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——, ‘Roubiliac’s Argyll Monument and the Interpretation of Eighteenth-Century Sculptors’ Designs’ (1992) 134 The Burlington Magazine 785 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/885351?seq=1#page_scan_tab_contents>

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——, Renaissance Faces: Van Eyck to Titian (National Gallery 2008)

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Collins, Bradford R., 12 Views of Manet’s Bar, vol The Princeton series in nineteenth-century art, culture, and society (Princeton University Press 1996)

Constable, John and others, John Constable, Further Documents and Correspondence, vol Suffolk Records Society (Tate Gallery Publications 1975)

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——, John Constable’s Correspondence Vol 5, vol Suffolk Records Society (Suffolk Records Society 1967)

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——, John Constable’s Correspondence Vol 1 (Boydell Press [for the Suffolk Records Society] 1976)

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Dekker, Elly and Lippincott, Kristen, ‘The Scientific Instruments in Holbein’s Ambassadors: A Re-Examination’ (1999) 62 Journal of the Warburg and Courtauld Institutes 93 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/751384?seq=1#page_scan_tab_contents>

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——, Dürer to Veronese: Sixteenth-Century Painting in the National Gallery (Yale University Press in association with National Gallery Publications 1999)

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——, The British School, vol National Gallery catalogues (National Gallery Publications 1998)

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Einberg E and Hogarth W, William Hogarth: A Complete Catalogue of the Paintings (Yale University Press 2016)

Fermor, Sharon and Derbyshire, Alan, ‘The Raphael Tapestry Cartoons Re-Examined’ (1998) 140 The Burlington Magazine 236 <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/887859?seq=1#page_scan_tab_contents>

Fermor, Sharon, Raphael, and Victoria and Albert Museum, The Raphael Tapestry Cartoons: Narrative, Decoration, Design (Scala Books in association with the Victoria and Albert Museum 1996)

Finley, G., ‘Turner and the Steam Revolution’ (1988) 112 Gazette des beaux-arts 19

Fleming-Williams, Ian, Constable and His Drawings (Philip Wilson 1990)

Foister, Susan and others, Holbein’s Ambassadors: Making & Meaning, vol Making&meaning (National Gallery 1997)

——, Investigating Jan van Eyck (Brepols 2000)

Foister, Susan and Tate Britain (Gallery), Holbein in England (Tate 2006)

Gage J, Turner: Rain, Steam and Speed, vol Art in context (Allen Lane the Penguin Press 1972)

Gage, John, Turner: Rain, Steam and Speed, vol Art in context (Viking Press 1972)

——, ‘Gautier, Turner and John Martin’ (1973) 115 The Burlington Magazine <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/877386?seq=1#page_scan_tab_contents>

Galvin, Carol, ‘The Construction of Roubiliac’s Shelburne and Argyll Models’ (1990) 132 The Burlington Magazine <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/884511?seq=1#page_scan_tab_contents>

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Gordon, Dillian, Monnas, Lisa, and Elam, Caroline, The Regal Image of Richard II and the Wilton Diptych (Harvey Miller 1997)

Gordon, Dillian and National Gallery (Great Britain), The Wilton Diptych, vol Making&meaning (National Gallery Publications 1993)

Gould, Cecil, Seurat’s ‘Bathers, Asnières’ and the Crisis of Impressionism, vol Painting in focus (National Gallery 1976)

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Gould CHM, The Studio of Alfonso d’Este and Titian’s Bacchus and Ariadne: A Re-Examination of the Chronology of the Bacchanals and of the Evolution of One of Them (National Gallery 1976)

Hall, Edwin, The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck’s Double Portrait, vol California studies in the history of art (University of California Press 1994)

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Harwood, E.S., ‘Constable’s ’Church under a Cloud’ : Some Further Observations’ (1985) 5 Turner studies: his art & epoch 1775-1851 27

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——, Georges Seurat, 1859-1891 (Metropolitan Museum of Art 1991)

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