org/stable/40368419>
Liberatori E, Guide to Getting Arts Grants (Allworth Press)
Longson S, ‘Creating Your Career: Building on Your Creative and Innovative Spirit’, Life after-- art and design: a practical guide to life after your degree (1st ed, Routledge 2006) <https://contentstore.cla.co.uk/secure/link?id=6008bea2-a42e-ed11-bd6e-0050f2f06092>
Martinon J-P, Curating as Ethics (University of Minnesota Press 2020)
Matarasso F, Use or Ornament?: The Social Impact of Participation in the Arts (Comedia 1997)
Morrill R (ed), Akademie X: Lessons in Art + Life (Phaidon Press Limited 2015)
Mullin D, ‘Working All the Time: Artistic Citizenship in the 21st Century’ in David J Elliott, Marissa Silverman and Wayne D Bowman (eds), Artistic citizenship: artistry, social responsibility, and ethical praxis (Oxford University Press 2016) <https://contentstore.cla.co.uk/secure/link?id=beca297b-3030-ed11-bd6e-0050f2f06092>
Nicol G, Plant A, and Engage (Organization), Collaboration, Communication, Contemporary Art: 14 Projects Working with Galleries + Audiences (Engage 2000)
Obrist H-U, Rehberg V and Boeri S, ‘Moving Interventions: Curating at Large’ (2003) 2 Journal of Visual Culture 147
O’Neill P, The Culture of Curating and the Curating of Culture(s) (MIT Press 2012)
——, Curating Subjects (Open Editions)
Phelps R, Ellis A and Fisher K, Organizing and Managing Your Research: A Practical Guide for Postgraduates (SAGE Publications 2007)
Phelps R, Fisher K and Ellis A, Organizing and Managing Your Research: A Practical Guide for Postgraduates (SAGE Publications 2007) <https://oxfordbrookes.on.worldcat.org/oclc/74524733>
Philips A, ‘Making the Public’, I can’t work like this: a reader on recent boycotts and contemporary art (Sternberg Press) <https://contentstore.cla.co.uk/secure/link?id=3eda3b2f-4c30-ed11-bd6e-0050f2f06092>
‘Publications - Creative UK’ <https://www.wearecreative.uk/champion/publications/>
Rosler M, ‘Place, Position, Power, Politics’ in Carol Becker (ed), The Subversive imagination: artists, society, and social responsibility (Routledge 1994) <https://contentstore.cla.co.uk/secure/link?id=6b3eb47d-9b2e-ed11-bd6e-0050f2f06092>
Ruby Rich B, ‘Dissed and Disconnected: Notes on Present Ills and Future Dreams’ in Carol Becker (ed), The Subversive imagination: artists, society, and social responsibility (Routledge 1994) <https://contentstore.cla.co.uk/secure/link?id=62568184-9f2e-ed11-bd6e-0050f2f06092>
Sansi-Roca R, ‘Participation and the Gift’, Art, anthropology and the gift (Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc 2015)
‘Section on Care’, , Truth is concrete: a handbook for artistic strategies in real politics (Sternberg 2014) <https://contentstore.cla.co.uk/secure/link?id=2ffe46bd-d135-ed11-bd6e-0050f2f06092>
Sholette G, ‘Mocstitutions’, Dark matter: art and politics in the age of enterprise culture (Pluto Press 2011) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3386497>
Smithson P, Installing Exhibitions: A Practical Guide (A & C Black 2009)
The Artist as Curator (Intellect 2015)
van der Tuin I, ‘The Mode of Invention of Creative Research: Onto-Epistemology’ in Estelle Barrett and Barbara Bolt (eds), Material inventions: applying creative arts research (IB Tauris 2014) <https://contentstore.cla.co.uk/secure/link?id=70e5371b-a439-ed11-bd6e-0050f2f06092>
Vishmidt M, ‘The Aesthetic Subject and the Politics of Speculative Labour’ in Randy Martin (ed), The Routledge companion to art and politics (Routledge, Taylor & Francis Group 2015) <https://contentstore.cla.co.uk/secure/link?id=ac2de133-0835-ed11-bd6e-0050f2f06092>
Wilson S, Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance (University of Minnesota Press 2014)
Wright S, Toward a Lexicon of Usership (Van Abbe Museum 2013) <https://museumarteutil.net/wp-content/uploads/2013/12/Toward-a-lexicon-of-usership.pdf>