Bibliography for Continuity and Change in Venetian Renaissance Painting: 1440 -1590

A. L, ‘Building the Picture’ (2014) <https://www.nationalgallery.org.uk/research/research-resources/exhibition-catalogues/building-the-picture>

Aikema B and Brown BL, Renaissance Venice and the North: Crosscurrents in the Time of Dürer, Bellini and Titian (Thames & Hudson 1999)

Alberti LB and Spencer JR, On Painting (Rev ed, Yale University Press 1966)

Ames-Lewis F, The Intellectual Life of the Early Renaissance Artist (Yale University Press)

Anderson J, Giorgione: The Painter of ‘Poetic Brevity’ : Including Catalogue Raisonné (Flammarion)

Aresin M and others, Titian and the Renaissance in Venice (Bastian Eclercy and Hans Aurenhammer eds, Prestel 2019)

Aretino P and Chubb TC, The Letters of Pietro Aretino (Archon Books 1967)

——, The Letters of Pietro Aretino (Archon Books 1967)

Bätschmann O, Giovanni Bellini (Reaktion Books 2008)

Bellini G, Kasl R and Christiansen K, Giovanni Bellini and the Art of Devotion (Indianapolis Museum of Art)

Brilliant V and others, Paolo Veronese: A Master and His Workshop in Renaissance Venice (1st ed, Scala 2012)

Brown DA and others, Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting (National Gallery of Art)

——, Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting (National Gallery of Art)

——, Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting (National Gallery of Art)

Brown DA and Bellini G, Giovanni Bellini: The Last Works (First edition, Skira 2019)

——, Giovanni Bellini: The Last Works (First edition, Skira 2019)

Brown, Patricia Fortini1, ‘PAINTING AND HISTORY IN RENAISSANCE VENICE.’ 7 Art History 263 <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=19343003&site=ehost-live>

Brown PF, Venetian Narrative Painting in the Age of Carpaccio (Yale University Press 1988)

——, Art and Life in Renaissance Venice, vol Perspectives (Pearson/Prentice Hall 1997)

——, The Renaissance in Venice: A World Apart, vol Everyman art library (Weidenfeld & Nicolson 1997)

——, Private Lives in Renaissance Venice: Art, Architecture, and the Family (Yale University Press 2004)

Campbell L, Attwood P, and National Gallery (Great Britain), Renaissance Faces: Van Eyck to Titian (National Gallery 2008)

Castiglione B and Bull G, The Book of the Courtier, vol Penguin classics (Penguin 1976)

Cennini C and Broecke L, Cennino Cennini’s Il Libro Dell’arte: A New English Translation and Commentary with Italian Transcription (Archetype Publications 2015)

Chambers D, The Imperial Age of Venice, 1380-1580 (Harcourt Brace Jovanovich 1970)

——, Venice: A Documentary History, 1450-1630, vol 12 (Published by University of Toronto Press in association with the Renaissance Society of America)

Christiansen K and others, The Renaissance Portrait: From Donatello to Bellini (Metropolitan Museum of Art 2011) <https://www.metmuseum.org/art/metpublications/The_Renaissance_Portrait_From_Donatello_to_Bellini>

Cottrell P, ‘Corporate Colors: Bonifacio and Tintoretto at the Palazzo Dei Camerlenghi in Venice’ (2000) 82 The Art Bulletin <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3051416>

Dal Pozzolo EM and Notini S, Giorgione (1st ed, 24 ORE Motta Cultura srl)

De Maria B, Becoming Venetian: Immigrants and the Arts in Early Modern Venice (Yale University Press)

Earle TF and Lowe KJP, Black Africans in Renaissance Europe (Cambridge University Press 2005)

Eisler CT, The Genius of Jacopo Bellini: The Complete Paintings and Drawings (HN Abrams 1988)

Gasparotto D, ‘Giovanni Bellini. Landscapes of Faith in Renaissance Venice’ (2017) <https://books.google.co.uk/books?id=UQjRAQAACAAJ&newbks=1&newbks_redir=0&printsec=frontcover&source=gbs_atb#v=onepage&q&f=false>

Gilbert C, Italian Art, 1400-1500: Sources and Documents (Prentice-Hall)

Goffen R, ‘Bellini, S. Giobbe and Altar Egos’ (1986) 7 Artibus et Historiae <http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1483224>

——, Giovanni Bellini (Yale University Press)

——, Piety and Patronage in Renaissance Venice: Bellini, Titian, and the Franciscans (Yale University Press)

——, Piety and Patronage in Renaissance Venice: Bellini, Titian, and the Franciscans (Yale University Press)

——, Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian (Yale University Press)

——, Titian’s Women (Yale University Press)

Hall MB, Color and Meaning: Practice and Theory in Renaissance Painting (Cambridge University Press 1992)

Hills P, Venetian Colour: Marble, Mosaic, Painting and Glass, 1250-1550 (Yale University Press)

Hills, Paul, ‘PIETY AND PATRONAGE IN CINQUECENTO VENICE: TINTORETTO AND THE SCUOLE DEL SACRAMENTO.’ 6 Art History. 30 <http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=19342923&site=ehost-live>

Hollingsworth M, Patronage in Renaissance Italy: From 1400 to the Early Sixteenth Century (John Murray 1994)

——, Patronage in Sixteenth-Century Italy (J Murray 1996)

Hope C, Titian (Chaucer 2003)

Hope C, Jaffé D, and National Gallery (Great Britain), Titian (National Gallery 2003)

Humfrey P, Painting in Renaissance Venice (Yale University Press 1995)

——, Venice and the Veneto, vol Artistic centers of the Italian Renaissance (Cambridge University Press 2007)

——, The Altarpiece in Renaissance Venice (Yale University Press)

——, Vittore Carpaccio: Master Storyteller of Renaissance Venice (Yale University Press 2022)

——, Vittore Carpaccio: Master Storyteller of Renaissance Venice (Yale University Press 2022)

Humfrey P and Bellini G, The Cambridge Companion to Giovanni Bellini (Cambridge University Press 2004)

Humfrey P and Cima da Conegliano GB, Cima Da Conegliano (Cambridge University Press 1983)

Humfrey P and Mackenny R, ‘The Venetian Trade Guilds as Patrons of Art in the Renaissance’ (1986) Burlington Magazine, CXXVIII 317 <https://oxfordbrookes.on.worldcat.org/oclc/5548490020>

Huse N and Wolters W, The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590 (University of Chicago Press 1990)

Isabella Stewart Gardner Museum and National Gallery (Great Britain), Bellini and the East (National Gallery Company 2005)

Joannides P, Titian to 1518: The Assumption of Genius (Yale University Press)

Klein R and Zerner H, Italian Art 1500-1600: Sources and Documents, vol Sources and documents in the history of art series (Prentice-Hall 1966)

Korbacher D and others, Mantegna & Bellini (National Gallery Company 2018)

Lives of the Painters, Sculptors and Architects, vol Volume 1 (David Campbell 1996)

—— (David Campbell 1996)

Lowe K, ‘Visible Lives: Black Gondoliers and Other Black Africans in Renaissance Venice’ (2013) Renaissance Quarterly, 66 <https://oxfordbrookes.on.worldcat.org/oclc/850442389>

Maguire H and Nelson RS, San Marco, Byzantium, and the Myths of Venice (Dumbarton Oaks 2011)

Manca J and National Gallery of Art (U.S.), Titian 500, vol v. 45 (National Gallery of Art)

Martineau J and others, The Genius of Venice 1500-1600 (Royal Academy of Arts, in association with Weidenfeld and Nicolson 1983)

Maze DW, Young Bellini (Yale University Press 2021)

Meilman P, Titian and the Altarpiece in Renaissance Venice (Cambridge University Press 1999)

——, The Cambridge Companion to Titian (Cambridge University Press 2004)

Michiel M, The Anonimo; Notes on Pictures and Works of Art in Italy Made by an Anonymous Writer in the Sixteenth Century (George C Williamson ed, G Bell and Sons 1903) <https://archive.org/details/anonimonotesonpi00michrich>

Nichols T, Tintoretto: Tradition and Identity (Reaktion 1999)

——, Tintoretto: Tradition and Identity (Reaktion 1999)

——, Titian and the End of the Venetian Renaissance (Reaktion Books 2013)

——, Renaissance Art in Venice: From Tradition to Individualism (Laurence King Publishing 2016)

Partridge LW, Art of Renaissance Venice, 1400-1600 (University of California Press 2015)

Penny N and National Gallery (Great Britain), The Sixteenth Century Italian Paintings: Volume II: Venice, 1540-1600 (National Gallery Co 2008)

Petkov K, The Anxieties of a Citizen Class: The Miracles of the True Cross of San Giovanni Evangelista, Venice 1370-1480, vol The medieval mediterranean (Brill 2014) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9789004259812&uid=^u>

Pignatti T, Giorgione: Complete Edition (Phaidon 1971)

Richardson CM and Open University, Locating Renaissance Art, vol Renaissance art reconsidered (Yale University Press 2007)

Richardson CM, Woods K and Franklin MW (eds), Renaissance Art Reconsidered: An Anthology of Primary Sources (Blackwell Publishing 2007)

Ridolfi C, The Life of Tintoretto, and of His Children Domenico and Marietta (Pennsylvania State University Press)

Robertson G, Giovanni Bellini (Hacker Art Books 1981)

Rosand D and others, Titian, His World and His Legacy, vol no. 21 (Columbia University Press 1982)

Rosand D and Rosand D, Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto (Rev ed, Cambridge University Press 1997)

Roskill M, Dolce’s Aretino and Venetian Art Theory of the Cinquecento, vol Monographs on archaeology and fine arts (Published for the College Art Association of America by New York University Press 1968)

Rylands P, Palma Vecchio (Cambridge University Press 1992)

S. M, ‘Person, Object, and Aesthetic: Black Africans in European Art, 1300-1700.’ (2020) <https://edspace.american.edu/blurredlinesblackafricans/>

Salomon XF and National Gallery (Great Britain), Veronese (National Gallery Company Limited 2014)

Sansovino F, Sansovino’s Venice (Vaughan Hart and Peter Hicks eds, Yale University Press 2017)

Sanudo M, Labalme PH and Sanguineti White L, Venice, Cità Excelentissima: Selections from the Renaissance Diaries of Marin Sanudo (Johns Hopkins University Press 2008)

Schmitter MA, The Art Collector in Early Modern Italy: Andrea Odoni and His Venetian Palace (Cambridge University Press 2021)

Sebastiano and Hirst M, Sebastiano Del Piombo (Clarendon Press 1981)

Spicer J, ‘Revealing the African Presence in Renaissance Europe’ (2012) <https://thewalters.org/wp-content/uploads/revealing-the-african-presence-in-renaissance-europe.pdf>

Steer J, Alvise Vivarini: His Art and Influence (Cambridge University Press 1982)

Titian and others, The Age of Titian: Venetian Renaissance Art from Scottish Collections (National Galleries of Scotland 2004)

Titian and Wethey HE, The Paintings of Titian: Complete Edition, Vol. 3: The Mythological and Historical Paintings (Phaidon)

Wethey HE, The Paintings of Titian: Complete Edition. Vol. 1, The Religious Paintings (Phaidon 1969)

Wethey HE and Titian, The Paintings of Titian: Complete Edition. Vol.2, Portraits (Phaidon 1971)

Wijnands C, ‘The Road to Recognition. Strategy & Identity in the Careers of Sixteenth Century Venetian Painters’ (2018) <https://theses.ubn.ru.nl/items/1e072724-b09a-4fa3-b168-0f75a4fc8a21>

Wivel M and Lotto L, Lorenzo Lotto: Portraits (Enrico Maria Dal Pozzolo and Miguel Falomir Faus eds, Museo Nacional del Prado 2018)

Wolfthal D, Household Servants and Slaves: A Visual History, 1300-1700 (Yale University Press 2022)

Bibliography for Continuity and Change in Venetian Renaissance Painting: 1440 -1590 BETA