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Altman, R. and British Film Institute (1999) Film/genre. London: BFI Pub. Available at: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008390887&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Alton, J. (2013) Painting with light. [New] edition. Berkeley: University of California Press.
Balio, T. (1995) Grand design: Hollywood as a modern business enterprise, 1930-1939. Berkeley: University of California Press.
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Barnwell, J. (no date b) The fundamentals of film-making. Lausanne, Switzerland: AVA Pub.
Barr, C. and British Film Institute (2002) Vertigo. London: BFI Pub.
Barsam, R. M. and Monahan, D. (2016a) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2016b) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Barsam, R. M. and Monahan, D. (2016c) Looking at movies: an introduction to film. 5th edition. New York: W.W. Norton & Company.
Bazin, A. and Truffaut, F. (1974) Jean Renoir. 1st British ed. London: W.H. Allen.
Berliner, T. (2010) Hollywood incoherent: narration in seventies cinema. 1st ed. Austin: University of Texas Press.
Berliner, T. (2017) Hollywood aesthetic: pleasure in American cinema. New York: Oxford University Press.
Betz, M. (no date) Beyond the subtitle: remapping European art cinema. Minneapolis: University of Minnesota Press.
Bordwell, D. (1997a) On the history of film style. Cambridge, Mass: Harvard University Press.
Bordwell, D. (1997b) On the history of film style. Cambridge, Mass: Harvard University Press.
Bordwell, D. (no date) The way Hollywood tells it: story and style in modern movies. Berkeley: University of California Press.
Bordwell, D., Staiger, J. and Thompson, K. (1985) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge & Kegan Paul.
Corrigan, T. (2015) A short guide to writing about film. Ninth edition, global edition. Boston: Pearson Education Ltd.
Cottingham, L. (2005) Fear eats the soul =: Angst essen Seele auf. London: BFI.
Cousins, M. (2011a) The story of film. Rev. ed. London: Pavilion.
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Eisner, L. H. (1973) The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Berkeley: University of California Press.
Elsaesser, T. (2005) European cinema: face to face with Hollywood. Amsterdam: Amsterdam University Press.
Elsaesser, T. and British Film Institute (2012) Metropolis. 2nd ed. London: Palgrave Macmillan on behalf of the British Film Institute.
Elsaesser, T., Horwath, A. and King, N. (eds) (no date) The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: Amsterdam University Press.
Fabe, M. (no date) Closely watched films: an introduction to the art of narrative film technique. Berkeley: University of California Press.
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Fischer, L. (ed.) (2015) Art direction and production design. New Brunswick, New Jersey: Rutgers University Press.
Forbes, J. and Street, S. (2000) European cinema: an introduction. Hampshire [England]: Palgrave.
Friedman, L. D. (2000) Bonnie and Clyde. London: British Film Institute.
Frost, J. B. (no date) Cinematography for directors: a guide for creative collaboration. Studio City, CA: Michael Wiese Productions.
Geiger, J. and Rutsky, R. L. (2013) Film analysis: a Norton reader. Second edition. New York: W.W. Norton & Company.
Gordon, R. S. C. (2008) Bicycle thieves =: Ladri di biciclette. Basingstoke: Palgrave Macmillan.
Grant, B. K. (2007) Film genre: from iconography to ideology. London: Wallflower. Available at: http://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=2735963&custom_att_2=simple_viewer.
Hagener, M. (no date) Moving forward, looking back: the European avant-garde and the invention of film culture, 1919-1939. [Amsterdam]: Amsterdam University Press.
Kalinak, K. M. (ed.) (2015) Sound: dialogue, music and effects. London: I.B. Tauris.
Katz, S. D. (no date) Film directing shot by shot: visualizing from concept to screen. Studio City, CA: Michael Wiese Productions in conjunction with Focal Press.
Keating, P. (ed.) (2014) Cinematography. London: I.B. Tauris.
Klinger, B. (2006) Beyond the multiplex: cinema, new technologies, and the home. Berkeley: University of California Press.
Kovács, A. B. (no date) Screening modernism: European art cinema, 1950-1980. Chicago: University of Chicago Press.
Langford, B. (no date) Film genre: Hollywood and beyond. Edinburgh: Edinburgh University Press.
Langman, L. (no date) Destination Hollywood: the influence of Europeans on American filmmaking. Jefferson, N.C.: McFarland.
Maltby, R. (no date) Hollywood cinema. 2nd ed. Malden, MA: Blackwell Pub. Available at: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010006114&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Martin, A. (2014) Mise en scène and film style: from classical Hollywood to new media art. 1st edition. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Media History Digital Library (no date). Available at: http://mediahistoryproject.org/.
Mercado, G. (2010) The filmmaker’s eye: learning (and breaking) the rules of cinematic composition. New York: Focal Press, Taylor and Francis Group.
Metacritic (no date). Available at: https://www.metacritic.com/.
Monaco, P. (2010a) A history of American movies: a film-by-film look at the art, craft, and business of cinema. Lanham, Md: Scarecrow Press.
Monaco, P. (2010b) A history of American movies: a film-by-film look at the art, craft, and business of cinema. Lanham, Md: Scarecrow Press.
Neale, S. (2002) Genre and contemporary Hollywood. London: British Film Institute.
Nowell-Smith, G. (1996) The Oxford history of world cinema. Oxford: Oxford University Press. Available at: http://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=2169227&custom_att_2=simple_viewer.
Nowell-Smith, G., Ricci, S. and British Film Institute (1998) Hollywood and Europe: economics, culture, national identity, 1945-95. London: BFI Publishing.
Ondaatje, M. and Samuel Storey Trust (2003) The conversations: Walter Murch and the art of editing film. London: Bloomsbury.
Oxford Brookes University Library (no date). Available at: https://www.brookes.ac.uk/library/#/.
Petrie, D. W. and Boggs, J. M. (2018a) The art of watching films. Ninth edition. New York, NY: McGraw-Hill Education.
Petrie, D. W. and Boggs, J. M. (2018b) The art of watching films. Ninth edition. New York, NY: McGraw-Hill Education.
Quirke, A. and British Film Institute (2002) Jaws. London: BFI.
Robinson, D. (1997) Das Cabinet des Dr. Caligari. London: British Film Institute.
Salt, B. (2009a) Film style and technology: history and analysis. 3rd ed. London: Starword.
Salt, B. (2009b) Film style and technology: history and analysis. 3rd ed. London: Starword.
Schatz, T. (2010) The genius of the system: Hollywood filmmaking in the studio era. 1st University of Minnesota Press ed. Minneapolis: University of Minnesota Press.
Schickel, R. (1992) Double indemnity. London: BFI Pub.
Van Sijll, J. (no date a) Cinematic storytelling: the 100 most powerful film conventions every filmmaker must know. Studio City, CA: Michael Wiese Productions. Available at: http://catdir.loc.gov/catdir/toc/ecip052/2004024722.html.
Van Sijll, J. (no date b) Cinematic storytelling: the 100 most powerful film conventions every filmmaker must know. Studio City, CA: Michael Wiese Productions. Available at: http://catdir.loc.gov/catdir/toc/ecip052/2004024722.html.
Springer, C. and Levinson, J. R. (eds) (2015) Acting. London: I.B. Tauris.
Thompson, K. and Bordwell, D. (2019a) Film history: an introduction. Fourth edition, International student edition. New York, NY: McGraw-Hill Education.
Thompson, K. and Bordwell, D. (2019b) Film history: an introduction. Fourth edition, International student edition. New York, NY: McGraw-Hill Education.
‘Vertigo: BFI Film Classic, 20th Anniversary Edition (2nd edition) | Alexander Street, a ProQuest Company’ (2012). London, England. Available at: https://search-alexanderstreet-com.oxfordbrookes.idm.oclc.org/view/work/bibliographic_entity%7Cbibliographic_details%7C3159561#page/1/mode/1/chapter/bibliographic_entity|bibliographic_details|3159561.
Wilson, M. H., Scorsese, M. and British Film Institute (2000) ‘A personal journey with Martin Scorsese through American movies.’ London: British Film Institute Video.
Wood, R. and British Film Institute (2003) Rio Bravo. London: British Film Institute.