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Artist Sue Scullard Demonstrates Wood Engraving and Printing. 7 AD. https://www.youtube.com/watch?v=K9O1aUrTNJs.
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Audre Lorde Reading Her Poems with Comment in the Recording Laboratory, Feb. 23, 1977. 1977. https://www.loc.gov/item/91740794/.
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Bachelard, Gaston, and Maria Jolas. The Poetics of Space. Beacon Press, 1994.
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‘BBC World Service - The Documentary, We Real Cool: The Poetry of Gwendolyn Brooks’. http://www.bbc.co.uk/programmes/p033bmrn.
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Bean, Annemarie. A Sourcebook of African-American Performance: Plays, People, Movements. Worlds of performance. Routledge, 1999.
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Brown, Milton W. ‘The Ash Can School’. American Quarterly 1, no. 2 (1949): 127–34. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/10.2307/3031260.
Brown, Priscilla Ann, and Wanda Coleman. ‘What Saves Us: An Interview with Wanda Coleman’. Callaloo 26, no. 3 (2003): 635–61. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3300711.
Buelens, Gert. ‘The American Poet and His City: Crane, Williams and Olson. Perceptions of Reality in American...’ English Studies 73, no. 3 (1992). http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=9208174400&site=ehost-live.
Burgan, Mary E. ‘“Sister Carrie” and the Pathos of Naturalism’. Criticism 15, no. 4 (1973): 336–336. https://data-journalarchives-jisc-ac-uk.oxfordbrookes.idm.oclc.org/view?pubId=proquestpdfz303z303-1973-015-04-000004pdf&tab=title&jid=393239333234383430%2332383931343737343534.
Butterfield, R. W. The Broken Arc: A Study of Hart Crane. Oliver & Boyd, 1969.
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Carter, Steven R. ‘Commitment amid Complexity: Lorraine Hansberry’s Life in Action’. MELUS 7, no. 3 (1980): 39–53. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/467027.
Carter, Steven R. ‘Images of Men in Lorraine Hansberry’s Writing’. Black American Literature Forum 19, no. 4 (1985): 160–62. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2904279.
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Certeau, Michel de. The Practice of Everyday Life. University of California Press, 1984.
Certeau, Michel de, and Steven Rendall. The Practice of Everyday Life. University of California Press, n.d.
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Charles Baudelaire’s Essay ‘The Painter of Modern Life’. n.d. http://www.columbia.edu/itc/architecture/ockman/pdfs/dossier_4/Baudelaire.pdf.
Charles Bukowski’s Last Poetry Reading - The Last Straw Rare Footage. 9 AD. https://www.youtube.com/watch?v=QB6IyLTvB7M.
Chute, Hillary. ‘Comics as Literature? Reading Graphic Narrative’. PMLA 123, no. 2 (2008): 452–65. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25501865.
‘“Cities Are Built with Language”: How Poetry Feeds on Urban Life | Cities | The Guardian’. https://www.theguardian.com/cities/2016/oct/06/cities-poetry-urban-language-national-poetry-day?CMP=share_btn_tw.
‘City | Keywords for American Cultural Studies’. http://keywords.nyupress.org/american-cultural-studies/essay/city/.
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Clark, Michael. Dos Passos’ Early Fiction,1912-1938. Susquehanna University Press, 1987.
Cohn, Julie A. The Grid: Biography of an American Technology. The MIT Press, 2017.
Cole, Merrill. The Other Orpheus: A Poetics of Modern Homosexuality. Literary criticism and Cultural theory. Routledge, 2003.
Colomina, Beatriz, and Jennifer Bloomer. Sexuality & Space. Vol. 1. Princeton Architectural Press, n.d.
‘Commentary about “Let Us Now Praise Famous Men” and a Selection of Walker Evans’s Images’. http://xroads.virginia.edu/%7EUG97/fsa/letus.html.
‘Commentary about “You Have Seen Their Faces”, with Images from the Book by Margaret Bourke-White’. http://xroads.virginia.edu/%7ECLASS/am485_98/coe/Faces.html.
Conn, Peter J. The American 1930s: A Literary History. Cambridge University Press, 2009.
Connor, Steven. The Cambridge Companion to Postmodernism. Cambridge companions to literature. Cambridge University Press, 2004.
Conrad, Peter. The Art of the City: Views and Versions of New York. Oxford University Press, 1984.
Cook, Jonathan. Poetry in Theory: An Anthology 1900-2000. Blackwell anthologies. Blackwell, 2004.
Cooney, Seamus. John Fante: Selected Letters, 1932-1981. Black Sparrow Press, n.d.
Cooper, Stephen. Full of Life: A Biography of John Fante. Rebel Inc, 2000.
Corkin, Stanley. ‘“Sister Carrie” and Industrial Life: Objects and the New American Self’. Modern Fiction Studies 33, no. 4 (1987): 605–605. https://muse-jhu-edu.oxfordbrookes.idm.oclc.org/article/244375.
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Davis, Alex, and Lee M. Jenkins. The Cambridge Companion to Modernist Poetry. Cambridge companions to literature. Cambridge University Press, 2007.
Davis, Alex, and Lee M. Jenkins. The Cambridge Companion to Modernist Poetry. Cambridge companions to literature. Cambridge University Press, 2007.
Davis, Mike. City of Quartz: Excavating the Future in Los Angeles. Haymarket series. Verso, 1990.
Davis, Mike. City of Quartz: Excavating the Future in Los Angeles. New ed. Verso, 2006.
Dear, Michael, and Steven Flusty. ‘Postmodern Urbanism’. Annals of the Association of American Geographers 88, no. 1 (1998): 50–72. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2563976.
Dear, Michael, and Steven Flusty. ‘Postmodern Urbanism’. Annals of the Association of American Geographers 88, no. 1 (1998): 50–72. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2563976.
Debord, Guy, and Donald Nicholson-Smith. The Society of the Spectacle. Zone Books, 1994.
Debritto, Abel. ‘A "Dirty Old Man” on Stage: Charles Bukowski and the Underground Press in the 1960s’. English Studies 92, no. 3 (2011): 309–22. https://doi.org/10.1080/0013838X.2011.564777.
‘Defending Los Angeles.’ Time 98, no. 6 (1971). http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=53807432&site=ehost-live.
Deverell, William, and Greg Hise, eds. A Companion to Los Angeles. Wiley Blackwell companions to American history. Wiley Blackwell, 2014.
Diamond, Sam. ‘Getting the Story Joan Didion’s Aesthetic Transformation’. Orbit: A Journal of American Literature 6, no. 1 (2018). https://doi.org/10.16995/orbit.495.
Dickerson, Glenda. African American Theater: A Cultural Companion. Polity, 2008.
Didion, Joan. ‘California Notes’. The New York Review of Books, no. May 26, 2016 (2016). http://www.nybooks.com/articles/2016/05/26/california-notes/.
Didion, Joan. Play It as It Lays: A Novel. OPEN ROAD MEDIA, 2017. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4852919.
Didion, Joan. We Tell Ourselves Stories in Order to Live: Collected Nonfiction. Everyman’s library. Everyman’s Library, 2006.
‘Die Stadt, Frans Masereel, 1925’. http://graphicwitness.org/historic/st.htm.
Dimendberg, Edward. ‘The Kinetic Icon: Reyner Banham on Los Angeles as Mobile Metropolis’. Urban History 33, no. 01 (2006): 106–25. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/journals/urban-history/article/kinetic-icon-reyner-banham-on-los-angeles-as-mobile-metropolis/830D469D7D4391D29013AC038C8238BA.
Dos Passos, John. The Best Times: An Informal Memoir. Andre Deutsch, 1968.
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. Papermac, 1997.
Dreiser Studies. n.d. https://oxfordbrookes.on.worldcat.org/oclc/49633585.
Dreiser, Theodore. Sister Carrie. Open Road Integrated Media, Inc, 2016. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=4747091.
Dreiser, Theodore. Sister Carrie. Dancing Unicorn Books, 2017. https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781515413738&uid=^u.
Dreiser, Theodore, and Donald Pizer. Sister Carrie: An Authoritative Text, Backgrounds, and Sources Criticism. 2nd ed. A Norton critical edition. Norton, 1991.
Dreiser, Theodore, and Donald Pizer. Sister Carrie: An Authoritative Text, Backgrounds, and Sources Criticism. 2nd ed. A Norton critical edition. Norton, 1991.
Dybek, Stuart. The Coast of Chicago. Picador, 1990.
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Elam, Harry Justin, and David Krasner. African American Performance and Theater History: A Critical Reader. Oxford University Press, 2001.
Eldridge, David. American Culture in the 1930s. Twentieth-Century American culture. Edinburgh University Press, 2008.
Elliott, Matthew. ‘John Fante’s “Ask the Dust” and Fictions of Whiteness’. Twentieth Century Literature 56, no. 4 (2010): 530–44. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/41413714.
Espejo, Ramon. ‘Coping with the Postmodern: Paul Auster’s New York Trilogy’. Journal of American Studies 48, no. 1 (2014): 147–71. https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/journals/journal-of-american-studies/article/coping-with-the-postmodern-paul-austers-new-york-trilogy/59C3721B4EAFAB808EFF82349683CBA5.
Esteve, Mary. The Aesthetics and Politics of the Crowd in American Literature. Vol. 135. Cambridge University Press, 2003. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=218010.
Esteve, Mary. The Aesthetics and Politics of the Crowd in American Literature. Vol. 135. Cambridge University Press, 2003. https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=218010.
Excerpts from the Documentary Film ‘O Brother Man: The Art and Life of Lynd Ward’, Directed by Michael Maglaras (2012). n.d. http://vimeo.com/two17films/videos.
‘Exhibition: The City Lost and Found: Capturing New York, Chicago, and Los Angeles, 1960–1980’. http://extras.artic.edu/city-lost-found.
Fante, John. Ask the Dust. Canongate, 2012.
Fante, John, and Stephen Cooper. The John Fante Reader. Ecco, 2003.
Farr, Marie T. ‘Freedom and Control: Automobiles in American Women’s Fiction of the 70s and 80s’. Journal of Popular Culture 29, no. 2 (1995): 777–82. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/195358456/48EAA388FF874884PQ/26?accountid=13041.
‘Feminist, Lesbian, Warrior, Poet: Rediscovering the Work of Audre Lorde’. https://www.newstatesman.com/culture/books/2017/09/feminist-lesbian-warrior-poet-rediscovering-work-audre-lorde.
Fisher, Clive. Hart Crane: A Life. Yale University Press, 2002.
Fitzpatrick, Joan. The Idea of the City: Early-Modern, Modern, and Post-Modern Locations and Communities. Cambridge Scholars Pub, 2009.
‘Flaneuse by Lauren Elkin: Off The Page’. https://www.penguin.co.uk/articles/in-conversation/interviews/2016/jul/flaneuse-by-lauren-elkin-off-the-page/.
‘Flying Cars and Giant Snakes: 60 Years of Street Life in Los Angeles’. http://www.theguardian.com/artanddesign/gallery/2015/jun/24/flying-cars-and-giant-snakes-60-years-of-street-life-in-los-angeles-in-pictures?CMP=share_btn_tw.
Footage of New York City in 1928. 2007. https://www.youtube.com/watch?v=lkqz3lpUBp0.
Ford, Karen Jackson. ‘The Last Quatrain: Gwendolyn Brooks and the Ends of Ballads’. Twentieth Century Literature 56, no. 3 (2010). https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/1208132.
Ford, Karen Jackson. ‘The Last Quatrain: Gwendolyn Brooks and the Ends of Ballads’. Twentieth Century Literature 56, no. 3 (2010): 371–95. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/41062482.
Ford, Simon. The Situationist International: A User’s Guide. Black Dog, 2005.
‘From Literary Heavyweight to Lifestyle Brand: Exploring the Cult of Joan Didion | Life and Style | The Guardian’. http://www.theguardian.com/lifeandstyle/2015/aug/17/joan-didion-literary-heavyweight-lifestyle-brand-celine.
Gabriel, Daniel. Hart Crane and the Modernist Epic: Canon and Genre Formation in Crane, Pound, Eliot, and Williams. Palgrave Macmillan, 2007.
Gammel, Irene. ‘The City’s Eye of Power: Panopticism and Specular Prostitution in Dreiser’s New York and Grove’s...’ Canadian Review of American Studies 22, no. 2 (1991). http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=9611272067&site=ehost-live.
Geherin, David J. ‘Nothingness and Beyond: Joan Didion’s Play It As It Lays’. Critique 16, no. 1 (1974): 1–21. https://search-proquest-com.oxfordbrookes.idm.oclc.org/docview/1310172415/48EAA388FF874884PQ/65?accountid=13041.
Gelpi, Albert. A Coherent Splendor: The American Poetic Renaissance, 1910-1950. Cambridge University Press, 1987.
Georg Simmel, ‘The Metropolis and Mental Life’ (1903). n.d. http://www.esperdy.net/wp-content/uploads/2009/09/Simmel_21.pdf.
Geyh, Paula E. ‘From Cities of Things to Cities of Signs: Urban Spaces and Urban Subjects in “Sister Carrie” and “Manhattan Transfer”’. Twentieth Century Literature 52, no. 4 (2006): 413–42. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479784.
Geyh, Paula E. ‘From Cities of Things to Cities of Signs: Urban Spaces and Urban Subjects in “Sister Carrie” and “Manhattan Transfer”’. Twentieth Century Literature 52, no. 4 (2006): 413–42. https://www-jstor-org.oxfordbrookes.idm.oclc.org/stable/20479784.
Gilloch, Graeme, and Walter Benjamin. Myth and Metropolis: Walter Benjamin and the City. Polity Press, 1996.
Gladsky, Thomas S. ‘From Ethnicity to Multiculturalism: The Fiction of Stuart Dybek’. MELUS 20, no. 2 (1995): 105–18. http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/467625.
Goldsmith, Arnold L. The Modern American Urban Novel: Nature as ‘Interior Structure’. Wayne State University Press, 1991.
Gordon, Michelle. ‘“Somewhat Like War”: The Aesthetics of Segregation, Black Liberation, and “A Raisin in the Sun.”’ African American Review 42, no. 1 (2008): 121–33. https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=36902365&site=ehost-live.
Gray, Richard. American Poetry of the Twentieth Century. Cambridge University Press, 1976.
Gray, Richard. American Poetry of the Twentieth Century. Cambridge University Press, 1976.
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Zukowsky, John. Chicago Architecture 1872-1922: Birth of a Metropolis. Prestel-Verlag, in association with the ArtInstitute of Chicago, 1987.
Zukowsky, John and Art Institute of Chicago. Chicago Architecture and Design 1923-1993: Reconfiguration of an American Metropolis. Prestel-Verlag, in association with the Art Institute of Chicago, 1993.
Zurier, Rebecca, Robert W. Snyder, Virginia M. Mecklenburg, and National Museum of American Art. Metropolitan Lives: The Ashcan Artists and Their New York. National Museum of American Art in association with W.W. Norton, 1995.
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