Adamson, G. and Bryan-Wilson, J. (2016) ‘Cashing-in’, in Art in the making: artists and their materials from the studio to crowdsourcing, with 219 illustrations. London: Thames & Hudson, pp. 134–154. Available at: https://contentstore.cla.co.uk/secure/link?id=e8962c96-d735-ed11-bd6e-0050f2f06092.
a-n The Artists Information Company (no date). Available at: https://oxfordbrookes.on.worldcat.org/atoztitles/browse/collections?title=A.
Applying to National Lottery Project Grants: three steps | Arts Council England (no date). Available at: https://www.artscouncil.org.uk/arts-council-national-lottery-project-grants/applying-national-lottery-project-grants-three-steps.
Axisweb - Contemporary Art & Artists (no date). Available at: https://www.axisweb.org/.
Becker, C. (2009) ‘Countervaillance: educating creative practitioners’, in Thinking in place: art, action, and cultural production. Boulder: Paradigm Publishers, pp. 53–74. Available at: https://contentstore.cla.co.uk/secure/link?id=9b2e5f39-f938-ed11-bd6e-0050f2f06092.
Berwick Street Collective (2018) ‘Nightcleaners & ’36 to ’77’. Edited by D. Kidner and A. Sainsbury. [Place of publication not identified]: Koenig Books, LUX and Raven Row.
Bhandari, H.D. and Melber, J. (2017) Art/work: everything you need to know (and do) as you pursue your art career. Free Press trade paperback edition. New York: Free Press.
Biggs, I. (2009) Art as research: creative practice and academic authority : a project-based examination of the politics of art-led research in a doctoral context. Saarbrücken, Germany: VDM Verlag Dr. Müller.
Bishop, C. (ed.) (2006) ‘Artists’ Writings’, in Participation. London: Whitechapel, pp. 96–157. Available at: https://contentstore.cla.co.uk/secure/link?id=c918adce-5430-ed11-bd6e-0050f2f06092.
Brook, O., O’Brien, D. and Taylor, M. (2020) Culture is bad for you: inequality and the cultural and creative industries. Manchester: Manchester University Press.
Buck, L., McClean, D. and Lovell, V. (eds) (2012) Commissioning contemporary art: a handbook for curators collectors and artists. London: Thames & Hudson.
Burrill, A. (2017) Make it now!: creative inspiration and the art of getting things done. London: Virgin Books, an imprint of Ebury Publishing.
Cahill, J. (2018) ‘Becoming an Artist’, in Ways of being: advice for artists by artists. London: Laurence King Publishing Ltd, pp. 18–44. Available at: https://contentstore.cla.co.uk/secure/link?id=5680d6bb-9f39-ed11-bd6e-0050f2f06092.
Claire Bishop (no date) ‘Art of the Encounter: Antagonism and Relational Aesthetics’. Available at: https://www.jstor.org/stable/25564369.
Commoning Accessibility – Casco Art Institute (no date). Available at: https://casco.art/resource/commoning-accessibility/.
Crossick, G. and Kaszynska, P. (2016) ‘Understanding the value of arts & culture The AHRC Cultural Value Project’. AHRC. Available at: https://www.ukri.org/wp-content/uploads/2021/11/AHRC-291121-UnderstandingTheValueOfArts-CulturalValueProjectReport.pdf.
Denscombe, M. (2012) Research proposals: a practical guide. Maidenhead: Open University Press. Available at: https://oxfordbrookes.idm.oclc.org/login?url=https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780335244072&uid=^u.
Denscombe, M. (2019) Research proposals: a practical guide. Second edition. London: Open University Press.
Denscombe, M. (2021) The good research guide: research methods for small-scale social research projects. Seventh edition. London: Open University Press, McGraw Hill.
Dormer, P. (no date) The art of the maker. London: Thames and Hudson.
Douglas, A. and James, N.P. (1996) Artists’ stories. Sunderland: AN Publications.
Duffin, D. and Duffin, D. (no date) Organising your exhibition: the self-help guide. 2nd ed. Sunderland: AN Publications.
Elliott, A. and Bohun Gallery (2002) The art of Prior’s Court School: the Stephanie Shirley collection. [Henley-on-Thames]: Bohun Gallery.
Filipovic, E. (2017) The artist as curator. An anthology. Köln: Buchhandlung Walther König.
Finkelpearl, T. (2013) What we made: conversations on art and social cooperation. Durham: Duke University Press.
Funding Library | The White Pube (no date). Available at: https://thewhitepube.co.uk/funding-library/.
George, A. (2015) The curator’s handbook: museums, commercial galleries, independent spaces. New York: Thames & Hudson.
Glinkowski, P. et al. (2008) The art of giving: the artist in public and private funding : an interpretative summary of a conference organised by Tate Britain and Wimbledon College of Art, University of the Arts Londond, supported by the Rootstein Hopkins Foundation. London: Wimbledon College of Art.
Grant, D. (2017) Selling art without galleries: toward making a living from your art. Second edition. New York: Allworth Press.
Grant, D. (no date) ‘Establishing a Presence in the Art World’, in The fine artist’s career guide: making money in the arts and beyond. 2nd ed. New York: Allworth Press, pp. 61–75. Available at: https://contentstore.cla.co.uk/secure/link?id=57a99a11-1f30-ed11-bd6e-0050f2f06092.
Greenberg, R., Ferguson, B.W. and Nairne, S. (1996) Thinking about exhibitions. London: Routledge.
Hall, S. (2002) ‘Whose Heritage? Un-settling “The Heritage”, Re-imagining the Post-Nation’, in The third text reader on art, culture and theory. London: Continuum, pp. 72–84. Available at: https://contentstore.cla.co.uk/secure/link?id=8b52a1b1-3430-ed11-bd6e-0050f2f06092.
Hiller, S. et al. (2002) The producers: contemporary curators in conversation: 4. Gateshead: BALTIC.
hooks, bell (1995) ‘Women Artists: The Creative Process’, in Feminism-art-theory: an anthology, 1968-2000. Malden, MA: Blackwell Publishers, pp. 635–640. Available at: https://contentstore.cla.co.uk/secure/link?id=cba34e84-8b39-ed11-bd6e-0050f2f06092.
Horowitz, N. (2014) Art of the deal: contemporary art in a global financial market. Princeton: Princeton University Press.
Janssen, R., Metamorfose Vertalingen (Utrecht), and Witte de With, centrum voor hedendaagse kunst (no date) Changing roles: artists’ personal views and wishes. Rotterdam: Witte de With Center for Contemporary Art.
Kleon, A. (2012) Steal like an artist: 10 things nobody told you about being creative. New York: Workman Publishing Company.
Kleon, A. (2014) Show your work!: 10 ways to share your creativity and get discovered. New York, NY: Workman Publishing Company.
Kuoni, C. and Independent Curators International (no date) Words of wisdom: a curator’s vade mecum on contemporary art. New York: Independent Curators International.
Lacy, S. (no date) Mapping the terrain: new genre public art. Seattle, Wash: Bay Press.
Lazzarato, M. (no date) ‘Art, Work and Politics in Disciplinary Societies and Societies of Security’, in E. Alliez and P. Osborne (eds) Spheres of action: art and politics. Cambridge, MA: MIT Press, pp. 87–97. Available at: https://contentstore.cla.co.uk/secure/link?id=80a82526-8f2e-ed11-bd6e-0050f2f06092.
Liam Gillick and Claire Bishop (no date) ‘Letters and Responses’. Available at: https://www.jstor.org/stable/40368419.
Liberatori, E. (no date) Guide to getting arts grants. New York: Allworth Press.
Longson, S. (2006) ‘Creating Your Career: building on your creative and innovative spirit’, in Life after-- art and design: a practical guide to life after your degree. 1st ed. New York: Routledge, pp. 1–33. Available at: https://contentstore.cla.co.uk/secure/link?id=6008bea2-a42e-ed11-bd6e-0050f2f06092.
Martinon, J.-P. (2020) Curating as ethics. Minneapolis: University of Minnesota Press.
Matarasso, F. (1997) Use or ornament?: the social impact of participation in the Arts. Stroud, Glos: Comedia.
Morrill, R. (ed.) (2015) Akademie X: lessons in art + life. London: Phaidon Press Limited.
Mullin, D. (2016) ‘Working All the Time: Artistic Citizenship in the 21st Century’, in D.J. Elliott, M. Silverman, and W.D. Bowman (eds) Artistic citizenship: artistry, social responsibility, and ethical praxis. Oxford, UK: Oxford University Press, pp. 521–548. Available at: https://contentstore.cla.co.uk/secure/link?id=beca297b-3030-ed11-bd6e-0050f2f06092.
Nicol, G., Plant, A., and Engage (Organization) (2000) Collaboration, communication, contemporary art: 14 projects working with galleries + audiences. London: Engage.
Obrist, H.-U., Rehberg, V. and Boeri, S. (2003) ‘Moving Interventions: Curating at Large’, Journal of Visual Culture, 2(2), pp. 147–160. Available at: https://doi.org/10.1177/14704129030022001.
O’Neill, P. (2012) The culture of curating and the curating of culture(s). Cambridge, Mass: MIT Press.
O’Neill, P. (no date) Curating subjects. London: Open Editions.
Phelps, R., Ellis, A. and Fisher, K. (2007) Organizing and managing your research: a practical guide for postgraduates. London: SAGE Publications.
Phelps, R., Fisher, K. and Ellis, A. (2007) Organizing and managing your research: a practical guide for postgraduates. London: SAGE Publications. Available at: https://oxfordbrookes.on.worldcat.org/oclc/74524733.
Philips, A. (no date) ‘Making the Public’, in I can’t work like this: a reader on recent boycotts and contemporary art. Berlin: Sternberg Press, pp. 157–163. Available at: https://contentstore.cla.co.uk/secure/link?id=3eda3b2f-4c30-ed11-bd6e-0050f2f06092.
Publications - Creative UK (no date). Available at: https://www.wearecreative.uk/champion/publications/.
Rosler, M. (1994) ‘Place, position, power, politics’, in C. Becker (ed.) The Subversive imagination: artists, society, and social responsibility. New York: Routledge, pp. 55–76. Available at: https://contentstore.cla.co.uk/secure/link?id=6b3eb47d-9b2e-ed11-bd6e-0050f2f06092.
Ruby Rich, B. (1994) ‘Dissed and Disconnected: Notes on Present Ills and Future Dreams’, in C. Becker (ed.) The Subversive imagination: artists, society, and social responsibility. New York: Routledge, pp. 223–248. Available at: https://contentstore.cla.co.uk/secure/link?id=62568184-9f2e-ed11-bd6e-0050f2f06092.
Sansi-Roca, R. (2015) ‘Participation and the Gift’, in Art, anthropology and the gift. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, pp. 87–112.
‘Section on Care’ (2014) in Truth is concrete: a handbook for artistic strategies in real politics. Berlin: Sternberg. Available at: https://contentstore.cla.co.uk/secure/link?id=2ffe46bd-d135-ed11-bd6e-0050f2f06092.
Sholette, G. (2011) ‘Mocstitutions’, in Dark matter: art and politics in the age of enterprise culture. London: Pluto Press, pp. 152–185. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3386497.
Smithson, P. (2009) Installing exhibitions: a practical guide. London: A & C Black.
The artist as curator (2015). Bristol: Intellect.
van der Tuin, I. (2014) ‘The Mode of Invention of Creative Research: Onto-Epistemology’, in E. Barrett and B. Bolt (eds) Material inventions: applying creative arts research. London: I.B. Tauris, pp. 257–272. Available at: https://contentstore.cla.co.uk/secure/link?id=70e5371b-a439-ed11-bd6e-0050f2f06092.
Vishmidt, M. (2015) ‘The Aesthetic Subject and the Politics of Speculative Labour’, in R. Martin (ed.) The Routledge companion to art and politics. London: Routledge, Taylor & Francis Group, pp. 25–36. Available at: https://contentstore.cla.co.uk/secure/link?id=ac2de133-0835-ed11-bd6e-0050f2f06092.
Wilson, S. (2014) Art labor, sex politics: feminist effects in 1970s British art and performance. Minneapolis, MN: University of Minnesota Press.
Wright, S. (2013) Toward a Lexicon of Usership. Van Abbe Museum. Available at: https://museumarteutil.net/wp-content/uploads/2013/12/Toward-a-lexicon-of-usership.pdf.