Allen, D. (2000) Performing Chekhov. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=166119.
Aston, E. and Savona, G. (1991a) ‘Theatre as sign-system: a semiotics of text and performance’, in. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=a1c544da-f599-e711-80cb-005056af4099.
Aston, E. and Savona, G. (1991b) ‘Theatre as sign-system: a semiotics of text and performance’, in. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=a1c544da-f599-e711-80cb-005056af4099.
Barkan, L. (2001) ‘What did Shakespeare read? (Chapter 3)’, in The Cambridge companion to Shakespeare. 1st ed. Cambridge: Cambridge University Press, pp. 31–47. Available at: https://contentstore.cla.co.uk/secure/link?id=ac2c36cb-5fa7-eb11-85aa-281878522727.
Bartram, G. and Waine, A. (1982) Brecht in perspective. London: Longman.
Bentley, E. (1992a) The theory of the modern stage: an introduction to modern theatre and drama. Reprinted with corrections, a new postscript and revised index. Harmondsworth: Penguin. Available at: https://contentstore.cla.co.uk/secure/link?id=e8cdc0bb-8102-e811-80cd-005056af4099.
Bentley, E. (1992b) The theory of the modern stage: an introduction to modern theatre and drama. Reprinted with corrections, a new postscript and revised index. Harmondsworth: Penguin.
Boa, E. (1987) The sexual circus: Wedekind’s theatre of subversion. Oxford: Basil Blackwell.
Bradbury, M. and McFarlane, J.W. (1978) Modernism, 1890-1930. Hassocks: Harvester Press (etc.).
Bradbury, Malcolm and McFarlane, James Walter (1991) Modernism 1890-1930. 1st ed., reprinted with a new preface. Harmondsworth: Penguin Books.
Braun, E. (1982a) The director and the stage: from naturalism to Grotowski. London: Methuen.
Braun, E. (1982b) The director and the stage: from naturalism to Grotowski. London: Methuen.
Brecht, B. (1994) Mother Courage and her Children, in Vol. 5 of Collected plays. Edited by J. Willett and R. Manheim. London: Methuen Drama.
Brecht, B. and Hare, D. (1995) Mother Courage and her children. London: Methuen Drama.
Brecht, B. and Willett, J. (1964a) ‘Brecht on theatre: the development of an aesthetic’, in. London: Methuen. Available at: https://contentstore.cla.co.uk/secure/link?id=a2c544da-f599-e711-80cb-005056af4099.
Brecht, B. and Willett, J. (1964b) ‘Brecht on theatre: the development of an aesthetic’, in. London: Methuen. Available at: https://contentstore.cla.co.uk/secure/link?id=a2c544da-f599-e711-80cb-005056af4099.
Brecht, B. and Willett, J. (1964c) Brecht on theatre: the development of an aesthetic. London: Methuen.
Brecht, B., Willett, J. and Manheim, R. (1980) Mother Courage and her Children, in Bertolt Brecht collected plays, Vol. 5. London: Eyre Methuen.
Brooker, P. (no date) ‘Key words in Brecht’s theory and practice of theatre’, in The Cambridge companion to Brecht. Cambridge [England]: Cambridge University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=b8b21ce8-f599-e711-80cb-005056af4099.
Brown, R. (2009) Sound: a reader in theatre practice. Basingstoke: Palgrave Macmillan.
Counsell, C. (1996) Signs of performance: an introduction to twentieth-century theatre. London: Routledge.
Esslin, M. (1980) The Theatre of the absurd. 3rd ed. Harmondsworth (etc.): Penguin.
Esslin, M. (2001) The theatre of the absurd. 3rd ed. London: Methuen.
Hansberry, L. (1981) ‘THE NEGRO WRITER AND HIS ROOTS: TOWARD A NEW ROMANTICISM’, The Black Scholar, 12(2).
Hansberry, L. and Nemiroff, R. (2009) A raisin in the sun. London: Methuen Drama.
Hansberry, L. and Osborne, D. (2011) A raisin in the sun. London: Methuen Drama.
Huxley, M. and Witts, N. (2002a) ‘Samuel Beckett “Quad”, in The twentieth-century performance reader’, in The twentieth-century performance reader. 2nd ed. London: Routledge, pp. 68–72. Available at: https://contentstore.cla.co.uk/secure/link?id=a3c544da-f599-e711-80cb-005056af4099.
Huxley, M. and Witts, N. (2002b) The twentieth-century performance reader. 2nd ed. London: Routledge.
Innes, C. D. (2000) A sourcebook on naturalist theatre. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165866.
Innes, C.D. (1993) Avant garde theatre, 1892-1992. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=179251.
Innes, C.D. (2000) A sourcebook on naturalist theatre. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=165866.
Johnson, W. (1976) August Strindberg. Boston: Twayne Publishers.
Kane, S. (1998) Crave. London: Methuen Drama.
Kane, S. (2001) Crave, in Complete plays: Blasted, Phaedra’s love, Cleansed, Crave, 4.48 psychosis, Skin. London: Methuen Drama.
Kuhns, D.F. (1997) German expressionist theatre: the actor and the stage. Cambridge: Cambridge University Press.
Leach, R. (2004) Makers of modern theatre: an introduction. London: Routledge. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=200349.
MacFarlane, J.W. (1989) Ibsen [and] meaning: studies, essays [and] prefaces, 1953-87. Norwich: Norvik Press.
Marber, P. (no date) ‘After Miss Julie | Digital Theatre+’. Available at: https://edu-digitaltheatreplus-com.oxfordbrookes.idm.oclc.org/content/productions/after-miss-julie.
Marker, F.J. and Marker, L.-L. (1989) Ibsen’s lively art: a performance study of the major plays. Cambridge: Cambridge University Press.
McFarlane, J.W. (1994a) The Cambridge companion to Ibsen. Cambridge: Cambridge University Press.
McFarlane, J.W. (ed.) (1994b) ‘The Cambridge companion to Ibsen’, in. Cambridge [England]: Cambridge University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=a4c544da-f599-e711-80cb-005056af4099.
Merlin, B. (2001) Beyond Stanislavsky: the psycho-physical approach to actor training. London: Nick Hern.
Merlin, B. (2003) Konstantin Stanislavsky. London: Routledge.
Oddey, A. and White, C.A. (2006) The potentials of spaces: the theory and practice of scenography & performance. Bristol, UK: Intellect Books. Available at: https://contentstore.cla.co.uk/secure/link?id=a12c5ae1-f599-e711-80cb-005056af4099.
Patterson, M. (1981) The revolution in German theatre 1900-1933. Boston, Mass: Routledge & Kegan Paul.
Pilling, J. (1994) The Cambridge companion to Beckett. Cambridge: Cambridge University Press.
Pitcher, H.J. (1985) The Chekhov play: a new interpretation. Berkeley: University of California Press.
Reinert, O. (1971) Strindberg: a collection of critical essays. Englewood Cliffs: Prentice-Hall.
Rowell, G. (ed.) (1972) Nineteenth century plays. 2nd ed. London: Oxford University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=a22c5ae1-f599-e711-80cb-005056af4099.
Schechner, R. and Brady, S. (2013a) ‘Performance studies: an introduction’, in. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=a32c5ae1-f599-e711-80cb-005056af4099.
Schechner, R. and Brady, S. (2013b) ‘Performance studies: an introduction’, in. London: Routledge. Available at: https://contentstore.cla.co.uk/secure/link?id=a32c5ae1-f599-e711-80cb-005056af4099.
Shakespeare, W. and Bate, J. (2003) Titus Andronicus. London: Arden Shakespeare. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=6158910.
Shakespeare, W. and Waith, E.M. (1984) Oxford Shakespeare: Titus Andronicus. Cary: Oxford University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=3055167.
Shelley, S. (no date) A practical guide to stage lighting. 2nd ed. Amsterdam: Focal Press/Elsevier. Available at: https://contentstore.cla.co.uk/secure/link?id=b7b21ce8-f599-e711-80cb-005056af4099.
Shelley, S.L. (2014) A practical guide to stage lighting. Third edition. Burlington, MA: Focal Press. Available at: https://oxfordbrookes.on.worldcat.org/oclc/868975040.
Sprinchorn, E. (1982) Strindberg as dramatist. New Haven: Yale University Press.
Stanislavsky, K. (1936a) An actor prepares. New York: Theatre Arts Books.
Stanislavsky, K. (1936b) An actor prepares. London: Geoffrey Bles.
Stanislavsky, K. (1967) An actor prepares. Harmondsworth: Penguin.
Stanislavsky, K. (2008) Building a character. London: Methuen Drama.
Stanislavsky, K. and Hapgood, E.R. (1979) Building a character. London: Eyre Methuen.
Steene, B. (1973) The greatest fire: a study of August Strindberg. Carbondale: Southern Illinois University Press.
Strindberg, A. and Robinson, M. (2008a) Miss Julie: and other plays. Oxford: Oxford University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=5050009.
Strindberg, A. and Robinson, M. (2008b) Miss Julie: and other plays. Oxford: Oxford University Press.
Strindberg, A., Törnqvist, E. and Steene, B. (2007) Strindberg on drama and theatre: a source book. Amsterdam: Amsterdam University Press. Available at: https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=419758.
Styan, J.L. (1981) Modern drama in theory and practice: Vol.2: Symbolism, surrealism and the absurd. Cambridge: Cambridge University Press.
Templeton, J. (1997) Ibsen’s women. Cambridge: Cambridge University Press.
Thomson, P. and Sacks, G. (no date) ‘The Cambridge companion to Brecht’, in. Cambridge [England]: Cambridge University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=b8b21ce8-f599-e711-80cb-005056af4099.
Urban, K. (2011) ‘Sarah Kane (Chapter 16)’, in M. Middeke, P.P. Schnierer, and A. Sierz (eds) The Methuen drama guide to contemporary British playwrights. London: Methuen Drama, pp. 304–322. Available at: https://contentstore.cla.co.uk/secure/link?id=82a40bb4-5da7-eb11-85aa-281878522727.
Wallis, M. and Shepherd, S. (2010a) Studying plays. Third edition. London: Bloomsbury Academic.
Wallis, M. and Shepherd, S. (2010b) Studying plays. 3rd ed. London: Bloomsbury Academic.
Wallis, M. and Shepherd, S. (2018a) Studying plays. Fourth edition. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
Wallis, M. and Shepherd, S. (2018b) Studying plays. Fourth edition. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
Wallis, M. and Shepherd, S. (2018c) Studying plays. Fourth edition. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
Wallis, M. and Shepherd, S. (2018d) Studying plays. Fourth edition. London: Bloomsbury Academic.
Ward, J. (1980) The social and religious plays of Strindberg. London: Athlone Press.
Wedekind, F. et al. (2012) Spring awakening. London: Methuen Drama. Available at: https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=2437553&site=ehost-live.
Wedekind, F. and Bond, E. (1980a) Spring awakening. London: Eyre Methuen.
Wedekind, F. and Bond, E. (1980b) Spring awakening. London: Eyre Methuen.
Willett, J. (1977) The theatre of Bertolt Brecht: a study from eight aspects. Revised ed. (i.e. 3rd ed. with a revised bibliography). London: Eyre Methuen.