Adams, H.H. (1971) English domestic or, homiletic tragedy 1575 to 1642: being an account of the development of the tragedy [...]. New York: Blom.
Adams, Jr., J.Q. (1913) ‘The Authorship of a Warning for Fair Women’, PMLA, 28(4), pp. 594–620. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/457057?seq=1#page_scan_tab_contents.
Andrews, M.C. (1973) ‘Honest Othello: The Handkerchief Once More’, Studies in English Literature, 1500-1900, 13(2), pp. 273–284. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/449739.
Aughterson, K. (2013) Shakespeare: the late plays. Basingstoke, Hampshire: Palgrave Macmillan.
Balizet, A.M. (2014a) Blood and home in early modern drama: domestic identity on the Renaissance stage. London: Routledge.
Balizet, A.M. (2014b) Blood and home in early modern drama: domestic identity on the Renaissance stage. London: Routledge.
Barksted, W. et al. (1998) ‘Francis Beaumont and John Fletcher, “The Maid’s Tragedy” (1608-11), in Four Jacobean sex tragedies’, in M. Wiggins (ed.) Four Jacobean sex tragedies. Oxford: Oxford University Press.
Beaumont, F. (no date) The maid’s tragedy. Manchester University Press.
Benson, S. (2013a) Shakespeare, Othello and domestic tragedy. London: Bloomsbury.
Benson, S. (2013b) Shakespeare, Othello and domestic tragedy. London: Bloomsbury.
Benson, S. (2013c) Shakespeare, Othello and domestic tragedy. London: Bloomsbury.
Berek, P. (2004) ‘Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays’, Studies in English Literature, 1500-1900, 44(2), pp. 359–377. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3844635.
Bever, E.W.M. (2008) The realities of witchcraft and popular magic in early modern Europe: culture, cognition, and everyday life. Basingstoke: Palgrave Macmillan.
Bingham, M.E. (1993) ‘The Multiple Plot in Fletcherian Tragicomedies’, Studies in English Literature, 1500-1900, 33(2), pp. 405–423. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/451006.
Blake, A. (1993) ‘Children and Suffering in Shakespeare’s Plays’, The Yearbook of English Studies, 23, pp. 293–304. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3507985.
Blayney, G.H. (1956) ‘Wardship in English Drama (1600-1650)’, Studies in Philology, 53(3), pp. 470–484. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/4173174.
Bowers, R. (1984) ‘A Woman Killed with Kindness: Plausibility on a Smaller Scale’, Studies in English Literature, 1500-1900, 24(2), pp. 293–306. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450529.
Bradley, A.C. (1991) Shakespearean tragedy: lectures on Hamlet, Othello, King Lear, Macbeth. Harmondsworth: Penguin.
Braxton, P.N. (1990) ‘Othello: The Moor and the Metaphor’, South Atlantic Review, 55(4), pp. 1–17. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3200442.
Bromley, L.G. (1986) ‘Domestic Conduct in A Woman Killed with Kindness’, Studies in English Literature, 1500-1900, 26(2), pp. 259–276. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450507.
Bullough, G. (1975) Narrative and dramatic sources of Shakespeare. London: Routledge and Kegan Paul (etc.).
Callaghan, D. (1989) Woman and gender in Renaissance tragedy: a study of King Lear, Othello, The Duchess of Malfi and The White Devil. New York: Harvester Wheatsheaf.
Cary, C.W. (1974) ‘“Go Breake This Lute”: Music in Heywood’s “A Woman Killed with Kindness”’, Huntington Library Quarterly, 37(2), pp. 111–122. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3817029.
Clegg, C.S. (2006) ‘English Renaissance Books on Islam and Shakespeare’s “Othello”’, Pacific Coast Philology, 41, pp. 1–12. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/25474192.
Cooper, H. (2004) The English romance in time: transforming motifs from Geoffrey of Monmouth to the death of Shakespeare. Oxford: Oxford University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3052657.
Davidson, J. (2012) Early modern supernatural. Santa Barbara: ABC-CLIO. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://brookes.eblib.com/patron/FullRecord.aspx?p=831971.
De Grazia, M., Quilligan, M. and Stallybrass, P. (1996) Subject and object in renaissance culture. Cambridge: Cambridge University Press.
Dolan, F.E. (1989) ‘Gender, Moral Agency, and Dramatic Form in A Warning for Fair Women’, Studies in English Literature, 1500-1900, 29(2), pp. 201–218. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450471.
Dolan, F.E. (1994) Dangerous familiars: representations of domestic crime in England, 1550-1700. Ithaca: Cornell University Press.
Edwards, K.A. (2002) Werewolves, witches, and wandering spirits: traditional belief and folklore in early modern Europe. Kirksville, MO: Truman State University Press.
Fernie, E. (2013) The demonic: literature and experience. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1125259.
Gibson, M. (2000) Early modern witches: witchcraft cases in contemporary writing. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=243164.
Golding, M.R. (1973) ‘Variations in the Use of the Masque in English Revenge Tragedy’, The Yearbook of English Studies, 3, pp. 44–54. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3506855.
Gossett, S. (1972) ‘Masque Influence on the Dramaturgy of Beaumont and Fletcher’, Modern Philology, 69(3), pp. 199–208. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/436643.
Granville-Barker, H. (1958a) Prefaces to Shakespeare:  Vol.1, Hamlet; King Lear; The merchant of Venice; Antony and Cleopatra; Cymbeline. London: Batsford.
Granville-Barker, H. (1958b) Prefaces to Shakespeare: Vol.2, Othello; Coriolanus; Romeo and Juliet; Julius Caesar; Love’s labour’s lost. London: Batsford.
Granville-Barker, H. and Byrne, M.St.C. (1963) Prefaces to Shakespeare: Vol.4: Love’s labours lost, Romeo and Juliet, The Merchant of Venice [and] Othello. London: Batsford.
Harris, J.G. and Korda, N. (2002) Staged properties in early modern English drama. Cambridge: Cambridge University Press.
Henderson, D.E. (1986) ‘Many Mansions: Reconstructing A Woman Killed with Kindness’, Studies in English Literature, 1500-1900, 26(2), pp. 277–294. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450508.
Henze, C.A. (2004) ‘Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque’, Studies in English Literature, 1500-1900, 44(2), pp. 379–404. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3844636.
Heywood, T. (2012) ‘Thomas Heywood, “A Woman Killed with Kindness” (1603), in Three Elizabethan domestic tragedies’, in K. Sturgess (ed.) Three Elizabethan domestic tragedies. London: Penguin.
Holdsworth, R.V. (1994) ‘Middleton’s Authorship of A Yorkshire Tragedy’, The Review of English Studies, 45(177), pp. 1–25. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/517438.
Huebert, R. (1977) ‘“An Artificial way to Grieve”: The Forsaken Woman in Beaumont and Fletcher, Massinger and Ford’, ELH, 44(4), pp. 601–621. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2872427.
Johnstone, N. (2004) ‘The Protestant Devil: The Experience of Temptation in Early Modern England’, The Journal of British Studies, 43(02), pp. 173–205. Available at: https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/journals/journal-of-british-studies/article/protestant-devil-the-experience-of-temptation-in-early-modern-england/655C3CA66A37F9DD2B93972300799D0F.
Jones, A.R. and Stallybrass, P. (2000) Renaissance clothing and the materials of memory. Cambridge: Cambridge University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=2a295103-f699-e711-80cb-005056af4099.
Karim-Cooper, F. and Stern, T. (eds) (2013a) Shakespeare’s theatres and the effects of performance. London: Bloomsbury Arden Shakespeare. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9781408174647&uid=^u.
Karim-Cooper, F. and Stern, T. (eds) (2013b) Shakespeare’s theatres and the effects of performance. London: Arden Shakespeare.
Kay, C.M. (1983) ‘Othello’s Need for Mirrors’, Shakespeare Quarterly, 34(3), pp. 261–270. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2869886.
Kirwan, P. (2011) ‘The First Collected “Shakespeare Apocrypha”’, Shakespeare Quarterly, 62(4), pp. 594–601. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/41350157.
Korda, N. (2002a) Shakespeare’s domestic economies: gender and property in early modern England. Philadelphia, Pa: University of Pennsylvania Press. Available at: https://oxfordbrookes.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3441699.
Korda, N. (2002b) Shakespeare’s domestic economies: gender and property in early modern England. Philadelphia, Pa: University of Pennsylvania Press. Available at: https://oxfordbrookes.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/brookes/detail.action?docID=3441699.
Lawrence, W.W. (1969) Shakespeare’s problem comedies. Rev. ed. Harmondsworth: Penguin.
Leggott, G. (ed.) (2011a) Anon, ‘A Warning for Fair Women’, available on Early Modern Literary Studies: resources, Early Modern Literary Studies:resources. Available at: https://extra.shu.ac.uk/emls/iemls/resources.html.
Leggott, G. (ed.) (2011b) Anon, ‘Two Lamentable Tragedies’, available on Early Modern Literary Studies: resources, Early Modern Literary Studies: resources. Available at: https://extra.shu.ac.uk/emls/iemls/resources.html.
Levack, B.P. (2006) The witch-hunt in early modern Europe. 3rd ed. Harlow, England: Pearson Longman. Available at: https://oxfordbrookes.on.worldcat.org/oclc/61309397.
Levack, B.P. (2013) The Oxford handbook of witchcraft in early modern Europe and colonial America. Oxford: Oxford University Press.
Levack, B.P. (2016) The witch-hunt in early modern Europe. Fourth edition. London: Routledge, Taylor & Francis Group.
Lieblein, L. (1983a) ‘The Context of Murder in English Domestic Plays, 1590-1610’, Studies in English Literature, 1500-1900, 23(2), pp. 181–196. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450087.
Lieblein, L. (1983b) ‘The Context of Murder in English Domestic Plays, 1590-1610’, Studies in English Literature, 1500-1900, 23(2), pp. 181–196. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450087.
MacDonald, J.G. (1994) ‘Acting Black: “Othello,” “Othello” Burlesques, and the Performance of Blackness’, Theatre Journal, 46(2), pp. 231–249. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3208453.
Maxwell-Stuart, P.G. (2003) Witch hunters: professional prickers, unwitchers & witch finders of the Renaissance. Stroud: Tempus.
McCoy, R.C. (2013) Faith in Shakespeare. New York: Oxford University Press.
McMahon, V. (2004) Murder in Shakespeare’s England. London: Hambledon and London.
McQuade, P. (2000) ‘“A Labyrinth of Sin”: Marriage and Moral Capacity in Thomas Heywood’s “A Woman Killed with Kindness”’, Modern Philology, 98(2), pp. 231–250. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/438934.
Orlin, L.C. (1994) Private matters and public culture in post-Reformation England. Ithaca: Cornell University Press.
Orlin, L.C. (2002) ‘“Domestic Tragedy: Private Life on the Public Stage”, in A companion to Renaissance drama’, in A companion to Renaissance drama. Oxford: Blackwell. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=214132.
Orlin, L.C. (2009) The Renaissance: a sourcebook. Basingstoke: Palgrave Macmillan. Available at: https://contentstore.cla.co.uk/secure/link?id=2b295103-f699-e711-80cb-005056af4099.
Panek, J. (1994) ‘Punishing Adultery in A Woman Killed with Kindness’, Studies in English Literature, 1500-1900, 34(2), pp. 357–378. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/450906.
Purkiss, D. (1996) The witch in history: early modern and twentieth-century representations. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179374.
Richardson, C. (2006a) Domestic life and domestic tragedy in early modern England: the material life of the household. Manchester: Manchester University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=1069493.
Richardson, C. (2006b) Domestic life and domestic tragedy in early modern England: the material life of the household. Manchester: Manchester University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=9f1e8e0a-f699-e711-80cb-005056af4099.
Richardson, C. (2010) ‘“Tragedy, family and household”, in The Cambridge companion to English Renaissance tragedy’, in The Cambridge companion to English Renaissance tragedy. Cambridge: Cambridge University Press.
Richardson, C. (2011) Shakespeare and material culture. Oxford: Oxford University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=a01e8e0a-f699-e711-80cb-005056af4099.
Rowley, W. et al. (1999) The witch of Edmonton. Manchester: Manchester University Press.
Seaman, J.E. (1968) ‘Othello’s Pearl’, Shakespeare Quarterly, 19(1), pp. 81–85. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2867846.
Shakespeare, W. (2004) Othello. Edited by E.A.J. Honigmann. London: Arden Shakespeare.
Shakespeare, W. (2005) Cymbeline. Edited by M. Butler. Cambridge: Cambridge University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3314869.
Shakespeare, W. and Neill, M. (2008) Othello: the moor of Venice. Oxford: Oxford University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=349884.
Sharpe, J.A. (1985) ‘“Last Dying Speeches”: Religion, Ideology and Public Execution in Seventeenth-Century England’, Past & Present, May(107), pp. 144–167. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/650708.
Slights, C.W. (1997) ‘Slaves and Subjects in Othello’, Shakespeare Quarterly, 48(4), pp. 377–390. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/2871250.
Smith, H.D. (1938) ‘A Woman Killed with Kindness’, PMLA, 53(1), pp. 138–147. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/458408.
Sturgess, K. and Heywood, T. (2012) ‘Thomas Middleton “A Yorkshire Tragedy” (1608), in Three Elizabethan domestic tragedies’, in Three Elizabethan domestic tragedies. London: Penguin.
Thorne, A. (2003) Shakespeare’s romances. Basingstoke: Palgrave Macmillan.
Wall, W. (2006) Staging domesticity: household work and English identity in early modern drama. Cambridge: Cambridge University Press.
Wiggins, M. et al. (2008) A woman killed with kindness and other domestic plays. Oxford: Oxford University Press.
Williamson, E. (2016) The materiality of religion in early modern English drama. London: Routledge.
Willis, D. (1995) Malevolent nurture: witch-hunting and maternal power in early modern England. Ithaca: Cornell University Press.
Yachnin, P. (1996) ‘Magical Properties: Vision, Possession, and Wonder in “Othello”’, Theatre Journal, 48(2), pp. 197–208. Available at: http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/3208867.
Yarington, R. et al. (2013) Two lamentable tragedies. Manchester: Manchester University Press for the Malone Society.
Yarington, R. and Malone Society (2013) Two lamentable tragedies. Edited by C. Hanabusa and E. Giddens. Manchester: Manchester University Press for the Malone Society.