A., L. (2014) Building the Picture. National Gallery London. Available at: https://www.nationalgallery.org.uk/research/research-resources/exhibition-catalogues/building-the-picture.
Aikema, B. and Brown, B.L. (1999) Renaissance Venice and the north: crosscurrents in the time of Dürer, Bellini and Titian. London: Thames & Hudson.
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Ames-Lewis, F. (no date) The intellectual life of the early Renaissance artist. New Haven: Yale University Press.
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Brown, P.F. (1988) Venetian narrative painting in the age of Carpaccio. New Haven: Yale University Press.
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Campbell, L., Attwood, P., and National Gallery (Great Britain) (2008) Renaissance faces: Van Eyck to Titian. London: National Gallery.
Castiglione, B. and Bull, G. (1976) The book of the courtier. Harmondsworth (etc.): Penguin.
Cennini, C. and Broecke, L. (2015) Cennino Cennini’s Il libro dell’arte: a new English translation and commentary with Italian transcription. London: Archetype Publications.
Chambers, D. (1970) The imperial age of Venice, 1380-1580. London, England: Harcourt Brace Jovanovich.
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Cottrell, P. (2000) ‘Corporate Colors: Bonifacio and Tintoretto at the Palazzo dei Camerlenghi in Venice’, The Art Bulletin, 82(4). Available at: https://doi.org/10.2307/3051416.
Dal Pozzolo, E.M. and Notini, S. (no date) Giorgione. 1st ed. Milan: 24 ORE Motta Cultura srl.
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Earle, T.F. and Lowe, K.J.P. (2005) Black Africans in Renaissance Europe. Cambridge, UK: Cambridge University Press.
Eisler, C.T. (1988) The genius of Jacopo Bellini: the complete paintings and drawings. New York: H.N. Abrams.
Gasparotto, D. (2017) Giovanni Bellini. Landscapes of Faith in Renaissance Venice. Los Angeles: Getty. Available at: https://books.google.co.uk/books?id=UQjRAQAACAAJ&newbks=1&newbks_redir=0&printsec=frontcover&source=gbs_atb#v=onepage&q&f=false.
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Goffen, R. (no date a) Giovanni Bellini. New Haven: Yale University Press.
Goffen, R. (no date b) Piety and patronage in Renaissance Venice: Bellini, Titian, and the Franciscans. New Haven: Yale University Press.
Goffen, R. (no date c) Piety and patronage in Renaissance Venice: Bellini, Titian, and the Franciscans. New Haven: Yale University Press.
Goffen, R. (no date d) Renaissance rivals: Michelangelo, Leonardo, Raphael, Titian. New Haven [Conn.]: Yale University Press.
Goffen, R. (no date e) Titian’s women. New Haven: Yale University Press.
Hall, M.B. (1992) Color and meaning: practice and theory in Renaissance painting. Cambridge: Cambridge University Press.
Hills, P. (no date) Venetian colour: marble, mosaic, painting and glass, 1250-1550. New Haven, CT: Yale University Press.
Hills, Paul (no date) ‘PIETY AND PATRONAGE IN CINQUECENTO VENICE: TINTORETTO AND THE SCUOLE DEL SACRAMENTO.’, Art History., 6(1), pp. 30–43. Available at: http://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=19342923&site=ehost-live.
Hollingsworth, M. (1994) Patronage in Renaissance Italy: from 1400 to the early sixteenth century. London: John Murray.
Hollingsworth, M. (1996) Patronage in sixteenth-century Italy. London: J. Murray.
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Humfrey, P. (1995) Painting in Renaissance Venice. New Haven: Yale University Press.
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Lives of the painters, sculptors and architects (1996b). London: David Campbell.
Lowe, K. (2013) ‘Visible Lives: Black Gondoliers and Other Black Africans in Renaissance Venice’, Renaissance Quarterly, 66. Available at: https://oxfordbrookes.on.worldcat.org/oclc/850442389.
Maguire, H. and Nelson, R.S. (2011) San Marco, Byzantium, and the myths of Venice. Washington, D.C.: Dumbarton Oaks.
Manca, J. and National Gallery of Art (U.S.) (no date) Titian 500. Washington: National Gallery of Art.
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Meilman, P. (2004) The Cambridge companion to Titian. New York: Cambridge University Press.
Michiel, M. (1903) The Anonimo; notes on pictures and works of art in Italy made by an anonymous writer in the sixteenth century. Edited by G.C. Williamson. London: G. Bell and Sons. Available at: https://archive.org/details/anonimonotesonpi00michrich.
Nichols, T. (1999a) Tintoretto: tradition and identity. London: Reaktion.
Nichols, T. (1999b) Tintoretto: tradition and identity. London: Reaktion.
Nichols, T. (2013) Titian and the end of the Venetian Renaissance. London: Reaktion Books.
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Petkov, K. (2014) The anxieties of a citizen class: the miracles of the true cross of San Giovanni Evangelista, Venice 1370-1480. Leiden: Brill. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9789004259812&uid=^u.
Pignatti, T. (1971) Giorgione: complete edition. London: Phaidon.
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Ridolfi, C. (no date) The life of Tintoretto, and of his children Domenico and Marietta. University Park: Pennsylvania State University Press.
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S., M. (2020) Person, Object, and Aesthetic: Black Africans in European Art, 1300-1700. Washington. Available at: https://edspace.american.edu/blurredlinesblackafricans/.
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Schmitter, M.A. (2021) The art collector in early modern Italy: Andrea Odoni and his Venetian palace. Cambridge, United Kingdom: Cambridge University Press.
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Spicer, J. (2012) Revealing the African Presence in Renaissance Europe. Baltimore: Walters Art Museum. Available at: https://thewalters.org/wp-content/uploads/revealing-the-african-presence-in-renaissance-europe.pdf.
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Wethey, H.E. and Titian (1971) The paintings of Titian: complete edition. Vol.2, Portraits. London: Phaidon.
Wijnands, C. (2018) The Road to Recognition. Strategy & identity in the careers of sixteenth century Venetian painters. Available at: https://theses.ubn.ru.nl/items/1e072724-b09a-4fa3-b168-0f75a4fc8a21.
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