Abel R and Altman R, The Sounds of Early Cinema (Indiana University Press 2001)
Altman R, Silent Film Sound, vol Film and culture (Columbia University Press 2004)
Altman R and American Film Institute, Sound Theory, Sound Practice, vol AFI film readers (Routledge 1992)
Annabel Cohen, ‘Music as a Source of Emotion in Film’, Music and emotion: theory and research, vol Series in affective science (Oxford University Press 2001)
Bordwell D, Thompson K and Smith J, Film Art: An Introduction (Twelfth edition, International student edition, McGraw-Hill Education 2019)
Brown RS, Overtones and Undertones: Reading Film Music (University of California Press 1994)
——, Overtones and Undertones: Reading Film Music (University of California Press 1994)
Bruce G, Bernard Herrmann: Film Music and Narrative, vol Studies in cinema (UMI Research Press 1985)
Buhler J, Flinn C and Neumeyer D, Music and Cinema, vol Music/culture (University Press of New England 2000)
Chion M and Gorbman C, Audio-Vision: Sound on Screen (Columbia University Press 1994)
Citron MJ, Opera on Screen (Yale University Press 2000)
Claudia Gorbman, ‘Scoring the Indian: Music in the Liberal Western’, Western music and its others: difference, representation, and appropriation in music (University of California Press 2000)
——, ‘Scoring the Indian: Music in the Liberal Western’, Western Music and Its Others : Difference, Representation, and Appropriatio...: EBSCOhost <http://web.b.ebscohost.com.oxfordbrookes.idm.oclc.org/ehost/detail/detail?sid=5b9427e1-74ab-45a8-a0cc-447757a7cd02%40sessionmgr198&crlhashurl=login.aspx%253fdirect%253dtrue%2526scope%253dsite%2526db%253dnlebk%2526db%253dnlabk%2526AN%253d66372&hid=110&vid=0&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=66372&db=nlebk>
Conrad P, The Hitchcock Murders (Faber 2000)
Conrich I and Tincknell E, Film’s Musical Moments, vol Music and the moving image (Edinburgh University Press 2006)
Cooke M, A History of Film Music (Cambridge University Press 2008) <http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html>
Cooke M and Ford F (eds), The Cambridge Companion to Film Music (Cambridge University Press 2016)
Daniel Grimley, ‘Hidden Places: Hyper-Realism in Bjork’s Vespertine and Dancer in the Dark’ 2 Twentieth - Century Music <https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/services/aop-cambridge-core/content/view/8BA0100F2761D02779F10CA89943AA0B/S1478572205000186b.pdf/hidden-places-hyper-realism-in-bjork-s-vespertine-and-dancer-in-the-dark.pdf>
David Bordwell, Kristin Thompson, and Jeff Smith, Film Art: An Introduction (Eleventh edition, McGraw-Hill Education 2017)
Davison A, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s, vol Ashgate popular and folk music series (Ashgate 2004)
Dean W. Duncan, Charms That Soothe: Classical Music and the Narrative Film, vol Communications and media studies (Fordham University Press 2003) <http://www.loc.gov/catdir/toc/ecip044/2003011363.html>
Donnelly KJ, Film Music: Critical Approaches (Edinburgh University Press 2001)
Flinn C, Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music (Princeton University Press 1992)
Goldmark D, Kramer L and Leppert RD, Beyond the Soundtrack: Representing Music in Cinema (University of California Press 2007)
Gorbman C, Unheard Melodies: Narrative Film Music (Indiana University Press 1987)
Hickman R, Reel Music: Exploring 100 Years of Film Music (Second edition, W W Norton & Company 2017)
Inglis I, Popular Music and Film (Wallflower 2003)
Jeff Smith, ‘Unheard Melodies?  A Critique of Psychoanalytic Theories of Film Music’, Post-theory: reconstructing film studies, vol Wisconsin studies in film (University of Wisconsin Press 1996)
Kassabian A, Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (Routledge 2001) <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=70539>
——, Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (Routledge 2001)
——, Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (Routledge 2001)
——, Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (Routledge 2001) <https://oxfordbrookes.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=70539>
Kevin Donnelly, ‘The Classical Film Score Forever? Batman, Batman Returns and Post-Classical Film Music’, Contemporary Hollywood cinema (Routledge 1998)
Kramer L, Why Classical Music Still Matters (University of California Press 2007)
——, Why Classical Music Still Matters (University of California Press 2007) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780520933644&uid=^u>
L. Geraghty, R. Janicker, ‘`"Now That’s What I Call a Close Encounter!" : The Role of the Alien in Science Fiction Film, 1977-2001’’ [2004] Scope: An Online Journal of Film Studies <http://www.nottingham.ac.uk/scope/documents/2004/november-2004/geraghty-janicker.pdf>
Lastra J, Sound Technology and the American Cinema: Perception, Representation, Modernity, vol Film and culture (Columbia University Press 2000)
Lawrence Grossberg, ‘Cinema, Postmodernity and Authenticity’, Movie music: the film reader, vol In focus (Routledge 2003)
Lawrence Kramer, ‘From the Other to the Abject: Music as a Cultural Trope’, Classical music and postmodern knowledge (University of California Press 1996)
‘Listening to Ravel, Watching Un Coeur En Hiver: Cinematic Subjectivity and the Music-Film’ (2004) 1 Twentieth-century music <https://www-cambridge-org.oxfordbrookes.idm.oclc.org/core/services/aop-cambridge-core/content/view/038D2F335E52091A22E24AE58057D67A/S1478572205000149a.pdf/listening-to-ravel-watching-un-coeur-en-hiver-cinematic-subjectivity-and-the-music-film.pdf>
Marshall B and Stilwell RJ, Musicals: Hollywood and Beyond (Intellect 2000)
Neumeyer D (ed), The Oxford Handbook of Film Music Studies (Oxford University Press 2014) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780199338474&uid=^u>
O’Brien C, Cinema’s Conversion to Sound: Technology and Film Style in France and the U.S. (Indiana University Press 2005) <https://oxfordbrookes.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=OxfBrookes&isbn=9780253111128&uid=^u>
Peter Franklin, ‘King Kong and Film on Music: Out of the Fog’, Film music: critical approaches (Edinburgh University Press 2001)
Powrie P and Stilwell RJ, Changing Tunes: The Use of Pre-Existing Music in Film (Ashgate 2006)
Richard Dyer, ‘Entertainment and Utopia’, Only entertainment (2nd ed, Routledge 2002) <https://ebookcentral-proquest-com.oxfordbrookes.idm.oclc.org/lib/brookes/detail.action?docID=237341>
Sergi G, The Dolby Era: Film Sound in Contemporary Hollywood, vol Inside popular film (Manchester University Press 2004)
Smith J, The Sounds of Commerce: Marketing Popular Film Music, vol Film and culture (Columbia University Press 1998)
Spadoni R, Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre (University of California Press 2007)
Sullivan J, Hitchcock’s Music (Yale University Press 2006) <http://www.loc.gov/catdir/toc/ecip0611/2006010348.html>
Susan McClary, ‘Minima Romantica’, Beyond the soundtrack: representing music in cinema (University of California Press 2007)
Tagg P and Clarida B, Ten Little Title Tunes: Towards a Musicology of the Mass Media (Mass Media Music Scholars’ Press 2003)
Vernallis C, The Oxford Handbook of New Audiovisual Aesthetics (John Richardson and Claudia Gorbman eds, Oxford University Press 2013)
Vernallis C, Herzog A and Richardson J (eds), The Oxford Handbook of Sound and Image in Digital Media (Oxford University Press 2015)
Winters, Ben, ‘Corporeality, Musical Heartbeats, and Cinematic Emotion.’ (2008) 2 Music, Sound & the Moving Image 3 <http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=aft&AN=505303674&site=ehost-live>
——, ‘The Non-Diegetic Fallacy: Film, Music, and Narrative Space.’ (2010) 91 Music & Letters 224 <http://search.ebscohost.com.oxfordbrookes.idm.oclc.org/login.aspx?direct=true&db=a9h&AN=53299064&site=ehost-live>
Wojcik PR and Knight A, Soundtrack Available: Essays on Film and Popular Music (Duke University Press 2001)