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Aldwell, Edward and Schachter, Carl. Harmony and Voice Leading. 3rd ed, Wadsworth, 2003.
Beach, David. Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form. Routledge, 2012, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=957835.
Beach, David, and Ryan C. McClelland. Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition. Routledge, 2012, https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=957576.
Brahms, Johannes, et al. Variations on a Theme of Haydn for Orchestra Op. 56A and for Two Pianos Op. 56B: The Revised Scores of the Standard Editions, Sketches, Textual Criticism and Notes, Historical Background, Analytical Essays, Views and Comments. Norton, 1976.
Cadwallader, Allen Clayton and Gagné, David. Analysis of Tonal Music: A Schenkerian Approach. 3rd ed, Oxford University Press, 2011.
———. Analysis of Tonal Music: A Schenkerian Approach. Oxford University Press, 1998.
Christensen, Thomas Street. The Cambridge History of Western Music Theory. Cambridge University Press, 2002.
Clendinning, Jane Piper, and Elizabeth West Marvin. The Musician’s Guide to Theory and Analysis. Third edition, W. W. Norton & Company, 2016.
Cook, Nicholas. A Guide to Musical Analysis. Oxford University Press, 1994.
Dunsby, Jonathan and Whittall, Arnold. Music Analysis in Theory and Practice. Faber Music, 1988.
Everett, Walter. The Foundations of Rock: From ‘Blue Suede Shoes’ to ‘Suite: Judy Blue Eyes’. Oxford University Press, 2009.
Forte, Allen. The American Popular Ballad of the Golden Era, 1924-1950. Princeton University Press, 1995.
Forte, Allen and Gilbert, Steven E. Introduction to Schenkerian Analysis. Norton, 1982.
Gridley, Mark C. Jazz Styles: History & Analysis. 6th ed, Prentice Hall, 1997.
IMSLP/Petrucci Music Library: Free Public Domain Sheet Music. http://imslp.org/wiki/.
Joseph Kerman. ‘How We Got into Analysis, and How to Get Out’. Critical Inquiry, vol. 7, no. 2, 1980, pp. 311–31, http://www.jstor.org.oxfordbrookes.idm.oclc.org/stable/1343130.
Littlewood, Julian. The Variations of Johannes Brahms. Plumbago Books, 2004.
Metz, Ken, and Robert J. Frank. Fundamentals for the Aspiring Musician: A Preparatory Course for Music Theory. Routledge, 2011.
Moore, Allan F. Analyzing Popular Music. Cambridge University Press, 2003, https://oxfordbrookes.on.worldcat.org/oclc/49626566.
Moore, Allan F. Analyzing Popular Music. Cambridge University Press, 2003, https://oxfordbrookes.on.worldcat.org/oclc/49626566.
———. Song Means: Analysing and Interpreting Recorded Popular Song. Ashgate, 2012.
———. Song Means: Analysing and Interpreting Recorded Popular Song. Ashgate, 2012, https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=432253. Electronic resource.
Naxos Music Library - Invaluable Resource for Music Enthusiasts and Collectors. https://www.naxosmusiclibrary.com/home.asp?rurl=%2Fdefault%2Easp.
Oxford Music Online. Oxford University Press, https://www-oxfordmusiconline-com.oxfordbrookes.idm.oclc.org/.
Piston, Walter and DeVoto, Mark. Harmony. 5th ed, Norton, 1987.
Rosen, Charles. Sonata Forms. Revised ed, Norton, 1988.
———. Sonata Forms. W. W. Norton, 1980.
Salzer, Felix, and Carl Schachter. Counterpoint in Composition: The Study of Voice Leading. Columbia University Press Morningside ed, Columbia University Press, 1989.
Straus, Joseph N. Introduction to Post-Tonal Theory. Prentice Hall, 1990.
Straus, Joseph Nathan. Introduction to Post-Tonal Theory. 3rd ed, Prentice Hall, 2005.
Tovey, Donald Francis and Foss, Hubert J. Essays and Lectures on Music. Oxford University Press, 1949.
Vincent Duckles. ‘Musicology, §II: Disciplines of Musicology’. Grove Music Online, http://www.oxfordmusiconline.com.oxfordbrookes.idm.oclc.org/subscriber/article/grove/music/46710pg2?q=disciplines+of+musicology&search=quick&pos=1&_start=1#firsthit.